YOU ARE DOWNLOADING DOCUMENT

Please tick the box to continue:

Transcript
Page 1: After the Jump > Jamie Neely: Prototyping web typography.

PROTOTYPING WITHWEB TYPOGRAPHY

tweet @jamneely @typecastapp

JAMIE NEELY

Page 2: After the Jump > Jamie Neely: Prototyping web typography.

TYPE FIRST

PROTOTYPING

PRACTICAL EXAMPLES

Page 3: After the Jump > Jamie Neely: Prototyping web typography.

2009/2010

Page 4: After the Jump > Jamie Neely: Prototyping web typography.

2009/2010With great power comes… (you know the rest)

Page 5: After the Jump > Jamie Neely: Prototyping web typography.

8%

17%

May ‘12 May ‘13

Websites that use web fonts have DOUBLED in the past year

Source: httparchive.com/trends

Page 6: After the Jump > Jamie Neely: Prototyping web typography.

Sony USA homepage (set in ITC Avant Garde Gothic)

Page 7: After the Jump > Jamie Neely: Prototyping web typography.

Microsoft worldwide homepage (set in Segoe UI)

Page 8: After the Jump > Jamie Neely: Prototyping web typography.

“Into the Arctic” from Greenpeace (set in Brandon Grotesque and Rooney)

Page 9: After the Jump > Jamie Neely: Prototyping web typography.

The World Wildlife Fund homepage (set in Open Sans and custom WWF font)

Page 10: After the Jump > Jamie Neely: Prototyping web typography.

The World Wildlife Fund homepage (set in Open Sans and custom WWF font)The World Wildlife Fund

Page 11: After the Jump > Jamie Neely: Prototyping web typography.

“Dadaab Stories” from Film Aid (set in Cubano and Nunito)

Page 12: After the Jump > Jamie Neely: Prototyping web typography.

War Child

Page 13: After the Jump > Jamie Neely: Prototyping web typography.

About.me web font options

Page 14: After the Jump > Jamie Neely: Prototyping web typography.

TYPE FIRST

Page 15: After the Jump > Jamie Neely: Prototyping web typography.

The shift

Page 16: After the Jump > Jamie Neely: Prototyping web typography.
Page 17: After the Jump > Jamie Neely: Prototyping web typography.
Page 18: After the Jump > Jamie Neely: Prototyping web typography.

PROTOTYPING

Page 19: After the Jump > Jamie Neely: Prototyping web typography.
Page 20: After the Jump > Jamie Neely: Prototyping web typography.
Page 21: After the Jump > Jamie Neely: Prototyping web typography.

In case you didn't get the memo, wireframing is dead and prototypes

are the only way forward.

— Joshua Porter, hubspot

Page 22: After the Jump > Jamie Neely: Prototyping web typography.
Page 23: After the Jump > Jamie Neely: Prototyping web typography.

IDEO sketchnote From 99u Conference by C Todd Lombardo

Page 24: After the Jump > Jamie Neely: Prototyping web typography.
Page 25: After the Jump > Jamie Neely: Prototyping web typography.

HTML/CSS is real in a way Photoshop will never be.

— Jason Fried, 37 Signals

Page 26: After the Jump > Jamie Neely: Prototyping web typography.
Page 27: After the Jump > Jamie Neely: Prototyping web typography.
Page 28: After the Jump > Jamie Neely: Prototyping web typography.

Typography for the Web is really hard to design anywhere

other than inside the browser.

— Viljami Salminen

Page 29: After the Jump > Jamie Neely: Prototyping web typography.
Page 30: After the Jump > Jamie Neely: Prototyping web typography.

CSSp { font-style: italic; font-weight: 400; font-family: MillerDisplay;}

Page 31: After the Jump > Jamie Neely: Prototyping web typography.
Page 32: After the Jump > Jamie Neely: Prototyping web typography.

Working with web fonts is hard

Page 33: After the Jump > Jamie Neely: Prototyping web typography.
Page 34: After the Jump > Jamie Neely: Prototyping web typography.

Typecast  screencast

Typecast.com

Page 35: After the Jump > Jamie Neely: Prototyping web typography.

Early demos of Typecast

Page 36: After the Jump > Jamie Neely: Prototyping web typography.

