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The Virgin of the Andes Archangels Arth 224: Colonial to Contemporary Latin American Art Dr. Mey-Yen Moriuchi Spring 2015
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The Virgin of the Andes Archangels Arth 224: Colonial to Contemporary Latin American Art Dr. Mey-Yen Moriuchi Spring 2015.

Dec 24, 2015

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Page 1: The Virgin of the Andes Archangels Arth 224: Colonial to Contemporary Latin American Art Dr. Mey-Yen Moriuchi Spring 2015.

The Virgin of the AndesArchangels

Arth 224: Colonial to Contemporary Latin American ArtDr. Mey-Yen Moriuchi

Spring 2015

Page 2: The Virgin of the Andes Archangels Arth 224: Colonial to Contemporary Latin American Art Dr. Mey-Yen Moriuchi Spring 2015.

• The Coya (or Queen) was the woman most venerated among the Indians. She was a goddess, the descendant of the Moon and she was the queen, the wife/sister of the Inka king.

• Her attributes included weaving implements, feathers, birds, flowers, tipi pins,and other ornaments.

The Virgin of the Andes: Inka Queen and Christian Goddess

Unknown (Peruvian), Coya Mamahuaco, Historia General del Peru, 1590-1613

Page 3: The Virgin of the Andes Archangels Arth 224: Colonial to Contemporary Latin American Art Dr. Mey-Yen Moriuchi Spring 2015.

Unknown (Peruvian), Portrait of a Coya or Ñusta, c. 1730-50.

Page 4: The Virgin of the Andes Archangels Arth 224: Colonial to Contemporary Latin American Art Dr. Mey-Yen Moriuchi Spring 2015.

Unknown (Peruvian), Portrait of a Coya or Ñusta, 18th c.

Page 5: The Virgin of the Andes Archangels Arth 224: Colonial to Contemporary Latin American Art Dr. Mey-Yen Moriuchi Spring 2015.

• When the Spaniards conquered the Inka Empire, the reverence to the Inka Coya would persist in Christian images of the Virgin Mary, the Catholic Queen.

• People have revered the Virgin Mary for centuries but in Cuzco, Peru she is portrayed as a distinctive image that fuses Christian and Andean concepts.

• Artists of Cuzco created a school of painting, known as the Cuzco School, where they portrayed her in multiple ways.

Page 6: The Virgin of the Andes Archangels Arth 224: Colonial to Contemporary Latin American Art Dr. Mey-Yen Moriuchi Spring 2015.

Unknown (Peruvian, Cuzco). Virgin of the Mary of the Rosary of Guapulo, c. 1680.

Page 7: The Virgin of the Andes Archangels Arth 224: Colonial to Contemporary Latin American Art Dr. Mey-Yen Moriuchi Spring 2015.

• By incorporating the imagery and symbolism associated with Andean female deities and other royal personalities, the colonial image of the Virgin Mary assumed new significance as an Andean, rather than a purely European/Western deity.

• Her Christian-Spanish iconography coexisted with its counterpart inspired by deities such as the Earth Mother, called Pachamama, and the Goddess of the Moon, Quilla. She was also a Queen to the native peoples- an Inka Coya.

Page 8: The Virgin of the Andes Archangels Arth 224: Colonial to Contemporary Latin American Art Dr. Mey-Yen Moriuchi Spring 2015.

Unknown (Bolivian), The Virgin of the Mountain (Pachamama), 18th c.

Page 9: The Virgin of the Andes Archangels Arth 224: Colonial to Contemporary Latin American Art Dr. Mey-Yen Moriuchi Spring 2015.

Unknown (Bolivia) Virgin Mary of the Cerro Rico of Potosi, 18th century, o/c. Casa Nacional de Moneda, Potosi.

Page 10: The Virgin of the Andes Archangels Arth 224: Colonial to Contemporary Latin American Art Dr. Mey-Yen Moriuchi Spring 2015.

Luis Niño, Virgin of the Rosary with Saints Dominic and Francis of Assisi, c. 1737.

Page 12: The Virgin of the Andes Archangels Arth 224: Colonial to Contemporary Latin American Art Dr. Mey-Yen Moriuchi Spring 2015.

Luis Niño, Our Lady of the Victory of Málaga, c. 1735, o/c

Page 14: The Virgin of the Andes Archangels Arth 224: Colonial to Contemporary Latin American Art Dr. Mey-Yen Moriuchi Spring 2015.

Unknown (Cuzco School), Painting of a Statue of the Virgin of Candlemas, mid 18th c.

