NHI LAM [email protected]+614 235 234 66 EDUCATION 2013 - complete MASTERS OF ARCHITECTURAL STUDIES UNIVERSITY OF SOUTH AUSTRALIA 2010 - 2013 BACHELOR OF ARCHITECTURAL STUDIES UNIVERSITY OF SOUTH AUSTRALIA OBJECTIVE TO FIND WORK EXPERIENCE AND TO BROADEN MY LEARNING SPECTRUM SKYPE nhi_o23 EXPERIENCE Armsby Architects 23.02.15 - Current rpm coach Goodlife Health Clubs 01.06.13 - Current rpm coach Wiltshire + Swain 19.11.14 - 09.01.15 Architects internship Eagles Bar & Bistro 03.06.10 - 08.12.13 bar and waitress SANFL Encore Group 12.03.09 - 04.10.11 bar staff SKILLS DESIGNING Adobe Illustrator Adobe Indesign Adobe Photoshop Adobe Premier Drafting MODELLING Google SketchUp Autodesk AutoCAD Autodesk REVIT Autodesk 3DS MAX RENDERING V-Ray Maxwell Render OTHER QUALIFICATIONS RPM Coach OTHER PROFICIENCIES Languages-Vietnamese Print and copy Photography First Aid Driver REFERENCES Available upon request. PORTFOLIO http://kneenhi.wix.com/portfolio
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Transcript
NHI LAMt . n h i . l a m @ g m a i l . c o m
+614 235 234 66
EDUCATION
2013 - complete MASTERS OF ARCHITECTURAL STUDIES UNIVERSITY OF SOUTH AUSTRALIA
2010 - 2013 BACHELOR OF ARCHITECTURAL STUDIES UNIVERSITY OF SOUTH AUSTRALIA
OBJECTIVE
TO FIND WORK EXPERIENCE AND TO BROADEN MY LEARNING SPECTRUM
SKYPE nhi_o23
EXPERIENCE
Armsby Architects 23.02.15 - Current rpm coach
Goodlife Health Clubs 01.06.13 - Current rpm coach
Eagles Bar & Bistro 03.06.10 - 08.12.13 bar and waitress
SANFL Encore Group 12.03.09 - 04.10.11 bar staff
SKILLS
DESIGNING Adobe Illustrator Adobe Indesign Adobe Photoshop Adobe Premier Drafting MODELLING Google SketchUp Autodesk AutoCAD Autodesk REVIT Autodesk 3DS MAX
RENDERING V-Ray Maxwell Render
OTHER QUALIFICATIONS RPM Coach
OTHER PROFICIENCIES Languages-Vietnamese Print and copy Photography First Aid Driver
REFERENCES
Available upon request.
PORTFOLIO
http://kneenhi.wix.com/portfolio
p o r t f o l i o
t h e a r c h i t e c t u r a l
page 02 page 03
2 0 1 4
contents
Water PlazaaDVaNCeD DeSIGN StUDIO 10 [2014]
SeCtION
CONteNtS
SCHeMe
PlaN
DeCKaDVaNCeD DeSIGN StUDIO 10 [2014]
reNDer
FOOD laBOratOrYaDVaNCeD DeSIGN StUDIO 10 [2014]
INterIOr
BaKerYaDVaNCeD DeSIGN StUDIO 10 [2014]
eleVatION
Water PlazaaDVaNCeD DeSIGN StUDIO 10 [2014]
reNDer
DetaIl IN FraGMeNtatION MaSterS PrOJeCt rePOrt 2 [2014]
DIaGraMatIC MaQUette
DetaIl IN FraGMeNtatION MaSterS PrOJeCt rePOrt 2 [2014]
DIaGraMatIC MaQUette
DetaIl & FraGMeNtatION DeSIGN StUDIO 5 [2011]
PerSPeCtIVe]
DetaIl & FraGMeNtatION aDVaNCeD DeSIGN StUDIO 10 [2014]
COllaGe
FraGMeNtatION aDVaNCeD DeSIGN StUDIO 9 [2014]
UrBaNItY [final]
tataCHIlla Cellar DOOrDeSIGN StUDIO 5 [2011]
PerSPeCtIVe
a BIrD IN HaNDDeSIGN StUDIO 2 [2009]
MODel
page 02
page 03
page 04-5
page 06-7
page 08-9
page 10-11
page 12-13
page 14
page 15
page 16-17
page 18-19
WATER PLAZAaDVaNCeD DeSIGN StUDIO 10SeCtION
to redevelop rome into a sequence of paths in which people have the opportunity to relish the historical center and its ancient architecture, while in the presence of water.
page 20-21
page 22
page 23
n
schEmEPlaN
the proposal of a new innovative culinary art school aims to rejuvenate the historic Hadrian’s athenaeum and its surrounds, while unlocking the urban development and civic potential of the area. It seeks to inspire exemplary facilities that will educate and re-ignite local Italian food tradition and be an internationally recognised symbol of rome. the site offers us the opportunity to build a new relationship between past and present, and the individual and the collective through architecture and urban design in the context of a historically complex and dynamic city environment.
