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IMPROVE YOUR DESIGN
PORTFOLIO
MUSIC VIDEO ART
November 2011
ICONS OF HE 50’S
HE AR OF MAKEUP
Haute Couture
Drinks
F riday FASHION . ART . BEVERAGES
13
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clinique.com Clin
iqueLaboritiesLLC
Merry CliniqueThis season be the blushing beauty at all your celebrations
with our Strawberry Fudge Compact.
Celebrate color this season with our perfectly paired
silky blush and eye shadow trio. Create the perfect twinkling eyes
and radiant blushing cheeks and meet your love under the mistletoe.
Long-wearing. True-colour. Oil-free.
Visit our Holiday Shop now at clinique.com
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Verge Jewelry
Harmony Collection
www verge com/harmony
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Javecia BurnsEDITOR IN CHIEF
Priscilla AmbrizPHOTOGRAPHER
Elizabeth CawleyWRITER
Sara JacobsonPRODUCTION
F riday FASHION.ART.ALCOHOL
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13 THE ART OF MAKEUP
16 I WANT MY MUSICVIDEO ART SHOW
17 IN THE GLASS
18 TAKING HAUTECOUTURE COCKTAILSHOME
3 MASTHEAD
5 LETTER FROM JAVECIA
7 WHAT...
8 CELEBRITIES, LIVINGROOMS, AND OSCAR
November 2011
Our monthly letter from the editor
What we’re following, wanting to buy,and obsessing over
A day at LACMA: “Liiving in the Modern
World : 1930 - 1965”
Music videos inspiring art
What’s new in alcohol and beverages
Make drinks at home like the ones at Fashion
Week
NOVEMBER 2011 \ FRIDAY
11 THE ARTS OF FASHION
SETTING YOU APART
A brief look at the history of makeup
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Letter from JaveciaWHAT TO LOOK FORWARD TO:
- The Art of Fashion Setting You Apart
- I Want My Music Video Art Show
- Celebrities, Living Rooms, and Oscar
- The New Art of Makeup
5 THINGS YOU’LL BE SURE TO ENJOY:
1. Friday Magazine’s “What” page: Where
you’ll nd any and all of what the magazine staff
is following on twitter, what we’re wanting to
buy, and what were absolutely obsessed with.
2. In the Glass: where we take a look at
the leading drinks and liquors of choice.
3. Taking Haute Couture Cocktails Home:
where you learn some recipes to make fan-
cy drinks right in your own kitchen.
4. New OPI nail colors: Inspired by theworlds leading and most iconic artists.
5. Make up, Perfume, and Jewelry: the latest
and the greatest in what looks and smells good.
It’s Friday night and all I can think about
is Fashion, Art, and Alcohol. I want to
get all dressed up in the latest trendy
dresses and sky high heels, paint on my
make up to perfection, and sip a littlecranberry and vodka with my amigos.
This work of art you hold in your hands is
Friday: Fashion Art and Alcohol magazine
and we aim to please. This mag is for the
trend setting, art loving, adventurous so-
cial drinker that works the 9 to 5 go getter
grind, or part time college student grind,
during the week and wants to let loose and
enjoy themselves come Friday and Sat-urday night. It’s also for the art lover who
loves to read and see new forms of art, other
than the boring art gallery canvas paint-
ings and photos, mounted on a white wall.
The November issue is lled with fab-
ulous nds, yummy drinks, and arti-
cles that are sure to spark your interest.
Editor in Chief
Javecia Burns
5 FRIDAY / NOVEMBER 2011
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What......WE’RE FOLLOWING ...WE’RE WANTING TO BUY
...WE’RE OBSESSED WITH
@Jess_Stam
@NicoleRichie
fashiongonerogue.com
theshoegirl.blogspot.com
fashionista.com
ad-trends/tumblrdeckedoutinfashion/tumblr
theoatmeal.com
iPhone 4siPad
Marc Jacobs Oh LolaMarc Jacobs Daisy Eau So Fresh
Nars Lipstick Vogue: Te Covers byDodie KazanjianBanana Republic’s Clos Du Bois Cabernet Sauvignon
VEEV Acai Spirit
PAMA Pomegranate favored liquerVisual Miscellanium
PizookieWine asting
7 FRIDAY / NOVEMBER 2011
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SARA JACOBSON
On a Tursday evening, beore the sun hasset, beore the clubs have opened, I nd my-sel looking at three seemingly unrelatedobjects: my avorite celebrity couple, a liv-ing room, and a guy named Oscar. I’m atLACMA, the Los Angeles County Museumo Art. From October 1, 2011 - March 25,2012, LACMA and many museums in Cali-ornia are participating in Pacic Standardime: Art in LA 1945 - 1980. LACMAhas holds the “Caliornia Design, 1930 -1965 ‘Living in a Modern World” exhibit.
