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Teaching and learning L2 Spanish intonation Lluïsa Astruc The Open University & The University of Cambridge
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Teaching and learning L2 Spanish intonation Lluïsa Astruc The Open University & The University of Cambridge.

Dec 17, 2015

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  • Slide 1
  • Slide 2
  • Teaching and learning L2 Spanish intonation Llusa Astruc The Open University & The University of Cambridge
  • Slide 3
  • Intonation belongs to the suprasegmental level of language (also called prosody) Units of prosody (prosodic structure) segments > syllables > feet > words > phrases Prosodic sub-systems: Intonation Stress nima, anima, anim [ anima, a nima, ani mo] Rhythm Introduction: prosody & intonation
  • Slide 4
  • Phonetics and phonology Syntax, semantics, pragmatics Your opponents talk, honestly Your opponents talk honestly Language acquisition Literacy acquisition Prosodic deficit hypothesis Reading comprehension Introduction: prosody & intonation
  • Slide 5
  • Fundamental frequency and pitch Pitch accents are... Boundary tones are Intonation Two tonal boundaries, both low (L), after ready and announced. No pitch accents in my mother announced.
  • Slide 6
  • Grammatical function Question vs. statement, yes-no vs. wh-question, Pragmatic (attitudinal) function Speakers attitude, point of view, Discourse function Information marking (old vs. new information), turn- taking,... Paralinguistic and sociolinguistic functions Emotions, group identity, (see Chun 2002 for an overview ) Functions of intonation
  • Slide 7
  • Improving: Comprehension Segmentation and lexical retrieval Grammatical function, pragmatic meaning, Production Intelligible pronunciation, an essential component of communicative competence Goals of teaching intonation (see Chun 2002)
  • Slide 8
  • Main cross-linguistic intonational differences: Differences in the tonal inventory E.g. a fall instead of rise Differences in the meaning or use of identical patterns Phonetic and phonotactic differences: In the realisation of such pitch accents E.g. in the exact realisation (alignment and scaling) of a rise In the internal structure of tonal elements and/or how they associate to the segmental material Teaching intonation (See Ladd 1996: 119ff, Gussenhoven 2004: 60ff)
  • Slide 9
  • Phonetic differences La nia morena come mandarinas L+>H* L+>H*/ L+H* !H* L-L% (The girl with brown hair is eating mandarines) Castilian: prenuclear rises reach postnuclear syllabes, as in nia and morena Galician: prenuclear rises end at the end of the stressed syllable, e.g. ni and re
  • Slide 10
  • (1) Statement: Its raining. (2) Declarative question: It's raining? (3) Yes-no question: Is it raining? Intonation only carries the distinction between: (1) statement (2) declarative question (yes-questions without syntactic marking) In English, Spanish, Greek, etc Interrogative intonation
  • Slide 11
  • Declarative questions differ from statements in that they have: (i) a higher initial peak (ii) no medial rises (iii) a sharp rise at the end The most salient perceptual cue for questions is (iii), the final rise Perceptual relevance of final rise possibly universal (cf. Gussenhoven 2004: 80ff) But L1 listeners can also use (i) and (ii); they dont have to wait until the end Spanish interrogative intonation
  • Slide 12
  • Spanish StatementQuestion
  • Slide 13
  • Declarative questions differ from statements in the final end: Final fall in statements Final rise in questions No early cues unlike in Spanish (e.g. Wells 2006) (Grabe et al 2003) English intonation
  • Slide 14
  • Goal: testing robustness of intonation cues of Spanish declarative questions and statements for L1 and L2 speakers of Spanish Spanish listeners can discriminate declarative questions and statements by listening just to the beginning (e.g. Navarro Toms 1944, Face 2005, 2007) Research questions: Can British learners discriminate between declarative questions and statements by the first intonational peak? If so, will they show differences in performance according to language level? Perceptual experiment*: * Joint work with Mara Dolores Garca Verdugo. Preliminary results presented at EUROSLA 2009 and EUROCALL 2009.