Early demos of Typecast

Page 37: After the Jump > Jamie Neely: Prototyping web typography.

Early demos of Typecast

Page 38: After the Jump > Jamie Neely: Prototyping web typography.
Page 39: After the Jump > Jamie Neely: Prototyping web typography.

PRACTICAL EXAMPLES

Page 40: After the Jump > Jamie Neely: Prototyping web typography.

Type as brand

The reading experience

Cross-screen journeys

Page 41: After the Jump > Jamie Neely: Prototyping web typography.

Type as brand

The reading experience

Cross-screen journeys

Page 42: After the Jump > Jamie Neely: Prototyping web typography.

Type is the clothes that words wear.

— Steve Mattheson

Page 43: After the Jump > Jamie Neely: Prototyping web typography.

A quoteElevator pitchProject briefWord cloudHello world

SPECIMENS

Page 44: After the Jump > Jamie Neely: Prototyping web typography.
Page 45: After the Jump > Jamie Neely: Prototyping web typography.

Early typography prototyping in Typecast for Vogue.co.uk (courtesy of Kat Windley)

Page 46: After the Jump > Jamie Neely: Prototyping web typography.

Early typography prototyping in Typecast for Vogue.co.uk (courtesy of Kat Windley)

Page 47: After the Jump > Jamie Neely: Prototyping web typography.

A Typecast ‘canvas’ showing side-by-side type specimens

Page 48: After the Jump > Jamie Neely: Prototyping web typography.

Early typography prototyping in Typecast for Vogue.co.uk (courtesy of Kat Windley)

Page 49: After the Jump > Jamie Neely: Prototyping web typography.

The winning specimen, Brandon Grotesque and Caslon 224

Page 50: After the Jump > Jamie Neely: Prototyping web typography.
Page 51: After the Jump > Jamie Neely: Prototyping web typography.
Page 52: After the Jump > Jamie Neely: Prototyping web typography.
Page 53: After the Jump > Jamie Neely: Prototyping web typography.
Page 54: After the Jump > Jamie Neely: Prototyping web typography.
Page 55: After the Jump > Jamie Neely: Prototyping web typography.
Page 56: After the Jump > Jamie Neely: Prototyping web typography.
Page 57: After the Jump > Jamie Neely: Prototyping web typography.

Type as brand

The reading experience

Cross-screen journeys

Page 58: After the Jump > Jamie Neely: Prototyping web typography.

Likable

Legible Readable

Page 59: After the Jump > Jamie Neely: Prototyping web typography.

Webfontspecimen.com from Tim Brown / Typekit

Page 60: After the Jump > Jamie Neely: Prototyping web typography.
Page 61: After the Jump > Jamie Neely: Prototyping web typography.
Page 62: After the Jump > Jamie Neely: Prototyping web typography.
Page 63: After the Jump > Jamie Neely: Prototyping web typography.
Page 64: After the Jump > Jamie Neely: Prototyping web typography.

Helvetica (grey) vs Helvetica eText (red)

Page 65: After the Jump > Jamie Neely: Prototyping web typography.

Likable

Legible Readable

Page 66: After the Jump > Jamie Neely: Prototyping web typography.

Lorum ipsum et stupid

Page 67: After the Jump > Jamie Neely: Prototyping web typography.

ListsNavigation schemesComment streams

GalleriesMastheads & footers

GLOBAL CONTENT

A blog articleHome page

Mission statementAuthor bio

An event description

UNIQUE CONTENT

Page 68: After the Jump > Jamie Neely: Prototyping web typography.
Page 69: After the Jump > Jamie Neely: Prototyping web typography.
Page 70: After the Jump > Jamie Neely: Prototyping web typography.
Page 71: After the Jump > Jamie Neely: Prototyping web typography.
Page 72: After the Jump > Jamie Neely: Prototyping web typography.
Page 73: After the Jump > Jamie Neely: Prototyping web typography.
Page 74: After the Jump > Jamie Neely: Prototyping web typography.
Page 75: After the Jump > Jamie Neely: Prototyping web typography.
Page 76: After the Jump > Jamie Neely: Prototyping web typography.
Page 77: After the Jump > Jamie Neely: Prototyping web typography.
Page 78: After the Jump > Jamie Neely: Prototyping web typography.
Page 79: After the Jump > Jamie Neely: Prototyping web typography.
Page 80: After the Jump > Jamie Neely: Prototyping web typography.
Page 81: After the Jump > Jamie Neely: Prototyping web typography.
Page 82: After the Jump > Jamie Neely: Prototyping web typography.
Page 83: After the Jump > Jamie Neely: Prototyping web typography.
Page 84: After the Jump > Jamie Neely: Prototyping web typography.

