SOURCE David Shuttleworth Samuel H Kholi on DVXuser
NAME Canon DSLR look S-LOG 2 for A7s Flaat Kholi Slog2 PicProBaked in or to be graded? Baked in to be graded to be graded to be gradedBlack level 7 0 0Gamma S-log 2 s-log 2 s-log 2Black Gamma Range Movie Middle middle middleBlack gamma Level 0 -3 0 -3Knee mode manual Auto AutoAuto set max point 100 95Knee auto sensitivity 95 Mid midKnee manual point 0 95Knee manual slope 5Color Mode pro Pro Cinema ProSaturation -8 Pro 15 8Color Phase -3 Pro 0 -2Color Depth R 0 1 0 1Color Depth G 0 -1 1 -1Color Depth B 0 2 0 2Color Depth C 0 -2 5 -2Color Depth M 0 -1 -3 -1Color Depth Y 0 -3 0 3Detial Level 0 -5 -7 -5
Detail Mode auto Manual Auto ManualDetail V/H Balance 0 -2 0 -2
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B/W Balance type type3 3 type 3 3Limit 7 0 7 0Crispning 0 0 0 0Hi-Light Detial 0 0 0 0White Balance Tweak? no Grid setting B1
Preferred LUT? Vision Colour 6http://www.similaar.com/foto/a
7s/lut.html
FilmConvert setting isArri Alexa as the
camera. logC.
Example footage https://www.youtube.com/wa https://www.youtube.co https://youtu.be/u4Wuo8NAa5
http://www.dvxuser.com/V6/showthread.php?326049-A7S-PicPro-Settings
NOTES http://www.dvxuser.com/V6/showthread.php?328495-
Flaat-for-the-a7s
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Hey guys!movie color mode is more
accurate than proAfter using a color chart I
think pro color mode is moreaccuarte than movie
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gma
Kholi on Dvxuser Kholi and Spreeni SOURCE David Shuttleworth
Cine 2/Pro Pic Pro 2 Kholi Cine 2 PicPro Spreenu mod NAME Canon DSLR look S-LOG 2 for A7sto be graded to be graded Baked in or to be graded? Baked in to be graded
-11 -11 Black level 7 1Cine 2 Cine 2 Gamma S-log 3wide wide Black Gamma Range Movie Middle
7 7 Black gamma Level -3 -3.6Manual Manual Knee mode manual
95 95 Auto set max pointmid mid Knee auto sensitivity 96105 105 Knee manual point 1
0 0 Knee manual slopePro Pro Color Mode pro Pro6 5 Saturation -7 8-3 0 Color Phase -0.6666666667 -0.3809523813 3 Color Depth R 3.533333333 4.161904762-3 -3 Color Depth G -3.466666667 -4.1238095241 1 Color Depth B 1.4 1.514285714-3 -3 Color Depth C -3.333333333 -4.047619048-2 -1 Color Depth M -1.933333333 -2.104761905-5 0 Color Depth Y -1.133333333 -1.219047619-5 -5 Detial Level -6.8 -7.457142857
Manual Manual Detail Mode auto Manual-2 -2 Detail V/H Balance -2.533333333 -2.876190476
gmatype 3 type 3 B/W Balance type type4 4
0 Limit -1.4 -2.80 Crispning 0 00 Hi-Light Detial 0 0
Grid setting B1 none White Balance Tweak? noIn Resolve, a good way to start's switching to LOG
panel, setting LOW RANGE to .200 and HIGHRANGE to .700. Use Shadow, Mid, Highlight to
build the curve then LGG to adjust contrast. Preferred LUT? Vision Colour 7
https://vimeo.com/118833828 Example footage https://www.youtube.com/w https://www.youtube.chttp://www.dvxuser.com/V6/showthread.php?3260
49-A7S-PicPro-Settings&p=1986456526&viewfull=1#post198645
6526
NOTES
Add your comments for theprofile in its column
Colors are accurate, I set the manual knee point to95 to protects highlights much better flesh tones Hey guys!
