1. MUCH ADO ABOUT NOTHING BY WILLIAM SHAKESPEARE 2. A DIRECTOR’S CUT One of the most crucial members in the theatre field is the director. The director is in charge of…

1. Q2ClickSoap trailerhere togo back to slide67 Please click here if video above doesn’t work 2. Planning mostly done on blogger.com andfollowing slides.http://rebekahc091424.blogspot.com/…

1. Immediately the audience can see... A-semetric shot of the twobridesmaids, with light that isreflected on there face toThe opening sequence, starts with a darkrepresent…

1. Question TwoHow effective is the combination of your main product and ancillary texts? 2. IntroductionI am going to analyse how coherent my marketing package was in creating…

1. EVALUATIONMedia A2 CourseworkKate Trollope 2. Question 1: conventions of TV soap – learning from real media texts.MISE EN SCENEEDITINGCAMERA 3. Q1: BBC The Cut Trailer.Camera…

1. THE DARK KNIGHTHere we have an establishing-shot overlooking ‘Gothem City’ the place in which the film is set. As we can see the shot ispredominantly dark, already…

1. In what ways does your media product use, develop or challenge forms and conventions of real media products? By Bethany Bouchareb 2. 2 SCARLETTWe researched existing horror…

1. Forms and Conventions of the Horror Genre 2. Particular genres will have different features that will enable it to be recognised by the audience. This will help the audience…

1. In what ways does your media product use, develop or challenge forms and conventions of real media products? 2. Before initiating the production process of our trailer…

1. In what ways does your media product use, develop or challenge forms and conventions of real media products? 2. Before initiating the production process of our trailer…