MI.SA CRIOLLA !l u/1,- ..t 9,1 "afr, En i..iioi'i '.n,u '"dÉi ji u ror#-!? oN THE RHyrI{Ms'j,.-, AND TR.ADIT.IONíj ' '.. . .: .:a:.' ..._, . ,: FOR MIXED CHORUS AND SOLOIST'SWITH PERCUSSION, GUITAR AND PIANO OR I{ARPSICHORD ACCOMPANIMENT. .. i ,' it l .:. I .J tl SPAMSH AND ENGLISH TEXTS . .. . '- . : ;' I r" :... ;' I ', r.t,l. ,.,-' , :''.-i.- LAWSON-GOULD MUSIC PUBLISHERS t INC.. .NEwYoRK; G.sCriIRMEn,-rNclsöríl ... SELLING REPRESENTATIVE, NEW YORK. *B f,tf,r;i +:
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MI.SACRIOLLA
! l
u/1,-..t
9,1
"afr,En
i..iioi'i '.n,u '"dÉi jiu ror#-!?oN THE RHyrI{Ms'j,.-,AND TR.ADIT.IONíj ' '..
. . : . : a : . ' . . . _ , . , :
FOR MIXED CHORUS AND SOLOIST'S WITHPERCUSSION, GUITAR AND PIANO ORI{ARPSICHORD ACCOMPANIMENT.
. . i , '
i t
l . : . I. J
t l
SPAMSH AND ENGLISH TEXTS. . . . ' - . :; '
I r " : . . .; ' I ' , r . t , l . , . , - ' , : ' ' . - i . -
LAWSON-GOULD MUSIC PUBLISHERS tINC.. .NEwYoRK; G. sCriIRMEn,-rNclsörí l ...SELLING REPRESENTATIVE, NEW YORK.
*Bf,tf,r;i +:
MISACRIOLLA
FOLK MASS BASEDON THE RHYTHMSAND TRADITIONSOF HISPANICAMERICA.
BY,/
ARIEL RAMIRTZFOR MIXE,D CHORUS AND SOLOISTS WITHPERCUSSION, G{JITAR AND PIANO ORHARPSICHORD ACCOMPAN IMENT.
SPANISH AND E,NGLISH TEXTS
LAWSON-GOULD MUSIC PUBLISHERS,INC., NEW YORK; G. SCHIRMER, lNC., SOLE'SELLING RE,PRESE,NTATIVE, NEW YORK.
1L .
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- z . " . ! i sa Cr ioLLa, composed. - -nes i s o f poDU la r and I: , - h Amer i can f o I k mus i c ,' . r gen t i na .
FOREWORD
/Dy A r l e r Hamrne z
í t u r o i c a I s t v I e s .p a r t i c u l a r l y t h e
ín 1963 , ís aI t i s based on
rhy thms and me I od i es
- -= open ing Kyr ie i s ín the rhy thm o f the u idaLa-bagua la . Th i s- - . i c , charac te r i s t íc o f nor thern Argent i na , dep i c t s the fee l i ng
: ' l One l i n eSS One haS l i v i n c ' . ' \ n a d o co r t o r l h i g h p l a t e au . The}- ' -z . ta rhythm,
- ln"
"á"") , " t , i tá , ; . " ; i ]o . i . " ' the same area,
: - - evokes the sense of re joícÍng imp I i cí t in thís par t o f the- : sS . The two sec t íons o f t he GLo r i a a re Sepa ra ted by a r e c i t a t i ve. . : r auí ) wh i ch makes the cadence o f t he ca rnaua l i t o more b r í | | i an t
, , - en Í t r e tu rns w i t h a f u | | r hy thm i c a c companímen t .
-^e ch .a ceTeTa t runca , a f o I k t heme o f cen t r a l A rgen t ína , i s t he
: : s i s oÍ the C redo . l t s obses s i ve rhy thm accen tua te s t he p ro -. : S s i on o f f a í th and the sec t i on ends w i t h t he f i na I wo rds o f: . aye r wh i ch r ea f f i rms the t r i umph o f eve r Ia s t íng I i f e .
' - e o f t he mos t beau t í f u . | and UnuSUaI Bo I i v i an Ío Ik rhy thms ,-^ ,e ca r l naua l cochabanb ino , i s used f o r the Sanc tus . l t has a=* 'bdued bu t marked bea t . The Agnus Deí Ís wr i t t en i n a t ypÍca is ; y l e o f t he pampas ( e s t i l o pa rpeano ) . A s i n t he Ky r i e , a' ee l i ng o f so l i t ude and d i s t ance i s c r ea ted . A s imp l e r e c i t a t i ve:Y9 r e s seS the un i ve r sa l I ong Í ng f o r peace .
-n i s wo rk has won the unp receden ted adm i ra t i on o f t he c r i t i c s
a rd pub l i c o f A rgen t i na and o the r Sou th Amer i can coun t r i e s . l tl r oves t ha t i nd i genous mus i ca l f o rms can commun i ca te t he h i ghes t' , ' a l ues o f l i f e , and tha t t he r e l i g i ous a c t may be conveyed;h rough a popu I a r med i un o f exp res s íon .
l : . 51362
, n - . '
Ar i e I Ramírez was bo rn i n San ta Fe , A rgen t ína , i n 1921 . Hehas Spec i a I i z ed i n t he f o I k Io re o f hí s na tÍve coun t r y , and hasmade ex tens i ve s tud i e s o f i t s h i s t o r y and deve l opmen t . I n1950 he wen t t o Eu rope t o s tudy the f o l k l o r e o f Cen t r a l Eu ropea t t he Academy o f V i enna . He r e ceíved a f e | | owshíp t o t heIns t i t u t e o f H i span i c Cu I tu re ín |4ad r i d whe re he s tud i ed theo r i q i n s o f A roen t i ne mus i c .
l . he Span i sh I i t u rg i ca l t e x t oÍ I ' ( i s a Cz , i o LLa i s by A . Ca tena ,A . Mayo l and J . G . Segade ; t he Eng t i sh t ex t by Lou i se Dobbs ;Pad re Je sús Gab r i e I Segade made the cho ra l a r r anqemen t s .