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juliaadolphe.comjuliaadolphe.com/pdf/TheNewYorker.pdf · The mezzo Fredrika Brillembourg, in a tour-de-force perfor- mance, moved from rhythmical speech to sinuous sung lines and,

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Page 1: juliaadolphe.comjuliaadolphe.com/pdf/TheNewYorker.pdf · The mezzo Fredrika Brillembourg, in a tour-de-force perfor- mance, moved from rhythmical speech to sinuous sung lines and,

Page 2: juliaadolphe.comjuliaadolphe.com/pdf/TheNewYorker.pdf · The mezzo Fredrika Brillembourg, in a tour-de-force perfor- mance, moved from rhythmical speech to sinuous sung lines and,

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