  • Slide 15
  • Experimental material Test sentences read by female and male Madrid speakers (AMPER corpus): La guitarra se toca con paciencia La guitarra espaola se toca con paciencia La guitarra se toca con paciencia infinita Identification experiment: La guitarra cut and used as stimuli 3 practice trials + 12 test questions Delivery: Online: experiment set up as a quiz in Moodle Method
  • Slide 16
  • statement question Method
  • Slide 17
  • Procedure: Perceptual test presented using Moodle Quiz Method
  • Slide 18
  • Questions Method
  • Slide 19
  • Participants: 48 L1 Spanish: 15 Madrid L2 listeners at 4 levels: 33 Advanced: 13 Intermediate: 8 Beginners (5) + Some words (7): 12 Method
  • Slide 20
  • ANOVA, sig. differences F(4,46)=4.817** Eta Sq=0.561 Posthocs, confirm sig. differences: Native-Intermediate, Native-Beginners ** Results: Scores
  • Slide 21
  • ANOVA, no statistically significant differences Results: Time taken
  • Slide 22
  • L2 participants performed according to their level of language competence, as expected Effect of language competence: [Native ~ Advanced ] > [Intermediate ~ Beginners] No difference between Native and Advanced level Intermediate and Beginners Learners can acquire L2 intonation even to the finest phonetic detail Summary of findings
  • Slide 23
  • Is intonation worth teaching? And rhythm? Implications for the curriculum: Need to define objectives and outcomes of teaching prosody Improving learners comprehension? Improving pragmatic competence? Improving intelligibility? Reducing foreign accent? Need to identify relevant L1-L2 contrasts Rhythm, pitch range, pitch accents (density, types, realization) Implications for the curriculum
  • Slide 24
  • [stress-timed] Vowel reduction: unstressed syllables are shorter and more centralized Stressed vowels at roughly equal distance Governance [ g.v . nn t s] [ gv. nn t s] English Spanish [syllable-timed] No vowel reduction: Syllables of roughly equal duration Rhythm (See also Dauer 1986, Ramus et al 1999, Grabe et al 1999) Governancia [go. e . nan. ja ]
  • Slide 25
  • Cat: La mare de la Jana s de Badalona. Eng: The mother of Susana is from Badalona. Sp: La madre de Susana es de Badalona. Distribution of languages (Catalan, English, Spanish) over the Delta C-%V, plane. Rhythm Delta C %V Prieto et al (submitted)
  • Slide 26
  • Intonational plasticity (Vallduv 1994, Vallduv & Engdahl 1996; Steedman 2000) Germanic lang fixed word order pitch accents move Romance lang free word order syntactic constituents move [+] PLASTIC [-] PLASTIC Did John win the lottery? No, PETER won the lottery Juan gan la lotera? No. La lotera, la gan Pedro No, fue Pedro
  • Slide 27
  • VLEs such as Moodle can be used at different stages of curriculum design and implementation: To identify learners needs Through perception and production tests To deliver teaching Yes, it can be used to teach pronunciation (segmentals and intonation, oral comprehension, dialects,...) To evaluate outcomes at different stages Discussion: VLE systems
  • Slide 28
  • Participants: 12 Spanish (Las Palmas, UNED) 30 English (Cambridge U.) Method: one activity per week, 5 weeks. March 2009 Example: Moodle Forum
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  • Thanks! Questions? Llusa Astruc The Open University & The University of Cambridge [email protected]
  • Slide 33
  • References Chun, D. M.(2002) Discourse intonation in L2. From theory and research to practice. Amsterdam/Philadelphia: John Benjamins. Dauer, R. M. (1983). Stress-timing and syllable-timing reanalyzed. Journal of Phonetics, 11, 51-62. Face, T. L. (2005): F0 peak height and the perception of sentence type in Castilian Spanish, Revista Internacional de Lingstica Iberoamericana, 2 (6), 49-65. Face, T.L. (2007) The role of intonational cues in the perception of declaratives and absolute interrogatives in Castilian Spanish. EFE, XVI, 185-225. Gussenhoven, C. (2004) The phonology of tone and intonation. Cambridge: CUP. Grabe, E., Watson, I. and Post, B. (1999). The acquisition of rhythmic patterns in English and French. In Proceedings ICPhS 1999, San Francisco, 1201-1204. Grabe, E., Kochanski, G. and Coleman, J. (2003). Quantitative modelling of intonational Variation. PDF. Proceedings of Speech Analysis and Recognition in Technology, Linguistics and Medicine. Navarro Toms, T. (1944): Manual de entonacin espaola, New York: Hispanic Institute in the United States. Prieto, P., Vanrell, M.M., Astruc, L., Payne, E., Post, B. (submitted) Prosodic temporal organization and speech rhythm. Evidence from Catalan, English, and Spanish. Ramus, F., Nespor, M., & Mehler, J. (1999). Correlates of linguistic rhythm in the speech signal. Cognition, 73, 265-292. Steedman, M. (2000) Information structure and the syntax-phonology interface. Linguistic Inquiry 31: 649-689. Vallduv, E. (1994) Detachment in Catalan and information packaging. Journal of Pragmatics 22, 573-601. Vallduv, E., Engdahl, E. (1996) The linguistic realization of information packaging. Linguistics 34: 459-519. Wells, J.C. (2006) English intonation. Cambridge: CUP.