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The Missing Chapter: Female Composers Before 1900 Dr. Corie Brown | [email protected] | CCDA Summer Conference at ECCO Let’s explore repertoire: Medieval Period Hildegard von Bingen (c.1098–1179) “O Virtus Sapientiae” | CPDL Renaissance Era Vittoria Aleotti (1574–1646) “Io v’amo vita mia” | CPDL Baroque Era Chiara Margarita Cozzolani (1602–c.1677) “Magnificat Secondo” | ed. Brown (other Cozzolani editions available from Artemesia Editions) Barbara Strozzi (1619–1677) “L’amante modesto” | ed. Kosciesza Classical Era Marianna Martines (1744–1812) “Dixit Dominus” | A-R Editions, Inc., ed. Godt Romantic Era Clara Schumann (1819–1896) “Das ist ein Tag, der klingen mag” | arr. Brown Amy Beach (1867–1944) “Let this mind be in you” | CPDL Select resources & databases: The Kaproalova Sociey http://www.kapralova.org/ List of Female Composers by date: https://en.wikipedia.org/wiki/List_of_female_c omposers_by_birth_date Orange County Women’s Chorus (Eliza Rubenstein & Dr. Magen Solomon): https://ocwomenschorus.org/women-compos ers/ Composer Diversity Database https://www.composerdiversity.com/compose r-diversity-database Choral Music by Canadian Women (Choir Alberta) http://www.composedbycanadianwomen.ca/c omposers--arrangers.html Iberoamerican and Spanish Women Composers (Cecilia Piñero Gil) http://www.kapralova.org/iberocomposers.pdf American Female Composers of Choral Music http://www.kapralova.org/americancomposers .pdf The Women Composers Database https://www.facebook.com/womancomposer/ ?hc_location=ufi Artemesia Editions (Candace Smith & Bruce Dickey) http://cappella-artemisia.com/nun-composers- in-lombardy/
12

The Missing Chapter: Female Composers Before 1900calcda.org/wp-content/uploads/2019/07/Corie-Brown-Handout.pdfHildegard von Bingen (c.1098–1179) “O Virtus Sapientiae” | CPDL

Jun 25, 2020

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Page 1: The Missing Chapter: Female Composers Before 1900calcda.org/wp-content/uploads/2019/07/Corie-Brown-Handout.pdfHildegard von Bingen (c.1098–1179) “O Virtus Sapientiae” | CPDL

The Missing Chapter: Female Composers Before 1900 Dr. Corie Brown | [email protected] | CCDA Summer Conference at ECCO

Let’s explore repertoire:

Medieval Period Hildegard von Bingen (c.1098–1179)

“O Virtus Sapientiae” | CPDL

Renaissance Era Vittoria Aleotti (1574–1646)

“Io v’amo vita mia” | CPDL

Baroque Era Chiara Margarita Cozzolani (1602–c.1677)

“Magnificat Secondo” | ed. Brown

(other Cozzolani editions available from

Artemesia Editions)

Barbara Strozzi (1619–1677)

“L’amante modesto” | ed. Kosciesza

Classical Era Marianna Martines (1744–1812)

“Dixit Dominus” | A-R Editions, Inc., ed. Godt

Romantic Era Clara Schumann (1819–1896)

“Das ist ein Tag, der klingen mag” | arr.

Brown

Amy Beach (1867–1944)

“Let this mind be in you” | CPDL

Select resources & databases:

The Kaproalova Sociey

http://www.kapralova.org/

List of Female Composers by date:

https://en.wikipedia.org/wiki/List_of_female_c

omposers_by_birth_date

Orange County Women’s Chorus (Eliza

Rubenstein & Dr. Magen Solomon):

https://ocwomenschorus.org/women-compos

ers/

Composer Diversity Database

https://www.composerdiversity.com/compose

r-diversity-database

Choral Music by Canadian Women (Choir

Alberta)

http://www.composedbycanadianwomen.ca/c

omposers--arrangers.html

Iberoamerican and Spanish Women

Composers (Cecilia Piñero Gil)

http://www.kapralova.org/iberocomposers.pdf

American Female Composers of Choral

Music

http://www.kapralova.org/americancomposers

.pdf

The Women Composers Database

https://www.facebook.com/womancomposer/

?hc_location=ufi

Artemesia Editions (Candace Smith & Bruce

Dickey)

http://cappella-artemisia.com/nun-composers-

in-lombardy/

Page 2: The Missing Chapter: Female Composers Before 1900calcda.org/wp-content/uploads/2019/07/Corie-Brown-Handout.pdfHildegard von Bingen (c.1098–1179) “O Virtus Sapientiae” | CPDL

