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Composing with light and color
55

Photo Design-Light and Color-Chapter 4

Aug 20, 2015

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Page 1: Photo Design-Light and Color-Chapter 4

Composing with light and color

Page 2: Photo Design-Light and Color-Chapter 4

Chiaroscuro

• Chiaroscuro-attributed to the Italian painter Caravaggio– Literally means light/dark– Refers to the dramatic modeling of subjects in

painting by shafts of light illuminating dark scenes– It controls the sense of modeling in an image and

so it controls the 3d quality of the work

Page 3: Photo Design-Light and Color-Chapter 4
Page 4: Photo Design-Light and Color-Chapter 4
Page 5: Photo Design-Light and Color-Chapter 4

Chiaroscuro

• Chiaroscuro is a high contrast type of lighting

• Generally you are exposing for the highlights and allowing the shadows to go comparatively dark

Page 6: Photo Design-Light and Color-Chapter 4

Key

• Brightness can dictate the mood of the photo• When the image is dark, favoring shadow

tones, it is considered low key• When the image is brighter, it is considered

high key• It is difficult to show high key in color images• High key black and white can be luminous

and graphic, but high key color often looks washed out and underexposed

Page 7: Photo Design-Light and Color-Chapter 4

Original

Page 8: Photo Design-Light and Color-Chapter 4

High and Low key

Page 9: Photo Design-Light and Color-Chapter 4

Original scene

Page 10: Photo Design-Light and Color-Chapter 4

High and Low key

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Ambiguity

Page 15: Photo Design-Light and Color-Chapter 4

Caustics

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Reinforcing pattern

Page 19: Photo Design-Light and Color-Chapter 4

Color in Composition

• Hue, saturation, and brightness make up a color– Hue is the name of the color (blue, red…)– Saturation is the intensity of the hue– Brightness is determines how dark or light

the hue is

Page 20: Photo Design-Light and Color-Chapter 4
Page 21: Photo Design-Light and Color-Chapter 4

Color

• Primary colors are red, blue, and yellow– But this doesn’t correspond with our RGB for film

and digital images

• Red, blue and yellow refer to light reflecting off of paint from paper or canvas

• Our RGB refers to transmitted light• For our purposes we will use the painting

primaries

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Primary Colors

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RED

• Red is considered the strongest color

• It tends to advance toward the viewer

• It can be seen as vital, earthy, hot, passion, aggression, danger

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Red

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YELLOW

• Yellow is the brightest color

• It can be seen as vigorous, sharp, insistent, aggressive, cheerful

• It has obvious association with the sun and light sources

• Against a dark background it can seem to radiate light

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BLUE

• Blue recedes more than yellow

• Seems to be relatively dark, quiet, and cool, wet, airy

• Refers strongly to sky and water

Page 29: Photo Design-Light and Color-Chapter 4
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Secondary Colors

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GREEN

• The color of nature

• Suggest growth and progress

• Yellow-green is associated with spring and youth

• Green can also show decomposition and sickness

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VIOLET

• The illusive color

• Has connotations of mystery

• The similar color of purple has connotations of religion and regality

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Violet

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ORANGE

• Warm, strong, brilliant, powerful

• It is the color of sunset and fire

• Associated with celebration and heat

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Color Relationships

• Colors need to be treated in relationship to each other

• These relationships can evoke emotional reactions

• How colors ought to be paired is a question of the ages

• Harmony is a pleasing, acceptable relationship

Page 41: Photo Design-Light and Color-Chapter 4

HARMONY

• Complementary harmony – Hues from across each other on the color

wheel

• Harmony of Similarity– Hues from the same section of the color

wheel

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Orange-blue

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Pink-green

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Warm-cool

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Green-orange

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Red-green

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Color accent

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Color accent

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Muted Colors

• Strong colors are relatively rare in the natural world– They occur in isolated areas (flowers…)

• With digital photography we can manage saturation of our colors very easily

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Orientalist palette

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Muted color

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Mossy greens

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Metallics

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Interference colors

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Texture and form