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Page 1: Ancient Greek Theatre Background The Golden Age of Greece No empire/ city-states Between Persian and Peloponnesian Wars Prosperity and advancements in.

Ancient Greek Theatre

Page 2: Ancient Greek Theatre Background The Golden Age of Greece No empire/ city-states Between Persian and Peloponnesian Wars Prosperity and advancements in.

Background

• The Golden Age of Greece

• No empire/ city-states

• Between Persian and Peloponnesian Wars

• Prosperity and advancements in politics, science, philosophy, art, and architecture.

• 510 BC 1st democracy- free male citizens could vote (Athens)

Page 3: Ancient Greek Theatre Background The Golden Age of Greece No empire/ city-states Between Persian and Peloponnesian Wars Prosperity and advancements in.

Greece had slaves and women were subservient, but our American

democracy, founded on the same ideals, had similar limitations.

SO, let’s put this into perspective!

Page 4: Ancient Greek Theatre Background The Golden Age of Greece No empire/ city-states Between Persian and Peloponnesian Wars Prosperity and advancements in.

In the U.S., what year was slavery abolished?

Page 5: Ancient Greek Theatre Background The Golden Age of Greece No empire/ city-states Between Persian and Peloponnesian Wars Prosperity and advancements in.

1865

Page 6: Ancient Greek Theatre Background The Golden Age of Greece No empire/ city-states Between Persian and Peloponnesian Wars Prosperity and advancements in.

In the U.S., when were women given the right to vote?

Page 7: Ancient Greek Theatre Background The Golden Age of Greece No empire/ city-states Between Persian and Peloponnesian Wars Prosperity and advancements in.

1920

Page 8: Ancient Greek Theatre Background The Golden Age of Greece No empire/ city-states Between Persian and Peloponnesian Wars Prosperity and advancements in.

Point Being…

• Having an established democracy for such a large portion of the population in 510BC is still admirable and impressive!

Page 9: Ancient Greek Theatre Background The Golden Age of Greece No empire/ city-states Between Persian and Peloponnesian Wars Prosperity and advancements in.

Science and Philosophy Advancements

• Pythagorus-Pythagorean theorem • A2 + B2 = C2

• Hippocratic Oath-Hippocrates came up with oath doctors still take today.

• Socrates and Plato-great philosophers• Architecture-Obviously-stood the test of time

, also withstood manmade and natural disasters!

Page 10: Ancient Greek Theatre Background The Golden Age of Greece No empire/ city-states Between Persian and Peloponnesian Wars Prosperity and advancements in.

Theories of the Origin of Theatre

Page 11: Ancient Greek Theatre Background The Golden Age of Greece No empire/ city-states Between Persian and Peloponnesian Wars Prosperity and advancements in.

1. Aristotle

Page 12: Ancient Greek Theatre Background The Golden Age of Greece No empire/ city-states Between Persian and Peloponnesian Wars Prosperity and advancements in.

Aristotle’s Theory

• Theatre came from man’s natural desire to imitate and communicate.

• Examples: children, Ook and Og

Page 13: Ancient Greek Theatre Background The Golden Age of Greece No empire/ city-states Between Persian and Peloponnesian Wars Prosperity and advancements in.

2. Rituals• Many ways of viewing this theory-functionalists,

structuralists, Darwinistic • A ritual is a form of knowledge reflecting a

society’s understanding of the universe.• Didactic-passing on traditions and knowledge• expected to influence or control events• used to glorify• used to entertain or give pleasure• All these functions can be served by theatre

Page 14: Ancient Greek Theatre Background The Golden Age of Greece No empire/ city-states Between Persian and Peloponnesian Wars Prosperity and advancements in.

Rituals

• Theatre and ritual employ same basic elements: music, dance, speech, masks, costumes, performers, audience and stage

• Whether it is ritual or theatre depends on our perception of the events function and our relationship to it

Page 15: Ancient Greek Theatre Background The Golden Age of Greece No empire/ city-states Between Persian and Peloponnesian Wars Prosperity and advancements in.

Other Minor Theories

• Storytelling; humans have a narrative instinct (related to Aristotle)

• Egyptian myths-Pyramid Texts- no evidence they were acted out or intended to be performed

• Egyptian religious ritual-no primary text survives to support

• Despite Egyptian theories-Theatre was never developed there beyond ritual!

Page 16: Ancient Greek Theatre Background The Golden Age of Greece No empire/ city-states Between Persian and Peloponnesian Wars Prosperity and advancements in.

3. Greek Religious Festivals honoring Dionysis-God of

harvest wine, fertility

Page 17: Ancient Greek Theatre Background The Golden Age of Greece No empire/ city-states Between Persian and Peloponnesian Wars Prosperity and advancements in.