& œO

œ œ œ œ œ œ œ œ œ œ œœœœ œ œ œ œ œ œ

vir -

œ œ œ œtus

œœœ œ

Sa-

œpi -

œ

& œen - -

œ œ œ œ œ œti -

œ œ œae,

œ œ œ œquae

œ œ œcir -

œ œ œcu -

œ œi -

œens

œcir -

œcu -

œ œi -

œsti

œcom-

œpre -

œhen-

& œden-

œdo

œo -

œmni -

œ œ œa

œin

œ œun -

œ œa

œ œvi -

œ œa,

œquae

œha -

œbet

œvi -

œ œtam,

œtres

œ œa -

œ œlas

œ

& œha -

œ œ œ œbens,

œqua -

œ œrum

œœœ œ

un -

œa

œ œin

œ œal -

œtum

œ œ œ œ œvo -

œ œ œlat,

œet

œ

& œal -

œte -

œra

œde

œ œter -

œra

œsu -

œ œ œdat,

œet

œ œ œter -

œti -

œa

œun -

œdi -

œque

œ œvo -

œ œ œlat.

œLaus

œ

& œti -

œ œbi

œsit,

œœœ œ

si -

œ œcut

œ œte

œ œde -

œ œcet,

œO

œœœ œ œ

Sa -

œ œpi -œ œ

en -

œti -

œ œ œ œa.

O Virtus Sapientiae

O virtus Sapientiae,quae circuiens circuisticomprehendendo omnia in una via, quae habet vitam,tres alas h-bens,quarum una in altum volat,et altera de terra sudat,et tertia undique volat.Laus tibi sit, sicut te decet, O Sapientia.

O strength of Wisdomwho, circling, circled,enclosing all in one lifegiving path,three wings you have:one soars to the heights,one distils its essence upon the earth,and the third is everywhere.Praise to you, as is fitting, O Wisdom.

Hildegard von Bingen (1098-1179)

*

Edited by Cheryl Lynn Helm, 2004

Page 3: The Missing Chapter: Female Composers Before 1900calcda.org/wp-content/uploads/2019/07/Corie-Brown-Handout.pdfHildegard von Bingen (c.1098–1179) “O Virtus Sapientiae” | CPDL

TgagTr

GoatsABBY

Essoh

stashed apart goodgggg

tazza th

oghotdog

t.IE B.atMY to

to

Solo AGroup 1 Solo B

Interpreted By: Emilie Bertram

Phrygian mode HWWWHWW (Natural minor w/ lowered 2)

Trio of Soloists Solo C

Group 2 Trio of Soloists

Group 1 Solo A Solo B

Solo C Group 3

TuttiTrio of Soloists

Drone

Continuous Drone

Attacca...

Page 4: The Missing Chapter: Female Composers Before 1900calcda.org/wp-content/uploads/2019/07/Corie-Brown-Handout.pdfHildegard von Bingen (c.1098–1179) “O Virtus Sapientiae” | CPDL

°

¢

°

¢

Copyright © Amelia LeClair, Cappella Clausura 2013

SOPRANO

ALTO

TENOR

BASS

Io

q=120

f articulate, but legato!

v'a mo- vi ta- mi a-

Io v'a mo- vi ta- mi -

Io v'a -

Io v'a mo,- -

Io v'a mo- vi ta- mi a,-

accel.

6

a, Io v'a- mo,

Io v'a mo- vi ta- mi a,- vol -

mo- vi ta- mi a,

- Io v'a mo- vi ta- mi a-

vol

mf

li- so

Io v'a mo,- Io v'a mo,

- Io v'a mo- vi ta- mi a,-

c

c

c

c

&

b

This edition is free. Please credit

Amelia LeClair in your printed program.

Vittoria Aleotti (1574-1646)Annibale Pocaterra

5. Io v'amo vita mia

&

b ∑

&

b ∑ ∑ ∑ ∑

?

b

∑ ∑

&

b

"I love you, my life",

&

b

&

b

?

b

˙

œœœ

˙˙

˙#˙ œ

œ#œ˙

w

Œ

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œ

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∑ ∑ Ó™

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w

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œœ

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œ œ œ

Œœ

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˙œ

œbw

œ œ

œ

œbœ

œb˙

w

Page 5: The Missing Chapter: Female Composers Before 1900calcda.org/wp-content/uploads/2019/07/Corie-Brown-Handout.pdfHildegard von Bingen (c.1098–1179) “O Virtus Sapientiae” | CPDL

°

¢

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¢

vol

mf legato

li- so ven- te,- vo li- so ven- te- di re,- vol

f

li- so-

12

li- so ven- te- vo li- so ven- te,- vo li- so ven- te- di re,-

vo

f

li- so-

ven te- di re- vol li- so ven- te- di re,-

vol

f

li- so-

vol li- so ven- te,- vol li- so ven- te- di re,-

vol

f

li- so-

ven te- di re,-

NB

ed

mp legato

ar do'ahi- las so,- -

molto rall.

