Form. Form p. 2 C Major Triad, Meas. 1-2 C Major 5 Finger Pattern, m. 2-3.

Form

Form p. 2

C Major Triad, Meas. 1-2

C Major 5 Finger Pattern, m. 2-3

G & C Five Finger Patterns, m. 3-4

Modulation – G Scale

Alberti Bass

G Major Scale on B

Meas. 15-16

Development – Minor Key

L.H. Melody

Recap – Octave Lower

Melody Change, Meas. 28

Double 3rds, Meas. 30

Beethoven, Les Adieux

G & C Five Finger Patterns, Meas. 3-4

Czerny Etude

Czerny Etude with Comments

Kabalevsky Waltz, Op. 39

Kabalevsky Waltz, Op. 39 w/ Comments

Shostakovitch Waltz

Shostakovich Waltz w/Comments

Beethoven – compare harmonic structure of first four measures with measures 7-10, when opening melody repeats. Even though the first three notes of the melody are the same, the harmony is quite different. Teaching items in this section: Augmented 6 th chord, suspensions, secondary dominants, diminished seventh chordsKabalevsky Waltz – This piece moves through a harmonic progression that our ears do not expect to hear. The music begins sounding aeolian, the first section ends sounding like it is in a minor, and the piece ends with an authentic cadence in d minor.Czerrny Etude – See comments on music. Karen liked this one. You may find other good theory elements.Shostakovich Waltz – This is modal (listed in Clarice Lincoln’s article) – aeolian mode both on a and on g.