“With more than 300 objects—ur-
niture, ceramics, metalwork, ash-ion and textiles, and industrial andgraphic design—the exhibition ex-amines the state’s role in shaping thematerial culture o the entire country”
Within this exhibition, located in the Resn-ick Pavilion, Barbie and Ken, my avoritecouple, reside. Te original Barbie doll,rom 1959 appears next to her beau Ken.Tis Ken rom 1961 looks vastly dierentrom the bu, tan Ken that children around
the world currently play with. Tese iconicsymbols o childhood, ashion, and Caliornia were kindly donated to the museum byMattel, headquartered in El Segundo. Nexto the couple is Barbie’s original 1962 dreamhouse. Tis is ar dierent rom the twostory, multi-roomed, Barbie dream house
with a lamp that lit up, I grew up with. Tidream house is a one roomed, dorm lookingbox with yellow painted walls. On the Vwhich itsel is a piece o urniture, is Bar-bie’s ace. Atop the V is a portrait o KenA party dress hangs in the closet, and paperpillows decorate the cardboard couches
Adjacent to this miniature dreamhouse, is a lie-size living roomTis living room isn’t one roman IKEA catalog, though much
o urniture and decorations probably inspired IKEA urniture. No, this livingroom is the actual one rom the Eameshouse, Case Study house number 8, locatedin Pacic Palisades. Te Eames house wabuilt as part o the program sponsored byArt & Architecture magazine rom 1945to 1966 called “Designs or Post-War Living.” Aer World War II, there was a pop-ulation boom as soldiers returned homerom war, and amilies were started. Ticreated a need or inexpensive, ecientmodern homes. Tus, amous architect
Celebrities, Living Rooms, and Oscar
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o the day were contracted to create model homes aroundLos Angeles. Tese houses were to be designed or a spe-cic type o amily, and used preabricated, standardizedparts. One o the most amous is the Eames house, built ora “married couple both occupied proessionally with me-chanical experiment and graphic presentation...the housemust make no insistent demands or itsel, but rather aid asthe background or lie in work” (Case Study Design Brie).Both the interior and exterior designs o the Eames house“emphasizes space, light, and fexibility. Te interior n-
ishes are surprisingly simple and utilitarian. Large openspaces do not prescribe certain uses, but are eectively mul-tipurpose rooms” (National Register o Historic Places.)
Charles and Bernice “Ray” Eames were a married couplewho not only designed the eighth case study house, but werealso amous or their urniture. Tey applied the techniqueo mass production, perected during the war, to their ur-niture manuacturing. Charles’s design philosophy included“developing designs that could be manuactured economi-cally, sold cheaply, and that were as useul as possible, with-out attempts to cater to an ‘assumed public taste.’ In otherwords, i it is well designed, the public will want it (NPS).”
Te Eames’s lived in their case study house until theirdeaths. Te interior decorations remain as they did whenCharles and Ray inhabited the residence. Tey lled thehome with their own urniture designs, as well as souve-nirs rom their travels. For the LACMA “Living in a Mod-ern World” exhibit, the actual Eames living room has beentransported to the museum premises. In addition to the re-creation o their living room, the exhibit also eatures many o their amous urniture designs, such as the elephant chairand a storage unit whose replica sells or $3,800 online.
