C E D R I C R E U T E R
portfolio
1
Maple Leaf residence renovation / addition
West Seattle residence renovation / addition
Seattle detached accessory dwelling unit
Des Moines senior housing renovation x3
NE Seattle bathroom remodel
Maui condo remodel x2
NE Seattle residence entry / porch renovation
Montlake residence addition
Sammamish new home
Kirkland residence deck addition
Broadmoor residence porch addition
NE Seattle residence porch renovation
NW Seattle residence kitchen remodel
Queen Anne new leed certified homeTacoma residence remodel
NE Seattle deck / basement remodel
Pacific Heights residence renovationPalo Alto estate historic renovation
Atherton residence remodel
Sea Cliff residence remodel
Three Sticks Winery historic renovation
The Battery SF private club
Denver market space renderings / presentation
Lahontan new home renderings
Lake Tahoe lakehouse renderings
Dolly’s Donuts renovation
Larry’s Engineering drafting x10
into the wild
Follow the Sound
Auxiliary Interstate Crossing
Mid-point Conditioning
Coronado Ferry Landing Park
Periphery
San Diego Velodrome
Warehaus
Urban Canyon
An Artists Retreat
A Mingles HouseHillside HouseYosemite National Park Visitor Center
Pybus Annex
House With BridgeHallway House
Comprehensive P roject L ist
1
22
Cedric Reuter ASSOC. AIA | Artist + Designer
EDUCATION
EXPERIENCE
INTENT
NOVICE EXPERT
AutoCADSketchUpAdobe PS
Adobe AiAdobe IDV-Ray
Archinect/cedric • linkedin/in/cedricreuter • cmr.VSCO.co
[INTJ-A] I seek to join a passionate and energetic studio that shares my interest in creating buildings that are livable, ethical, inspiring and have communion with nature. I work best when collaborating; allowing input and ideas to amplify one another. I am looking to work with others who enjoy lofty architectural thought and who relish the opportunity of a challenge. Through this work I aim to advance my knowledge of design and understanding of theory on my path to licensure.
Bachelor of Architecture, NewSchool of Architecture + Design [2012]San Diego, California
Associate of Science in Architecture, Bakersfi eld College [2009]Bakersfi eld, California
Junior Architect, Patricia Brennan Architects [2013-2015]Seattle, WashingtonWorked on multiple [4-6 at a time] residential remodel, addition and ADU projects; obtained permits for nearly 10 projects in the Seattle area; coordinated with contractors and consultants; drafting, 3d modeling and minor design duties; managed digital and physical project fi les; served as resident executive master printer/copier technician.
Render Artist, Faulkner Architects [2013-2014]Berkeley, CaliforniaWorked directly with the principals to create a detailed virtual model and high quality renderings that were used to propose ideas to clients, illustrate options to clients and were used in design-review board presentations.
Construction Administration Assistant / Junior Designer, Ken Fulk Inc. [2012-2013]San Francisco, CaliforniaManaged RFI’s and submittals, reviewed and approved shop drawings, designed various components such as guardrails and awnings and specifi ed fi xtures, products and fi nishes for 50,000sf private club in downtown San Francisco. Drafting, 3d modeling
and minor design of several residential and small commercial renovations.
Rebuild Seattle [2015] With a team of volunteers, provided maintenance on a residential property for a special-needs housing organization in the Maple Leaf neighborhood of North East Seattle.
Pacifi c Crest Trail Association [2015] Multiple outings to clear brush and perform tread maintenance in OR and WA
Washington State Parks [2014] With a small team of volunteers organized by HDR, installed period-specifi c wooden
windows on a historic park shelter at Deception Pass State Park.
Design Village [2009] Worked with a team of students to design and construct a small, portable shelter, that was disassembled, reassembled on-site, and inhabited for a short period.
SKILLS
2
TennisGuitarBanjo
33
Maple Leaf RenovationWest Seattle Residence - Renovation / additionSeattle ADUDes Moines senior housing renovationNE Seattle bathroom remodelMaui Condo renovation
Pacifi c Heights Residence - RenovationPalo Alto Home - Historic renovationThree Sticks Winery - Historic renovationThe Battery SF - Private club
Denver Market Space - Renderings / presentationLahontan 485 - Custom residence architectural renderingsLake Tahoe Lakehouse - Architectural renderings
into the wild - Undergraduate thesisFollow the Sound - Boulez Center for New MusicAuxiliary Interstate Crossing - public space interventionMid-point Conditioning - Urban plan for Rolando Clay communityPeriphery - San Diego Aerospace MuseumWarehaus - high-rise dormitoryUrban Canyon - urban campus for NSADA Mingles House - 2nd year residential design projectHillside House - 2nd year residential design project
Pybus Annex - Design competitionPhotographyHand craftworkArtwork
04
08
14
16
17
18
22
24
28
32
40
42
43
44
62
68
71
72
78
82
84
86
88
94
102
104
Project L ist
›
›
›
ACADEMIC
PERSONAL
PROFESSIONAL
3
4 / Professional work
R ENOVATION A N D A DDITION - Maple Lea f Residence
kitchen elevations
this renovation added three feet to the end of the house and opened the second floor into a master suite. With direction from the principal I performed the entirety of drafting and modeling, along with minor ca duties.
Professional work / 5
The kitchen was modeled in sketchUp to help the clients visualize options and was later rendered with v-Ray.
Patricia Brennan architects
6 / Professional work
renovation and addition
Professional work / 7
MaPle leaf residence
the addition of three feet to the south end of the house required an accurate section because of the effect on every level of the project, including reusing existing foundations and extending the pitch of the roof.
8 / Professional work
SECON D STORY A DDITION - West Seat t le Residence
view fRom stReet dURing constRUction.
The owners wanted to add a second floor master suite and do a substantial remodel to the rest of the house. I did the entirety of the drafting on the project, had minimal design duties, researched the appropriate materials and methods and worked on every step of permitting. I was able to keep a close relationship with the contractor, consultants and clients, ultimately leading to a smooth project.
