SINIR(SIZLIK) KAVRAMINI OKUMAK: SÖYLEMLER, BİNALAR…

9. Uluslara Sinan Sempozyumu 21-22 Nisan 2015 E 9th International Sinan Symposium April 21-22, 2015 Edirne / TURKEY

79

READING THE PHENOMENON OF BOUND(ARY)/LESSNESS:

DISCOURS

1, 2 1 -

2 tesi [email protected], [email protected]

ZET

Stan Allen, Foreign Office Architects ve Greg Lynn

nun olgu haline gel r.

da ing -

- yeniden a

Anahtar kelimeler: ABSTRACT This study is a rhetoric reading deals with re-

analyzing the discourses and buildings of architects, who are also questioning borders in architecture. In this direction texts and/or buildings produced by Toyo Ito, Stan Allen, Foreign Office Architects and Greg Lynn, who bring a different perspective to the concept of bound(ary)/lessness, has been scoped. Today, instead it had restricted definitions as a concept, bound(ary)/lessness is seen more as a notion of being interpreted and produced with other ideas. Those products that are reproduced are the alternative interpretations of the designers to

possible As a conclusion, it can be said, that the phenomenon of boundary has been handled in many different contexts like making the perception of boundary transparent by blurring the boundary of the form, combination of redefined topography and structure, reproducing of the figure-ground relation and the fluidness of the structural elements. This paper at this concept is an attempt to set forth the

in the light of the discourses and structures. Keywords: Design, Boundary, Boundlessness, Space, Discourse, Building 1.

a eyleminin bir getirisi olarak; , yorumlamak


80

Bu nedenledir ki , dikey elemanl tanve S t

fiziksel veya

psikolojik bir O halde, m nin sorusundan

ince fakat hayati

da , aynalarla

ya tekil elemanlarla birbiriyle

O halde, mimari

durumdur.

kesen

olgu

kolayca a felsefesiyle Mies

-

ortaya

, rmektedir.

kavram ya na vurgu yapmakta ya da uyla anlam alanlar . S

okuma,

nde durularak;

Foreign Office Architects, Stan Allen ve Greg Lynn gibi


81

2. 1.

an birinin, -

Evi, - ve Novljan, 2011).

malzem, 2013 Prtiz

Toyo Ito (1999), o

etmektedir.

Mimar,

gibi

(ya da tabiriyle ) olarak, n eylemlerini kodlayan program, birbirinden tamamen

tam aksine, melidir. Bu, keskin eylem in

n

Blurring Architecture, mimara Multimedya

)

Duvarlardan tamamen

- -kent,

programlama- - fizik - daki

karakteridir.

Resim.1.ve 2. Sendai Multimedya Merkezi, Toyo Ito, 1995-2000 (URL1, 2015: Toyo Ito)


82

2. 2. -

-topografyadan kopup

-

-

ise, -zemin

projesinin (Resim 3 ve 4) tipolojis (URL2, 2015). Terminal projesinin ortaya

Proje,

haline gelmektedir.

G - -zemin-

s

vurgu yapmaktad -

sorgulayan, bir

2. 3. -

aslen -zemin si -

yeni lan d field c


83

-zemin

).

terimiyle ifade edilmektedir. Stan Allen (1997: 24), alan durumunu,

n

(Allen 1997, 1998, 1999).

(Resim 5 ve 6)

adet

deneyim ).

nm bekleme, izole olma, daralma, kaybolma

Resim.5. er Eisenman, 2004 (Whybrow, 2010) Resim.6. (URL4, 2015)

ana,

timleyen hayali ve Bu durum

-

; -

Kartezyen


84

Tam da bu nedeir.

esneklik

izlenim; belirli bir konuma

Bernard Tschumi, Frank Gehry,

ve g gerekse de bu nan

kavramsal arka plan bilgisi ile verilebilir (Resim 7 ve 8).

u

(blobs), animasyon (animation)Hareket ve devinim konusuna

odaklanan Lynn, deformasyon ve mimarl Bu noktada topol

(Chapman, 2001).

Resim.7. Cardiff, Wales, Render Image, (URL5, 2015 Greg Lynn) Resim.8. Blobwall Pavilion, Venice Architecture Biennal, 2008, (URL6, 2015 Greg Lynn)

izlenimi

koyan Lynn, 1999).

reg Lynn (Hays, 2000). konusu

savunan Lynn (2004(Chapman, 2001

.


85

3. VE

Sgetirmek daha

her luyla kendini ortaya koyabilmesidir. - - --s

birbi len kavramsal halidir.

bilimsel

-

olandan (traditional) dijital olana (digital- e (Zarzycki, 2009) bulanma,

ilir soru

ak o

- - -insan, kent--

- -

e

ise,

durum olma


86

KAYNAKLAR Alberti, L. B., 1991, On The Art of Building in Ten Books, (trans) Joseph Rykwert, Neil Leach, and Robert Tavernor, MIT Press.

-31. The Virtual Dimension: Architecture,

Representation and Crash Culture, pp. 243-255, (ed) Beckmann, J., (1998), Princeton Architectural Press, New York. Allen, S., 1999, "Field Conditions", Points and Lines: Diagrams and Projects for the City, pp. 90-103, Princeton Architectural Press, New York. Behrens, R., -303. Benedikt, M.,1992, Deconstructing the Kimbell: An Essay on Meaning and Architecture, Sites-Lumen Books, New York. Chapman, M.,2001, Architecture and Science, (ed) Di Cristina, G., Wiley-Academy, London. Ching, F. D.K., 2004, s.94-

Hays, M., 2000, Architecture Theory Since 1968, (ed) Michael Hays, MIT Press. Lynn, G., 1999, Animate Form, Princeton Architectural Press, New York. Lynn, G., 2004, Folds, Bodies & Blobs, Ito, T., 1999, Toyo Ito: Blurring architecture 1971-2005: Rethinking the Relationship between Architecture and the Media, (ed) Schneider, U., Feustel, M., pp.49-61, Charta, Milan. Kuban, D., 2010, -

ainability of Gestalt Principles of Visual Perception -323.

Record:193 (7), pp.120-127. and Public in Modern

-28. URL2, 2015, http://www.archdaily.com/554132/ad-classics-yokohama-international-passenger-terminal-foreign-office-architects-

Conference, New Jersey Institute of Technology.

Resim 1. URL1:http://www.archdaily.com/118627/ad-classics-sendai-mediatheque-toyo-12.01.2015) Resim 2. URL1:http://www.archdaily.com/118627/ad-classics-sendai-mediatheque-toyo-tarihi:12.01.2015) Resim 3. Resim 4. URL3: h Resim 5. Whybrow, N., 2010, Art and the City, pp.149, I.B. Tauris, New York, pp. 149. Resim 6. URL4: https://is358.files.wordpress.com/2010/04/4-holocaust-memorial-21.01.2015) Resim 7. URL5: http://glform.com/buildings/cardiff-bay-opera-

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