From where he is located, he can look at the Barbie and seethe Eames living room, yet he attracts his own attention. Hedidn’t get his name when he was born, and no one is really
sure how he acquired his name, though it has been rumoredthat an executive producer thought he looked like her uncle,and thus he became known by her uncle’s name, Oscar. ohave this 13 1/2 inch man on a mantle is many directors, pro-ducers, and actors dream. Cedric Gibbons, an art director orMGM, designed him, and George Stanly sculpted him as aknight holding a crusad-er’s sword. Oscar standson a reel o lm with vespokes, signiying theve original brancheso the Academy: actors,directors, producers,technicians, and writ-
ers. Te original Oscar,given out in 1929, wasmade o gold plated solidbronze. During WorldWar II, due to the metal shortage, the Oscars were made o painted plaster. Current Oscars are made o britannia met-al, plated in copper, nickel silver, and then 24-karat gold.
Te title o the overall LACMA exhibit is ironic or someonewho is under 30 years old. “Living in a Modern World.” No-where is there an iPod, computer, or even a cell phone. It isn’twhat I dene as modern, yet at its time, the modern world wasevolving. Adults who had matured during the depression and
had gone to war were returningto a new start, ull o opportunityTe American dream o owninga home was realized, and thenuclear home term was coinedAer a period o rationing metaand goods, creative entrepreneurs had to develop new wayso doing things. With all o thisgreat strides were made in creat-
ing the America we know today
LACMA is ree to LA County residentsMonday - Friday
aer 5:00 pm, except Wednesday
Te second uesday o every monthis ree admission or all patrons.
5905 Wilshire BoulevardLos Angeles, CA 90036
323 857-6000
9 FRIDAY / NOVEMBER 2011
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BY ELIZABETH CAWLEY
With job competition especially high,
resumes need to have extras make them
stand out from the rest. One thing that
students should consider getting in-
volved with is the Arts of Fashion Foun-
dation (AoF Foundation). This program
offers multiple chances to participate,
on an international level; including
student competitions, educational pro-
grams, and professional series’. The
organization’s mission is to “link both
academics and professionals alike and
is dedicated in fostering international
cultural exchange through the creation
of a variety of educational events meant
to facilitate critical thinking among art-
ists, designers, scholars, and students.
The primary focus of the foundation is
the continuous support of creativity and
design in fashion and the arts linked to it.” Show-
ing participation in a broader sense of fashion
may help set you apart from all your peers when
it comes to the resume and interview process.
Another main function of the AoF Foundation is
to contribute to a solution of an integral issue of
the fashion industry. The organization feels that
the current challenge of the fashion industry is
the lack of proper copyright laws for fashion de-
sign. They have also been an advocate for the
Innovative Design Protection and Piracy Preven-
tion Act (IDPPPA). The IDPPPA would require
designers to create new concepts and hopefully
eliminate copycats and piracy. Nathalie Doucet,
the Arts of Fashion Foundation’s President,
states in an interview that, “when the IDPPPA
passes, the United States could ride the crest of
a new revolutionary fashion, fueled by the cre-
ative potential of their young designers. This
will give the U.S. fashion industry a true future.”
Involvement with this organization
would show that you believe in this is-sue and you want to create your own
original designs as well. This would
be a great opportunity for students to
get involved with preserving the future
of their fashion career and the fashion
industry. Advocating for the Act is as
simple as writing to your state Senator
As mentioned, the AoF Foundation
holds annual student design competi
tions. Students should consider join-
ing this annual competition to gain
experience, exposure, and recognitionIt would be a unique and a great op-
portunity to compete with “96 schools
from 32 countries.” For the 2011 com
petition, the theme was Tension. For
this competition, students had to cre
ate a collection of three outts along
with illustrations, ats, swatches, vi
sual and written concept, and a resume
There is a limit of 500 applicants, ye
330 students applied and only 65 were
chosen to move past round one. For
HE ARS OF FASHIONSEING YOU APAR
Elizabeth Barb
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the next level of competition, students had to
develop at least 2 new outts that would be
their nal project. The designs were also on
display for two days at the San Francisco Art
Institute. The exhibition was open and free to
the public with the awards ceremony at the end
of the nal night. This competition would be
a great way to build a portfolio and a resume,
even if you do not get past the rst round,
you still have your original design collection.
Another aspect of the competition is that
twelve students were selected from applicants
to participate in a four week study abroad ses-
sion in Paris called Masterclass. During this
session, students were able to work with cut-
ting edge fashion designers including Chris-
tine Phung and Lucille Puton. The students
worked with haute couture and visited local
fashion exhibitions. While in the program,
students were asked to design a menswear gar-
ment that was innovative and functional. The twist was that
students were required to create a jacket from second-handtrousers or a shirt. This is a once in a lifetime opportunity that
all fashion design students should try getting involved with.