Page 18: The Virgin of the Andes Archangels Arth 224: Colonial to Contemporary Latin American Art Dr. Mey-Yen Moriuchi Spring 2015.

Unknown (Cuzco School), Virgin as a Young Girl Spinning, 18th c.

Page 19: The Virgin of the Andes Archangels Arth 224: Colonial to Contemporary Latin American Art Dr. Mey-Yen Moriuchi Spring 2015.

Unknown (Peruvian, Cuzco School), Saint Rose of Lima, 18th c.

Page 20: The Virgin of the Andes Archangels Arth 224: Colonial to Contemporary Latin American Art Dr. Mey-Yen Moriuchi Spring 2015.

Archangels

Page 21: The Virgin of the Andes Archangels Arth 224: Colonial to Contemporary Latin American Art Dr. Mey-Yen Moriuchi Spring 2015.

• A unique genre of paintings of extraordinary archangels holding guns – harquebusiers or ángeles arcabuceros- developed in the New World (predominantly Andean region)

• The representations of archangels were important demonstrations of the power and control of the Spanish Habsburg empire over Spanish America

Unknown (Peruvian, Cuzco School), Archangel Raphael, 18th c.

Page 22: The Virgin of the Andes Archangels Arth 224: Colonial to Contemporary Latin American Art Dr. Mey-Yen Moriuchi Spring 2015.

Unknown (Peruvian, Cuzco School), Archangel Raphael, 18th c.

Page 24: The Virgin of the Andes Archangels Arth 224: Colonial to Contemporary Latin American Art Dr. Mey-Yen Moriuchi Spring 2015.

• Veneration of the seven archangels originated in the 15th century.• They include Michael, Gabriel, Raphael, Uriel, Sealchiel, Jehudiel, and Barachiel• Only Michael, Gabriel, and Raphael appeared in the Bible. The other 4 had appeared

miraculously to a Portuguese nobleman. • The Seven angelic princes were described in a 1516 book by a Sicilian priest and eventually

adopted into visual form through a series of paintings. They became particularly popular in the Viceroyalty of Peru.

• The viceregal angels appeared to be crusaders for and defenders of the Habsburg faith and governance.

Page 25: The Virgin of the Andes Archangels Arth 224: Colonial to Contemporary Latin American Art Dr. Mey-Yen Moriuchi Spring 2015.

Unknown (Peruvian, Cuzco School), Archangel Michael, 18th c.

Page 27: The Virgin of the Andes Archangels Arth 224: Colonial to Contemporary Latin American Art Dr. Mey-Yen Moriuchi Spring 2015.

• The archangels are often dressed in the aristocratic manner of the Spanish viceroys• The archangels are portraits symbolic of both the Church and the Habsburg state

Page 28: The Virgin of the Andes Archangels Arth 224: Colonial to Contemporary Latin American Art Dr. Mey-Yen Moriuchi Spring 2015.

José Joaquín BermejoDon José Antonio Manso de VelascoCount of Superunda, Viceroy of Peruc. 1761-66

Page 29: The Virgin of the Andes Archangels Arth 224: Colonial to Contemporary Latin American Art Dr. Mey-Yen Moriuchi Spring 2015.

Joaquín GutiérrezViceroy José Solís Folch de Cardona

After 1770, Colombian

Page 30: The Virgin of the Andes Archangels Arth 224: Colonial to Contemporary Latin American Art Dr. Mey-Yen Moriuchi Spring 2015.

Unknown (Peruvian, Cuzco School), Archangel with Harquebus, early 18th c.

Page 31: The Virgin of the Andes Archangels Arth 224: Colonial to Contemporary Latin American Art Dr. Mey-Yen Moriuchi Spring 2015.

Unknown (Peruvian, Cuzco School), Archangel Barachiel with Harquebus, 18th c.

Page 33: The Virgin of the Andes Archangels Arth 224: Colonial to Contemporary Latin American Art Dr. Mey-Yen Moriuchi Spring 2015.

Joseph

Page 38: The Virgin of the Andes Archangels Arth 224: Colonial to Contemporary Latin American Art Dr. Mey-Yen Moriuchi Spring 2015.

VirginAndes

Page 41: The Virgin of the Andes Archangels Arth 224: Colonial to Contemporary Latin American Art Dr. Mey-Yen Moriuchi Spring 2015.

Unknown (Peruvian Cuzco School), The Virgin of the Mountain (Pachamama), c. 1766.