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· hand in one key, one hand in another—comes from Milhaud, who applied the technique often in such works as Saudades do Brazil and La Boeuf sur le Toit. Rare is the Brubeck improvisa-

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· hand in one key, one hand in another—comes from Milhaud, who applied the technique often in such works as Saudades do Brazil and La Boeuf sur le Toit. Rare is the Brubeck improvisa-

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Page 1: · hand in one key, one hand in another—comes from Milhaud, who applied the technique often in such works as Saudades do Brazil and La Boeuf sur le Toit. Rare is the Brubeck improvisa-

Page 2: · hand in one key, one hand in another—comes from Milhaud, who applied the technique often in such works as Saudades do Brazil and La Boeuf sur le Toit. Rare is the Brubeck improvisa-

Page 3: · hand in one key, one hand in another—comes from Milhaud, who applied the technique often in such works as Saudades do Brazil and La Boeuf sur le Toit. Rare is the Brubeck improvisa-

Page 4: · hand in one key, one hand in another—comes from Milhaud, who applied the technique often in such works as Saudades do Brazil and La Boeuf sur le Toit. Rare is the Brubeck improvisa-

Page 5: · hand in one key, one hand in another—comes from Milhaud, who applied the technique often in such works as Saudades do Brazil and La Boeuf sur le Toit. Rare is the Brubeck improvisa-

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