Post·ModemQtIe5ondSpoces Edited by Sophie Watson and Ka therineGlb,on RI?V;ewed byGrnhame Shane by Philip Kasiniu. and Rm<Ilnp In Urban Theory. edited by Fai nst.in and Campbell. mark the arrival of a far more cricicalappreci.cion of the dl)'. Taken in conjunction with the recent arrival of Nan Hllin's romprehe.osivc Postmodcrn UrbanIsm. a summer reader faces a veritable iagara Falls of po t·modern critical analyses and anthologies. Within this larger field. fu$1·Mootrn CiliNond Spo,,,,dis'inguishes itseJfby carvingou. a h.ghly specIalized and valuable niell<. focus- ing on the concept of hetero.op,a. fle.ero.opias ought literally mean the plact'ofthcother.or 3 place of diffen:ncc. Anyone living 1Il Aner a period ofdrough •.• here i sa welcome flood of good .extbooks 1.0> Angeles js imOledLllely fumiliar with this form of urbanity .• be and readers on the post.modt'm city. This new literature Incarl» utopian fragment dominated by a pa,rticular rildd order. or else rates theories critical of the cozy. fl'cl good. look good fonnulas of seductive in its promise ofrrnnsgression or 'freedom" from codes. the 'C>Gllled (and singular)' ew Urbanism' of the 1980' • Urban Michel Foucault describ<>d the rigid utopian VIsion. like the prison. designers fi03l1y have a chance.o mov" beyond the profoundly anti· as the 'heterotop,a of compensation: where mIDat.s nc-.ded com· urban. enciave-obse!soo earlier ern. They have the chance to exam. pensalory discipline to keep order. Its lr.l.nsgrcssive opposite was inesome orthc larger i"ueswhich have alWlly5 signillcan Lly sh.ped .ilc ' hc •. cro.opi. orillusion: such as the stock marketonhe bordel· LhC!Lr t3'sks. issues such as race. eco nomics. class syst.ems. and prop- 10 (accele:r.uc:.od worlds or images and fetishism. cveryth. ing ertyownership. These iss ues always always .served as sub- was a commodity with 3. COIlSlll.lltlyshirting. markct..c:lrivc.n price). Sine<! the mid·198o·s. post·modern theorists hove expanded on this lext tOC!'Y'e.n the mosrsuccessful d tybeautification programs. fu$1·Moo<rn Cirl .. ond Spoct.S. Ctnt..,..nd Symbol oiOurTIm ... edited conrfnumonpagt1 U.S. POSTAGE PAID ES FORUM FOR ARCHITECTURE AND URBAN DESIGN LDSANGELES.CA PERMIT NO. 1041 .. ...,..., fo (ompilfTM'fl1 w..ukcd h" \ummrnelodlng JKDm' .... eYH might nwkeoll 10. t.bIe-. 11Hbt('erll.KkwltktMloIt1Cf Halrosttr.ed 8.It)' Prt'\,. 1981 1'tW!wtd In Ihl$ b\Ut!') Vbuor Dfspj4y: Cult",.1Jcyond ApptOT' ""' .. .... _"r· ... Iho_ol_ OiYidLNln.td. 1991 Mil 199;1 """,jl!llln Trafficking in Marginalia Forthis issue we compiled a reading list of suggestions from our friends and colleagues. As the titles came in, we noticed that the overwhelming majority bore no direct relation to conventional architectural discourse. It may be the summer, or it may just be that everyone blew their budget on S,M,L,XL.ln any event, we continue this sidesteppingof the mainstream and present reviews of books thatthemselves are disparate collections of essays on art theory, visuality and postmodern urbanism. Grahame Shane describes incursions made by alternate voices and views of the city in Postmodern Cities and Spaces, Joe Day argues for a broadening of architectural vision in a decade of pragmatism in his review of the Dia Art Foundation Discussion Series, while Kevin O'Brien poses alternatives to er udition in his review of Compulsive Beauty. Meanwhile, Tom Marble describes the materialization of a screenplay in the mind of a designer, while Arden Yang presents the architectural imaginings of a movie producer, In closing this issuewe remember the passing of a good friend. The newsletter has been redesigned, and we gratefully acknowledge the talents and generOSity of Richard Massey and Massive Design. -the editors
Trafficking in Marginalia by The Editors, Review: Post-Modern Cities and Spaces by Grahame Shane, Review: Vision and Visuality; Visual Display: Culture Beyond Appearances; Glass, Beyong the Looking Glass by Joe Day, The Architecture of Hollywood by Tom Marble, Features: King Residence, Los Angeles by Arden Yang; with Ricahrd Massey. Photos: Emily Wilson, Review: Compulsive Beauty by Kevin O'Brien, In Memoriam:FDI by John Dutton
This document is posted to help you gain knowledge. Please leave a comment to let me know what you think about it! Share it to your friends and learn new things together.
