Pitch-Deck - The Movie Studio, Inc. | Movies | TV …...Pitch-Deck Providing solutions for VOD alternative media solutions for many people across the world. Video On Demand How worldwide

Pitch-Deck

Providing solutions for VOD alternative media solutions for many people across the world.

Video On Demand

How worldwide Viewing Habits are changing in the evolving Media landscape.

Viewing The LandscapeTraditional definition of what it means it watch tv are changing, and consumers are in control.

Nearly two thirds of the global respondents say that they watch some form of Video On Demand (VOD) programing.

SummaryNot Long ago, "watching TV" meant sitting in front of the screen in your living room, waiting for a favorite program to come on at a set time. Today, the growth of video-on-demand (VOD) programming options where viewers can download or stream content from either a traditional TV package or an online source is creating extensive opportunities for consumers who have greater control than ever before over what they watch, when they watch, and how they watch.

Nearly two-thirds of global respondents (65%) say they watch some form of VOD programming, which includes long-and short-form content.

Content will always be king, and consumers will continue to demand greater control and customization of their viewing experience.

Today people are streaming more media content across the internet like never before.

As Devices become more sophisticated and bandwidth increases Video on Demand will

undoubtedly scale

When We watch movies on Netflix, amazon, comcast, showtime, have you ever wondered

who is profiting off of this movie?

The Movie Studio, Inc. designed a business model to capitalize on the demand for media

content

Growth by Acquisition: By purchasing film libraries in bulk bringing the films to 4K resolution and

remonitizing the film assets on popular Video On Demand (VOD) streaming platforms across the web

in addition to geo-factoring global territories for royalties and licensing.

Distribution The Movie Studio, Inc. Currently has successfully monetized film assets from its existing portfolio on the following platforms.

AMAZON: 1 Movie

Tubi Tv: 5 Movies

Comcast: 7 Movies

Showtime: 1 Movie

Movie Studio 18 Movies

Monetization includes worldwide territories

Video On Demand is estimated to be worth 61.4B as of 2019

Over The Top (OTT) Video On Demand (VOD) Streaming

Platforms will eventually

completely replace Pay TV traditional distribution models

With the current consumer appetite for streaming media is estimated to be 14% daily.

SMART CONSUMER

TODAY WE ARE FACED WITH A EVER PREPARED AND EDUCATED CONSUMER THAT THIS INTERNET AGE HAS UNDOUBTEDLY ASSISTED IN USHERING IN. PEOPLE NOW MORE THEN EVER HAVE UNLIMITED RESOURCES AT THE TIP OF THEIR FINGERS. WE ARE REALIZING THAT CONSUMERS ALSO WANT THE SAME CHOICES IN THE MEDIA THEY WATCH. SO CUSTOMERS ARE CHOOSING PLATFORMS THAT COMPLIMENT THE SIGNIFICANT AMOUNT OF CHOICE MODEL. PEOPLE DON'T WANT TO WAIT FOR THEIR FAVORITE PROGRAM TO COME ON AT 8:00. THEY WANT TO STREAM IT WHEN THEY WANT. SO THE CONSUMER THROUGH INNOVATION IN TECHNOLOGY AND CHOICE IS CREATING THE “STREAMING WARS!”

GREAT SHIFT IN THE DELIVERY OF MEDIA

PAY TV IS CURRENTLY LOSING 12,000 SUBSCRIBERS DAILY

Cable and satellite TV providers are shedding subscribers at ever-faster rates as more people turn to cheaper streaming services

Adding up the losses of AT&T, Dish Network, Charter, Comcast, Verizon, and Altice, traditional TV losses reached 1,139,000 subscribers in Q1 2019, up from 631,000 lost subscribers last year. That makes for an 80% year-over-year increase in cord-cutting among the major providers.

https://www.fastcompany.com/90343905/cord-cutting-speeds-up-cable-satellite-losing-12k-pay-tv-customers-a-day?partner=rss&utm_source=rss&utm_medium=feed&utm_campaign=rss+fastcompany&utm_content=rss?cid=search

Here’s the full breakdown:

● AT&T: Lost 544,000 DirecTV and U-Verse subscribers, versus 187,000 in Q1 2018 (DirecTV also lost 83,000)

● Dish Network: Lost 266,000 satellite TV subscribers, versus 185,000 in Q1 2018 (Sling TV gained 7,000)

● Charter: Lost 145,000 TV subscribers, versus 111,000 in Q1 2018● Comcast: Lost 121,000 TV subscribers, versus 96,000 in Q1 2018● Verizon: Lost 53,000 TV subscribers, versus 22,000 in Q1 2018● Altice: Lost 10,000 residential TV subscribers, versus 30,000 in Q1

2018

Cord-cutting will continue

While cord-cutting still hits satellite TV the hardest—with Dish’s Sling TV and AT&T’s DirecTV no longer picking up the slack—the trend is also accelerating for cable companies. Those companies are still doing well by selling the requisite internet service for video streaming, but the idea that they’ll just prevent cord-cutting through bundles is increasingly proving false.

