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Page 1: EXAMINER’S PAPER 1. After listening to a famous Symphony ...

SEC34/1e.15m

© The MATSEC Examinations Board reserves all rights on the examination questions in all examination papers set by the said Board.

MATRICULATION AND SECONDARY EDUCATION CERTIFICATE EXAMINATIONS BOARDUNIVERSITY OF MALTA, MSIDA

SECONDARY EDUCATION CERTIFICATE LEVEL

MAY 2015 SESSION

SUBJECT: MusicPAPER NUMBER: I (Part I) – Section A - MusicianshipDATE: 27th May 2015TIME: 9:00 a.m. to 9:30 a.m.

EXAMINER’S PAPER

1. After listening to a famous Symphony no. 5 in C minor twice the candidate is to answer anumber of multiple choice questions. The composer is not to be mentioned by theexaminer.

For questions 2-3, all passages are to be played 2 times. (5 marks)

2a. Listen to the following major triad. Is the following note the root, the third or the fifth ofthe chord? (1 mark)

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2b. Listen to the following passage. Identify the chord indicated as minor, major ordiminished. (1 mark)

3. Listen to the 4/4 melody in G major carefully and write it down below. The tonic triadwill be played before. (3 marks)

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Index No:____________ SEC34/1c.15m

© The MATSEC Examinations Board reserves all rights on the examination questions in all examination papers set by the said Board.

MATRICULATION AND SECONDARY EDUCATION CERTIFICATE EXAMINATIONS BOARDUNIVERSITY OF MALTA, MSIDA

SECONDARY EDUCATION CERTIFICATE LEVEL

MAY 2015 SESSION

SUBJECT: MusicPAPER NUMBER: I (Part I)DATE: 27th May 2015TIME: 9:00 a.m. to 10:30 a.m.

CANDIDATE’S PAPER

Section A – Musicianship (10 marks)

You are to listen to a number of extracts, each of which will be played twice, and answerquestions on them.

You have been listening to a famous extract from Symphony no. 5 in C minor.

1. Fill in each indicated space with the correct number: (5 marks)

a. Who is the composer of this work? _____i. Bachii. Mozartiii. Verdiiv. Beethoven

b. The key-signature of C minor has: _____i. 3 flats.ii. 2 sharps.iii. 4 flats.iv. No flats or sharps.

c. The time-signature of the piece is: _____i. 9/8ii. 2/4iii. 6/8iv. 3/4

d. A symphony is: _____i. a musical piece that tells a story.ii. a collection of dance movements.iii. usually a four-movement work for orchestra.iv. a collection of songs.

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e. Which wind or brass instrument, about half-way through this extract, plays a sort offanfare derived from the opening of the piece? _____i. Piano.ii. Horn.iii. Clarinet.iv. Trumpet.

For questions 2-3, all passages are to be played twice.

2a. Listen to the following major triad. Is the following note the root, the third or the fifth ofthe chord? (1 mark)

___________________________________________________________________________

2b. Listen to the following passage. Identify the chord indicated as minor, major ordiminished. (1 mark)

___________________________________________________________________________

3. Listen to the 4/4 melody in G major carefully and write it down below. The tonic triadwill be played before. (3 marks)

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Section B – Theory (20 marks)

1. Write down the following time-values as either notes or rests as specified: (5 marks)

2a. Write down two different groupings of quavers in 5/8 time. (2 marks)

_________________ _________________

2b. Write down three different groupings of quavers in 7/8 time. (3 marks)

________________ ________________ ________________

3a. Fill in the following empty staves, without writing the key-signature, with:(i) an ascending arpeggio of four semibreves made up of the notes of the tonic chord of

the minor key whose key-signature consists of 2 sharps; (2 marks)

(ii) a descending arpeggio of four semibreves made up of the notes of the tonic chord ofthe major key whose key-signature consists of 5 flats. (2 marks)

3b. Name the keys referred to in Question 3a:(i) ______ minor; (ii) ______ major. (1 mark)

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4a. Write down the technical degree names of the numbered notes below: (3 marks)

1 2 3

1 ____________ 2 ____________ 3 ____________

4b. Write down the enharmonic equivalents of the following: (2 marks)

THIS SECTION IS TO BE USED ONLY AS ROUGH

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© The MATSEC Examinations Board reserves all rights on the examination questions in all examination papers set by the said Board.