Professional work / 9
Patricia Brennan architects
10 / Professional work
second story addition
LEVEL ONE PLAN
Professional work / 11
West seattle residence
LEVEL TWO PLAN
12 / Professional work
second story addition
Professional work / 13
West seattle residence
14 / Professional work
ACCESSORY DW ELLI NG U N IT - Seat t le
The client wanted a small, detached accessory dwelling unit built in the back yard. I took roughly drafted plans from a contractor and drew as-built plans and all architectural drawings and details. I also worked with a structural engineer to put together structural details for the new building.
exteRioR elevation / section
level one flooR plan
Professional work / 15
Patricia Brennan architects
eave and footing details
level two flooR plan
16 / Professional work
SEN IOR HOUSI NG R ENOVATION - Des Moines, WA
On multiple projects for an assisted-living organization, I drafted the entirety of the permit set for interior renovations. Working with assisted-living units in a multi-residential building was a great chance to diversify my experience.
bath elevations
demolition plan / flooR plan
Patricia Brennan architects
Professional work / 17
BATH ROOM R EMODEL - N E Seat t le
This small project was about fine-tuning the details for the client. I enjoy working at such a fine level of detail because a small, well designed space can have a profound effect on the experience of the user.
electRical plan
Patricia Brennan architects
18 / Professional work
M AU I CON DO R ENOVATIONS - Wa i lea Elua Vi l lage
inteRioR RendeRing
The client owns two condos on the island of Maui and wanted to renovate them as much as possible. I put together a design development set, including some structural and electrical plans and created a detailed 3d model to convey design options. I later furthered the design and rendered the interior of the kitchen of one unit.
Professional work / 19
Patricia Brennan architects
inteRioR RendeRing
kitchen elevations
20 / Professional work
Maui condo renovations
demolition plan / flooR plan
inteRioR RendeRings
Professional work / 21
Wailea elua village
exteRioR peRspectives foR home owneRs association appRoval
22 / Professional work
PACI F IC H EIGHTS R ESI DENCE - Remodel
UP
DW
PL
PL
UP UP
UP
UP
E
E
E
E
E
E
EE
EE
N
N
N
E
EXISTINGELEVATOR
DN
DN
DW
UP
DW
N E
E
E
E
N
RN(2)N (2)N
N
N
N
E
N
E
E
E
N
N
R
R
RN+12"
N
N
N
N
EXISTINGELEVATOR
GENERAL NOTES KEY NOTES
1. LANDSCAPE DESIGN AND SPECIFICATIONS BY OTHERS2. CONTRACTOR TO COORDINATE ELECTRICAL WITH APPLIANCES3. WHERE WORK IS BEING PERFORMED, ELECTRICAL OUTLETS TO BE INSTALLED IN ACCORDANCETO THE 2010 CEC SECTION 210.52
EXISTING DOOR TO BE RE-USED
NEW DOOR
EXISTING REFRIGERATOR RELOCATEDFROM KITCHEN
NO WORK TO BE PERFORMED
BUILT-IN STORAGE ABOVE STAIRS BELOW.MAINTAIN 80" MIN. HEAD CLEARANCE
INSTALL TEMPERED GLAZING INEXISTING WINDOW
COORDINATE EXISTING OUTLET WITH NEWCASEWORK
HANDRAILS TO BE PROVIDED INACCORDANCE TO 2010 CBC SECTION1003.3.3.6 TYP.
NOT USED
NEW BUILT-IN CASEWORK
NEW BUILT-IN SEATING
GUARDRAIL TO BE PROVIDED INACCORDANCE TO 2010 CBC SECTION 509
NEW CLOSET, RELOCATE EXISTINGSPRINKLER HEAD TO BE OUTSIDE OFCLOSETNEW HOOD AND EXHAUST AS REQUIRED
INCREASE WINDOW HEIGHT TO MATCHNEW DOOR HEIGHTS ON THIRD FLOOR
2X4 FLAT STUD WALL OVER EXISTINGCONCRETE WALL
COORD. ELECTRICAL AND DATA WITH TV/AV
CERAMIC/STONE TILE O/ MORTAR BEAD O/CEMENT BOARD TO A MIN. HEIGHT OF 70"ABOVE DRAIN INLET IN SHOWER ENCLOSURES
EXISTING GLASS DOOR TO BE REPLACED W/WINDOW TO MATCH ADJACENT WINDOWS @ 30"± AFFNEW FRONT DOOR, SIDE LIGHTS AND TRANSOMWINDOW
NEW SHOWER HEAD AND CONTROL VALVES
EXISTING FIREPLACE TO REMAIN. NO WORKPERFORMED
SHOWER ENCLOSURES TO HAVE TEMPEREDGLAZING
KEN FULK415 285-1164 415 285-11743T F
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UP
DN
GFIN
GFIN
EE
EE
E
E
E
E
E
E
E E
E
EEE
E
E E
E
E
E
E E
E E
E
E
E
E
EE
EXISTINGELEVATOR
AC UNITFOR ATTIC
2 x
6
GFIN
N
E
E
EE
E
E
E
E
E E EE E
E
E
E NEEE
N
GENERAL NOTES KEY NOTES
1. LANDSCAPE DESIGN AND SPECIFICATIONS BY OTHERS2. CONTRACTOR TO COORDINATE ELECTRICAL WITH APPLIANCES3. WHERE WORK IS BEING PERFORMED, ELECTRICAL OUTLETS TO BE INSTALLED IN ACCORDANCETO THE 2010 CEC SECTION 210.52
EXISTING DOOR TO BE RE-USED
NEW DOOR
EXISTING REFRIGERATOR RELOCATEDFROM KITCHEN
NO WORK TO BE PERFORMED
BUILT-IN STORAGE ABOVE STAIRS BELOW.MAINTAIN 80" MIN. HEAD CLEARANCE
INSTALL TEMPERED GLAZING INEXISTING WINDOW
COORDINATE EXISTING OUTLET WITH NEWCASEWORK
HANDRAILS TO BE PROVIDED INACCORDANCE TO 2010 CBC SECTION1003.3.3.6 TYP.