A

17

ven te- di re,- ed

mp legato

ar do'ahi- las so,- - ed

ven te- di re,-

NB

ed

mp legato

ae do'ahi- las so- ed

ven te- di re,- ed ar -

&

b

&

b

&

b

?

b

&

b

often I wanted to say, and I burn, alas

&

b

&

b

?

b

Óœ œ œ

œ

œœ œ œ

œ œ œœ#

˙

Ó Ó

œ œ œ

œ

œ œ˙#

˙

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œ

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˙

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∑ Ó œ œ œœb

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˙

˙

œ œ œ

œb

œ œœn

w ˙ ˙˙ ˙

˙ ™œœ

ww

œ œ˙

w

Ó

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˙

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ww

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w∑ ∑ ∑ Ó

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2

Page 6: The Missing Chapter: Female Composers Before 1900calcda.org/wp-content/uploads/2019/07/Corie-Brown-Handout.pdfHildegard von Bingen (c.1098–1179) “O Virtus Sapientiae” | CPDL

°

¢

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ed ar do'ahi- las so.- - -

24

ar -

do'ahi las

- - -

ar do- ahi- las so.- -

do'ahi las so.-

a tempo

Chiu

p intense

se- la vo c'en- tro- le lab bi'a- mo- re- e

30

so. Chiu se- la vo c'en- tro- le lab bi'a- mor- re e ver-

Chiu

p intense

se- la vo c'en- tro- le lab bia,- en tro- la lab bi'a- mo- re e ver go- -

Chiu se- la vo c'en- tro- la lab bi'a- mo- re- - e ver go- -

&

b

&

b

&

b

?

b

&

b

My mouth is closed within my lips by love

&

b

&

b

?

b

w w

˙

˙

˙ ™œœ

ww

œœ

œœ

œœ œ

œœ

˙ œœ ˙ ˙

˙

˙

˙ ˙˙ ˙

˙w w w

w

ww

∑ ∑ ∑

∑œ œ œ

œ œ

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j

œ

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wœ œ œ

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j

˙œ

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J

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Ó

œ œ œ

œ œ

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˙b

˙

w ˙

œ

œ œœ

˙

3

Page 7: The Missing Chapter: Female Composers Before 1900calcda.org/wp-content/uploads/2019/07/Corie-Brown-Handout.pdfHildegard von Bingen (c.1098–1179) “O Virtus Sapientiae” | CPDL

BB

B

?

BB

B

?

?

c

c

c

c

c

c

c

c

c

Canto primo

Alto primo

Tenore primo

Basso primo

Canto secondo

Alto secondo

Tenore secondo

Basso secondo

Basso Continuo

w

w

w

w

w

w

w

w

w

&

&

V?

&

&

V?

&?

24

24

24

24

24

24

24

24

24

24

w .˙ œMag - ni - fi -

w .˙# œMag - ni - fi -

w .˙ œ#Mag - ni - fi -

w .˙ œMag - ni - fi -

w .˙ œMag - ni - fi -

w .˙ œMag - ni - fi -

w .˙ œMag - ni - fi -

w .˙ œMag - ni - fi -

ww ..˙̇# œœ

w .˙ œ

[h = 72]

˙ Ó ∑cat,

˙# Ó ∑cat,

˙ Œ œ .œ Jœ œ œ#cat, Mag - ni - fi - cat, Mag -

˙ Ó ∑cat,

˙ Ó ∑cat,

˙ Ó ∑cat,

˙ Ó ∑cat,

˙ Ó ∑cat,

˙̇# ˙̇ ˙̇ œœœ œ#

˙ ˙ ˙ ˙#7#6

Magnificat secondo à 8

Chiara Margarita Cozzolani (1602 – c. 1677)

ed. Corie Brown, 2018

from Salmi a otto voci concertatiVespers Music

[RISM A/I, C 4362]First pub. by Alessandro Vincenti, Venice 1650, orig. in Civico Museo Bibliografico-Musical di Bologna,

digital ver. from Museo Internazionale e Biblioteca della Musica di Bologna, ed. Corie Brown 2018

[Ripieno]

Page 8: The Missing Chapter: Female Composers Before 1900calcda.org/wp-content/uploads/2019/07/Corie-Brown-Handout.pdfHildegard von Bingen (c.1098–1179) “O Virtus Sapientiae” | CPDL

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&

V

V?