MATRICULATION AND SECONDARY EDUCATION CERTIFICATE EXAMINATIONS BOARDUNIVERSITY OF MALTA, MSIDA

SECONDARY EDUCATION CERTIFICATE LEVEL

MAY 2015 SESSION

SUBJECT: MusicPAPER NUMBER: I (Part II)DATE: 28th May 2015TIME: 30 minutes

EXAMINER’S PAPER

Sight Reading (4 marks)

Voice

Sing the following:

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© The MATSEC Examinations Board reserves all rights on the examination questions in all examination papers set by the said Board.

MATRICULATION AND SECONDARY EDUCATION CERTIFICATE EXAMINATIONS BOARDUNIVERSITY OF MALTA, MSIDA

SECONDARY EDUCATION CERTIFICATE LEVEL

MAY 2015 SESSION

SUBJECT: MusicPAPER NUMBER: I (Part II)DATE: 28th May 2015TIME: 30 minutes

EXAMINER’S PAPER

Sight Reading (4 marks)

Piano

Play the following:

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SEC34/1e.15m

© The MATSEC Examinations Board reserves all rights on the examination questions in all examination papers set by the said Board.

MATRICULATION AND SECONDARY EDUCATION CERTIFICATE EXAMINATIONS BOARDUNIVERSITY OF MALTA, MSIDA

SECONDARY EDUCATION CERTIFICATE LEVEL

MAY 2015 SESSION

SUBJECT: MusicPAPER NUMBER: I (Part II)DATE: 28th May 2015TIME: 30 minutes

EXAMINER’S PAPER

Sight Reading (4 marks)

Clarinet/ Saxophone

Play the following:

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© The MATSEC Examinations Board reserves all rights on the examination questions in all examination papers set by the said Board.

MATRICULATION AND SECONDARY EDUCATION CERTIFICATE EXAMINATIONS BOARDUNIVERSITY OF MALTA, MSIDA

SECONDARY EDUCATION CERTIFICATE LEVEL

MAY 2015 SESSION

SUBJECT: MusicPAPER NUMBER: I (Part II)DATE: 28th May 2015TIME: 30 minutes

EXAMINER’S PAPER

Sight Reading (4 marks)

Trumpet / Bflat Baritone

Play the following:

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© The MATSEC Examinations Board reserves all rights on the examination questions in all examination papers set by the said Board.

MATRICULATION AND SECONDARY EDUCATION CERTIFICATE EXAMINATIONS BOARDUNIVERSITY OF MALTA, MSIDA

SECONDARY EDUCATION CERTIFICATE LEVEL

MAY 2015 SESSION

SUBJECT: MusicPAPER NUMBER: I (Part II)DATE: 28th May 2015TIME: 30 minutes

EXAMINER’S PAPER

Sight Reading (4 marks)

Euphonium

Play the following:

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SEC34/1e.15m

© The MATSEC Examinations Board reserves all rights on the examination questions in all examination papers set by the said Board.

MATRICULATION AND SECONDARY EDUCATION CERTIFICATE EXAMINATIONS BOARDUNIVERSITY OF MALTA, MSIDA

SECONDARY EDUCATION CERTIFICATE LEVEL

MAY 2015 SESSION

SUBJECT: MusicPAPER NUMBER: I (Part II)DATE: 28th May 2015TIME: 30 minutes

EXAMINER’S PAPER

Sight Reading (4 marks)

Violin

Play the following:

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SEC34/1e.15m

© The MATSEC Examinations Board reserves all rights on the examination questions in all examination papers set by the said Board.

MATRICULATION AND SECONDARY EDUCATION CERTIFICATE EXAMINATIONS BOARDUNIVERSITY OF MALTA, MSIDA

SECONDARY EDUCATION CERTIFICATE LEVEL

MAY 2015 SESSION

SUBJECT: MusicPAPER NUMBER: I (Part II)DATE: 28th May 2015TIME: 30 minutes

EXAMINER’S PAPER

Sight Reading (4 marks)

Viola

Play the following:

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Index No:____________ SEC34/2A.15m

© The MATSEC Examinations Board reserves all rights on the examination questions in all examination papers set by the said Board.

MATRICULATION AND SECONDARY EDUCATION CERTIFICATE EXAMINATIONS BOARDUNIVERSITY OF MALTA, MSIDA

SECONDARY EDUCATION CERTIFICATE LEVEL

MAY 2015 SESSION

SUBJECT: MusicPAPER NUMBER: IIADATE: 29th May 2015TIME: 4:00 p.m. to 6:00 p.m.

