Magazine 351

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http://slidepdf.com/reader/full/magazine-351 1/22

IMPROVE YOUR DESIGN

PORTFOLIO

MUSIC VIDEO ART

November 2011

ICONS OF HE 50’S

HE AR OF MAKEUP

Haute Couture

Drinks

F riday FASHION . ART . BEVERAGES

13

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clinique.com Clin

iqueLaboritiesLLC

Merry CliniqueThis season be the blushing beauty at all your celebrations

with our Strawberry Fudge Compact.

Celebrate color this season with our perfectly paired

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Verge Jewelry

Harmony Collection

www verge com/harmony

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Javecia BurnsEDITOR IN CHIEF

Priscilla AmbrizPHOTOGRAPHER

Elizabeth CawleyWRITER

Sara JacobsonPRODUCTION

F riday FASHION.ART.ALCOHOL

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13 THE ART OF MAKEUP

16 I WANT MY MUSICVIDEO ART SHOW

17 IN THE GLASS

18 TAKING HAUTECOUTURE COCKTAILSHOME

3 MASTHEAD

5 LETTER FROM JAVECIA

7 WHAT...

8 CELEBRITIES, LIVINGROOMS, AND OSCAR

November 2011

Our monthly letter from the editor

What we’re following, wanting to buy,and obsessing over

A day at LACMA: “Liiving in the Modern

World : 1930 - 1965”

Music videos inspiring art

What’s new in alcohol and beverages

Make drinks at home like the ones at Fashion

Week

NOVEMBER 2011 \ FRIDAY

11 THE ARTS OF FASHION

SETTING YOU APART

A brief look at the history of makeup

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Letter from JaveciaWHAT TO LOOK FORWARD TO:

- The Art of Fashion Setting You Apart

- I Want My Music Video Art Show

- Celebrities, Living Rooms, and Oscar

- The New Art of Makeup

5 THINGS YOU’LL BE SURE TO ENJOY:

1. Friday Magazine’s “What” page: Where

you’ll nd any and all of what the magazine staff

is following on twitter, what we’re wanting to

buy, and what were absolutely obsessed with.

2. In the Glass: where we take a look at

the leading drinks and liquors of choice.

3. Taking Haute Couture Cocktails Home:

where you learn some recipes to make fan-

cy drinks right in your own kitchen.

4. New OPI nail colors: Inspired by theworlds leading and most iconic artists.

5. Make up, Perfume, and Jewelry: the latest

and the greatest in what looks and smells good.

It’s Friday night and all I can think about

is Fashion, Art, and Alcohol. I want to

get all dressed up in the latest trendy

dresses and sky high heels, paint on my

make up to perfection, and sip a littlecranberry and vodka with my amigos.

This work of art you hold in your hands is

Friday: Fashion Art and Alcohol magazine

and we aim to please. This mag is for the

trend setting, art loving, adventurous so-

cial drinker that works the 9 to 5 go getter

grind, or part time college student grind,

during the week and wants to let loose and

enjoy themselves come Friday and Sat-urday night. It’s also for the art lover who

loves to read and see new forms of art, other

than the boring art gallery canvas paint-

ings and photos, mounted on a white wall.

The November issue is lled with fab-

ulous nds, yummy drinks, and arti-

cles that are sure to spark your interest.

Editor in Chief

Javecia Burns

5 FRIDAY / NOVEMBER 2011

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What......WE’RE FOLLOWING ...WE’RE WANTING TO BUY

...WE’RE OBSESSED WITH

@Jess_Stam

@NicoleRichie

fashiongonerogue.com

theshoegirl.blogspot.com

fashionista.com

ad-trends/tumblrdeckedoutinfashion/tumblr

theoatmeal.com

iPhone 4siPad

Marc Jacobs Oh LolaMarc Jacobs Daisy Eau So Fresh

Nars Lipstick Vogue: Te Covers byDodie KazanjianBanana Republic’s Clos Du Bois Cabernet Sauvignon

VEEV Acai Spirit

PAMA Pomegranate favored liquerVisual Miscellanium

PizookieWine asting


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http://slidepdf.com/reader/full/magazine-351 9/22NOVEMBER 2011 \ FRIDAY

SARA JACOBSON

On a Tursday evening, beore the sun hasset, beore the clubs have opened, I nd my-sel looking at three seemingly unrelatedobjects: my avorite celebrity couple, a liv-ing room, and a guy named Oscar. I’m atLACMA, the Los Angeles County Museumo Art. From October 1, 2011 - March 25,2012, LACMA and many museums in Cali-ornia are participating in Pacic Standardime: Art in LA 1945 - 1980. LACMAhas holds the “Caliornia Design, 1930 -1965 ‘Living in a Modern World” exhibit.