Greek Festival Theory-Aristotle-Drama (tragedy)

• 1. Dithyramb- lengthy hymn sung and danced by 50 men with one leader/narrator and the chorus sings the refrain.

• 2. 600 BC- dithyramb became literary form-written down.

• 3. Arion-added spoken dramatic words to dithyramb from Lesbos, poet and harpist

• 4. Thespis-1st actor, stepped out of chorus and delivered monologue (thespian=actor)

Page 18: Ancient Greek Theatre Background The Golden Age of Greece No empire/ city-states Between Persian and Peloponnesian Wars Prosperity and advancements in.

The City Dionysia-where drama was first presented

Page 19: Ancient Greek Theatre Background The Golden Age of Greece No empire/ city-states Between Persian and Peloponnesian Wars Prosperity and advancements in.

The City Festival Dionysia• Festival honoring

Dionysis-where theatre originated

• Lasted 7-14 days• Wars ceased; political

concerns ignored• During festival

everything CLOSED-even prisons

• Athens in Spring end of March

• Lenaia-Jan., Rural Dionysia-Dec.

• In Athens to commemorate Dionysus coming to Athens

• Tragedies added to festival in 534 BC

• Satyr play added in 501 BC

• Comedies added to festival in 486 BC

Page 20: Ancient Greek Theatre Background The Golden Age of Greece No empire/ city-states Between Persian and Peloponnesian Wars Prosperity and advancements in.

• 1-2 days of parades and sacrifices

• 2 days of dithyrambs- 1for choruses of boys and 1 for choruses of men

• 3 days of tragedies- 1 day for each author who would present a tetralogy (3 tragedies and a satyr)

• 1 day of comedies- 5 plays each by a different author

• A few days after festival, give awards for best play and best actor, and best playwright like our Oscars and Emmys and Tonys

Page 21: Ancient Greek Theatre Background The Golden Age of Greece No empire/ city-states Between Persian and Peloponnesian Wars Prosperity and advancements in.

• Proagon-trailer for upcoming plays, actors would perform small section for public as advertisement

• Archon-person responsible for picking out plays 11 months before festival

• Choregus-producer, pick one playwright to sponsor for one year, paid all major expenses related to chorus: rehearsals, costumes, musicians, considered a form of paying taxes

• City provided theater space, awards and playwright and actor’s salaries

• Representative Body – judge and jury to anyone who behaved improperly during festival, elected

• Plays based on myths or legends that the people were already familiar with.

• Satyr play -a short comic piece making fun of tragic subjects by half-man, half-goat dressed actors

Page 22: Ancient Greek Theatre Background The Golden Age of Greece No empire/ city-states Between Persian and Peloponnesian Wars Prosperity and advancements in.

Ticket This ticket allowed people in to view the plays during the festival. The city paid for the tickets of the poor so EVERYONE could attend these religious festivals!

Page 23: Ancient Greek Theatre Background The Golden Age of Greece No empire/ city-states Between Persian and Peloponnesian Wars Prosperity and advancements in.

Tickets

• Pericles, ruler of Athens, established the Theoric Fund in 450 BC to assist those who were too poor to afford admission.

• entitled person to section, not seat• tribes had own section and part of that was

reserved for women• Violence in the audience of the theatre was

punishable by death!

Page 24: Ancient Greek Theatre Background The Golden Age of Greece No empire/ city-states Between Persian and Peloponnesian Wars Prosperity and advancements in.

Women attended festival because violence NEVER

occurred onstage!(This is debated, but there are primary source references to

women attending as well.)

Page 25: Ancient Greek Theatre Background The Golden Age of Greece No empire/ city-states Between Persian and Peloponnesian Wars Prosperity and advancements in.

Background

• Golden Age

• Advancements in many areas

• 510 B.C. first democracy!

Page 26: Ancient Greek Theatre Background The Golden Age of Greece No empire/ city-states Between Persian and Peloponnesian Wars Prosperity and advancements in.

Theories of the Origin of Theatre

• Aristotle said theatre came from man’s natural desire to imitate and communicate.

• Rituals

• Came from Greek religious festival honoring Dionysis-dithyramb, literary form, Arion, Thespis.

Page 27: Ancient Greek Theatre Background The Golden Age of Greece No empire/ city-states Between Persian and Peloponnesian Wars Prosperity and advancements in.

City Festival Dionysia

• 7-14 days• All closed• Christmas equivalent• Certain events on certain days• Awards• Different people had different jobs• Women attended festival so NO violence in plays


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