January - February 2009, Berlin Esemplasticism: The Truth is a Compromise is an exhibition dealing with different facets of perception in the fallout of the information/technology…
m To Bo ae ch ss rt -A rc h 2a 77 r Te m pe Pa r James Stirling Client Relationships i irl St In ke ,G ng e th e riz rP D w go as l ar W es di tu S in s ie at es at sr ,I…
Hans Belting Contemporary Art as Global Art A Critical Estimate “Contemporary art has become a social phenomenon, a tool for communication. There is no point in comparing…
todays artAUGUST, 1965IN THIS ISSUE: AMERICAN WATERCOLOR SOCIETYS 98TH ANNUAL-PAGE 5Eclnw. 11, by Burse Miller. First Honorable Mention in American Watercolor Societys 08th…
Radovi Instituta za povijest umjetnosti 34 Radovi Instituta za povijest umjetnosti 34 UDK 7.0/77 Zagreb, 2010. ISSN 0350-3437 Radovi Instituta za povijest umjetnosti 34 Journal…
The Readymades of Marcel Duchamp: The Ambiguities of an Aesthetic Revolution Author(s): Steven Goldsmith Reviewed work(s): Source: The Journal of Aesthetics and Art Criticism,…
Post-Minimalism II20th Century Realism and The Return of the Figure Post-Minimalism• The term Post-Minimalism was first introduced in 1971 by art historian, critic, and…
H U M A N I T I E S --refersterm is toward abstraction The to artistic worksassociated A tendency usually produced withthe the period extending during in which the traditions…