“With more than 300 objects—ur-

niture, ceramics, metalwork, ash-ion and textiles, and industrial andgraphic design—the exhibition ex-amines the state’s role in shaping thematerial culture o the entire country”

Within this exhibition, located in the Resn-ick Pavilion, Barbie and Ken, my avoritecouple, reside. Te original Barbie doll,rom 1959 appears next to her beau Ken.Tis Ken rom 1961 looks vastly dierentrom the bu, tan Ken that children around

the world currently play with. Tese iconicsymbols o childhood, ashion, and Caliornia were kindly donated to the museum byMattel, headquartered in El Segundo. Nexto the couple is Barbie’s original 1962 dreamhouse. Tis is ar dierent rom the twostory, multi-roomed, Barbie dream house

with a lamp that lit up, I grew up with. Tidream house is a one roomed, dorm lookingbox with yellow painted walls. On the Vwhich itsel is a piece o urniture, is Bar-bie’s ace. Atop the V is a portrait o KenA party dress hangs in the closet, and paperpillows decorate the cardboard couches

Adjacent to this miniature dreamhouse, is a lie-size living roomTis living room isn’t one roman IKEA catalog, though much

o urniture and decorations probably inspired IKEA urniture. No, this livingroom is the actual one rom the Eameshouse, Case Study house number 8, locatedin Pacic Palisades. Te Eames house wabuilt as part o the program sponsored byArt & Architecture magazine rom 1945to 1966 called “Designs or Post-War Living.” Aer World War II, there was a pop-ulation boom as soldiers returned homerom war, and amilies were started. Ticreated a need or inexpensive, ecientmodern homes. Tus, amous architect

Celebrities, Living Rooms, and Oscar

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o the day were contracted to create model homes aroundLos Angeles. Tese houses were to be designed or a spe-cic type o amily, and used preabricated, standardizedparts. One o the most amous is the Eames house, built ora “married couple both occupied proessionally with me-chanical experiment and graphic presentation...the housemust make no insistent demands or itsel, but rather aid asthe background or lie in work” (Case Study Design Brie).Both the interior and exterior designs o the Eames house“emphasizes space, light, and fexibility. Te interior n-

ishes are surprisingly simple and utilitarian. Large openspaces do not prescribe certain uses, but are eectively mul-tipurpose rooms” (National Register o Historic Places.)

Charles and Bernice “Ray” Eames were a married couplewho not only designed the eighth case study house, but werealso amous or their urniture. Tey applied the techniqueo mass production, perected during the war, to their ur-niture manuacturing. Charles’s design philosophy included“developing designs that could be manuactured economi-cally, sold cheaply, and that were as useul as possible, with-out attempts to cater to an ‘assumed public taste.’ In otherwords, i it is well designed, the public will want it (NPS).”

Te Eames’s lived in their case study house until theirdeaths. Te interior decorations remain as they did whenCharles and Ray inhabited the residence. Tey lled thehome with their own urniture designs, as well as souve-nirs rom their travels. For the LACMA “Living in a Mod-ern World” exhibit, the actual Eames living room has beentransported to the museum premises. In addition to the re-creation o their living room, the exhibit also eatures many o their amous urniture designs, such as the elephant chairand a storage unit whose replica sells or $3,800 online.