NOT USED
NEW BUILT-IN CASEWORK
NEW BUILT-IN SEATING
GUARDRAIL TO BE PROVIDED INACCORDANCE TO 2010 CBC SECTION 509
NEW CLOSET, RELOCATE EXISTINGSPRINKLER HEAD TO BE OUTSIDE OFCLOSET
PROPOSEDNEW HOOD AND EXHAUST AS REQUIRED
INCREASE WINDOW HEIGHT TO MATCHNEW DOOR HEIGHTS ON THIRD FLOOR
2X4 FLAT STUD WALL OVER EXISTINGCONCRETE WALL
COORD. ELECTRICAL AND DATA WITH TV/AV
CERAMIC/STONE TILE O/ MORTAR BEAD O/CEMENT BOARD TO A MIN. HEIGHT OF 70"ABOVE DRAIN INLET IN SHOWER ENCLOSURES
EXISTING GLASS DOOR TO BE REPLACED W/WINDOW TO MATCH ADJACENT WINDOWS @ 30"± AFFNEW FRONT DOOR, SIDE LIGHTS AND TRANSOMWINDOW
NEW SHOWER HEAD AND CONTROL VALVES
EXISTING FIREPLACE TO REMAIN. NO WORKPERFORMED
SHOWER ENCLOSURES TO HAVE TEMPEREDGLAZING
EDGE OF WALL TO ALIGN WITH CEILING JOINT,SEE ELEVATIONS
KEN FULK415 285-1164 415 285-11743T F
394
997UP
DN
GFIN
GFIN
EE
EE
E
E
E
E
E
E
E E
E
EEE
E
E E
E
E
E
E E
E E
E
E
E
E
EE
EXISTINGELEVATOR
AC UNITFOR ATTIC
2 x
6
GFIN
N
E
E
EE
E
E
E
E
E E EE E
E
E
E NEEE
N
GENERAL NOTES KEY NOTES
1. LANDSCAPE DESIGN AND SPECIFICATIONS BY OTHERS2. CONTRACTOR TO COORDINATE ELECTRICAL WITH APPLIANCES3. WHERE WORK IS BEING PERFORMED, ELECTRICAL OUTLETS TO BE INSTALLED IN ACCORDANCETO THE 2010 CEC SECTION 210.52
EXISTING DOOR TO BE RE-USED
NEW DOOR
EXISTING REFRIGERATOR RELOCATEDFROM KITCHEN
NO WORK TO BE PERFORMED
BUILT-IN STORAGE ABOVE STAIRS BELOW.MAINTAIN 80" MIN. HEAD CLEARANCE
INSTALL TEMPERED GLAZING INEXISTING WINDOW
COORDINATE EXISTING OUTLET WITH NEWCASEWORK
HANDRAILS TO BE PROVIDED INACCORDANCE TO 2010 CBC SECTION1003.3.3.6 TYP.
NOT USED
NEW BUILT-IN CASEWORK
NEW BUILT-IN SEATING
GUARDRAIL TO BE PROVIDED INACCORDANCE TO 2010 CBC SECTION 509
NEW CLOSET, RELOCATE EXISTINGSPRINKLER HEAD TO BE OUTSIDE OFCLOSET
PROPOSEDNEW HOOD AND EXHAUST AS REQUIRED
INCREASE WINDOW HEIGHT TO MATCHNEW DOOR HEIGHTS ON THIRD FLOOR
2X4 FLAT STUD WALL OVER EXISTINGCONCRETE WALL
COORD. ELECTRICAL AND DATA WITH TV/AV
CERAMIC/STONE TILE O/ MORTAR BEAD O/CEMENT BOARD TO A MIN. HEIGHT OF 70"ABOVE DRAIN INLET IN SHOWER ENCLOSURES
EXISTING GLASS DOOR TO BE REPLACED W/WINDOW TO MATCH ADJACENT WINDOWS @ 30"± AFFNEW FRONT DOOR, SIDE LIGHTS AND TRANSOMWINDOW
NEW SHOWER HEAD AND CONTROL VALVES
EXISTING FIREPLACE TO REMAIN. NO WORKPERFORMED
SHOWER ENCLOSURES TO HAVE TEMPEREDGLAZING
EDGE OF WALL TO ALIGN WITH CEILING JOINT,SEE ELEVATIONS
KEN FULK415 285-1164 415 285-11743T F
394
997
I participated in the design and drafting of several components of this remodel of a stately home in San Francisco. I contributed design to the built-in seating at the breakfast nook as well as for the custom coat rack and storage piece. I also drafted many of the details in the kitchen and at door casings throughout the house. I also laid out tile in the bathrooms, coordinated lighting fixtures, drew elevations for the kitchen and the short, paneled hallway which was finished in a high-gloss Kelly Green.
Professional work / 23
NEW BUILT INBANQUETTE
UNDER COUNTERLIGHTING
ADJUSTABLESHELVES TYP. INKITCHEN ANDPANTRY
COORD. W/RANGE HOOD
EQEQ
112" 11
2"112"11
2"
112"
EQ EQ
112"
112"
8"EQ EQ
112"
8" EQ EQ
112"
FLIPPER DOORSAT APPLIANCEGARAGE
NEW BUILT INBANQUETTE
REPLACE EXST.DOOR W/WINDOWS
OPEN TOPANTRY
OPEN TOFOYER
PTD WDCLADDING ONREFRIGERATORSTO MATCHCABINETS
FULL HEIGHTPANTRYDRAWERS
REFRIGERATOR,VERIFY DIMS. W/ MANU.
EQ EQ
112" EQ 11
2" EQ 112"
BUILD CABINETIN TO WALLCAVITY ABOVESTAIR TOBASEMENT.MAINTAIN 80"HEAD HEIGHTCLEARANCE
3'-0"
EQ EQ
2'-9"
EQ EQ
112"11
2"312" 31
2"
EQ EQDISHWASHERVERIFY DIMS.
W/ MANU.
RECESSEDFOR SEATING
812"
8"
9'-0"
3'-0
"
3'-4"
312"
EQ
112"
EQ
112"
EQ
312" 31
2" 312"
EQ EQ
DISHWASHERVERIFY DIMS.
W/ MANU.
112"11
2" EQ EQ4'-3"
EQ EQ EQ EQ
112" 11
2" 112"11
2" PTD WD WALLPANELING TOMATCH FOURTHFLOOR
BUILD CABINETINTO WALLCAVITY ABOVESTAIR TOBASEMENT.MAINTAIN 80"HEAD HEIGHTCLEARANCE
OPEN TOFAMILY ROOM
3'-0
" TY
P2'
-61 4"
11 2"3'
-11 2"
1'-934"
VERIFY 80"HEAD HEIGHTCLEARANCEFOR STAIR
BELOW
KEN FULK415 285-1164 415 285-11743T F
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997
NEW BUILT INBANQUETTE
UNDER COUNTERLIGHTING
ADJUSTABLESHELVES TYP. INKITCHEN ANDPANTRY
COORD. W/RANGE HOOD
EQEQ
112" 11
2"112"11
2"
112"
EQ EQ
112"
112"
8"EQ EQ
112"
8" EQ EQ
112"
FLIPPER DOORSAT APPLIANCEGARAGE
NEW BUILT INBANQUETTE
REPLACE EXST.DOOR W/WINDOWS
OPEN TOPANTRY
OPEN TOFOYER
PTD WDCLADDING ONREFRIGERATORSTO MATCHCABINETS
FULL HEIGHTPANTRYDRAWERS
REFRIGERATOR,VERIFY DIMS. W/ MANU.