During the exhibition of student work, the Professional Series is
held in a nearby lecture hall which is open and free to the public.
The rst series is titled Fashion.edu and is a discussion panel
that gives opportunities to fashion educators: professors, art-
ists, and designers, who teach at fashion institutions around the
world to present their
research and publica-
tions to their peers. It is
a platform for these ac-
ademics to speak about“Teaching Creativity in
Beijing, Paris, and New
York” with a Q&A ses-
sion to follow. The next
series is titled Tandem
and has open dialog
and debate which con-
sist of presentations
led by experts in dif-
ferent elds of fashion
to address challenges
and opportunities of
the fashion industry
such as copyright laws
or media. This interac-
tive forum between the
presenter and audience
stimulates the public to
think deeper about is-
sues in fashion and to
ask the presenter ques-
tions about the issues
at hand. There is also a video screening called the Cinetoile-
Series. Here, Dancing Dreams, a lm by Anne Linsel and
Rainer Hoffman, that features world-famous dancer and choreogra pher Pina Bausch. In the lm, Bausch selected 40 teenagers to par
ticipate in a 10-month training for a dance piece titled Contact Zone
The AoF Foundation is an exciting way to participate and gain ex
perience in the industry. There are many creative outlooks explore
and knowledge presented. Not only does the foundation support th
growth and creativity of students, but it also ghts to preserve an
better the fashion industry. Participation in such a reputable foun
dation will only help you in creating a better future for yourself
Arts of Fashion Foundation
635 Tennessee Street Suite # 402
San Francisco CA 94107
(415) 252 0734
Arts-of-fashion.org
Alicia Declerck
Jo Eun A
NOVEMBER 2011 \ FRIDAY
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BY PRISCILLA AMBRIZ
Fashion shows, lms, television shows, and theater are all project-ing a new form or art. Makeup is one of the newest forms of art
used to evoke a theme or concept. Primarily in fashion, no one
could have guessed how popular cosmetics would have become or
how important makeup artist would be in the production of fashion
shows, fashion photography and all other forms of fashion events.
Cosmetics has grown from European women preparing simple cos-
metics recipes from manuals and recipe books in the seventeenth
and eighteenth century to coming a multibillion dollar global in-
dustry in the twenty-rst century. During the Renaissance period
different makeup techniques were used to differentiate a persons
level in society. Although all people in society used face powder
and simple homemade skin-care products, stage actors and wom-en who were believed to have bad reputations were the only ones
wore visible colorful makeup. Colorful makeup applied to the
lips, cheeks and eyes was so frowned upon that these practices
were viewed as going against God’s natural creation of oneself.
Cosmetics in the nineteenth century begin to grow with the creation of
photography and ones critical assessment on self-appearance. Wom-
en in large cities began to wear evident forms of makeup and women’s
interest in cosmetics grew with their new self-identities as consum-
ers in society. In the twentieth century, the growth of color cosmet-
ics was sparked by the Hollywood motion picture industry. Women
began to purchase cosmetics to complement seasonal changes
leading to the beginning of combining fashion with cosmetics
Advances in chemistry in the twentieth century also lead to the
transformation on makeup not only a science but also an art. Today
cosmetics manufacturers continue to invest in scientic research
to modify and perfect the science and art of cosmetics and beauty
The term of makeup artist began in the twentieth century and
till this day it is fairly new and mystifying. Many makeup art-
ists have reached a high degree of fame in their own rightLaura Mercier, Serge Lutens, Dick Page, Bobbi Brown and
Pat McGrath have all used unique techniques from theater and
lm to expand their personal style and art in cosmetics. Cos
metics today is also pushing new boundaries by not only us-
ing skincare and makeup to form artworks but also including
feathers, crystals, and other special effects to create new and
unique makeup looks in fashion, television, lm and theater
The use of makeup today seems to be pushing the boundaries
in every possible way. Makeup in fashion shows used more and
more to complement and further enhance the vision of design-
ers. Makeup in magazines and advertisements is used to give
consumers an idea of what society sees as beauty and it’s formof attainability. And nally makeup in lm and theater is used to
enhance a character’s performance and presentation. Cosmetics
are used today to serve many purposes but their use in society
has without a doubt become a form of art in fashion and beautyTHE NEW ARTOF MAKEUP
Christian Dior Couture Spring Summer 2007
John Galliano Fall Winter 2009
3 FRIDAY / NOVEMBER 2011
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Shoes and Handbags
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BY JAVECIA BURNS
Video art and music videos are different art forms with different
histories. Video art, which developed in the 1960's, was about
formal experimentation with new time-based media, while mu-sic videos were largely promotional tools developed in the early
1980's to market pop songs on music television channels like MTV.