From where he is located, he can look at the Barbie and seethe Eames living room, yet he attracts his own attention. Hedidn’t get his name when he was born, and no one is really

sure how he acquired his name, though it has been rumoredthat an executive producer thought he looked like her uncle,and thus he became known by her uncle’s name, Oscar. ohave this 13 1/2 inch man on a mantle is many directors, pro-ducers, and actors dream. Cedric Gibbons, an art director orMGM, designed him, and George Stanly sculpted him as aknight holding a crusad-er’s sword. Oscar standson a reel o lm with vespokes, signiying theve original brancheso the Academy: actors,directors, producers,technicians, and writ-

ers. Te original Oscar,given out in 1929, wasmade o gold plated solidbronze. During WorldWar II, due to the metal shortage, the Oscars were made o painted plaster. Current Oscars are made o britannia met-al, plated in copper, nickel silver, and then 24-karat gold.

Te title o the overall LACMA exhibit is ironic or someonewho is under 30 years old. “Living in a Modern World.” No-where is there an iPod, computer, or even a cell phone. It isn’twhat I dene as modern, yet at its time, the modern world wasevolving. Adults who had matured during the depression and

had gone to war were returningto a new start, ull o opportunityTe American dream o owninga home was realized, and thenuclear home term was coinedAer a period o rationing metaand goods, creative entrepreneurs had to develop new wayso doing things. With all o thisgreat strides were made in creat-

ing the America we know today

LACMA is ree to LA County residentsMonday - Friday

aer 5:00 pm, except Wednesday

Te second uesday o every monthis ree admission or all patrons.

5905 Wilshire BoulevardLos Angeles, CA 90036

323 857-6000


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BY ELIZABETH CAWLEY

With job competition especially high,

resumes need to have extras make them

stand out from the rest. One thing that

students should consider getting in-

volved with is the Arts of Fashion Foun-

dation (AoF Foundation). This program

offers multiple chances to participate,

on an international level; including

student competitions, educational pro-

grams, and professional series’. The

organization’s mission is to “link both

academics and professionals alike and

is dedicated in fostering international

cultural exchange through the creation

of a variety of educational events meant

to facilitate critical thinking among art-

ists, designers, scholars, and students.

The primary focus of the foundation is

the continuous support of creativity and

design in fashion and the arts linked to it.” Show-

ing participation in a broader sense of fashion

may help set you apart from all your peers when

it comes to the resume and interview process.

Another main function of the AoF Foundation is

to contribute to a solution of an integral issue of

the fashion industry. The organization feels that

the current challenge of the fashion industry is

the lack of proper copyright laws for fashion de-

sign. They have also been an advocate for the

Innovative Design Protection and Piracy Preven-

tion Act (IDPPPA). The IDPPPA would require

designers to create new concepts and hopefully

eliminate copycats and piracy. Nathalie Doucet,

the Arts of Fashion Foundation’s President,

states in an interview that, “when the IDPPPA

passes, the United States could ride the crest of

a new revolutionary fashion, fueled by the cre-

ative potential of their young designers. This

will give the U.S. fashion industry a true future.”

Involvement with this organization

would show that you believe in this is-sue and you want to create your own

original designs as well. This would

be a great opportunity for students to

get involved with preserving the future

of their fashion career and the fashion

industry. Advocating for the Act is as

simple as writing to your state Senator

As mentioned, the AoF Foundation

holds annual student design competi

tions. Students should consider join-

ing this annual competition to gain

experience, exposure, and recognitionIt would be a unique and a great op-

portunity to compete with “96 schools

from 32 countries.” For the 2011 com

petition, the theme was Tension. For

this competition, students had to cre

ate a collection of three outts along

with illustrations, ats, swatches, vi

sual and written concept, and a resume

There is a limit of 500 applicants, ye

330 students applied and only 65 were

chosen to move past round one. For

HE ARS OF FASHIONSEING YOU APAR

Elizabeth Barb


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the next level of competition, students had to

develop at least 2 new outts that would be

their nal project. The designs were also on

display for two days at the San Francisco Art

Institute. The exhibition was open and free to

the public with the awards ceremony at the end

of the nal night. This competition would be

a great way to build a portfolio and a resume,

even if you do not get past the rst round,

you still have your original design collection.

Another aspect of the competition is that

twelve students were selected from applicants

to participate in a four week study abroad ses-

sion in Paris called Masterclass. During this

session, students were able to work with cut-

ting edge fashion designers including Chris-

tine Phung and Lucille Puton. The students

worked with haute couture and visited local

fashion exhibitions. While in the program,

students were asked to design a menswear gar-

ment that was innovative and functional. The twist was that

students were required to create a jacket from second-handtrousers or a shirt. This is a once in a lifetime opportunity that

all fashion design students should try getting involved with.

