The Call to Performance Norman K. Denzin University of Illinois at Urbana-Champaign This article presents a performance-based approach to doing symbolic interactionist inquiry.…

c.Monolingualism ofthe Other; or, The Prosthesis of Origin JACQUES DERRIDA Translated by Patrick Mensah Stanford University Press Stanford, California Assistance for the…

© 2009 The Philosophical Forum, Inc. DISCOURSE, POWER, AND SUBJECTIVATION: THE FOUCAULT/HABERMAS DEBATE RECONSIDERED AMY ALLEN The Foucault/Habermas debate was a nonevent.…

1 Diverse Economies: Performative Practices for ‘Other Worlds’ J.K. Gibson-Graham Department of Human Geography Research School of Pacific and Asian Studies The Australian…

The Virtue of Suicide and the Suicide of Virtue: A Reading of Cicero’s On Ends and Tusculan Disputations1 BRIAN HARDING Texas Woman’s University Abstract: This paper…

Social Dramas and Stories about Them Author(s): Victor Turner Source: Critical Inquiry, Vol. 7, No. 1, On Narrative (Autumn, 1980), pp. 141-168 Published by: The University…

1. SPEECH ACTSAND EVENTS SPEECH ACTS(AUSTIN, 1962) 2. Only if a sentence can be verified as truthful or false it is meaningful… Subjective statements like the one belowwould…

1. Evaluation-Question 1 “In what ways does your media product use, develop or challenge forms and conventions of real media products?” Throughout the production of my…

Ten Fundamental Questions of Curating 4/10 Why Mediate Art? Maria Lind Sharon Houkema, M3, installation with overhead projector, container, plastic cup, mist maker, WHY MEDIATE…