5 components inserted into the fab-ric of rome.
bakery water food laboratory restaurant wine
page 04 page 05
page 06 page 07
dEckaDVaNCeD DeSIGN StUDIO 10reNDer
‘The most architectural thing about this building is the state of decay in which it is.’ BerNarD tSCHUMI
page 08 page 09
FOOd LABORATORYINterIOr
“Modern ruins, as tangible remnants of
the recent past, offer the potential to transport us
radically beyond the experience of the everyday
to a unique space of transition between past and
present, the affect of which is heightened by its
proximity in time to the moment of immediate
experience. As representations of the broader
transience of history, they fracture the notion of
progress, of finite beginnings and endings, of
distinct readings of past events – they are spaces
in which the conflict between a dead past and an
accessible, readable history plays out.”
- emma fraser
page 10 page 11
BAkERYeleVatION the first and main punctuation is the bakery. Situated adjacent to one of the biggest roundabouts in rome where there is great traffic.
page 12 page 13
WATER PLAZAaDVaNCeD DeSIGN StUDIO 10PerSPeCtIVe
"transition between past and present".
page 14 page 15
dETAiL in FRAgmEnTATiOnDIaGraMMatIC MaQUette
111 Commercial road, Port adelaide
the weathering of materials over time leaves behind fragments of what was once an occupied and used building. the political, aesthetic and historical significance that come in the form of these fragments tell stories of what shaped the city we live in now. When thought about in the historical context of Port adelaide, the act of retention can be interpreted to one that preserves or refurbish, through photography.
dETAiL in FRAgmEnTATiOnMaSterS PrOJeCt rePOrt 2
DIaGraMatIC MaQUette
t h e W e d d i n g d r e s s
Medium Casting Plaster, Curtain laceMedia Print
Size 130mm x 130mm
Something old, something new and something borrowed.
a closer image of the downpipe printed over curtain lace. the lace was applied before the tile set, creating a rises and falls in the surface of the plaster.
l o c h n e s s m o n s t e r
Medium Casting PlasterMedia Print
Size 130mm x 130mm
a rare find when the wall erodes and the brick exposed to the eye.
the casting plaster was smoothed with sand paper. the texture is somewhat rough. the material has absorbed the red ink, defining the colour, making it bolder.
r a W
Medium Casting Plaster, Bamboo, lace CurtainMedia Print
Size 130mm x 130mm
the state of being; the touch, the smell and the eye.
Mixed material provides different textures. Provides a raw feel to the surface. enhances tactile ability
n e P t U n e
Medium Casting Plaster, Blue acrylic Paint, Curtain lace
Media PrintSize 130mm x 130mm
the bluest of surfaces.
Blue acrylic paint is swirled into the plaster, and a piece of curtain lace was layered on top and cased. the darker blue does not allow for much detail to be seen, however the red brick emerges with the tinge of purple ink.
page 16 page 17
dETAiL & FRAgmEnTATiOnaDVaNCeD DeSIGN StUDIO 10COllaGe
Using images of both my own and borrowed images, the aim was to make a collage of our project to date. It is to be an expansive, hybrid representation - a fictocritical visual essay – that seeks to loosen up our hold on the ‘completed’ project of aDS9, identify the best bits and leave the weaker parts.
page 18 page 19
FRAgmEnTATiOnaDVaNCeD DeSIGN StUDIO 9UrBaNItY [final]
Designing urban fragments scattered over the public realm. For this scheme, four plaza spaces were designed, all with a similar language and with the use of water to tie the plaza spaces together. Water in rome is some of the most richest minerals for the life source of the human being, clean fresh water is drinkable from all taps.
page 20 page 21
tataCHIlla cELLAR dOORDeSIGN StUDIO 5PerSPeCtIVe
this project is the design of a cellar door facility for the tatachilla Vineyard at Clarendon in Mclaren Vale, South australia. the project calls for a building that considers the role of a cellar door as the public interface of the vineyard, and asks how such a facility might contribute to the appreciation of the wine, the vineyard, the landscape and the unique characteristics of the area.
page 23
A BiRd in hAndDeSIGN StUDIO 2
MODel
BalsaCasting Plaster
White Card
the inspiration for this model was drawn from the weaver bird’s delicate crafting of their nest using a combination of varying materials, shapes and elements.