In Los Angeles, music video amateur Chris Marrs Piliero is mixing
his love for videos and his love for art with a new art show, titled "I
Want My Music Video Art Show”. He is known for directing vid-
eos for Britney Spears, The Black Keys, and Taking Back Sunday.
Of course, the show also pays some
homage to MTV, which became the net-
work and driving force for music video
creation. MTV changed the face of mu-
sic through its creation and its devotion
to the music video art form, so it only
made sense to give MTV a proper trib-
ute. The art show's title, plays on MTV's
old-school slogan, "I Want My MTV."
Chris has a profound love for art shows
and has always wanted to put together
one himself. His project features re-
imaginings of videos by the Smashing
Pumpkins, Lady Gaga and more. The
artwork pays tribute to the art
I WANT MY MUSIC
VIDEO ART SHOWof the music video beyond just the musician and the song.
Music videos have always provided us with the most
amazing imagery. There are so many iconic visuals
thanks to music videos and it has opened the door for
so many amazingly talented music video directors that
have gone on to inuence television, commercials and
movies. An art show like Chris’ needed to be created.
Chris did the show with a good artist friend of his, Dave Mac-
Dowell. This came about because after Dave’s Black Keys vid-
eo for “Tighten Up” won the Breakthrough Video VMA. Chris
asked Dave to commission some art pieces to give to the band andmanagement and label as a thank you for the success of the video.
Dave being a man always down to help teamed up with
Chris and helped gather artists to put the show together. A
few months later and here we are with the most creative
and inventive art show with almost 100 artists involved fea-
turing art inspired by music videos from the 70s to 2011.
The Damned by Crystal Barbre
Let’s Make a Sandwich by James Roper
Bad Romance by Gustavo Suguimoto
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In the GlassCOCONUT WATER
Pomegranate juice is on the outs, and coconut water is in. This new
craze in beverages is exploding in the marketplace. From Zico, Vita
Coco, Harvest Bay, and One Water, the products are no longer just
a refreshing, after workout beverage. Coconut water has electro-
lytes, potassium, and anti ageing benets, perfect to mix with your
favorite liquor.
SXLIQUORS:YOUR DRINK. SEXIER.
I haven’t tried this liquor, but the bottle is ab-
solutely beautiful. SX comes in three different
types: the gold medal winning, SXchachacha
(tequila infused
with lemon and
honey), SX-
calypso (aged
rum and a hint
of mint and
lemon), andSXsamba (rum
with a hint of
vanilla and
sweet limes).
Though it’s cur-
rently only in south Florida, I’m sure SX will
be dancing its way to the West Coast soon.
(BELVEDERE) RED
Belvedere has come out with a limited
edition (RED) vodka, and partnered
with Usher, to help raise awareness
and funds for AIDS.
Don’t forget to tweet your rst drink of
the night at #rstdrink.
VEEV: A BETTER WAY TO DRINK
This liqueur is made from the world’s “premium superfruit,” Acai,
found only in Brazil. In an effort to give back to the rainforests,
VeeV donates $1 per bottle towards the renewal of the Amazonian
Rainforest. Furthermore, VeeV pays the women of Brazil 4 times
their average national wage, to string the Acai seeds on strings to be
turned into bracelets. You can get one of these bracelets by posting a
picture of you and your bottle of VeeV on their twitter.
SPA COOLER 2 ounces VeeV Acai Spirit
1-2 sprigs of mint
6 cucumber slices
1 ounce fresh lime juice3/4 ounce simple syrup
Shake all ingredients well with ice
and strain into an ice-lled rocks glass.
