The 'Compositional Process' in Music Theory 1713-1850 Author(s): Ian Bent Source: Music Analysis, Vol. 3, No. 1 (Mar., 1984), pp. 29-55 Published by: Blackwell…

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Nomos/Nomos: Law, Melody and the Deconstructive in Webern's 'Leichteste Bürden der Bäume', Cantata II Op. 31 Author(s): Craig Ayrey Reviewed work(s):…

MMuussiicc TThheeoorryy OOnnlliinnee TThhee OOnnlliinnee JJoouurrnnaall ooff tthhee SSoocciieettyy ffoorr MMuussiicc TThheeoorryy Table of Contents MTO Home SMT Home Join…

Society for Music Theory Organic Structure and the Song Cycle: Another Look at Schumann's "Dichterliebe" Author(s): David Neumeyer Source: Music Theory Spectrum,…

Wagner's Great Transition? From 'Lohengrin' to 'Das Rheingold' Author(s): Arnold Whittall Source: Music Analysis, Vol. 2, No. 3 (Oct., 1983), pp.…

Formal Combination in Webern's Variations Op. 30 Author(s): Neil Boynton Source: Music Analysis, Vol. 14, No. 2/3 (Jul. - Oct., 1995), pp. 193-220 Published by: Wiley…

How critical is music theory? Christine Lucia ISSN 0256-004/Online 1992-6049 pp. 166–189 21 (1) 2007 © Unisa Press DOI: 10.1080/02560040701398871 166 Christine Lucia is…

Slide 1 Teaching and Experiencing Counterpoint in the Music Curriculum: Playing and Understanding Through Performance Dr. Martin Lee Programme Leader of the Music Programme…

Slide 1 Narratology II: Focalization as a Narrative Technique Laughing Mice and Grumpy Hedgehogs Slide 2 Outline 1.Introduction 2.An example of focalization 3.Focalization…