During the exhibition of student work, the Professional Series is

held in a nearby lecture hall which is open and free to the public.

The rst series is titled Fashion.edu and is a discussion panel

that gives opportunities to fashion educators: professors, art-

ists, and designers, who teach at fashion institutions around the

world to present their

research and publica-

tions to their peers. It is

a platform for these ac-

ademics to speak about“Teaching Creativity in

Beijing, Paris, and New

York” with a Q&A ses-

sion to follow. The next

series is titled Tandem

and has open dialog

and debate which con-

sist of presentations

led by experts in dif-

ferent elds of fashion

to address challenges

and opportunities of

the fashion industry

such as copyright laws

or media. This interac-

tive forum between the

presenter and audience

stimulates the public to

think deeper about is-

sues in fashion and to

ask the presenter ques-

tions about the issues

at hand. There is also a video screening called the Cinetoile-

Series. Here, Dancing Dreams, a lm by Anne Linsel and

Rainer Hoffman, that features world-famous dancer and choreogra pher Pina Bausch. In the lm, Bausch selected 40 teenagers to par

ticipate in a 10-month training for a dance piece titled Contact Zone

The AoF Foundation is an exciting way to participate and gain ex

perience in the industry. There are many creative outlooks explore

and knowledge presented. Not only does the foundation support th

growth and creativity of students, but it also ghts to preserve an

better the fashion industry. Participation in such a reputable foun

dation will only help you in creating a better future for yourself

Arts of Fashion Foundation

635 Tennessee Street Suite # 402

San Francisco CA 94107

(415) 252 0734

Arts-of-fashion.org

Alicia Declerck

Jo Eun A


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BY PRISCILLA AMBRIZ

Fashion shows, lms, television shows, and theater are all project-ing a new form or art. Makeup is one of the newest forms of art

used to evoke a theme or concept. Primarily in fashion, no one

could have guessed how popular cosmetics would have become or

how important makeup artist would be in the production of fashion

shows, fashion photography and all other forms of fashion events.

Cosmetics has grown from European women preparing simple cos-

metics recipes from manuals and recipe books in the seventeenth

and eighteenth century to coming a multibillion dollar global in-

dustry in the twenty-rst century. During the Renaissance period

different makeup techniques were used to differentiate a persons

level in society. Although all people in society used face powder

and simple homemade skin-care products, stage actors and wom-en who were believed to have bad reputations were the only ones

wore visible colorful makeup. Colorful makeup applied to the

lips, cheeks and eyes was so frowned upon that these practices

were viewed as going against God’s natural creation of oneself.

Cosmetics in the nineteenth century begin to grow with the creation of

photography and ones critical assessment on self-appearance. Wom-

en in large cities began to wear evident forms of makeup and women’s

interest in cosmetics grew with their new self-identities as consum-

ers in society. In the twentieth century, the growth of color cosmet-

ics was sparked by the Hollywood motion picture industry. Women

began to purchase cosmetics to complement seasonal changes

leading to the beginning of combining fashion with cosmetics

Advances in chemistry in the twentieth century also lead to the

transformation on makeup not only a science but also an art. Today

cosmetics manufacturers continue to invest in scientic research

to modify and perfect the science and art of cosmetics and beauty

The term of makeup artist began in the twentieth century and

till this day it is fairly new and mystifying. Many makeup art-

ists have reached a high degree of fame in their own rightLaura Mercier, Serge Lutens, Dick Page, Bobbi Brown and

Pat McGrath have all used unique techniques from theater and

lm to expand their personal style and art in cosmetics. Cos

metics today is also pushing new boundaries by not only us-

ing skincare and makeup to form artworks but also including

feathers, crystals, and other special effects to create new and

unique makeup looks in fashion, television, lm and theater

The use of makeup today seems to be pushing the boundaries

in every possible way. Makeup in fashion shows used more and

more to complement and further enhance the vision of design-

ers. Makeup in magazines and advertisements is used to give

consumers an idea of what society sees as beauty and it’s formof attainability. And nally makeup in lm and theater is used to

enhance a character’s performance and presentation. Cosmetics

are used today to serve many purposes but their use in society

has without a doubt become a form of art in fashion and beautyTHE NEW ARTOF MAKEUP

Christian Dior Couture Spring Summer 2007

John Galliano Fall Winter 2009


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Shoes and Handbags

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BY JAVECIA BURNS

Video art and music videos are different art forms with different

histories. Video art, which developed in the 1960's, was about

formal experimentation with new time-based media, while mu-sic videos were largely promotional tools developed in the early

1980's to market pop songs on music television channels like MTV.

