1. Looking back to your preliminary task, what do you feel that you have learnt in the progression from it to the full product? 2. Planning When we made our preliminary task,…

1. Media Semiotics:“Reading” Visual Texts, Part 2. Film LanguageMichael FitzgeraldHU-3000Winter, 2009 2. Film “language”• Film does not literally have a “language”…

1.Digital StoryboardUnit 1Location 1 – Scene 1, 2 and 32. Shot 1 – Male laying on bed, slowly awaking. Camera gradually tracks across bedroom from leftto right in direction.…

1.  2. So I turned up one morning at work to discover the building was being used as a location for a film. I thought this would be a great opportunity to see how real film…

1. How camera shots are used in opening sequences to create meaning- The conjuring Rosie Ram 2. Extreme close – Close up shots are used to draw the view closer and involve…

1. Laura Hajdarevic 2. Initially we see the character at a very up close level in which it emphasises the viewers concentration on it. In this case our attention is brought…

1. Media Semiotics:“Reading” Visual Texts, Part 2. Film LanguageMichael FitzgeraldHU-3000Winter, 2009 2. Film “language”•…

1. Media Semiotics:“Reading” Visual Texts, Part 2. Film LanguageMichael FitzgeraldHU-3000Winter, 2009 2. Film “language”•…

1. Camera shots, Angles andMovementThe film “ Tropic Thunder” 2. Two shot• A two shot is used to show how close the twocharacters are together within the scene 3. Establishing…

1. The FingersmithExtract Analysis 2. This shot is a pedestal shot. It follows the man as he moves from a standing position downto a kneeling position. This lets the audience…