Transcript
Post·ModemQtIe5ondSpoces
Edited by Sophie Watson and KatherineGlb,on
RI?V;ewed byGrnhame Shane
by Philip Kasiniu. and Rm<Ilnp In Urban Theory. edited by Fainst.in
and Campbell . mark the arrival of a far more cricicalappreci.cion of the dl)'. Taken in conjunction with the recent arrival of Nan
Hllin's romprehe.osivc Postmodcrn UrbanIsm. a summer reader faces
a veritable iagara Falls of po t·modern critical analyses and
anthologies.
Within this larger field. fu$1·Mootrn CiliNond Spo,,,,dis'inguishes
itseJfby carvingou. a h.ghly specIalized and valuable niell<. focusing on the concept of hetero.op,a. fle.ero.opias ought literally
mean the plact'ofthcother.or 3 place of diffen:ncc. Anyone living 1Il
Aner a period ofdrough •.• here isa welcome flood of good .extbooks 1.0> Angeles js imOledLllely fumiliar with this form of urbanity .• be and readers on the post.modt'm city. This new literature Incarl» utopian fragment dominated by a pa,rticular rildd order. or else rates theories critical of the cozy. fl'cl good . look good fonnulas of seductive in its promise ofrrnnsgression or 'freedom" from codes. the 'C>Gllled (and singular)' ew Urbanism' of the 1980' • Urban Michel Foucault describ<>d the rigid utopian VIsion. like the prison .
designers fi03l1y have a chance.o mov" beyond the profoundly anti· as the 'heterotop,a of compensation: where mIDat.s nc-.ded com· urban. enciave-obse!soo earlier ern. They have the chance to exam. pensalory discipline to keep order. Its lr.l.nsgrcssive opposite was
inesome orthc larger i"ueswhich have alWlly5 signillcanLly sh.ped .ilc ' hc •. cro.opi. orillusion: such as the stock marketonhe bordel·
LhC!Lr t3'sks. issues such as race. economics. class syst.ems. and prop- 10 (accele:r.uc:.od worlds or images and fetishism. when~ cveryth.ing
ertyownership. These issues b3~ always ha~ always .served as sub- was a commodity with 3. COIlSlll.lltlyshirting. markct..c:lrivc.n price). Sine<! the mid·198o·s. post·modern theorists hove expanded on this
lext tOC!'Y'e.n the mosrsuccessful d tybeautification programs. fu$1·Moo<rn Cirl .. ond Spoct.S. Ctnt..,..nd Symbol oiOurTIm ... edited conrfnumonpagt1
Trafficking in Marginalia Forthis issue we compiled a reading list of suggestions from our friends and colleagues.
As the titles came in, we noticed that the overwhelming majority bore no direct relation
to conventional architectural discourse. It may be the summer, or it may just be that everyone
blew their budget on S,M,L,XL.ln any event, we continue this sidesteppingof the mainstream
and present reviews of books thatthemselves are disparate collections of essays on art theory,
visuality and postmodern urbanism. Grahame Shane describes incursions made by alternate
voices and views of the city in Postmodern Cities and Spaces, Joe Day argues for a broadening of architectural vision in a decade of pragmatism in his review of the Dia Art Foundation
Discussion Series, while Kevin O'Brien poses alternatives to erudition in his review of
Compulsive Beauty. Meanwhile, Tom Marble describes the materialization of a screenplay in the mind of
a designer, while Arden Yang presents the architectural imaginings of a movie producer,
In closing this issuewe remember the passing of a good friend. The newsletter has been redesigned, and we gratefully acknowledge the talents
and generOSity of Richard Massey and Massive Design.