Section A – Basic Harmony (20 marks)

1a. Write the cadences indicated below in four parts (SATB), inserting the correct key-signatures:(4 marks)

1b. Look at the following excerpt and indicate with a bracket [ ] a shift in tonality to the dominantkey: (1 mark)

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2. Describe fully the chords marked with an asterisk (*). Identify a 6 5 cadence with a bracket [ ].4 3

(5 marks)

*1 _______________ *2 _______________ *3 _______________ *4 _______________

3. Write down the specified chords in semibreves in four parts (SATB), in the key of G major.(5 marks)

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4. Indicate suitable chords (e.g. IIb or II6) at the cadential points of the given melody which is inthe key of F major. You are required to write the last two chords of each cadence below thestave. (5 marks)

Section B – Elementary Compositional Skills (15 marks)

Continue the given melody for bassoon or cello, specifying the instrument and creatively composinga further 4-8 bars, hence having a total of 8-12 bars. Give appropriate performance directionsregarding tempo, dynamics and articulation.

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THIS PAPER IS TO BE USED ONLY AS ROUGH

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Section C – History and Analysis (15 marks)

1. Define the following forms: (4 marks)

a. Binary

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b. Ternary

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2. What is meant by verse and chorus (or refrain) in vocal or choral music? (2 marks)_________________________________________________________________________________

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3. Name two non-transposing woodwind instruments, naming the clef they usually use. (2 marks)_________________________________________________________________________________

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Please turn the page.

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4. Mention two transposing brass instruments, stating the sounding note when they have a written C.(6 marks)

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5. The lowest note in the violin’s range is ___ below middle C. (1 mark)

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Index No:____________ SEC34/2B.15m

© The MATSEC Examinations Board reserves all rights on the examination questions in all examination papers set by the said Board.

MATRICULATION AND SECONDARY EDUCATION CERTIFICATE EXAMINATIONS BOARDUNIVERSITY OF MALTA, MSIDA

SECONDARY EDUCATION CERTIFICATE LEVEL

MAY 2015 SESSION

SUBJECT: MusicPAPER NUMBER: IIBDATE: 29th May 2015TIME: 4:00 p.m. to 6:00 p.m.

Section A – Basic Harmony (20 marks)

1a. Write the cadences indicated below in four parts (SATB), inserting the correct key-signatures:(4 marks)

1b. Look at the following excerpt and indicate with a bracket [ ] a shift in tonality to the dominantkey: (1 mark)

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2. Describe fully the chords marked with an asterisk (*). Identify a 6 5 cadence with a bracket [ ].4 3

(5 marks)

*1 _______________ *2 _______________ *3 _______________ *4 _______________

3. Write down the specified chords in semibreves in four parts (SATB), in the key of G major.

(5 marks)

I ii IV6 V ii 6

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4. Indicate suitable chords (e.g. IIb or II6) at the cadential points of the given melody which is in thekey of F major. You are required to write the last two chords of each cadence below the stave.

(5 marks)

Section B – Elementary Compositional Skills (15 marks)

Continue the given melody for bassoon or cello, specifying the instrument and creatively composinga total of 8 bars. Give appropriate performance directions regarding tempo, dynamics andarticulation.

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THIS PAPER IS TO BE USED ONLY AS ROUGH

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Section C – History and Analysis (15 marks)

1. Define the following forms: (4 marks)

a. Binary

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_________________________________________________________________________________

_________________________________________________________________________________

_________________________________________________________________________________

_________________________________________________________________________________

b. Ternary

_________________________________________________________________________________

_________________________________________________________________________________

_________________________________________________________________________________

_________________________________________________________________________________

_________________________________________________________________________________

2. What is meant by verse and chorus (or refrain) in vocal or choral music? (2 marks)_________________________________________________________________________________

_________________________________________________________________________________

_________________________________________________________________________________

_________________________________________________________________________________

_________________________________________________________________________________

3. Name two non-transposing woodwind instruments. (4 marks)_________________________________________________________________________________

_________________________________________________________________________________

_________________________________________________________________________________

_________________________________________________________________________________

Please turn the page.

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4. Mention one transposing brass instrument, naming the key of transposition.(4 marks)

_________________________________________________________________________________

5. The lowest note in the violin’s range is ___ below middle C. (1 mark)

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