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Elements of Design
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Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

Dec 17, 2015

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Page 1: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

Elements of

Design

Page 2: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

Drama - Direction (emphasis)Students - ShapeLike - LineTo - Tone (mood)Create - ColorSilly - SpaceTheatre - Texture

Page 3: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

DIRECTION (EMPHASIS)Where do you want the audience to look?

Page 4: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

SHAPE• ______ – is outline, may be geometric or free-form,

natural or stylized, realistic or impressionistic

Page 5: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

SHAPE• Shape – is outline, may be geometric or free-form,

natural or stylized, realistic or impressionistic

Page 6: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

SHAPE• Shape – is outline, may be geometric or free-form,

natural or stylized, realistic or impressionistic• More form fitting – upper class

Page 7: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

SHAPE• Shape – is outline, may be geometric or free-form,

natural or stylized, realistic or impressionistic• More form fitting – upper class• Looser – lower class

Page 8: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

SHAPE• Shape – is outline, may be geometric or free-form,

natural or stylized, realistic or impressionistic• More form fitting – upper class• Looser – lower class• Consider psychological influences

• ______ – infinite, eternal, feminine• __________– unmovable, unimaginative• _________ – uplifting, secure foundation• ________– calming, restful, wealth

Page 9: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

SHAPE• Shape – is outline, may be geometric or free-form,

natural or stylized, realistic or impressionistic• More form fitting – upper class• Looser – lower class• Consider psychological influences

• Circle– infinite, eternal, feminine• __________– unmovable, unimaginative• _________ – uplifting, secure foundation• ________– calming, restful, wealth

Page 10: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

SHAPE• Shape – is outline, may be geometric or free-form,

natural or stylized, realistic or impressionistic• More form fitting – upper class• Looser – lower class• Consider psychological influences

• Circle– infinite, eternal, feminine• Square/cube– unmovable, unimaginative• _________ – uplifting, secure foundation• ________– calming, restful, wealth

Page 11: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

SHAPE• Shape – is outline, may be geometric or free-form,

natural or stylized, realistic or impressionistic• More form fitting – upper class• Looser – lower class• Consider psychological influences

• Circle– infinite, eternal, feminine• Square/cube– unmovable, unimaginative• Triangle – uplifting, secure foundation• ________– calming, restful, wealth

Page 12: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

SHAPE• Shape – is outline, may be geometric or free-form,

natural or stylized, realistic or impressionistic• More form fitting – upper class• Looser – lower class• Consider psychological influences

• Circle – infinite, eternal, feminine• Square/cube – unmovable, unimaginative• Triangle – uplifting, secure foundation• Diamond – calming, restful, wealth

Page 15: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.
Page 16: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

LINEDifferent lines cause different psychological connotations:

*____________ – Dignity, elevation, hope, spirituality

Page 17: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

LINEDifferent lines cause different psychological connotations:

* Long Vertical lines – Dignity, elevation, hope, spirituality

Page 18: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

LINEDifferent lines cause different psychological connotations:

* Long Vertical lines – Dignity, elevation, hope, spirituality

* ___________ – emotional stability, calmness, tranquility

Page 19: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

LINEDifferent lines cause different psychological connotations:

* Long Vertical lines – Dignity, elevation, hope, spirituality

* Horizontal lines – emotional stability, calmness, tranquility

Page 20: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

LINEDifferent lines cause different psychological connotations:

* Long Vertical lines – Dignity, elevation, hope, spirituality

* Horizontal lines – emotional stability, calmness, tranquility

*___________ – driving force, strife, uncertainty, concentration

Page 21: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

LINEDifferent lines cause different psychological connotations:

* Long Vertical lines – Dignity, elevation, hope, spirituality

* Horizontal lines – emotional stability, calmness, tranquility

* Diagonal lines – driving force, strife, uncertainty, concentration

Page 22: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

LINEDifferent lines cause different psychological connotations:

* Long Vertical lines – Dignity, elevation, hope, spirituality

* Horizontal lines – emotional stability, calmness, tranquility

* Diagonal lines – driving force, strife, uncertainty, concentration

*____________ – ease, comfort, wealth, expanse

Page 23: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

LINEDifferent lines cause different psychological connotations:

* Long Vertical lines – Dignity, elevation, hope, spirituality

* Horizontal lines – emotional stability, calmness, tranquility

* Diagonal lines – driving force, strife, uncertainty, concentration

* Curved lines – ease, comfort, wealth, expanse

Page 24: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

LINEDifferent lines cause different psychological connotations:

* Long Vertical lines – Dignity, elevation, hope, spirituality

* Horizontal lines – emotional stability, calmness, tranquility

* Diagonal lines – driving force, strife, uncertainty, concentration

* Curved lines – ease, comfort, wealth, expanse*__________ – chaos, shattered dreams, injustice, pain

Page 25: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

LINEDifferent lines cause different psychological connotations:

* Long Vertical lines – Dignity, elevation, hope, spirituality* Horizontal lines – emotional stability, calmness,

tranquility* Diagonal lines – driving force, strife, uncertainty,

concentration* Curved lines – ease, comfort, wealth, expanse* Crooked/jagged lines – chaos, shattered dreams,

injustice, pain

Page 26: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

LINEDifferent lines cause different psychological connotations:

* Long Vertical lines – Dignity, elevation, hope, spirituality* Horizontal lines – emotional stability, calmness, tranquility* Diagonal lines – driving force, strife, uncertainty,

concentration* Curved lines – ease, comfort, wealth, expanse* Crooked/jagged lines – chaos, shattered dreams, injustice,

pain *__________ – intense excitement (if combined with contrasting

colors)

Page 27: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

LINEDifferent lines cause different psychological connotations:

* Long Vertical lines – Dignity, elevation, hope, spirituality* Horizontal lines – emotional stability, calmness, tranquility* Diagonal lines – driving force, strife, uncertainty, concentration* Curved lines – ease, comfort, wealth, expanse* Crooked/jagged lines – chaos, shattered dreams, injustice, pain* Curves & angles – intense excitement (if combined with

contrasting colors)

Page 28: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

Horizontal

Lines

Page 34: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.
Page 35: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

COLOR• Make sure the colors of all different production areas

are working together to produce the effect that the director wants.

• Note - Lighting can change the color of your set and costumes!

Page 36: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

COLOR• Make sure the colors of all different production areas

are working together to produce the effect that the director wants.

• Note - Lighting can change the color of your set and costumes!

• ______ – the lightness or darkness of a color (tints vs. shades)

• _____ – (pastels)have more white, suggest youth, comedy , informality

• ______ – have more black, suggest dignity, seriousness

Page 37: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

COLOR• Make sure the colors of all different production areas

are working together to produce the effect that the director wants.

• Note - Lighting can change the color of your set and costumes!

• Value – the lightness or darkness of a color (tints vs. shades)

• ______ – (pastels)have more white, suggest youth, comedy , informality

• ______ – have more black, suggest dignity, seriousness

Page 38: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

COLOR• Make sure the colors of all different production areas

are working together to produce the effect that the director wants.

• Note - Lighting can change the color of your set and costumes!

• Value – the lightness or darkness of a color (tints vs. shades)

• Tints – (pastels)have more white, suggest youth, comedy , informality

• ______ – have more black, suggest dignity, seriousness

Page 39: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

COLOR• Make sure the colors of all different production areas

are working together to produce the effect that the director wants.

• Note - Lighting can change the color of your set and costumes!

• Value – the lightness or darkness of a color (tints vs. shades)

• Tints – (pastels)have more white, suggest youth, comedy , informality

• Shades – have more black, suggest dignity, seriousness

Page 40: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

COLOR• Make sure the colors of all different production areas

are working together to produce the effect that the director wants.

• Note - Lighting can change the color of your set and costumes!

• Value – the lightness or darkness of a color (tints vs. shades)

• Tints – (pastels)have more white, suggest youth, comedy , informality

• Shades – have more black, suggest dignity, seriousness

• ______ – the pureness of a color

Page 41: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

COLOR• Make sure the colors of all different production areas

are working together to produce the effect that the director wants.

• Note - Lighting can change the color of your set and costumes!