Replacing or Supplementing

VOD is popular around the world, but are viewers replacing one video service with another, or are they adding new services to their viewing repertoire?

Just over one-quarter of global online respondents (26%) say they pay to watch broadcast or VOD programming via subscription to an online-service provider such as Hulu, Netflix or Amazon, compared with 72% who say they pay to watch via a traditional TV connection. Considering this, it appears that more supplementing than shedding is taking place around the world. But responses vary widely from region to region.

North America and Asia-Pacific lead the way, with 35% of respondents in North America and 32% in Asia-Pacific indicating they pay an online service provider for programming content. Self-reported usage in Europe falls well below the global average, with a response rate of 11%. Just over one-fifth of online respondents in Latin America and the Middle East/Africa say they subscribe to an online-service provider (21% each).

Around The World

Traditional definitions of what it means to watch TV are changing, and consumers are in control.

Nearly two-thirds of global respondents say they watch some Sort of Video On Demand (VOD) Programing (includes long and short-form content)

Most viewers appear to be supplementing, rather than replacing, paid traditional TV services (received through satellite or cable). Nearly three-quarters of global online respondents say they pay such a service to watch programming; just over one-quarter say they pay an online-serviceprovider (such as Hulu, Netflix, or Amazon.

Nearly two-thirds of traditional TV-package subscribers in the survey plan to maintain their subscriptions, but nearly one-third say they plan to cancel their service in favor of an online-only provider.

Video on demand is becoming a part of daily viewing habits for many. Among those who watch any type of VOD programming, 43% say they watch at least once a day.

“Cable Cutters” seeking streaming media solutions As pay tv subscribers continue to “cut the cord” from traditional cable and satellite pay tv, compiled data clearly shows that customers are seeking Vod Platforms that offer tremendous price savings as well as unlimited choice.

We believe that right now is a most optimistic time to push our first to market over the top streaming platform as a solution. And as the cable cutting trend grows more customers will identify “The Movie Studio” as a value proposition as a paid subscription based platform.

Market Growth Number of connected tv devices users in the us in 2015 & 2019 (in millions)

Full Stream Ahead?

So what does the rising popularity of VOD services mean for future viewing patterns?

Looking specifically at the U.S. market, where VOD continues to gain strong momentum, Nielsen metered panel data shows that homes with subscription video-on-demand(SVOD) services watch less TV. A major reason for this is that SVOD users tend to be younger and more affluent —two groups that customarily have lower TV viewing levels. SVOD households also have higher TV-connected and digital device ownership than the general population, but traditional TV still accounts for the majority of viewing in these homes.

The long-term impact of growing online-service subscriptions is amplified by their popularity among younger consumers. Globally,31% each of Generation Z (ages 15–20) and Millennial (ages 21–34) respondents say they pay an online-service provider for content, compared with 24% of Generation X (ages 35–49), 15% of Baby Boomer (ages 50–64) and 6% of Silent Generation (ages 65+) respondents. And roughly four-in-10 Gen Z (40%) and Millennial (38%) respondents who subscribe to cable or satellite say they have plans to cancel their service in favor of an online-only option—a rate that is nearly three times higher than for Baby Boomers (15%) and four times higher than for Silent Gen respondents (9%).

The Ins and Outs of Demand

On-demand is fast becoming an integral part of daily viewing habits for many. In fact, among those who watch any type1 of VOD programming (65%), more than four-in-10 global respondents say they watch at least once a day (43%). And it’s not just the youngest respondents viewing on-demand programming. While a higher percentage of Generation Z and Millennial respondents report watching on-demand content daily or more often (49% and 48%, respectively, watch daily or more often) than their older counterparts, more than one-fifthof Silent Generation respondents (21%) and one-quarter of Baby Boomers (26%) say they watch at least once a day.

Movies dominate the type of VOD content watched across all regions and generations. Eighty percent of global respondents who watch on-demand content say they view movies, followed by on-demand TV programs (50%). When it comes to popular program genres, comedies (38%) and original series (32%) rank the highest globally, followed by sports and documentaries (31% each). Twenty-two percent of global respondents say they watch short-form video content (videos of 15 minutes or less in length).

www.themoviestudio.com 2598 East Sunrise Blvd.Ft. Lauderdale, Fl 33304

Office: 954332-6600

“Changing the Way the World Views Movies!”