.nd '''''''''01)'. >on'elim ... , .. chII'''' .nd romp"""'" ... ,no"",,,, in ,<nd"d f"" ho lo,,~ d ur., ,on
LA,', fort "",.1 i "" IIon'",nl u,,· lIot'" in J.>" ,,-.on', 'Po" 'mOO"m I>m OT Ih~ Cullm-;I Log,( 01'1"," Cop".",m·1 ''J34), Panon 'h,nk> ,h.,
there emerges the distinct impression that the images of diversity may indeed
be only a mask for a global restructuring of power in new concentrations "'.,"''' ""d Cibson faU",,' Ih" b ... "Ur> dL>pl;oy of ron<~p" .. 1 '"eh 'I"".' h.,,, n",,·b<'<"om. non".I.nd.", no lon~"l"d'SOT10n1"I'
':!:! Rmdmcr. Los Angrlrs ___ .,.,. __ .............
......... ---"',.,--'/
... Where the Eames House, however. diffi!rs from its nearest predecessors. the steel-framed buildings of Soriano. and also its possible sUCO$sors, the houses orKoe.nig. Craig Ellwood and others i n the Los Angeles area, is that its composition is wholly additive. with frame and cladding nOI separated, bUI working together, and that it possesses wil, a quality extremely rare in Architecture. Its wit is, of course. largely theresultoftheseeminglycasualjuxtapositionofdifferentelements.w
GI .... kyo<>dthelooklng "",,'d ~ ,h., ~'uaUy blind«l ~ph PI.,r.u.1I phy>i<>k>gut and Itu· d.n' 0I1.M ooxallN 'pot1'Jist'n« ofYi.ion: Pb'rau would st ....
.. almost ..... ry UClie for coIl.poing oI>jKl' and _1«Ig' inio di....,ly .. ,huun fo, houn. los' ind"",larcon,,,,,,platlOn. t"ocusC"d gnphic ..-p~n'.'ion, ,_ •• ,10" m .. ldng or ",uninl II U on1.Mh.llu"nog.ni<a["'""'~on.i.buming~,
mu<h .. i .. urin 'h ....... ..,-sa.i. ,h""pOI",,"orinf"'m.:>!ioo,
.... ~' ... Woll.n oxpWns in hi' Inlrod.U<llon .• P'" ",.ll I<"pa- W .. ,.m 'houghl .• nd '10 ... r- rollt-ctlon. bo1h <h.M ru ...... n' "', •• 110 •• ubjKl' of lob «>lIKlion front ,""'" of"',,, .... urii... .f1'Otu '0 O"'M""''' .nd d.morr;;I1i ... ,h. in .. rrourw_n i"" • • ""VIsII.1 di.play i, 'M Glh..,. "d. of ,ho IpKI""lo: tho lid. 01 .igl>' and <Qi1U'ion. "Th<>ugh Vi ..... 1 .. ud, .. brinl' ,h. ·0fJm:- '_
urn. ou,lln'" by """ ~d. and ", .. Ina Warn ....... P<"CIi .... ly. to though" _ on ,h. moJ>OCUI.'''' ........ /I,,,,, ... dt.,.nl1l "" .",101· ,,,", .;nls' ... <0111«1;" oI,h.Old W..,.nd S,,",nff"."t\'''Ulllf dis- 1OCl" .... with 111 ·.u.hori",M briogtng to onI ... ofYioion- and
.... .....:1 byllalph R~ ... .... U '" 'M mo'" .,.""",.1 and .,.rha.,. ' '''''''phys!a ofin1<1iority: To bo i. "' ....... accordi ... to 1.0<1:< . Ii~rmi"l puo;"lUcap,urtd in lho Mu .. um ofjuras.ieT«hnol· m .. n'lit .... ,1y to .... wilhi n ,ho",fficeo of .,ill«l .,...-. - ",h;lu./td
ogyandDonld Spoomi·.mu ...... n'i""'n'o.1. ~H.,.<Io., ,h.l ... L ""'* lmplicalion .... "",nlfold: no' only has
Sfnn"", or 'h .... roll"""0n0 iJa..rtn Wil lson ~.Io'. m" .... '" W"'n'n 'bough' ..... n ,,,",domo.1n 0101.10 pr!ViI,,#. bu, our und .....
