Running in Place: Sketches and Superimposition in Stravinsky’s Music Gretchen Horlacher i. cut and paste “Here, you see, I cut off the fugue with a pair of scissors.…

www.sciencemag.org/cgi/content/full/320/5874/346/DC1 Supporting Online Material for Generalized Voice-Leading Spaces Clifton Callender, Ian Quinn, Dmitri Tymoczko* *To whom…

Society for Music Theory A Lesson from Lassus: Form in the Duos of 1577 Author(s): Peter N. Schubert Source: Music Theory Spectrum, Vol. 17, No. 1 (Spring, 1995), pp. 1-26…

Society for Music Theory Tonal Focus in Atonal Music: Berg's op. 5/3 Author(s): Christopher Lewis Source: Music Theory Spectrum, Vol. 3 (Spring, 1981), pp. 84-97 Published…

Variations on a Scheme: Bach’s ‘Crucifixus’ and Chopin’s and Scriabin’s E-Minor Preludes Nicole Biamonte Abstract: The influence of J.S. Bach’s music on Chopin’s,…

Society for Music Theory Schenkerian Analysis of Modern Jazz: Questions about Method Author(s): Steve Larson Source: Music Theory Spectrum, Vol. 20, No. 2 (Autumn, 1998),…

Society for Music Theory Fétis's "Tonality" as a Metaphysical Principle: Hypothesis for a New Science Author(s): Rosalie Schellhous Source: Music Theory…

Society for Music Theory Robert Schumann's Metrical Revisions Author(s): Harald Krebs Source: Music Theory Spectrum, Vol. 19, No. 1 (Spring, 1997), pp. 35-54 Published…

Variations on a Scheme: Bach’s ‘Crucifixus’ and Chopin’s and Scriabin’s E-Minor Preludes Nicole Biamonte The influence of J.S. Bach’s music on Chopin’s, and…

Society for Music Theory Organic Structure and the Song Cycle: Another Look at Schumann's "Dichterliebe" Author(s): David Neumeyer Source: Music Theory Spectrum,…