In Los Angeles, music video amateur Chris Marrs Piliero is mixing

his love for videos and his love for art with a new art show, titled "I

Want My Music Video Art Show”. He is known for directing vid-

eos for Britney Spears, The Black Keys, and Taking Back Sunday.

Of course, the show also pays some

homage to MTV, which became the net-

work and driving force for music video

creation. MTV changed the face of mu-

sic through its creation and its devotion

to the music video art form, so it only

made sense to give MTV a proper trib-

ute. The art show's title, plays on MTV's

old-school slogan, "I Want My MTV."

Chris has a profound love for art shows

and has always wanted to put together

one himself. His project features re-

imaginings of videos by the Smashing

Pumpkins, Lady Gaga and more. The

artwork pays tribute to the art

I WANT MY MUSIC

VIDEO ART SHOWof the music video beyond just the musician and the song.

Music videos have always provided us with the most

amazing imagery. There are so many iconic visuals

thanks to music videos and it has opened the door for

so many amazingly talented music video directors that

have gone on to inuence television, commercials and

movies. An art show like Chris’ needed to be created.

Chris did the show with a good artist friend of his, Dave Mac-

Dowell. This came about because after Dave’s Black Keys vid-

eo for “Tighten Up” won the Breakthrough Video VMA. Chris

asked Dave to commission some art pieces to give to the band andmanagement and label as a thank you for the success of the video.

Dave being a man always down to help teamed up with

Chris and helped gather artists to put the show together. A

few months later and here we are with the most creative

and inventive art show with almost 100 artists involved fea-

turing art inspired by music videos from the 70s to 2011.

The Damned by Crystal Barbre

Let’s Make a Sandwich by James Roper

Bad Romance by Gustavo Suguimoto


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In the GlassCOCONUT WATER

Pomegranate juice is on the outs, and coconut water is in. This new

craze in beverages is exploding in the marketplace. From Zico, Vita

Coco, Harvest Bay, and One Water, the products are no longer just

a refreshing, after workout beverage. Coconut water has electro-

lytes, potassium, and anti ageing benets, perfect to mix with your

favorite liquor.

SXLIQUORS:YOUR DRINK. SEXIER.

I haven’t tried this liquor, but the bottle is ab-

solutely beautiful. SX comes in three different

types: the gold medal winning, SXchachacha

(tequila infused

with lemon and

honey), SX-

calypso (aged

rum and a hint

of mint and

lemon), andSXsamba (rum

with a hint of

vanilla and

sweet limes).

Though it’s cur-

rently only in south Florida, I’m sure SX will

be dancing its way to the West Coast soon.

(BELVEDERE) RED

Belvedere has come out with a limited

edition (RED) vodka, and partnered

with Usher, to help raise awareness

and funds for AIDS.

Don’t forget to tweet your rst drink of

the night at #rstdrink.

VEEV: A BETTER WAY TO DRINK

This liqueur is made from the world’s “premium superfruit,” Acai,

found only in Brazil. In an effort to give back to the rainforests,

VeeV donates $1 per bottle towards the renewal of the Amazonian

Rainforest. Furthermore, VeeV pays the women of Brazil 4 times

their average national wage, to string the Acai seeds on strings to be

turned into bracelets. You can get one of these bracelets by posting a

picture of you and your bottle of VeeV on their twitter.

SPA COOLER 2 ounces VeeV Acai Spirit

1-2 sprigs of mint

6 cucumber slices

1 ounce fresh lime juice3/4 ounce simple syrup

Shake all ingredients well with ice

and strain into an ice-lled rocks glass.