EQ EQ
112" EQ 11
2" EQ 112"
BUILD CABINETIN TO WALLCAVITY ABOVESTAIR TOBASEMENT.MAINTAIN 80"HEAD HEIGHTCLEARANCE
3'-0"
EQ EQ
2'-9"
EQ EQ
112"11
2"312" 31
2"
EQ EQDISHWASHERVERIFY DIMS.
W/ MANU.
RECESSEDFOR SEATING
812"
8"
9'-0"
3'-0
"
3'-4"
312"
EQ
112"
EQ
112"
EQ
312" 31
2" 312"
EQ EQ
DISHWASHERVERIFY DIMS.
W/ MANU.
112"11
2" EQ EQ4'-3"
EQ EQ EQ EQ
112" 11
2" 112"11
2" PTD WD WALLPANELING TOMATCH FOURTHFLOOR
BUILD CABINETINTO WALLCAVITY ABOVESTAIR TOBASEMENT.MAINTAIN 80"HEAD HEIGHTCLEARANCE
OPEN TOFAMILY ROOM
3'-0
" TY
P2'
-61 4"
11 2"3'
-11 2"
1'-934"
VERIFY 80"HEAD HEIGHTCLEARANCEFOR STAIR
BELOW
KEN FULK415 285-1164 415 285-11743T F
394
997
9'-8"
2'-0"2"6 EQ2"
4'-578"
1" EQ EQ EQ 1"
4" 4"EQ
KEN FULK415 285-1164 415 285-11743T F
394
997
9'-8"
2'-0"2"6 EQ2"
4'-578"
1" EQ EQ EQ 1"
4" 4"EQ
KEN FULK415 285-1164 415 285-11743T F
394
997
ken fulk design
kitchen elevations
24 / Professional work
PA LO A LTO HOM E - H istor ic Renovat ion
KEN FULK415 285-1164 415 285-1174
3T F
394
997
The owners of this historic Palo Alto estate asked us to completely renovate the interior. The exterior could only have minor modifications on the street-facing sides, but I was asked to design a new stairwell and sunroom on the back sides of the house. I also began the drafting and set layout and created a detailed 3d model in SketchUp to visualize options for the client. I later rendered these images from the model.
level one flooR plan
Professional work / 25
ken fulk design
Renovated sUnRoom
staiRwell at inteRioR coURtyaRd
26 / Professional work
(N) GARAGE/(N) GUEST HOUSE
(N) POOL HOUSE (N) POOL (E) MAIN HOUSE
8'-0"
NEW HARDSCAPE
20'-0"
8'-0
"
STRUCTURE
EXISTING HARDSCAPE
LEGEND
TREE
12'-0"
24'-0
"
20'-0"
LEGEND
TELEPHONE POLE
CHURCHHILL AVENUE
WA
VER
LEY
STR
EET
(N) TRASH/RECYCLING
(N)
(E) TENNIS COURT
POOLEQUIP
NEW PERIMETER FENCE
NEW VEHICLE GATE
NEW MAN GATE
NEW FENCE
18'-0
"18
'-0"
8'-6" 16'-6"
12'-0
"12
'-0"
OFFICE
5'-0
"
GRASS
41'-612"
5'-4
"
103 4"
6" 8'-6"
KEN FULK415 285-1164 415 285-1174
3T F
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KEN FULK415 285-1164 415 285-1174
3T F
394
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GENERAL NOTES KEY NOTES
1. XXX
MAIN HOUSE ELEVS
EXISTING BRICK TO BE RE-INSTALLED AND BLENDEDWITH NEW BRICK TO MATCH WHERE NECESSARY.
EXISTING WOOD WINDOWS WITH ADDITIONAL PANESADDED TO THE BOTTOM TO MATCH EXISTING.
MAIN ENTRY DOOR REBUILT IN KIND.
FRONT ENTRY PORCH REBUILT IN KIND.
NEW PAINTED WOOD WINDOWS
NEW PAINTED WOOD DOOR(S)
EXISTING AND NEW WOOD TRIM TO BE PAINTED
STANDING SEAM ZINC ROOF
NEW CHIMNEY
NEW KITCHEN EXTENSION.
NEW OPEN TRELLIS STRUCTURE
NEW PAINTED WOOD GUARDRAIL.
NEW SLATE ROOFING
NEW BRICK STEPS
Palo alto hoMe
Professional work / 27
historic renovation
28 / Professional work
TH R EE STICKS W I N ERY - H istor ic Renovat ion
stoRehoUse and meeting Room
Professional work / 29
ken fulk design
ADARESTROOM
COTTAGE
STOREHOUSE
KEN FULK415 285-1164 415 285-11743T F
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s:\kfi projects\tsw143\cad\plotsheets\130716_presentation sheets\enlarged plan Plotted: 7/16/2013 2:20 PM
flooR plan and planting layoUt
fRont elevation
30 / Professional work
KEN FULK415 285-1164 415 285-11743T F
394
997
s:\kfi projects\tsw143\cad\plotsheets\130716_presentation sheets\south elevation Plotted: 7/15/2013 3:00 PM
three sticks Winery
This small adobe storehouse in Sonoma, California is over 150 years old. three sticks winery purchased the lot it was on and asked us to restore it along with the adjacent abode (not adobe). i created a detailed 3d model of the storehouse in sketchUp and drew elevations for the presentation package.
stoRehoUse fRont elevation
alley elevation and entRy gate
Professional work / 31
KEN FULK415 285-1164 415 285-11743T F
394
997
s:\kfi projects\tsw143\cad\plotsheets\130716_presentation sheets\south elevation Plotted: 7/15/2013 3:00 PM
historic renovation
inteRioR stoRehoUse model scenes
view fRom alleystoRehoUse fRont elevation
ReaR entRy gate
32 / Professional work
TH E BATTERY SF - P r ivate Club
I was brought on to aid in construction administration for this 50,000 sf adaptive-reuse project in downtown San Francisco. Along with tracking and responding to RFIs, shop drawings and submittals, I was busy coordinating light fi xtures, researching materials, drawing details and designing various components of the project such as awnings and guard rails.