Plateau would stare directly at the sun for hours, lost in circuiarcontemplation,
focused on the hallUcinogenic afterimage of his burning eyes. in Phibd.lphi •. HOII.<:II""of<OlIKl'on .... ..,;n. from I'ul.·.fi ... ,· 'tanding of,IIe In'ornal .i, .. ofhu"",n unduo .. ndinl ~ ,h.m· Io.nd po" ... i,. 01 ""'''''';<an ",""",u,iO<l:l'1 ","!WI. , ... idtnnk .. "'" ",I""""'" his pn>":l" <h.mb< ....... "'ilo much cultllr;ol <riti·
...."'pl .. of •• onany mam"",I ••• h . le«>uld ........... nd .... n .. 01 <bm .... b '" oe. h;,,<><y .nd rurr<1>. p...nlcn ,bl'Olll h Olio ... I ... loll family - cornpi<-.. wi, h adult li~n",," of''''' ooru and d.uS"" h<gomonie.,..-.. "" .... 1 stndJu confTonts Ih~ ... alily ,hat .... n our
.. r he""! 10 <I,itd_ inn .... l\«onIlng to Susan Sf ..... rt. ~.I~ modol' of """';Ving and in •• rp ... ,i ... our 'UnoundiDI' ~'D
p"" .11 "'111.>1. irhlghly onIorC"d ........ , bo,h • bun ofWuhin"on un~d.t.t 'od ........... nd II'nd""'''''I"ity . and. ·~n't.ln .. U~' Or.r.n Ou',",,~' a ... p ....... o,«I .. _Iu.""" Bu, 'M ",,,,,,,,,""""no i. no 10ng<'T 110 •• tal< oft"" an.1I pu<><
a'1 .. .-pp; ..... tonn. St ....... " <hart. ~.l.·. p!'OfI'nJ from ' h. turC"d""" cannot nval'M ,,111 ~ ... oIt"" nl...-n.h .nd ,,,", ,...,...,yolloolnshi. 0 ... , four<hild ... n 'hroughhl' roundingof,hr mo,;on camon. of ,ho ,...,o,i ... h cnuuri .. , 0>101" • .".,..mon'. 11m ....... ri<an mu..,um. ~al .... how "" ' ... ,,"i>rm«l hi. mt)um· !>;nocularoplia. .nd. "'.." of all. Inllnil~ ... produribih'y - a ll COft·
i ... and ",on,ory-krso in'o a comp .. h."" ..... oplimi<lic.FQ«' 01 .pi ... apin"'h.Srlddod.gil<lfd<aIl'''ro.... .... PIl<ltog .. phyand
Th. non.mu...,l""cal ronlrihu«>n '0 VD.ro pm:l"'ubly 1".,...,. "on. ~ llbo .... 1<d .h. imas< from il> fu:,ty - in 'p;I<r. tim •. and
un' ........ I"y of 110. camo", ob>cu", U • philosopltical tnO<l~l. ti'room.oIrK<"p'ionlnd,houSlIlwi,hinll •• humanorpnls",.