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13

13

13

13

13

13

.w ˙ ˙ ˙Vo - - - - - - - - - - -

w w wtacet

.w ˙ ˙ ˙

.w ˙ ˙ ˙Vo - - - - - - - -

w w w

.w ˙ ˙ ˙Vo - - - - - - - - - -

.w ˙# ˙ ˙

.w ˙ ˙ ˙„

w w w

.w ˙ ˙ ˙

.w ˙ ˙ ˙Vo - - - - - -.w ˙ w

la - no,

.w ˙ wla-no,

w w wChit.__>

.w ˙# ˙ ˙

.w ˙ ˙ ˙

.w ˙ wvo - la - no,.w ˙ wvo - la - no,

.w ˙ ˙ ˙Vo - - -

w w w

&

&

V

V?

?

c

c

c

c

c

c

6 .w ˙ wla - no,

.w ˙ wla - no,.w ˙ ˙ ˙

vo - - - - - -

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6 w w w

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la - no,

.w# ˙ wla - no,.w ˙ wla - no,

w w w#

w ˙ ˙ ˙ ˙vo - la - no fret - to -

w ˙ ˙ ˙ ˙vo - la - no fret - to -w ˙ ˙ ˙ ˙vo - la - no fret - to -

w# ˙ ˙ ˙ ˙vo - la - no fret - to -w ˙ ˙ ˙ ˙vo - la - no fret - to -

w w w

w w wlo - si i

w w wlo - si iw w wlo - si iw w wlo - si i

w w w#lo - si i

w w w#6

wgior -

wgior -wgior -

wbgior -wgior -w

b

-1-© SMC 1994/96

Il Prtimo Libro de' Madrigalidi Barbara Strozzi

a due, tre, quattro, e cinque vociconsacrati

Alla Serenissima Gran DuchessaD. VITTORIA

DELLA ROVEREIN VENEZIA

MDCXXXXIIII

L`amante modesto Barbara Strozzi (1619 - c.1664)

Page 9: The Missing Chapter: Female Composers Before 1900calcda.org/wp-content/uploads/2019/07/Corie-Brown-Handout.pdfHildegard von Bingen (c.1098–1179) “O Virtus Sapientiae” | CPDL

&

&

V

V?

?

11 .˙ œni, i

.˙ œni, i.˙ œni, i

.˙b œni, i.˙ œni, i11

˙ Œ œ6

wgior - - -

wgior - - -wgior - - -

wbgior - - -wbgior - - -wb

wni

wniwni

wbniwbniwb

‰ Jœ Jœ Jœ œ Jœ Jœe pre-sto, pre - sto un

‰ jœ jœ jœ œ jœ jœe pre-sto, pre - sto un

‰ Jœb Jœ Jœ œ Jœ Jœe pre-sto, pre - sto un

‰ Jœ Jœ Jœ œ Jœ Jœe pre-sto, pre - sto un

‰ Jœb Jœ Jœ œ jœb jœe pre-sto, pre - sto un

‰ Jœb œ œ œ œb

.Jœ Jœ Jœ Jœ Jœ Jœ Jœ Jœbse - co-lo sa - ra che - ti a - mo,

.jœ j̊œ jœ jœ jœ jœ jœ jœse - co-lo sa - ra che - ti a - mo,

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.œb jœ œ œ6 - - -

&

&

V

V?

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16 ˙ Jœ Jœ Jœ JœClo - ri, ne de` miei

˙ jœ jœ jœ jœClo - ri, ne de` miei

˙ jœ Jœ Jœ JœClo - ri, ne de` miei

˙ Jœ jœ jœ jœClo - ri, ne de` miei˙ Jœ Jœ Jœ JœClo - ri, ne de` miei16 ˙ ˙

wlun - -

wlun - -wlun - -

wlun - -

w#lun - -

w#6

wghi

˙ ˙ghi os -wghi

˙ ˙ghi os -

w#ghi

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˙ ˙#6 6

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Ó ˙os -˙ œ œ

o - si, os -

Ó ˙os -

wb

˙ ˙se - qui -

˙ ˙#se - gui -˙ ˙se - gui -

˙ ˙se - gui -

˙ ˙#se - qui -

˙ ˙#6 6

wbo -

wo -

.˙b œo -

˙ ˙o - siwo -wb

-2-

Page 10: The Missing Chapter: Female Composers Before 1900calcda.org/wp-content/uploads/2019/07/Corie-Brown-Handout.pdfHildegard von Bingen (c.1098–1179) “O Virtus Sapientiae” | CPDL