Professional work / 33
I took part in the design of the ‘B’ mosaic tile pattern that was featured in the bathroom spaces. This card room, hidden behind a secret door in the bar’s bookcase, required several details clarified during construction.
ken fulk design
34 / Professional work
the Battery sf
The board-formed plaster finish in the entry and spa areas required carefully laying out the board joints. A close up of the mosaic ‘B’ tile pattern and corner detail, above. The limited wall space at the entry door area required carefully coordinating and laying out various components such as the intercom, knox box and gas wall fixtures.
Professional work / 35
Private cluB
boaRd-foRmed finish in the spa
the lockeR Room at the gym
36 / Professional work
the Battery sf
The restaurant, 717, and lounge spaces on the ground fl oor have many different accent fi xtures throughout which required coordination. This involved reviewing specifi cations and placing each on drawings to ensure they don’t interfere with eachother. I also drew and designed the guard rail at the 717 bar and restaurant area.
717 mAiN bAr
Professional work / 37
Private cluB
PROVIDE BACKING FOR ART.SEE FME DWGS. ADD5 6/A0.07FOR DETAILS, TYP.
COORDINATE T.O.WALL W/ EXPOSEDBEAMS AT CEILING KEN FULK
415 285-1164 415 285-11743T F
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997
1. SEE I0.00 SERIES SHEETS FOR ACCESSIBILITYSTANDARDS.
2. SEE CASEWORK AND MILLWORK SHOPDRAWINGS FOR WOOD PANELING LAYOUTSAND CASEWORK DESIGNS, TYP.
3. LOCATIONS OF OUTLETS, SWITCHES,CONTROLS AND LIGHT FIXTURES SHOWN FORDIMENSIONAL LOCATIONS. SEE ELECTRIC, A/V,SECURITY, AND LIGHTING DRAWINGS FORQUANTITIES AND SPECIFICATIONS OFEQUIPMENT. DIMENSIONS TO FO STUD UON.
4. ELEVATIONS SHOW EXTENTS OF FINISHES.SEE FINISH SCHEDULE AND SPECIFICATIONSFOR FINISH MATERIALS.
5. LIGHT FIXTURE DIMENSIONS AS FOLLOWS: - VERTICAL DIMS FROM FINISH FLOOR - HORIZONTAL DIMS FROM FACE OF WALL FINISH UON - SCONCES DIMENSIONED TO C.L. MOUNTING HARDWARE - PENDANTS DIMENSIONED TO CENTERLINE OR BOTTOM OF FIXTURE - SEE REFLECTED CEILING PLANS FOR DIMENSIONAL LOCATIONS OF CEILING MOUNTED FIXTURES UON
6. SIMILAR LIGHT FIXTURES IN A ROOM ARE TOALIGN UON.
INTERIOR ELEVATIONSGENERAL NOTES, TYP ALL LEVELS:
PROVIDE BACKING FOR ART.SEE FME DWGS. ADD5 6/A0.07FOR DETAILS, TYP.
COORDINATE T.O.WALL W/ EXPOSEDBEAMS AT CEILING KEN FULK
415 285-1164 415 285-11743T F
394
997
1. SEE I0.00 SERIES SHEETS FOR ACCESSIBILITYSTANDARDS.
2. SEE CASEWORK AND MILLWORK SHOPDRAWINGS FOR WOOD PANELING LAYOUTSAND CASEWORK DESIGNS, TYP.
3. LOCATIONS OF OUTLETS, SWITCHES,CONTROLS AND LIGHT FIXTURES SHOWN FORDIMENSIONAL LOCATIONS. SEE ELECTRIC, A/V,SECURITY, AND LIGHTING DRAWINGS FORQUANTITIES AND SPECIFICATIONS OFEQUIPMENT. DIMENSIONS TO FO STUD UON.
4. ELEVATIONS SHOW EXTENTS OF FINISHES.SEE FINISH SCHEDULE AND SPECIFICATIONSFOR FINISH MATERIALS.
5. LIGHT FIXTURE DIMENSIONS AS FOLLOWS: - VERTICAL DIMS FROM FINISH FLOOR - HORIZONTAL DIMS FROM FACE OF WALL FINISH UON - SCONCES DIMENSIONED TO C.L. MOUNTING HARDWARE - PENDANTS DIMENSIONED TO CENTERLINE OR BOTTOM OF FIXTURE - SEE REFLECTED CEILING PLANS FOR DIMENSIONAL LOCATIONS OF CEILING MOUNTED FIXTURES UON
6. SIMILAR LIGHT FIXTURES IN A ROOM ARE TOALIGN UON.
INTERIOR ELEVATIONSGENERAL NOTES, TYP ALL LEVELS:
PROVIDE BACKING FOR ART.SEE FME DWGS. ADD5 6/A0.07FOR DETAILS, TYP.
COORDINATE T.O.WALL W/ EXPOSEDBEAMS AT CEILING KEN FULK
415 285-1164 415 285-11743T F
394
997
1. SEE I0.00 SERIES SHEETS FOR ACCESSIBILITYSTANDARDS.
2. SEE CASEWORK AND MILLWORK SHOPDRAWINGS FOR WOOD PANELING LAYOUTSAND CASEWORK DESIGNS, TYP.
3. LOCATIONS OF OUTLETS, SWITCHES,CONTROLS AND LIGHT FIXTURES SHOWN FORDIMENSIONAL LOCATIONS. SEE ELECTRIC, A/V,SECURITY, AND LIGHTING DRAWINGS FORQUANTITIES AND SPECIFICATIONS OFEQUIPMENT. DIMENSIONS TO FO STUD UON.
4. ELEVATIONS SHOW EXTENTS OF FINISHES.SEE FINISH SCHEDULE AND SPECIFICATIONSFOR FINISH MATERIALS.
5. LIGHT FIXTURE DIMENSIONS AS FOLLOWS: - VERTICAL DIMS FROM FINISH FLOOR - HORIZONTAL DIMS FROM FACE OF WALL FINISH UON - SCONCES DIMENSIONED TO C.L. MOUNTING HARDWARE - PENDANTS DIMENSIONED TO CENTERLINE OR BOTTOM OF FIXTURE - SEE REFLECTED CEILING PLANS FOR DIMENSIONAL LOCATIONS OF CEILING MOUNTED FIXTURES UON
6. SIMILAR LIGHT FIXTURES IN A ROOM ARE TOALIGN UON.
INTERIOR ELEVATIONSGENERAL NOTES, TYP ALL LEVELS:
38 / Professional work
UP DN
UP
DN
DN
FB110-02
DNDN
DN
FB110-01
F.E.C.