• Value – the lightness or darkness of a color (tints vs. shades)

• Tints – (pastels)have more white, suggest youth, comedy , informality

• Shades – have more black, suggest dignity, seriousness

• Hue – the pureness of a color

Page 42: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

COLOR• Make sure the colors of all different production areas are

working together to produce the effect that the director wants.• Note - Lighting can change the color of your set and costumes!• Value – the lightness or darkness of a color (tints vs. shades)

• Tints – (pastels)have more white, suggest youth, comedy , informality• Shades – have more black, suggest dignity, seriousness

• Hue – the pureness of a color• _____________ – the brightness or dullness of a color

• Warm colors advance – Red, Orange, yellow (stimulating, exciting, comedies)

• Cool colors recede – Blue, Green, Violet (tranquility, calm, serious

• Different colors express different ideas:

Page 43: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

COLOR• Make sure the colors of all different production areas are

working together to produce the effect that the director wants.• Note - Lighting can change the color of your set and costumes!• Value – the lightness or darkness of a color (tints vs. shades)

• Tints – (pastels)have more white, suggest youth, comedy , informality• Shades – have more black, suggest dignity, seriousness

• Hue – the pureness of a color• Intensity (saturation) – the brightness or dullness of a color

• Warm colors advance – Red, Orange, yellow (stimulating, exciting, comedies)

• Cool colors recede – Blue, Green, Violet (tranquility, calm, serious

• Different colors express different ideas:

Page 44: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

______ – calm, cold, formal, spiritual, pure, truthful, depressing

Page 45: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

Blue – calm, cold, formal, spiritual, pure, truthful, depressing

Page 46: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

Blue – calm, cold, formal, spiritual, pure, truthful, depressing_______ – exhilarating, cheerful, lively

Page 47: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

Blue – calm, cold, formal, spiritual, pure, truthful, depressingOrange – exhilarating, cheerful, lively

Page 48: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

Blue – calm, cold, formal, spiritual, pure, truthful, depressingOrange – exhilarating, cheerful, lively______ – aggressive, passionate, bloody, angry, strong

Page 49: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

Blue – calm, cold, formal, spiritual, pure, truthful, depressingOrange – exhilarating, cheerful, livelyRed – aggressive, passionate, bloody, angry, strong

Page 50: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

Blue – calm, cold, formal, spiritual, pure, truthful, depressingOrange – exhilarating, cheerful, livelyRed – aggressive, passionate, bloody, angry, strong______ – cheerful, happy, youthful, cowardly

Page 51: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

Blue – calm, cold, formal, spiritual, pure, truthful, depressingOrange – exhilarating, cheerful, livelyRed – aggressive, passionate, bloody, angry, strongYellow – cheerful, happy, youthful, cowardly

Page 52: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

Blue – calm, cold, formal, spiritual, pure, truthful, depressingOrange – exhilarating, cheerful, livelyRed – aggressive, passionate, bloody, angry, strongYellow – cheerful, happy, youthful, cowardly______ – fanciful, romantic

Page 53: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

Blue – calm, cold, formal, spiritual, pure, truthful, depressingOrange – exhilarating, cheerful, livelyRed – aggressive, passionate, bloody, angry, strongYellow – cheerful, happy, youthful, cowardlyPink – fanciful, romantic

Page 54: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

Blue – calm, cold, formal, spiritual, pure, truthful, depressingOrange – exhilarating, cheerful, livelyRed – aggressive, passionate, bloody, angry, strongYellow – cheerful, happy, youthful, cowardlyPink – fanciful, romantic______ – youthful, eternal, reborn, jealous

Page 55: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

Blue – calm, cold, formal, spiritual, pure, truthful, depressingOrange – exhilarating, cheerful, livelyRed – aggressive, passionate, bloody, angry, strongYellow – cheerful, happy, youthful, cowardlyPink – fanciful, romanticGreen – youthful, eternal, reborn, jealous

Page 56: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

Blue – calm, cold, formal, spiritual, pure, truthful, depressingOrange – exhilarating, cheerful, livelyRed – aggressive, passionate, bloody, angry, strongYellow – cheerful, happy, youthful, cowardlyPink – fanciful, romanticGreen – youthful, eternal, reborn, jealous_______ – restful, soothing, tranquil

Page 57: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

Blue – calm, cold, formal, spiritual, pure, truthful, depressingOrange – exhilarating, cheerful, livelyRed – aggressive, passionate, bloody, angry, strongYellow – cheerful, happy, youthful, cowardlyPink – fanciful, romanticGreen – youthful, eternal, reborn, jealousSoft Green – restful, soothing, tranquil

Page 58: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

Blue – calm, cold, formal, spiritual, pure, truthful, depressingOrange – exhilarating, cheerful, livelyRed – aggressive, passionate, bloody, angry, strongYellow – cheerful, happy, youthful, cowardlyPink – fanciful, romanticGreen – youthful, eternal, reborn, jealousSoft Green – restful, soothing, tranquil______ – mournful, mystic, regal