Sl.,,""n Ibnn .... ~. ln ,h. "I'<nl ... ....,. to<lm>mantld ... 'hr....... VII""I lind' .... body<riticiom and multirul,u ... l <leba" . h .... Ii,· d<rI:tI .......... orc..bin ... oICur\of.iu .... hot.1'O\l<inalt.man .... m...... ,I •. P\'O l))ci, pmKntpalion wi,h 'M d' .... rst'y ofhum. n '~l"'';' umhl.tori .. .!" IIInn·.estim.'ion .... 1igiou .. hrin .. had. farbmo<!· ,nn. ""ad ,hrough ,h. 'podl\ci,;" of human -mal1..,.: and th"h .,. .nd 1 • • Ii ... imi»«. whllr ~.1i ... many of''''' .. m. muJ.iQ- rojonionof«l'tyinl •• ",hi,,,,",uraIJy-doftn«l theorioool,ul;«tjyj.
l.o,ol;,,"'''oo>1 ion ... '''''tam....... ty.Could an::hil«ts' .... ""n' ... ' ..... inlo p...nieund p"""icalily ..... In 'h. political .... na.d .. plqand '.,....0<1. n"'1I"I'tgUJ.rIy. with no mt) .. ,un. rKognl,;"" ,loa' , boy can "0 Iongo'r hou .. nor
bo1h .u ......... I~ and ,,,,al;,,,i.n <"Oftk<IU<"nre. Ed ... nI 11111 offen .mbody,ho,hough,oI",h..-diforour>e{lCouId ,I>< .pa.m.ofan:Joj.
an .;umplo of-collKl«l' al 0pp0SC"d to roll",",;'" id.n,lty.' work l«tu ... l,hoondnglhrougl> 'ho ·"gll,I .. - and ourti.ulion on '10, .. in ,h. annuo.1 ri,u.ls 01 110. "' ..... , G"" -Indian'" /lfrica,,· ........ ,;. torict.m·.nd -d<'<"On"ru<1ion·durin.gth ..... )" .... -boJu .. ,Md, ..
<ans in '*'" Orl .. n. 'hat ... "mull. roI' of n." .... ...,...ric~n WM' riplin.·,lu. grasp,n,f", phiIDloOphical ... lo-vao""l rio ... !Dr each 1'"ar', f .. li .. l. Po,.,. Wolt.n.nd ~:nc S.m'n • • look. 1'kllh~r qu .. """ ~an t>t- .n ,wt"'1'C"d wilh • ,;mpI~ .f1Innall~ .... p<"<"ti .. ly. a' ,h.",ltu ... 1 p~lnd ... o .nd art,"""",h oINad c..... Whllo ,"" h.'roidwndolionoand endoourn 'h" .n::hiIKl"ral di ..
many_ Ludmilta jordan""a ,u"""Y' tI, .. many ' .... i" of di'play totIrw on ... prom;"'" philooopby and "'ho< IIold. p_ un"n· d~plO)'C"d in popular nlC"dical ilIu"""ion and publi.hing....,. ' M .bl".,,...,.,,.nd r"'l1",.nlSof,"""'monumentalCtnlStl""ll<"1J ... malB I .. , 'SO)'<:tn. ",hit.l.l .. canwnglu upd .... ,h ... gon""'ofbi<><iu,," '0 cornpli<a ... fro .... and ooxuionally bun ..... ,"" <Iai",. 01 pOI,.
u .... nt'uion.~al'n.ghowin .... i ..... gond ..... podf>C"d '""h1>OIog," "ruct""'1 ,hough,. (u ...... n, <leba,. wi,Ioln .",hI,,,,",u,..1 ,hoory
,hroulh 'howorkolDQugl", Trumbull. lIIe.,...'orof.nvi ..... n1.n· '.nla ........ wh ... ..."gl •• to .. Ull. COn\ .... ' from , ... "...,,,wi.h """'" .. 1.rr«1. fOr '00' ' 115I"""'"W)"StJ. 0<tIt EncIlIInk"rf . .'iI4rnrl and IlIAd< in<lud«l ,n UrDon Rnbloru (LA. Forum, -'lOCI\, 'W4J.1 b ...... In Ru .... 'm.n·. vi ....... M d)"!,amic. of,.n .. rrity1ns pa".,..... eon ... n, wilhin ,h.ir limitation.. noltl>c' Ih. n«>u'op,an.