36'-312"
CL
CL
CL
CL
TYP
CL
DOUG FIR FILLER PIECE,COORD. W/ KFI & DWS
KEN FULK415 285-1164 415 285-1174
3T F
394
997
KEY PLAN: N.T.S.
C
The scale of the project required the plans to be divided into quadrants. Below is the Southeast quadrant showing the restaurant and bar space on the ground floor. I helped assemble the marketing plans seen to the right.
the Battery sf
Professional work / 39
Private cluB
40 / Professional work
primary
alternates
our logo
t h e b i n d e r y ’ s p r i m a r y l o g o c o n s i s t s o f a t r a d i t i o n a l s t a c k e d l a y o u t w i t h a c u s t o m l o g o t y p e a t t h e f o r f r o n t . t h e o v e r a l l s t r u c t u r e a n d a d d i t i o n a l e l e m e n t s i s a n o d t o b i n d e r y a n d p r i n t e q u i p m e n t l o g o s o f t h e e a r l y 2 0 t h c e n t u r y .
+ The primary logo lockup is to be used whenever possible, however, we want a flexible brand that allows us to play with the structure, without losing our brand essence.
+ The alternate layouts will be used to keep the look fresh.
the bindery | Company Vision section Branding date 11/20/14
POS POS
MARKET
BAR
RESTAURANT SEATING
DRINKCOUNTERRETAIL
CORE
MAINENTRY
MARKETENTRY OUTDOOR
SEATING
PICK-UP & CATERING
CAFE & BAKERY
BACK OF HOUSE
RESTROOMS
KITCHEN & PREP
DEN V ER M A R K ET SPACE - Tenant Appl icat ion P resentat ion
Working with Consumption Concepts, an energetic, fast-paced firm, I helped the team meet a crucial deadline, conceptualizing a layout for the unique space and assembling a presentation package of renderings and plan layout. i created a detailed model of the potential space and illustrated its potential.
conceptUal plan layoUt
view fRom the main entRy
Professional work / 41
consuMPtion concePts
RestaURant seating aRea and baR
maRket and Retail aRea
RestaURant seating and window baR
42 / Professional work
LA HON TA N 485 - A rch itectura l Render ings
Working with architect greg faulkner as a freelance artist, I created a detailed 3d model and renderings of this custom residence for client and review board approval.
faulkner architects
Professional work / 43
LA K E TA HOE LA K EHOUSE - A rch itectura l Render ings
Working with architect Greg Faulkner as a freelance artist, I created a detailed 3d model and renderings of this lake house building in Lake Tahoe. We developed two structural schemes to present to the client for approval.
faulkner architects
44 / Academic work
I N TO TH E W I LD - Sequoia Nat iona l Pa rk Vis itor’s Center
This visitor center for Sequoia National Park aims to be an architectural ambassador, both for the park to the people, and for the built environment to its site. By creating a shelter that houses exhibits and utilizes large openings to connect visitors with the lessons available in the immediate surroundings it highlights the importance of the preservation work done in the park. By showcasing a variety of materials, each utilized for specific purposes, employing exposed connections and overall, remaining a modest component of the surroundings, it strives to be the highest representation of the built environment.
Academic work / 45
undergraduate thesis - gil cooke - 2012
46 / Academic work
into the Wild
pRocess sketches
Academic work / 47
undergraduate thesis
48 / Academic work
into the Wild
eaRly section sketch at entRy
Academic work / 49
undergraduate thesis
detail sketch
50 / Academic work
into the Wild
flooR plan with majoR tRees located and shown to scale
entry
exhibit gallery
classrooms
exhibit gallery
gift shop
sentinel tree
Academic work / 51
undergraduate thesis
inflUential elements exploded axonometRic
laRge openings
main ciRcUlation
52 / Academic work
into the Wild
Academic work / 53
undergraduate thesis
54 / Academic work
into the Wild
gatheRing place - moRning
gatheRing place - daytime
Academic work / 55
undergraduate thesis
main exhibit space
RendeRed section thRoUgh main exhibit space
56 / Academic work
into the Wild
dooR opeRation illUstRation
Academic work / 57
undergraduate thesis
dooR opeRation illUstRation
58 / Academic work
into the Wild
inteRioR of gift shop with view to sentinel tRee
ReaR entRy/exit fRom gift shop
Academic work / 59
undergraduate thesis
exteRioR RendeRing showing 48 inches of snow coveR
60 / Academic work
into the Wild
this site sections illustrates the overall grade and the scale relationship between the Sentinel tree and the visitor center. the tree remains the focus on the site as the visitor center building maintains a respectful single-story presence.
Academic work / 61
undergraduate thesis
62 / Academic work
FOLLOW TH E SOU N D - Bou lez Center for New Music
massing model
Academic work / 63
noRth west coRneR peRspective - main venUe and entRance
4th year sPecial toPic studio - greg Walsh - 2011
New Music is an avant garde style that often utilizes unique performance spaces to deliver unique experiences. This center for new music, situated across Grand Avenue from the Gehry’s Walt Disney Concert Hall, is a campus for the exploration and performance of New Music. For this quarter-long project that included studies on acoustics and extensive case studies, I used the concept of the building serving as a phonograph horn, projecting the sounds into the far reaches of the city streets. the harsh angles that pervade and permeate the site are a result of acoustical studies intended to provide precise reverberation qualities within the main venue, and the language was continued outside.
64 / Academic work
folloW the sound
Dn
Balcony / Gallery
Atrium
Dn
B
A
Entry Gallery / Café
Restaurant loft
Dn
Dn
DnDn
Dn
Roof plan
UppeR level plan
gRand avenUe level plan
Academic work / 65
Boulez center for neW Music
RendeRed section thRoUgh main venUe space
section a - main venUe space
understage
main venue
balcony / gallery
walkway grand avenue
lower grand
66 / Academic work
Library Black Box venue
Entry Gallery / Café
Understage
Main venue
balcony
Atrium
Garden
2nd St.