Page 59: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

Blue – calm, cold, formal, spiritual, pure, truthful, depressingOrange – exhilarating, cheerful, livelyRed – aggressive, passionate, bloody, angry, strongYellow – cheerful, happy, youthful, cowardlyPink – fanciful, romanticGreen – youthful, eternal, reborn, jealousSoft Green – restful, soothing, tranquilPurple – mournful, mystic, regal

Page 60: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

Blue – calm, cold, formal, spiritual, pure, truthful, depressingOrange – exhilarating, cheerful, livelyRed – aggressive, passionate, bloody, angry, strongYellow – cheerful, happy, youthful, cowardlyPink – fanciful, romanticGreen – youthful, eternal, reborn, jealousSoft Green – restful, soothing, tranquilPurple – mournful, mystic, regal_______ – neutral, depressing, negative, somber

Page 61: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

Blue – calm, cold, formal, spiritual, pure, truthful, depressingOrange – exhilarating, cheerful, livelyRed – aggressive, passionate, bloody, angry, strongYellow – cheerful, happy, youthful, cowardlyPink – fanciful, romanticGreen – youthful, eternal, reborn, jealousSoft Green – restful, soothing, tranquilPurple – mournful, mystic, regalGray – neutral, depressing, negative, somber

Page 62: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

Blue – calm, cold, formal, spiritual, pure, truthful, depressingOrange – exhilarating, cheerful, livelyRed – aggressive, passionate, bloody, angry, strongYellow – cheerful, happy, youthful, cowardlyPink – fanciful, romanticGreen – youthful, eternal, reborn, jealousSoft Green – restful, soothing, tranquilPurple – mournful, mystic, regalGray – neutral, depressing, negative, somber_______ – earthy, common, poverty-stricken

Page 63: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

Blue – calm, cold, formal, spiritual, pure, truthful, depressingOrange – exhilarating, cheerful, livelyRed – aggressive, passionate, bloody, angry, strongYellow – cheerful, happy, youthful, cowardlyPink – fanciful, romanticGreen – youthful, eternal, reborn, jealousSoft Green – restful, soothing, tranquilPurple – mournful, mystic, regalGray – neutral, depressing, negative, somberBrown – earthy, common, poverty-stricken

Page 64: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

Blue – calm, cold, formal, spiritual, pure, truthful, depressingOrange – exhilarating, cheerful, livelyRed – aggressive, passionate, bloody, angry, strongYellow – cheerful, happy, youthful, cowardlyPink – fanciful, romanticGreen – youthful, eternal, reborn, jealousSoft Green – restful, soothing, tranquilPurple – mournful, mystic, regalGray – neutral, depressing, negative, somberBrown – earthy, common, poverty-stricken______ – melancholic, tragic, gloomy, deathlike

Page 65: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

Blue – calm, cold, formal, spiritual, pure, truthful, depressingOrange – exhilarating, cheerful, livelyRed – aggressive, passionate, bloody, angry, strongYellow – cheerful, happy, youthful, cowardlyPink – fanciful, romanticGreen – youthful, eternal, reborn, jealousSoft Green – restful, soothing, tranquilPurple – mournful, mystic, regalGray – neutral, depressing, negative, somberBrown – earthy, common, poverty-strickenBlack – melancholic, tragic, gloomy, deathlike

Page 66: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

Blue – calm, cold, formal, spiritual, pure, truthful, depressingOrange – exhilarating, cheerful, livelyRed – aggressive, passionate, bloody, angry, strongYellow – cheerful, happy, youthful, cowardlyPink – fanciful, romanticGreen – youthful, eternal, reborn, jealousSoft Green – restful, soothing, tranquilPurple – mournful, mystic, regalGray – neutral, depressing, negative, somberBrown – earthy, common, poverty-strickenBlack – melancholic, tragic, gloomy, deathlike_____ – truthful, pure, chaste, innocent, peaceful

Page 67: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

Blue – calm, cold, formal, spiritual, pure, truthful, depressingOrange – exhilarating, cheerful, livelyRed – aggressive, passionate, bloody, angry, strongYellow – cheerful, happy, youthful, cowardlyPink – fanciful, romanticGreen – youthful, eternal, reborn, jealousSoft Green – restful, soothing, tranquilPurple – mournful, mystic, regalGray – neutral, depressing, negative, somberBrown – earthy, common, poverty-strickenBlack – melancholic, tragic, gloomy, deathlikeWhite – truthful, pure, chaste, innocent, peaceful

Page 68: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.
Page 69: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

SPACE1. What type of theatre space is the performance in?

