Phenomenology as a Tool for Musical AnalysisAuthor(s): Lawrence Ferrara

1 Focussing the musical imagination: exploring in composition the ideas and techniques of Joseph Schillinger by JEREMYARDEN Submission for the degree of PhD in Music The…

THE MEDIAEVAL ACADEMY OF AMERICA PUBLICATION NO. 38 THE NOTATION OF POLYPHONIC MUSIC 900-1600 THE NOTATION OF POLYPHONIC MUSIC 900-1600 By WILLI APEL Fourth edition Revised…

Analysis Today Author(s): Edward T. Cone Reviewed work(s): Source: The Musical Quarterly, Vol. 46, No. 2, Special Issue: Problems of Modern Music. The Princeton Seminar in…

"Epithalamica": An Easter Sequence by Peter Abelard Author(s): Chrysogonus Waddell Source: The Musical Quarterly, Vol. 72, No. 2 (1986), pp. 239-271 Published by:…

The Significance of the "Trill," as Found in Beethoven's Most Mature Works Author(s): Edwin Hall Pierce Source: The Musical Quarterly, Vol. 15, No. 2 (Apr.,…

On Some Relationships between Music and Painting Author(s): Theodor W. Adorno and Susan Gillespie Source: The Musical Quarterly, Vol. 79, No. 1 (Spring, 1995), pp. 66-79…

Translating to Music Author(s): Sigmund Spaeth Source: The Musical Quarterly, Vol. 1, No. 2 (Apr., 1915), pp. 291-298 Published by: Oxford University Press Stable URL: http://www.jstor.org/stable/737851…

Analysis Today Author(s): Edward T. Cone Source: The Musical Quarterly, Vol. 46, No. 2, Special Issue: Problems of Modern Music. The Princeton Seminar in Advanced Musical…

Becoming Original: Haydn and the Cult of Genius Author(s): Thomas Bauman Source: The Musical Quarterly, Vol. 87, No. 2 (Summer, 2004), pp. 333-357 Published by: Oxford University…