All The World's A Stage final - Opera America€¦ · ALL THE WORLD’S A STAGE Alexa Antopol, Fisher Dachs Associates Todd Hensley, Schuler Shook Robin Glosemeyer Petrone, Threshold

Post on 14-Jun-2020

3 Views

Category:

Documents

0 Downloads

Preview:

Click to see full reader

Transcript

#OperaConf

ROUNDTABLE: ALL THE WORLD’S A STAGE2:00 p.m. – 3:15 p.m.

HOUSTON GRAND OPERAGeorge B. Brown Convention Center

#OperaConf

Alexa AntopolFisher Dachs Associates

Todd HensleySchuler Shook

Robin Glosemeyer PetroneThreshold Acoustics

Matt BroganFisher Dachs Associates

#OperaConf

Why did you choose an alternate venue or non-traditional space?

New Programing Initiative (6)

Reach New Audience (11)

Budget (2)

#OperaConf

What have been difficulties in transforming spaces?

Accessibility (16)

Capacity / Seat Count (11)

Acoustics (10)

Parking (1)

#OperaConf

What types of results have you experienced?“Newspaper more interested in these than our normal shows”

“Immersive events have garnered more media attention.”

“There is a certain amount of pride when we perform in a person's neighborhood.”

#OperaConf

What types of results have you experienced?“7,500 people of all ages and backgrounds [compared] to the roughly 2,000 – 3,000 people on average spring opera production.”

“Two-thirds of our normal theater-based audience has no interest in this and ignores site-specific work.”

“A major benefit of presenting operas in alternative venues is the cross-promotion with that venue's audience.”

#OperaConf

What types of results have you experienced?“Very popular productions for us. Consistently sell-out and get a lot of attention from the general public. Bringing in new faces for our shows with these non-traditional venues especially when at local bars or restaurants.”

“Little increase to main stage sales.”

“Our first experiment exceeded goal; the follow-up did not.”

#OperaConf

ON SITE OPERAEric EinhornGeneral & Artistic Director

Pygmalion

Rhoda and the Fossil Hunt

The Secret Gardener

Barber of Seville

Marriage of Figaro

Morning Star

#OperaConf

BOSTON LYRIC OPERAANNA B LABYKINAProduction and Technical Director

2013 CLEMENCYArtists For Humanity Epicenter

2014 LIZZIE BORDENThe Castle At Park Plaza

2014 LIZZIE BORDENOzawa Hall, Tanglewood

2014 LOVE POTIONTemple Ohabei Shalom, Brookline

2014 LOVE POTIONTemple Ohabei Shalom, Brookline

2015 IN THE PENAL COLONYCyclorama, Boston Center For The Arts

2015 IN THE PENAL COLONYCyclorama, Boston Center For The Arts

2017 THE NEFARIOUS, IMMORAL BUT HIGHLYPROFITABLE ENTERPRISE OF MR BURKE & MR HARE

Cyclorama, Boston Center For The Arts

2016 GREEKPARAMOUNT

2017 TOSCACUTLER MAJESTIC

2018 TROUBLE IN TAHITISteriti Ice Rink

2018 TROUBLE IN TAHITISteriti Ice Rink

2018 TROUBLE IN TAHITISteriti Ice Rink

2019 THE HANDMAID’S TALELavietes Pavilion, Harvard Athletic Complex

#OperaConf

Chicago Fringe OperaGeorge Cederquist and Patrick RizzottiArtistic Director and Designer

TURN OF THE SCREW

IN THE PENAL COLONY

LUCREZIA

THE GREAT GOD PAN

THE ROSSINI PROJECT

#OperaConf

ALL THE WORLD’SA STAGEAlexa Antopol, Fisher Dachs AssociatesTodd Hensley, Schuler ShookRobin Glosemeyer Petrone, Threshold AcousticsMatt Brogan, Fisher Dachs Associates

top related