&&&

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######

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86

86

86

86

86

Soprano 1

Soprano 2

Alto

Piano

‰‰‰jœœœ‰

p

1 ∑∑∑

œœœ ‰ œœœ œœœ ‰ œœœ‰ jœ# œ ‰ œ &

∑∑∑

œœœ ‰ œœ œœ ‰ œœœ‰ jœ# œ ‰ œ

∑∑∑

œœœ ‰ œœœ œœœ ‰ œœœ‰ jœ# œ ‰ œ

Œ . Œ JœDas

Œ . Œ jœDas

Œ . Œ jœDas

œœœ ‰ œœœ œœœ ‰ œœœ‰ œ ‰ œ

f

f

f

&&&

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S 1

S 2

A

Pno.

5 œ Jœ œ jœist ein Tag, der

œ jœ œ jœist ein Tag, der

œ jœ œ jœist ein Tag, der

œœœ ‰ œœœ œœœ ‰ œœœ‰ œ ‰ œ

œ Jœ œ ‰klin gen mag-

œ jœ œ ‰klin gen mag-

œ jœ œ ‰klin gen mag-

œœœ ‰ œœœ œœ ‰ jœ# œœ

‰ œ ‰œ

œœp

∑∑∑

œœ jœ#Jœœ œœ jœ Jœœ

œœ jœœ œœ jœ‰ .œ œ

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Œ . Œ jœdie

Œ . Œ jœdieœœ jœ# J

œœ jœ œœ Jœœ

œ jœ œ jœJœ .œ œ

p

p

p

-

-

-

Das ist ein Tag, der klingen mag

Clara Schumann (1819 – 1896)

©2018 Corie Brown

Op. 23, Nr. 5

arr. Corie Brown

this is a day for singing songs-

Hermann Rollett (1819 – 1904)

Page 11: The Missing Chapter: Female Composers Before 1900calcda.org/wp-content/uploads/2019/07/Corie-Brown-Handout.pdfHildegard von Bingen (c.1098–1179) “O Virtus Sapientiae” | CPDL

&&&

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######

# ## #

S 1

S 2

A

Pno.

9 œ jœ œ œ œ œ# œWach tel schlägt im

œ jœ œ jœWach tel schlägt im

œ jœ œ jœWach tel schlägt imœœ jœ# Jœœ œœ jœ

Jœœ

œ jœ œ jœJœ .œ œ

œ ‰ Œ jœKorn, die

œ ‰ Œ jœKorn, die

œ ‰ Œ jœKorn, dieœœ jœ# J

œœ# œœ ‰

œ jœœ œœ ‰Jœ .œ œ

?

mf

mf

mf

œ Jœ œ jœLer che jauchzt mit

œ Jœ œ jœLer che jauchzt mit

œ jœ œ jœLer che jauchzt mit

....œœœœ ...œœœ‰ œ ‰ œ

œ œ œ œ jœJu bel schlag wohl

œ œ œ œ jœJu bel schlag wohl

œ jœ œ jœJu bel schlag wohl

....œœœœ ...œœœ‰ œ ‰ œ

- - - --

- - - - -

- - - - -

&&&

&?

######

# ## #

S 1

S 2

A

Pno.

13

œ jœ œ# œ œü berm hel len,

œ jœ œ jœü berm hel len,

œ jœ œ jœü berm hel len,

...œœœ ...œœœ#

œ jœ œ ‰grü nen Hag,

œ jœ œ# ‰grü nen Hag,

œ jœ œ ‰grü nen Hag,

..œœ œœœjœœ

..œœ œœ# Jœœf

∑∑∑

œœ jœœ œœ Jœœœœ Jœœ œœ Jœœ

Œ . Œ Jœder

Œ . Œ Jœder

Œ . Œ jœder

œœ jœ# Jœ œ jœœœœ Jœ œ

Jœœ

f

f

f

- - -

- - -

- - -

2 Das ist ein Tag, der klingen mag

the quail in the grainfield trills, the lark rejoicing jubilates

all over verdant bright green hedge,

Page 12: The Missing Chapter: Female Composers Before 1900calcda.org/wp-content/uploads/2019/07/Corie-Brown-Handout.pdfHildegard von Bingen (c.1098–1179) “O Virtus Sapientiae” | CPDL