Composers studios
Media
Administration
sEcTiON b
EXTEriOr PErsPEcTiVEs
folloW the sound
Academic work / 67
Library Black Box venue
Entry Gallery / Café
Understage
Main venue
balcony
Atrium
Garden
2nd St.
Composers studios
Media
Administration
Boulez center for neW Music
68 / Academic work
AU X I LI A RY I N TERSTATE CROSSI NG - Publ ic Space Intervent ion
The Cortez Hill neighborhood of downtown San Diego is pocketed by a curve in I-5 freeway which cuts a deep rift between it and Balboa Park to the North. By instituting a covering structure, or “lid”, over a section of the freeway at 5th 6th and 7th avenues it would both reconnect the two and create an additional amenity space for community gardens, businesses, outdoor venues and more, as well as reduce road noise from the freeway below. The form comes from the symbolism of stitching the gap together, and each pathway is placed to form a connection from one sidewalk to another, a running path to a dog park, etc. Because the neighborhood is defined by its walkable, quiet streets, the paths connected are for pedestrians only, with cars relegated to crossing only at the 5th avenue bridge as they do currently.
SECTION ASEC
TION B
[1]
[2]
[3]
[4]
Art Gallery
Courtyard /Amphitheatre
Tree WalkBridge
Playground /GardenBook Store /
Offices
TraderJoe’s
Café
6th ave bridge
Academic work / 69
4th urBan design year studio - diego velasco - 2011
[1]
[2]
[3][3] [2] [1]
Section comparision
sE PErsPEcTiVE
70 / Academic work
6th Ave
5th AveI-5 freeway
Book StoreTrader Joes Art GalleryArt Gallery
Tree walk
Playground / Garden
Plaza
6th ave bridge
[B][A] section scale20’ 40’ 60’ 80’
6th Ave
5th AveI-5 freeway
Book StoreTrader Joes Art GalleryArt Gallery
Tree walk
Playground / Garden
Plaza
6th ave bridge
[B][A] section scale20’ 40’ 60’ 80’
Stitching the urban fabricNoise + Disconnect at I-5
dynamic light portals
Stitching the urban fabricNoise + Disconnect at I-5
dynamic light portals
cortez hill urBan intervention auXiliary interstate crossing
sEcTiONs
NW PErsPEcTiVE
Academic work / 71
4th year studio - Mike stePner - 2010M I DPOI N T CON DITION I NG - Urban Plan
the Rolando clay neighborhood of san diego is in need of revitalization. as part of a group of three students, we devised an urban plan that focused on pedestrians by implementing traffic slowing features, changing the scale of the surrounding buildings and created small districts within the community. These districts utilized pedestrian-oriented streets, plazas and parks to bring the surrounding community outdoors and out of their cars.
72 / Academic work
PER I PH ERY - San Diego Aerospace Museum
The building celebrates flight most simply in the undulating shapes that accompany visitors throughout the exhibit. These forms were directly inspired by the joy and exhilaration of flight itself. They pay homage to the twists and turns of aerial acrobatics and the furthest limits of flight that we know today. The building strives to educate visitors about aviation and its history. This goal cannot be accomplished without anyone there to educate. The building addresses this directly by drawing the appropriate attention, thus sparking the interest and curiosity that is so crucial in education. The walls serve as a canvas for the pieces on display and help in creating an atmosphere in which visitors will not only see them, but experience them on a different level. The space conveys inspiration through a wholistic experience. The glory and awe of aviation is in danger of being lost to newer generations. As flight becomes an ever more integral part of our daily lives it becomes less and less fantastic. The building serves to communicate to all generations that flight is a remarkable achievement that should not be taken for granted.
Academic work / 73
3rd year studio - eric szeMeczko - 2010
Upper Gallery
Main Gallery
Peripheral Galleries
Café
East Gallery
storage / restrooms
café
main gallery
east gallery
upper gallery
peripheral galleries courtyard
74 / Academic work
PeriPhery
EXTEriOr PErsPEcTiVEs
Academic work / 75
san diego aerosPace MuseuM
- Establish basic path layout
- Identify focus
- Juxtapose park area & longspan element
- Orient building towards downtown
- Introduce secondary building
- Create fseparation with park
- Draw visitors into site
- Create dynamic experiential spaces
1- Establish basic 1- Establish basic
- Identify 1- Identify 2- Juxtapose 2- Juxtapose
- Orient building 2- Orient building
3- Introduce 3- Introduce
- Create 3- Create fseparation3fseparation 4- Draw visitors 4- Draw visitors
- Create 4- Create dynamic4dynamic
rENdErEd sEcTiON AT mAiN GALLEry
The inspiration comes from fl ight, but also from the people that curate it. The excitement and passion that such people have for aeronautical history must be translated into the building that houses their life’s love. The spaces within this museum relay their enthusiasm and foster an intimate and highly personable experience for each visitor.
76 / Academic work
PeriPhery
main gallery
peripheral galleries
sEcTiON
EXPLOdEd AXONOmETric sTrucTurAL sysTEm
Academic work / 77
san diego aerosPace MuseuM
upper gallery courtyard
workshop
iNTEriOr GALLEry PErsPEcTiVEs
78 / Academic work
WA R EH AUS - H igh-r ise Dormitory
rENdErEd sEcTiON ThrOuGh cOurTyArd
PErsPEcTiVE Of iNTEriOr cOurTyArd
Academic work / 79
3rd year studio - rÜdiger thierhoff - 2010
Working with a partner, he and I did extensive code, structural and market research to arrive at the proper room sizes etc. The collaboration went so well that we later worked together professionally. Located in the East Village district of downtown San Diego, this high-rise residential tower houses students of the NewSchool of Architecture and Design which is across the street. The fl oor plates of the tower change as it ascends and therefor offer three slightly different confi gurations throughout. The program consists of small dorm rooms in the tower, while at the base of the tower is a three story building which is constructed using recycled materials from a condemned brick building in the neighborhood which houses several higher-end loft residences as well as the communities amenity spaces such as the gym and study spaces. There are also retail spaces at the ground level which face the street and the interior courtyard.
siTE ANd cONTEXTuAL OVErViEW
80 / Academic work
Warehaus
sEcTiON ThrOuGh hiGh-risE TOWEr
iNTEriOr PErsPEcTiVE Of LOfT uNiT
Academic work / 81
high-rise dorMitory
cONTribuTiON TO sAN diEGO sKyLiNE
TOWEr fLOOr PLANs
EAsT PErsPEcTiVE TOWEr fAcAdE sE PErsPEcTiVE
82 / Academic work
U R BA N CA N YON - New Urban Campus for NSA+D
Inspired by the local canyons of San Diego, the massing of this building was shaped by subtracting from the allowable building area to allow for more light and to add an organic shape to the building. The new urban campus for the NewSchool of Architecture and Design continues the open space of Balboa Park from across the street onto the rooftop and incorporates it as an integral gathering space for students and faculty. The south west corner employs a perforated metal screen in crucial places to lessen heat gain and natural ventilation is utilized throughout, further capitalizing on the areas mild climate.
ENTrANcE cOurTyArd sTudy rOOm
Academic work / 83
3rd year studio - roBin BriseBois - 2009
sW cOrNEr PErsPEcTiVE
rEAr ENTrANcE TO cOurTyArd
84 / Academic work
A M I NGLES HOUSE - Two-person Residence
frONT ELEVATiON
ReaR elevation inside main coURtyaRd
A mingles house is intended as an exploration of the interplay between public and private space. The prompt was to provide a place to live and entertain, with ample private space for two separate occupants who would share the common spaces.
Academic work / 85
2nd year studio - saM Wilson - 2009
flooR plan and Roof plan
inteRioR peRspectives
86 / Academic work
H I LLSI DE HOUSE - Residence on a S lope
soUth peRspective
inteRioR peRspective
view of Roof
The only requirements for this second year studio project were that it needed to be a residence on this sloped site and that it needed to accommodate an inhabitant in a wheelchair without relying on an elevator. inspired by bart prince and Bruce Goff I imagined a form that swooped down the hillside in gentle slopes and curves.
Academic work / 87
2nd year studio - saM Wilson - 2008
peRspective fRom stReet
east elevation at living Room and balcony
88 / Personal work
PY BUS A N N EX - Design Compet it ion Entry
The sketching process led me from early explorations in sun exposure and sight lines to detailed stylistic conclusions. Quickly documenting a fleeting idea for a plan layout scheme or fleshing-out the specifics of an otherwise more general design is easiest for me in hand sketching. While more precise 3d modeling can lend a more accurate con-ception of the space, sketching remains the purest form of idea-generation throughout the project.
peRspective of main entRance.
Personal work / 89
90 / Personal work
3 1037
1
29
8A
B
446
6
5
1. ENTRY2. LOBBY / EXHIBIT SPACE3. EVENT HALL4. RESTROOM5. KITCHEN6. STORAGE7. RETRACTABLE SEATING8. ATRIUM / LIGHT WELL9. ELEVATOR10. OUTDOOR EVENT SPACE
UP
1,355 sf
600 sf
335 sf 26’ x 16’ 400 sf
2,810 sf 160 sf
N
PyBus anneX
the sw coRneR; view fRom the stReet showing the smalleR of the two event spaces.
LEVEL ONE
Personal work / 91
774
1
8
7
56
2
3
1. ADMINISTRATION OFFICE2. ATRIUM / LIGHT WELL3. ELEVATOR4. RESTROOM5. STORAGE6. MEETING ROOM7. GREEN ROOF8. ROOF TERRACE
A
B
DN300 sf
26’ x 12’
890 sf
N
1
UP
DN2
3
6
4555
1. KIDS / TEENS LOFT2. ELEVATOR3. ATRIUM / LIGHT WELL4. RESTROOM5. MEETING / CLASS ROOM6. OPEN TO BELOW
A
B
600 sf
200 sf20’ x 15’20’ x 12’
26’ x 13’
N
coMPetition entry
LEVEL TWO
LEVEL ThrEE
92 / Personal work
PyBus anneX
soUth elevation; main entRance.
east elevation; small and laRge event spaces.
NORTH ELEVATION; FACING REAR PARKING LOT, REAR ENTRY TO EVENT SPACE.
Personal work / 93
3 42
2
2 1
1. Event Hall2. Restroom3. Offices4. Green Roof
coMPetition entry
567
8 8 8 5
578
2
1
3
4
1. Lobby / exhibit 2. Teens loft3. Light well4. Green roof5. restroom6. Kitchen7. storage8. meeting room
sEcTiON b
sEcTiON A
94 / Personal work
PHOTOGR A PH Y - Black and W hite
Personal work / 95
96 / Personal work
PhotograPhy
Personal work / 97
Black and White
98 / Personal work
PhotograPhy
Personal work / 99
color
100 / Personal work
PhotograPhy
Personal work / 101
color
102 / Personal work
Cra f twork - Hunt ing K n i fe
A 10” hunting knife with black walnut handle, brass finger guard and tempered 1040 carbon steel blade. As part of a 10-day course at (now defunct) Sierra Forge & Fire I worked alongside mastersmith Mike Vagnino to take this knife from design to finish.The process included drawing and shaping the blade; drawing and shaping the handle; assembling the materials together; and finally sharpening and finishing. I later created a leather sheath for it.
Personal work / 103
104 / Personal work
A r twork - Oi l Pa int ing
a palette-knife exeRcise and exploRation of massing foR my aRchitectURal thesis pRoject - 2 hoURs
Personal work / 105
exploRation of massing foR my aRchitectURal thesis pRoject - 14 hoURs
106 / Personal work
A r twork - Acryl ic Pa int ing
My first experience with acrylic painting was a wedding gift for friends - a fun and ridiculous 48”x36” portrait of their cats. As a complete amateur I spent countless hours adding color for detail and abstract shapes. the process taught a valuable lesson in the importance of shading.
Personal work / 107
A r twork - Ma i l A r t
these postage-laden aRt pieces aRe cReated foR vaRioUs fRiends and family...
they aRe sent Unsolicited thRoUgh the United states postal seRvice...
the postage maRks acqUiRed in the pRocess convey the naRRative of the joURney of each individUal piece.
108 / Personal work
A r twork - Hand Drawings / Sketches
I HAVE EXPLORED THE INTERSECTION OF ARCHITECTURE AND NATURE ALSO THROUGH THE TRANSECT - IN THIS CASE, A fictional one - which enables one to expeRience natURal monUments fRom a UniqUe peRspective.
Personal work / 109
inspiRed by gRaphic designeR sam laRson i’ve exploRed geometRically simplified poRtRaits and stippled shading.
archinect.com/cedric • l inkedin.com/in/cedricreuter • cmr.vsco.co