Proscenium, in the round, small theatre, large theatre

Page 70: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

SPACE1. What type of theatre space is the performance in?

Proscenium, in the round, small theatre, large theatre

• Different sizes will require different design elements.

Page 71: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

SPACE1. What type of theatre space is the performance in?

Proscenium, in the round, small theatre, large theatre

• Different sizes will require different design elements.• _________ – (measured by height of a human being)

Page 72: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

SPACE1. What type of theatre space is the performance in?

Proscenium, in the round, small theatre, large theatre

• Different sizes will require different design elements.• Proportion – (measured by height of a human being)• _______ – equal distribution of emphasis

Page 73: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

SPACE1. What type of theatre space is the performance in?

Proscenium, in the round, small theatre, large theatre

• Different sizes will require different design elements.• Proportion – (measured by height of a human being)• Balance – equal distribution of emphasis

Page 74: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

SPACE1. What type of theatre space is the performance in?

Proscenium, in the round, small theatre, large theatre

• Different sizes will require different design elements.• Proportion – (measured by height of a human being)• Balance – equal distribution of emphasis• _____ – bulk and weight

Page 75: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

SPACE1. What type of theatre space is the performance in?

Proscenium, in the round, small theatre, large theatre

• Different sizes will require different design elements.• Proportion – (measured by height of a human being)• Balance – equal distribution of emphasis• Mass – bulk and weight

Page 76: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

SPACE1. What type of theatre space is the performance in?

1. Proscenium, in the round, small theatre, large theatre

• Different sizes will require different design elements.• Proportion – (measured by height of a human being)• Balance – equal distribution of emphasis• Mass – bulk and weight2. What is the setting of the performance? Period, location, etc.

Page 77: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.
Page 79: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

TEXTURE• _______ – the relative roughness or smoothness of

an object

Page 80: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

TEXTURE• Texture – the relative roughness or smoothness of

an object

Page 81: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

TEXTURE• Texture – the relative roughness or smoothness of

an object• _______ – silk, satin, finished, ex. upper class, good

guys

Page 82: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

TEXTURE• Texture – the relative roughness or smoothness of

an object• Smooth – silk, satin, finished, ex. upper class, good

guys

Page 83: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

TEXTURE• Texture – the relative roughness or smoothness of

an object• Smooth – silk, satin, finished, ex. upper class, good

guys• ______ – burlap, bumpy, rocky, ex. Lower class,

villains

Page 84: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

TEXTURE• Texture – the relative roughness or smoothness of

an object• Smooth – silk, satin, finished, ex. upper class, good

guys• Rough – burlap, bumpy, rocky, ex. Lower class,

villains

Page 85: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

TEXTURE• Texture – the relative roughness or smoothness of

an object• Smooth – silk, satin, finished, ex. upper class, good

guys• Rough – burlap, bumpy, rocky, ex. Lower class,

villains• _______ – lacy pattern, chiffon, fragile, vulnerable

Page 86: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

TEXTURE• Texture – the relative roughness or smoothness of

an object• Smooth – silk, satin, finished, ex. upper class, good

guys• Rough – burlap, bumpy, rocky, ex. Lower class,

villains• Delicate – lacy pattern, chiffon, fragile, vulnerable

Page 87: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

TEXTURE• Texture – the relative roughness or smoothness of an

object• Smooth – silk, satin, finished, ex. upper class, good

guys• Rough – burlap, bumpy, rocky, ex. Lower class, villains• Delicate – lacy pattern, chiffon, fragile, vulnerable • ________ – leather, fur, more rugged, sturdy

Page 88: Where do you want the audience to look? ______ – is outline, may be geometric or free-form, natural or stylized, realistic or impressionistic.

TEXTURE• Texture – the relative roughness or smoothness of an

object• Smooth – silk, satin, finished, ex. upper class, good

guys, • Rough – burlap, bumpy, rocky, ex. Lower class, villains• Delicate – lacy pattern, chiffon, fragile, vulnerable • Heavier – leather, fur, more rugged, sturdy

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The director wants a chair…what kind ??

• Direction• Shape• Line• Tone• Color• Space• Texture

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