WWW.VEEVLIFE.COM

BY SARA JACOBSON

Jean Paul Gaultier has

teamed up with Piper-

Heidsieck to launch two

new Champagnes: Black

Cancan Millésime 2000 and

the Piper-Heidsieck French

Cancan.

DESIGNER CHAMPAGNEVOLI VODKA

Voli Vodka is a new, low-cal

vodka, with 40% fewer calories

than leading brands. Also, Voli

contains electrolytes which de-

minishes your chance of a hang-

over! With 6 avors to choose

from, this will denately be on

the table at your holiday parties


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AVANT-GARDE-TINI3oz. Coconut Rum

1oz. Pineapple juice

1oz. Lemon juice

1/2oz. Turbinado syrup

COUTURE ON THE CATWALK 2oz. Bombay Sapphire Gin

2oz. Creme de Mure

1oz. Lime Juice

1/2oz. ProseccoGarnish with 6-8 Blueberries

DON’T FEED THE MODELS2oz. Cucumber Vodka

1oz. Lime juice

1oz. Simple syrup

1oz. Cucumber juice

THANKS, IT’S VINTAGE2 oz. Templeton Rye Whiskey

1 oz. Sweet Vermouth

.25 oz. Pomegranate Molasses

2 Dashes Cherry Bitters

Bourbon Soaked Apple Slices

***Please drink responsibly***

MAKE IT WORK

1 oz. Corzo Blanco Tequila.5 oz. Canton Ginger Liqueur

.5 oz. Lemon Juice

.5 oz. Agave Syrup

1 oz. White Wine

Garnish with Lime Wheel

and Crystallized Ginger

T A K I N G

H A U T E

C O U T U R

E

C O C K T A I L S

H O M E


BY ELIZABETH CAWLEY

A recent trend among the bars in all the major fashion capi-

tols are fashionable drinks. This is a great promotional method

for the bars to charge higher prices for these specially created

cocktails. Most recently launched were the New York and Par-is Fashion week-inspired drinks. Bartenders have gotten very

good at making a play on fashion related words.

Collaborations between the fashion industry and alcohol in-

dustry are on the rise. This is a fun trend and is highly ben-

ecial for both industries. The bars and hotels that offer these

drinks are known to charge around $15 for one drink! With

such high prices, you can still experience these trendy cock-

tails, it would just be much more cost effective to make them

at home with the following recipes:

In Manhattan hotels and bars, has a variety of these fashion-

related drinks. The Empire Hotel’s Lobby Bar, the Hudson

Hotel, Mondrian Soho, and Morgans Hotel are offering these

fashionable cocktails. Cut these out and bring them with you

to your next party!

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Art and Sole Edition

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C’EST LA VIE0.75oz. SKYY Infusions Dragon Fruit

1/3oz. Darbo Elderower Syrup

0.5oz. Guava Puree (or Guava Juice)

4oz. Prosecco

1 Maraschino Cherry

A DASH OF DIOR 1.5oz. SKYY Infusions

Blood Orange

0.5oz. Lime Juice

2oz. Ginger Beer

3 dashes of Angostura Bitters

PARIS ROUGE2oz. SKYY Vodka

1oz. X-Rated Fusion Liqueur

1oz. Guava nectar

1oz. Pear nectar

1/2oz. Freshly squeezed

lemon juice

CHAMPS-ELYSÉES BUBBLY1oz. SKYY Infusions Blood Orange

1oz. Aperol

2oz. Prosecco

1oz. Mineral Water

LOW CALORIE DRINKS

PENCIL SKIRT3oz. Grey Goose Vodka

1oz. Cucumber juice

1oz. Lemon juice

Splash of soda

THE LITTLE BLACK DRESS2oz. Milagro Silver Tequila

1oz. Grapefruit juice

1oz. Lime juice

1oz. Agave nectar

Splash of Diet Sprite

FRONT ROW FASHIONISTA2 oz. Cabana Cachaca

1 oz. Passion Fruit Puree

1 oz. Velvet Falernum

LINCOLN CENTER LUSTER 1 oz. Remy Martin Cognac

.5 oz. Sugar

.5 oz. Lemon

2.5 oz. Champagne

Lemon Peel Garnish


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Magazine 351

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