Collection 2011-2013 Yunlong Li
Mar 28, 2016
Collection 2011-2013 Yunlong Li
Collection 2011-2013 Yunlong Li
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RE Rhinoceros 4.0 and 5.0 (includes T-Splines and Paneling Tool)
Grasshopper (includes Lunchbox and weavebird)Autodesk MayaAdobe Illustrator CS5, InDesign CS5, Photoshop CS5AutoCAD (Chinese National CAD Intermediate Certificate)Google SketchUp Pro (included SketchUp LayOut)MaxwellAutodesk EcotectAutodesk 3D Studio MaxMicrosoft Word, Excel, and PowerPoint
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E Chinese (native speaker)English (fluent)
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CE Translated Luigi Prestinenza Puglisi’s New Directions in Contemporary
Architecture, which is published in Jan 2013, into Chinese
Travelled to Australia, Korea, France, Monaco, Viet Nam, America
CVYunlong Li
Born in 1986, Male, ChineseCellphone: 86-15011337020
E-mail: [email protected]
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N Southern California Institute of Architecture, Los Angeles, Jul 2011 – Apr 2012Master of ArchitectureThe final project of 1GA Studio was selected to be archived in preparation of the spring 2012 NAAB accreditation visit. Two works were selected to attend SCI-Arc Spring Show. GPA is 3.56/4.
Tongji University, Shanghai, Sep 2004 – Jul 2008Bachelor of Engineering in Material Science and EngineeringMainly focus on construction material
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CE MAD Architects, Beijing, Dec 2012 – May 2013
Modeling, Drawing, and RenderingDalian Jinshitan Project, Chaoyang Park Project, Harbin Theater Project, Xiamen Jorya Project
Zago Architecture, Los Angeles, 2011 Winter BreakModeling Assistance“Foreclosed: Rehousing the American Dream” exhibition at New York MoMA
Concrete Cooperation of BUCC 6th Branch Company, Beijing, Sep 2008 – Jun 2011Assistant EngineerConcrete experiences, produce and problem solving
CONTENTS
HYDE PARK BRANCH LIBRARY 001
INTERNSHIP AT MAD ARCHITECTS 017
OTHERS 023
HOUSE NEXT TO VDL 009
001
002
01起 HYDE PARK BRANCH LIBRARY
Address:
2205 W Florence Ave, Los Angeles, CA 90043
Instructor:
Andrew Zago
Single work
003
The library uses Tony Smith’s sculptures - smog, smug, and smoke - as reference. All of them are consisted of tetrahedrons and octo-hedrons, and formed by the repeatation of the units. The method, through which the units develop, results in very special space. After research “Smog”, I use the same tetrahedrons and octohedrons in Tony Smith’s sculpture creat a new sculpture. After that, I made the third one by making some change about the units.
The library also uses the changed tetrahedrons and octohedrons to compose the library. I also use another layer as sunshading board.
All the parts of the library is transformed from the original unit of Tony Smith’s Sculpture. The walls, the transformation of octohedrons, are also book shelves.
004
005
006
007
008
009
02承 HOUSE NEXT TO VDL
Address:
2300 Silver Lake Blvd, Los Angeles, CA 90039
Instructor:
Volkan Alkanoglu
Single work
010
011
The site is beside Richard Neu-tra’s VDL at silver lake of Los Angeles. It is challenge because I have to consider both the rela-tion with tradition (VDL) and with the road behind the house.
012
garage main entrance
balconyliving room
island kitchen
solar panelsrestroom
back entrance garden
roof gardenbedroom
storeroom restroom
light well
water pool light well
double-height space
reception room
013
Sunlight can reach the garden beside main entrance through light well. Also, the slopes can collect rain for plants in the garden.
014
I made the ground floor very transparent to make sure people from the street behind the house are able to see the lake in front of the house. However, in order to keep the owner’s quiet life from interrupting, the site is all filled with water, which can also adjust the microclimate.
On the left side of the entrance is the garden. Above the garden is one bedroom. That is the reason the circle windows of bedroom is smaller than the gar-den’s, because the plants in the garden need more sunlight.
On this wall, you can see the reflection of tradition (VDL), but it will never be exactly same. The impression of VDL is shattered and twisted. This is a metaphor of the criticalness of this house.
015
016
There is also an interaction be-tween furnitures and the figures of the walls. The walls continue becoming the furnitures, which also effect the curvatures of the walls.
017
03轉 INTERNSHIP AT MAD ARCHITECTS
Chaoyang Park Project
Dalian Jinshitan Project
018
019
CHAOYANG PARK PROJECT
020
021
DALIANJINSHITAN
PROJECT
022
023
04合
024
OTHERS
Making & MeaningForeclosed: Rehousing the American Dream Material and Tectonics
Visual Study
Publication
Drawings Photos
025
MAKING & MEANING
Making + Meaning is a five-week summer program at the Southern California Institute of Architecture that introduces the principles of architecture in a hands-on exploration of spatial experimentation, design methodologies and the creative process.
026
Team member: Yunlong Li, Kevin Chen, and Ryan Ekstrom.
In this final assignment, we are asked to create a human-scale space. Three people should be possible to stay in this space, where we made these three people have three different poses.
027
FORECLOSED: REHOUSING THE
AMERICAN DREAMNew York MoMA invited five teams to develop proposals for housing that would open new routes through the mortgage-foreclosure crisis that continues to afflict the United States. The project of our team is located in Rialto of California. In the team, My job is making model.
028
Team members: Kevin Chen, Yunlong Li, Cheng Lu, Qian Xu, Yogi Yoswara.
The purpose of this project was to explore and utilize the advan-tage of a specific type of plastic to create a structural system. Ductility and malleability are the main functions of this project. The curvature of the system is designed in such a way that a network of truss system was developed with the weaving of the plastic. Component act as compression or tension mem-bers and the corners of the curvature behave in such a way that tension is on the outside of the material, while compression is on the inside of the member.
MATERIAL AND TECTONICS
029
VISUAL STUDY
Team member: Suky Ho, Ryan Hopkins, Yunlong Li, Sergio Sorma-chea.
We try to imagine the future of metropolis and use a cubism way to present it. In our mind, the building in big city will be higher and higher in the future, so the transportation will not limited only on the ground. There will also be transportation underground and between
030
031
DRAWINGS
032
PHOTOS
033
PUBLICATION
I spent 7 months translate Luigi Prestinenza Puglisi’s New Directions in Contemporary Architecture into Chinese. Now the book has been pub-lished by Publishing House of Electronics Industry.