Top Banner
econdary Dominants: Major triads OR Major-minor Seventh chords (Dominant Sevenths) that belong to the key of a diatonic chord. V / ii Read: “Five OF Two” Key of C: d o f V d o f A A C# E
12

Secondary Dominants:

Feb 23, 2016

Download

Documents

moya

Secondary Dominants:. Major triads OR Major-minor Seventh chords (Dominant Sevenths) that belong to the key of a diatonic chord. V / ii. Read: “Five OF Two”. V. Key of C: . of. d. A. of. d. A C# E. Secondary Progressions:. - PowerPoint PPT Presentation
Welcome message from author
This document is posted to help you gain knowledge. Please leave a comment to let me know what you think about it! Share it to your friends and learn new things together.
Transcript
Page 1: Secondary Dominants:

Secondary Dominants:Major triads OR Major-minor Seventh chords (Dominant Sevenths) that belong to the key of a diatonic chord.

V / iiRead: “Five OF Two”

Key of C: dofVdofA

A C# E

Page 2: Secondary Dominants:

Secondary Progressions:

Page 3: Secondary Dominants:
Page 4: Secondary Dominants:

The leading tone chord also sounds dominant and can have the same function.

Secondary Progressions:

Page 5: Secondary Dominants:
Page 6: Secondary Dominants:

They do not necessarily establish a new key.

Page 7: Secondary Dominants:

Dominant Expansion

Page 8: Secondary Dominants:
Page 9: Secondary Dominants:

Dominants in Sequence

Page 10: Secondary Dominants:

They can resolve to a different chord to preserve voice leading principals.

Page 11: Secondary Dominants:
Page 12: Secondary Dominants: