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1 1 Teaching artists and the future of education: Finding hope in unexpected places Rhode Island Foundation November 8, 2012 Nick Rabkin Insert Presentation Title and Any Confidentiality Information
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Teaching artists and the future of education:Finding hope in unexpected places Rhode Island Foundation November 8, 2012 Nick Rabkin

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A better mop? Or better than a mop?

Teaching Artists and the Future of Education

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• Better grades • Proficiency in math• Higher standardized test scores• Less likely to be bored or drop out

• More friends of other races• Less TV • More likely to go to college, graduate, and get a job

Also, more likely to know something about the arts!

Arts education improves student outcomes

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Correlation strongest for low-income students.

It’s the arts, stupid!

Very big deal

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Up 184% from 1930 to 1980, down 25% from 1980 to 2008 with no sign that the decline is slowing.

Childhood arts education, 1930-2008

After nearly a century of growth, arts ed has declined for three decades.

Teaching Artists and the Future of Education

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They’ve mitigated, but not reversed the decline.

Photo: Khanisha Foster with students, Project AIM/CCAP.

Significant numbers of Teaching Artists have entered schools since 1975.

Teaching artists

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Jane Addams founded Hull-House in 1889

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Benny Goodman at a Hull-House special event;

Louis Armstrong with his cornet teacher from the

Home for Colored Waifs on TV in 1963.

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New pedagogy emerged at the settlements,

breaking with conservatory veneration of the

classical world and elite patronage, and included

rigorous and critical exploration of the real world.

.

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Viola Spolin

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Art for arts’ sake—art for people’s sake: different pedagogies.

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A Swiffer for education?

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Arts education is understood as affective and expressive, not academic and cognitive, a distraction from ‘real learning.’

Descarte’s error

A Nation at Risk, the template for school reform for three decades.

Teaching Artists and the Future of Education

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Structural economic changes provoked a sustained series of crises that choked most large school systems from the mid-1970s on. The crisis has taken different forms and continues today.

New York fiscal crisis, 1975.

Fiscal crisis

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From Proposition 13 (1978) to the Tea Parky

Tax rebellion

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• HS graduation rate flat over last 20 years

Has school reform worked?

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• HS graduation rate flat over last 20 years

• Dropout rate remains high

Has school reform worked?

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• HS graduation rate flat over last 20 years

• Dropout rate remains high• Achievement gap narrowed in 70s, but

has widened since

Has school reform worked?

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• HS graduation rate flat over last 20 years

• Dropout rate remains high• Achievement gap narrowed in 70s, but

has widened since

• US students have fallen farther behind students from more countries in more subjects

Has school reform worked?

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• HS graduation rate flat over last 20 years

• Dropout rate remains high• Achievement gap narrowed in 70s, but

has widened since

• US students have fallen farther behind students from more countries in more subjects

• Charters’ record is no better than conventional public schools

Has school reform worked?

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Are TAs good teachers?

Aside from socio-economic background, good teaching is the most important predictor of student success in school.

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What is good teaching?

• Student centered: Balances students’ interests, questions, and prior knowledge, with new challenges, choices and responsibilities

Zemelman, Daniels & Hyde (2005) Best Practice: Today’s Standards for Teaching and Learning in America’s SchoolsPerkins (2010) Making Learning Whole: How Seven Principles of Teaching Can Transform EducationSmith, Lee, and Newman (2001) Instruction and Achievement in Chicago Elementary Schools

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What is good teaching?

• Student centered: Balances students’ interests, questions, and prior knowledge, with new challenges, choices and responsibilities

• Deeply cognitive: Learning is the consequence of thinking and making work about meaningful, rich, compelling problems, concepts, and ideas

Zemelman, Daniels & Hyde (2005) Best Practice: Today’s Standards for Teaching and Learning in America’s SchoolsPerkins (2010) Making Learning Whole: How Seven Principles of Teaching Can Transform EducationSmith, Lee, and Newman (2001) Instruction and Achievement in Chicago Elementary Schools

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What is good teaching?

• Student centered: Balances students’ interests, questions, and prior knowledge, with new challenges, choices and responsibilities

• Deeply cognitive: Learning is the consequence of thinking and making work about meaningful, rich, compelling problems, concepts, and ideas

• Social: Collaborative activities are more powerful than individualist strategies

Zemelman, Daniels & Hyde (2005) Best Practice: Today’s Standards for Teaching and Learning in America’s SchoolsPerkins (2010) Making Learning Whole: How Seven Principles of Teaching Can Transform EducationSmith, Lee, and Newman (2001) Instruction and Achievement in Chicago Elementary Schools

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Engagement is job one

For many, ‘A slow process of disengagement begins in 3rd grade…’ Photo by Joel Wanek

Photo by Joel Wanek

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Voice

An aesthetic signature and a perspective on the world and life, a set of concerns, issues, and ideas that matter to students. Student work from Project AIM/CCAP, Joel Wanek, Teaching Artist

Courtesy Project AIM, photo by Joel Wanek

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Building a community in the classroom

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Arts integration: The ‘elegant fit’: Moving the mind, connecting ideas, and building understanding.

Wheatstacks lesson credit: Luke Albrecht, 8th grade math, Crown Academy, Chicago

See: AIMPrint: New Relationships in the Arts and Leaning, Weiss and Lichtenstein.Renaissance in the Classroom, Burnaford, Aprill and Weiss.

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Build demand for arts ed

Research must be complemented with real stories. TAs are a great source.

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Make the field sustainable

Under-employment, low pay, and health insurance are serious problems for artists. Funders and employers need to take them seriously.

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Arts education is vital to the future of the arts, too.

Teaching artists are experts on how to create more engaging and meaningful artistic experiences

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Develop arts integration

Integrated and disciplinary instruction are more alike than different when grounded in good practice. Let’s get beyond the conflict and invest in serious development!

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Arts ed in both schools and communities

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Advocate for specialists and TAs

Good schools have both already. Make them models for collaboration, not competition.

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Assessment – the next frontier

Bring the authentic assessment of the arts into classrooms.

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Professional development

• Use the best arts pedagogy to train teaching artists AND teachers in all settings. Hands-on, project-based, problem oriented, learning by doing.

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Thank You!

Nick Rabkin

Senior Research Scientist

[email protected]

Photos by Joel Wanek

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