"""ofJci·ftfilm.lib< ... ,rand "'Joca'.'h.bod.or' .... vi<wtr._n· nor 110. a.ivoca, .. of tho ...... 1)'<I>r H"riou.1y con'n' th. ",..,ns
ins ..... hn oI· .. n .. 'ion.ll....s _1«Igo.· By <011,,..". Su .. " of .... rron, O'1,I<aI ,hoory ,u, h ..... C<III"pC"d ,h.", both '0 ,h. BlKk-Mom' -""vtSionin.l capnal. PI:>lillcal Economy On Dupl.,.- a~nI •. Onr n...-d nOt._ .... ' ..... n ).I.in Sf. and I..a SI.-..I •
.. ", .... h"", ,10 .. 'd,,,,,,,,'1- of global """""mia .... m ..... lI.ou,· SoofEli •. ,h. """,m.n. or' .... 6nnanl<"n. 1Io.I'ngua3'" of.",hi·
njl;h, in .... n""" - an onfOlnX. IInIOnaI coo",,,,,,,,,,, In l....-brow ',"",u ... and ...,n .. mpo"'1 <T1tici.m ..... ,,11 comm;ng!«I. 'f nO' S"'ph"'dt"I'gJI 'hat .an I><" rflOCIlod '0 iIIu"" ... ' .... upr<m;o,cyof "". no,,,,,,, •. ",,,,,,,ing on ,h .. ...,mplo. bri~1I'" 1><, ..... " ,iI<' ... n
",1>,,,0"""0"' ."h< h)'I",'h,'''''''' m.m.~~· t><d , fn:"ud .md 8mon. ... "".I i,,,,', ><'(·"omin.",<1 b~ta]>h<-', h,,,t.J.n.d,, """ ... 1 fa",,· na,;,,1\ "'II" and di>t r,,,, of <.(h "'hor As ,II •• df·pro<].in",d .... i.,,· ,,>! of. n .... · hum.n,'m. rr..ud lOund 'h~ SUIT~.I'>1" «1.b .. I1lo" of
irM,o".h')' ,u'P''''' Th.· .ur"·.'",,. In lurn. d"nll ... -<I m.ll)· of 1 "'ud', ronciu»on. ,,, ... ,-,,'n,',' U>,,'~ f" ... d ", ."bJ'~· ' 10' ,hOlf
""" ",m. <>f 1")" """ n.IY>I'. a group of .u rn'.1 0>" t 0"'1""'-<1 • h. rd
Iy Ib".nn~ '""fI"'" a' I "'ud III "'hkll h. Mall"'. ·S' .... "" .. ;I mol.' .n~.g<;I ,n '",.1«" .lId I.ddl·'" 8,,,,,, un """"""n' .. rend, pi'y. ,h, .. u,re.l",.. 'poof of f rt'\ld i. In m.n)" " ")"> •• ,II u nu·
.nd ~'" It""""" of bY,I<I,,,,, ," L.}". and. li ke qu II •• few 01 """, "'" faYnd IJIU(h 01 , "", pr""" .... d~'ver<'d in h .nk', UC LA "udlO> Ind Lo, .. working", h,.off«r, S""(j.,,,, ,ibo<! hrr 1.1nt "'I h f ,.nk ~
.n -"",,: generou'ly d,.\YI"'I oul h"n.m,,", II w '''I,U N'y la ilTlOg'M! ,.0k.""ngin'iH'klt,he".'h"otf«.wilh\l ...... n. 8.>tb.o,.
