HUMAN EMOTION IN MODERN ART Our presentation is intended to reveal both human emotion and modernist elements within the most representative art domains, namely painting,…

1. Postmodernism in Art: An IntroductionThe end of modernism: 1960s art and cultureTutor:James Clegg 2. Gerhard Richter (1986) Blue.Oil on canvas (300cm * 300cm)Jackson Pollock…

Slide 1What is and When was MODERNITY ? Lecture 1: Andrea Peach Slide 2 Chicago Crown Hall, Illinois Institute of Technology, 1950-51, Mies van der Rohe From Here to Modernity…

I The Specificity of Media in the Arts NOEL CARROLL The idea-which I shall call the medium-specificity thesis-that each art fonn, in virtue of its medium, has its own exclusive…

Abstraction, 1910–1925: Eight Statements OCTOBER 143, Winter 2013, pp. 3–51. © 2013 October Magazine, Ltd. and Massachusetts Institute of Technology. Beginning in late…

Modernist Motifs John Blackburn Orange Square Oil & mixed media on canvas mounted on board 1200 mm x 2450 mm Modernist Motifs A casually reclining nude from 1863 lays…

Let It Begin something we can make.â We heard this when we showed concepts for the Maximus handlebars, 20-mil hubs, Hollow stem, Focus rims, Echelon saddles, even the Zero…

Leah Durner: Paintings 2002 - 2006 Simultaneously intense and casual, Leah Durnerâs work occupies the critical space between modernism and postmodernismâbetween postwar…

29 AISTHESIS Nº 49 (2011): 29-52 ⢠ISSN 0568-3939 © Instituto de Estética - Ponti! cia Universidad Católica de Chile Cuestión de tiempo: Michael Fried y…

Clement Greenberg. Modernist Painting. 1960 ‘Modernist Painting oriented itself to flatness as it did to nothing else’ Modernism: progress towards abstraction ? Edouard…