WWW.VEEVLIFE.COM
BY SARA JACOBSON
Jean Paul Gaultier has
teamed up with Piper-
Heidsieck to launch two
new Champagnes: Black
Cancan Millésime 2000 and
the Piper-Heidsieck French
Cancan.
DESIGNER CHAMPAGNEVOLI VODKA
Voli Vodka is a new, low-cal
vodka, with 40% fewer calories
than leading brands. Also, Voli
contains electrolytes which de-
minishes your chance of a hang-
over! With 6 avors to choose
from, this will denately be on
the table at your holiday parties
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AVANT-GARDE-TINI3oz. Coconut Rum
1oz. Pineapple juice
1oz. Lemon juice
1/2oz. Turbinado syrup
COUTURE ON THE CATWALK 2oz. Bombay Sapphire Gin
2oz. Creme de Mure
1oz. Lime Juice
1/2oz. ProseccoGarnish with 6-8 Blueberries
DON’T FEED THE MODELS2oz. Cucumber Vodka
1oz. Lime juice
1oz. Simple syrup
1oz. Cucumber juice
THANKS, IT’S VINTAGE2 oz. Templeton Rye Whiskey
1 oz. Sweet Vermouth
.25 oz. Pomegranate Molasses
2 Dashes Cherry Bitters
Bourbon Soaked Apple Slices
***Please drink responsibly***
MAKE IT WORK
1 oz. Corzo Blanco Tequila.5 oz. Canton Ginger Liqueur
.5 oz. Lemon Juice
.5 oz. Agave Syrup
1 oz. White Wine
Garnish with Lime Wheel
and Crystallized Ginger
T A K I N G
H A U T E
C O U T U R
E
C O C K T A I L S
H O M E
NOVEMBER 2011 \ FRIDAY
BY ELIZABETH CAWLEY
A recent trend among the bars in all the major fashion capi-
tols are fashionable drinks. This is a great promotional method
for the bars to charge higher prices for these specially created
cocktails. Most recently launched were the New York and Par-is Fashion week-inspired drinks. Bartenders have gotten very
good at making a play on fashion related words.
Collaborations between the fashion industry and alcohol in-
dustry are on the rise. This is a fun trend and is highly ben-
ecial for both industries. The bars and hotels that offer these
drinks are known to charge around $15 for one drink! With
such high prices, you can still experience these trendy cock-
tails, it would just be much more cost effective to make them
at home with the following recipes:
In Manhattan hotels and bars, has a variety of these fashion-
related drinks. The Empire Hotel’s Lobby Bar, the Hudson
Hotel, Mondrian Soho, and Morgans Hotel are offering these
fashionable cocktails. Cut these out and bring them with you
to your next party!
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Art and Sole Edition
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C’EST LA VIE0.75oz. SKYY Infusions Dragon Fruit
1/3oz. Darbo Elderower Syrup
0.5oz. Guava Puree (or Guava Juice)
4oz. Prosecco
1 Maraschino Cherry
A DASH OF DIOR 1.5oz. SKYY Infusions
Blood Orange
0.5oz. Lime Juice
2oz. Ginger Beer
3 dashes of Angostura Bitters
PARIS ROUGE2oz. SKYY Vodka
1oz. X-Rated Fusion Liqueur
1oz. Guava nectar
1oz. Pear nectar
1/2oz. Freshly squeezed
lemon juice
CHAMPS-ELYSÉES BUBBLY1oz. SKYY Infusions Blood Orange
1oz. Aperol
2oz. Prosecco
1oz. Mineral Water
LOW CALORIE DRINKS
PENCIL SKIRT3oz. Grey Goose Vodka
1oz. Cucumber juice
1oz. Lemon juice
Splash of soda
THE LITTLE BLACK DRESS2oz. Milagro Silver Tequila
1oz. Grapefruit juice
1oz. Lime juice
1oz. Agave nectar
Splash of Diet Sprite
FRONT ROW FASHIONISTA2 oz. Cabana Cachaca
1 oz. Passion Fruit Puree
1 oz. Velvet Falernum
LINCOLN CENTER LUSTER 1 oz. Remy Martin Cognac
.5 oz. Sugar
.5 oz. Lemon
2.5 oz. Champagne
Lemon Peel Garnish
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