movie color mode is moreaccurate than pro
After using a color chart Ithink pro color mode is
more accuarte than movie
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Samuel H Kholi on DVXuser Frank Glencairn adapted by Michael Tapp
Flaat Kholi Slog2 PicPro K-Tone Picture Profile for fs100to be graded to be graded To be graded
-18.33333333 1s-log 2 s-log 2 cine 1 outdoorsmiddle middle Middle
-4.2 -4.8 7Auto Auto manual92.5 91Mid mid96 906 2
Cinema Pro ITU 70915 3.333333333 -2
-0.09523809524 0.1904761905 -74.79047619 5.419047619 7
-4.780952381 -5.438095238 01.628571429 1.742857143 6-4.761904762 -5.476190476 5-2.276190476 -2.447619048 6-1.304761905 -1.39047619 5-8.114285714 -8.771428571 0
Auto Manual Manual-3.219047619 -3.561904762 0
type 4 4 type 3-4.2 -5.6 7
0 0 00 0 0
Grid setting B1 LB-5, CC+2http://www.similaar.com/foto/a7s/lut.ht
mlFilmConvert setting is Arri Alexa as the
camera. logC. K-Tone LUT in Magic Bullet
https://youtu.be/u4Wuo8NAa54 https://vimeo.com/118833828 https://vimeo.com/36863951rhttp://www.dvxuser.com/V6/showthread
.php?328495-Flaat-for-the-a7shttp://www.dvxuser.com/V6/showthread.php?3
26049-A7S-PicPro-SettingsExpose 1-2 stops under and dial in WBmanualy, by looking at skin tones only
Flesh tones are whacked. Adds in green.
Frank Glencairn adapted by Claus Andersen Abel Cine Tech Abel Cine Tech Abel Cine Tech Abel Cine Tech
G-LOG Ultimate for FS100 JR45 Cine JR45 Video AB NORM AB HighSATto be graded to be graded baked in baked in baked in
variablecine 2 Cine 1 Cine 3 Cine 1 Cine 1
Manual801
Cinema Still Movie Movie ITU 709 Matrix-2 -2 -1 1 2-7 1-3 -2 1 32 250 -400 4-3
manual0
type 3700
no
https://youtu.be/6VHQJiPzSEc http://blog.abelcine.co http://blog.abelcine.com http://blog.abelcine.com http://blog.abelcine.com/2Make sure you dial in the color temperature (WB) manually with the littlewheel, don`t do auto or push button (greycard) balance, since that will
screw up your color on the magenta/cyan axis.
In a bright, highcontrast scene, you
may choose to go withS-Log2 for more range
in the highlights.
It is designed to giveyou nice colors and a
good amount ofcontrast. We used Cine3 gamma as a startingplace, which provides a
nice fall-off in thehighlights, but with
enough contrast so thatit doesnt require much
post correction.
With this look, we usedCine 1 for a good
amount of range, but ifyou like it, then also tryit with Cine 3 or 4 for
more contrast.
We used Cine 1 to matchour other files, but you
could use Cine 3 or 4 formore contrast.
Miguel de Olaso Jason Li by Jeremy Dulac
Macgregor's Cine 4 PPOFF Autumn Leaves PP OFF Neutralto be graded to be graded
15Cine 4Wide
7
Pro Autumn Leaves -3, 0, -3 Neutral -3, 0, -3
Dynamic Range Optimization (DRO) Level 4
Impulz luts
http://www.dvxuser.com/V6/showt https://vimeo.com/116044343 https://vimeo.com/106292534Replicate S-log 2 dynamic rangewhile using normal iso values and
avoiding noise.Underexpose by 1 2/3 stops and
bring back in post.
black/mid/white levels modification andthen you applied a LUT on top (ImpulzLUT Fujicolor 200 superior FC)
super milky, not much saturation even at0
moire issues with sharpening turned allthe way down
needs more saturation