Rendering & clarityFamily size & weight availability

Language supportOpenType support

File size & page weightAccessibility & fall backs

PERFORMANCE

Page 85: After the Jump > Jamie Neely: Prototyping web typography.

Type as brand

The reading experience

Cross-screen journeys

Page 86: After the Jump > Jamie Neely: Prototyping web typography.
Page 87: After the Jump > Jamie Neely: Prototyping web typography.

Smart phonesNot-so smart phones

Computers and tabletsE-readers

CarsFridgesKiosks

Page 88: After the Jump > Jamie Neely: Prototyping web typography.

Size of viewportScreen density

Orientation Aspect ratio

Rendering technology

DEVICE & TECHNOLOGY

Noise and distractionScreen-to-eye distance

Light & illuminationWeight to holdUser disability

HUMAN & ENVIRONMENT

Page 89: After the Jump > Jamie Neely: Prototyping web typography.

Working with web fonts is hard

Page 90: After the Jump > Jamie Neely: Prototyping web typography.

Working with web fonts is hard

Page 91: After the Jump > Jamie Neely: Prototyping web typography.

Working with web fonts is hard

Page 92: After the Jump > Jamie Neely: Prototyping web typography.

Working with web fonts is hard

Page 93: After the Jump > Jamie Neely: Prototyping web typography.

Working with web fonts is hard

Page 94: After the Jump > Jamie Neely: Prototyping web typography.

Working with web fonts is hard

Page 95: After the Jump > Jamie Neely: Prototyping web typography.

Working with web fonts is hard

Page 96: After the Jump > Jamie Neely: Prototyping web typography.

Working with web fonts is hard

Page 97: After the Jump > Jamie Neely: Prototyping web typography.

Working with web fonts is hard

Page 98: After the Jump > Jamie Neely: Prototyping web typography.

Working with web fonts is hard

Page 99: After the Jump > Jamie Neely: Prototyping web typography.

Working with web fonts is hard

Page 100: After the Jump > Jamie Neely: Prototyping web typography.

Working with web fonts is hard

Page 101: After the Jump > Jamie Neely: Prototyping web typography.

Working with web fonts is hard

Page 102: After the Jump > Jamie Neely: Prototyping web typography.

Working with web fonts is hard

Page 103: After the Jump > Jamie Neely: Prototyping web typography.

Working with web fonts is hard

Page 104: After the Jump > Jamie Neely: Prototyping web typography.

Working with web fonts is hard

Page 105: After the Jump > Jamie Neely: Prototyping web typography.

Working with web fonts is hard

Page 106: After the Jump > Jamie Neely: Prototyping web typography.

Working with web fonts is hard

Page 107: After the Jump > Jamie Neely: Prototyping web typography.
Page 108: After the Jump > Jamie Neely: Prototyping web typography.
Page 109: After the Jump > Jamie Neely: Prototyping web typography.
Page 110: After the Jump > Jamie Neely: Prototyping web typography.

InvoicesReceipts

Forgot passwordMarketing emails

NewslettersBlank slates

Product updatesService maintenance

Activity updates

TRANSACTIONAL, MARKETING & SERVICE EMAILS

Page 111: After the Jump > Jamie Neely: Prototyping web typography.
Page 112: After the Jump > Jamie Neely: Prototyping web typography.

Type as brandSpecimens, font choice

The reading experienceGlobal & unique content

Cross-screen journeysDevices, locations & email

Page 113: After the Jump > Jamie Neely: Prototyping web typography.

Working with web fonts is hard

Typography

Page 114: After the Jump > Jamie Neely: Prototyping web typography.

QUESTIONS?

tweet @jamneely @typecastapp

JAMIE NEELY


Related Documents