'" """io.'KOIJntmgn ... -O· .. ·i.- in h;.<Iot-pb.",,,,,,, -howmU(h
'''' ""P':'" ~ Ih', """'9. he ""..nfy', 'h' lted. he Geu y f OIInd.l"", for ~ It ""I In ... , <01"-"<:, "'" OIl' of ",1>0>0 < ont." .• nd he ,h.",,,,,, ''''' pa"on. of l.A, ."h I '.,.;' ute lor I heI, < on ........... '" .. ,,~ .Ihe" 1"1",,, ,,, >uwor I W()!ld ."" "'l "lied <1'''<9'''''' 41 horne
",,,,,,,<,<!S.nd u'Nnj'I'inL"'Ang<'lr.~Io" mor"I""o.,oIIoog"".".,.".,h.n. ',U," on t h~Wt,",IC""'1 " ........ f'''''kw.- .~<'Ioq""1!1
de><g"". <am ,M led I'll", •• ", .rId. public ><Ivoc ate 011"" bu.1d,"9 .'1,",. < 'Iywuh more I""n ," ,"",. 01, he f"". ' 00 I"",of, he ... "and .• nd
.1""", """" of I"" 1.0", p", 'U , "'I."hlle< I UI~', both.n.t>< I r ><, d,,,,pI,,,,,.nd. 'M< prol ... .;on. f'" n~ boroughl ,It<> I "" .""''''''''''' '09'" h..,. ""-""1n\1y. f"IIodod'><lb-yed""'I '''9 .11 ,"""""",.nlhe~"'n •. IN,",ngo,,,,,,·,noN,.nd"""'e.~\"""mYh""I'I)U""".ughllhem '''''"",sibl,· '''''oIh,.f",ld .
I ... ~ (011 .. Shor,ridge Ar (h'I"<!S < .""" on ,,"h prot"<" und""" .... 'n' "" P ""f" P . Ii>Mli's. s..~ f< In< ," a .. 1d florid •. T Mnw,IW\e. f,.ok·Homl'-'~"", .• nd 1(.0",,1 ~<> .. h W{'f~"'i!hl .. ok""""lhe_cndhe p.I.<ed "" .....
It ",oo """'. f .. nk· "'''''''Ilh.rid g' "" ~ boI h ,,-,,,,,,rid; n I"" . ren.l<,< I Y'~, ><I""~, """"'" 19""""'\ ond ""'" h~ ""c. d ,hlOu'Ih 'hecol Y J.O,
+~m Chow. ~nleh.otl (dilor
joe~fdilot
"""""'KeY'lnO'Br1en
Paul Tang
R1c:h.o,d Mo.~OnIgnor -Mlng Fung Pno1oMrt1
-+submissions '"'" FotUm', gool t~rough jts pubiku",", program ~ to one"" •• dcb;ot~ within both the design .nd t.,oet commun~y by offHIng
'itkin WhKh cmiq ..... off ..... ",iyI.i>. exp<es, Opinion>. to<ou''''l'< dcb;ol~ •• nd '''''''''Y Inlonnotion of Import.""., "'9",ding the touHl tnvirorunenl.Wt;.", ... '""""veldng ~m""lI't.nd.rti<lI'pr"""",k.
for public.I"" in the ~'" Of for con>Hle<uion ~ part of our ongolngpubli<.tlon'P<"9r.m.lnquirin<..,be~.\ the following
luH&.tloyooS.mlmy + ::~:=~Mmm,(oord . .",... membership RkkConIni """'" o-.o.<*!..", Membership in the Forum is open to any )oe~ interested individual. Theannual fee entitles Jo/>nDutton
Stewnfluoty
R""GoIan ........... , I<ndrewu.ng PllMonon KeY!n O'1!rien JuIIeSlIU .... n
~TonyBI"
lull.BIoomfield PO<M!oBurton
frrclrrlckn-Mr f~""whry
( Iys<oGtln"f1n ~H."h
TomHI .....
Cr.lg Hocigt-tlS
Rkh,o,d KNtlng
8;l'tonMye<' MIc~Pln ••
MlckHIROIondl ..,"'" AnlhonyVldler
RkhMdW"nst"n
members to free adm i5510n to Forum events, to receive the Forum newsletter, and to receive Foru m publications as they come out, Please make checks payable to the los Angeles Forum for Architecture.
+t+ -+ thanks " .... "' .. 1 "'!'port for Forum projK" N1 ~ ""~ f,om tM N.t ;o".l E~t from the Art •. the Gr~~ foundation forlld·
•• ""od SI""~ '" the """ Art •• .on<! lhe Lo> MgeIn CounlV.nd ......
''''''';''9 "''' (ommi,,,,,,". n •• publiul"'" w"''''wo<lod in ~rt by theCullu,itlAff.i" o.p.". ",...,toflheCHVofto>At>gN •.