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Education Everyday Life

1. The future of the ImageEveryday Life – concrete worlds and elusive experiences 2. Constructing the EverydayEnculturatingSeeingLiving 3. enculturating 4. “Make a Salad”…

Documents Aesthetics

CONSUMPTION MARKETS CULTURE Consumption Markets & Culture The aesthetics of consumption and the consumer as an aesthetic subject Alladi Venkatesh a ; Laurie A. Meamber…

Education Intermedia: A few initial thoughts

1. intermedia 2. George Brecht (1962) Solo for Violin, Cello or Contrabass 3. Philip Corner (1962) Piano Activities 4. Dick Higgins (1964) Fluxus Street Performance [photo…

Documents Blurring Boundaries Katherine Evans University of Exeter Image: Bob and Roberta Smith.

Slide 1 Blurring Boundaries Katherine Evans University of Exeter Image: Bob and Roberta Smith Slide 2 A methodology written from practice (Childers, 2008) Slide 3 A study…

Documents 3rd WLE Mobile Learning Symposium: Mobile Learning Cultures across Education, Work and Leisure 27...

Slide 1 3rd WLE Mobile Learning Symposium: Mobile Learning Cultures across Education, Work and Leisure 27 March 2009, WLE Centre, IOE London, UK Project: Mobile Learning…

Documents NEU MAGAZINE

NEU MAGAZINE DISCOVER OUR NEU STONEWARE SERIES We are pleased to introduce our new stoneware series called NEU. The NEU series is a part of our Autumn/Winter 2014 collection…

Documents Rangers Issue 1 Page 1

Student Ryan Casey along with URI alumni created Iâll Be Seeing You, a short film with a twisted time travel plot. Ryan solicited support from sponsors who bought tickets…

Documents 02161

FERM LIVING APS LAPLANDSGADE 11 2300 COPENHAGEN S DENMARK PHONE: +45 7022 7523 [email protected] WWW.FERMLIVING.COM FACEBOOK.COM/FERMLIVING INSTAGRAM.COM/FERMLIVING BLOG.FERM-LIVING.COM…

Documents 02162

FERM LIVING APS LAPLANDSGADE 11 2300 COPENHAGEN S DENMARK PHONE: +45 7022 7523 [email protected] WWW.FERMLIVING.COM FACEBOOK.COM/FERMLIVING INSTAGRAM.COM/FERMLIVING BLOG.FERM-LIVING.COM…

Documents Everyday Aesthetics in Contemporary Art

Abstract This article examines the relatively new field of everyday aesthetics and its use in artistic works. I argue anyone can have an aesthetic experience regardless of