1. DISTRIBUTION STATEMENT A: Approved for public release; distribution is unlimited. SPECIAL PUBLICATION March 1990 Harmony NAVEDTRA 12012 2. DISTRIBUTION STATEMENT A: Approved…

COUNTERPOINT by \VALTER PISTON PROFESSOR OF MUSIC, H."RVARD UNIVERSITY LONDON VICTOR GOLLANCZ LTD 1970 Copyright, 1947, by W. W. Norton Q;.. Company, Inc. New York,…

iii Instructor's Manual to Accompany MUSIC IN THEORY AND PRACTICE VOLUME I BRUCE BENWARD University of WisconsinâMadison GARY WHITE Iowa State University v Contents…

1 MUSIC THEORY: THE TL;DR VERSION By: Reginald Young / Neon The Rex 2 âLearn  the  rules  like  a  pro,   so  you  can  break  them  like…

1 MUSIC THEORY: THE TL;DR VERSION By: Reginald Young / Neon The Rex 2 “Learn the rules like a pro, so you can break them like an artist.” -Pablo Picasso 3 WHY MUSIC THEORY…

Re: Neoclassical Progressions Options â01-30-2009 10:57 AM Well, one of my favorites is i bII V7 i. So.. in the key of D minor, Dm Eb A7 Dm major I V vi iii IV I IV V minor…

Slide 1 Form Slide 2 Form p. 2 Slide 3 C Major Triad, Meas. 1-2 Slide 4 C Major 5 Finger Pattern, m. 2-3 Slide 5 G & C Five Finger Patterns, m. 3-4 Slide 6 Modulation…

Slide 1 Secondary Dominants: Major triads OR Major-minor Seventh chords (Dominant Sevenths) that belong to the key of a diatonic chord. V / ii Read: âFive OF Twoâ Key of…

C: Secondary Subdominants after learning about secondary dominants, you might wonder if it’s possible to extend the concept to other chords. for example, if we can use…