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editor sindhu nair
chief fashion correspondent debrina aliyah
senior correspondents abigail mathias
ezdhar ibrahim ali
rory coencorrespondent ola diab
photographer rob altamirano
senior art director venkat reddy
deputy art director hanan abu siam
assistant art director ayush indrajith
senior graphic designer maheshwar reddy b
senior manager marketing zulfikar jiffry
assistant managers - marketing chaturka karandana
thomas jose
senior media consultant hasan rekkab
marketing research & support executive kanwal baluch
senior accountant pratap chandran
sr. distribution executive bikram shrestha
distribution support arjun timilsina
bhimal rai
basantha.p
publisher and editorinchief yousuf jassem al darwish
chief executive sandeep sehgalexecutive vice president alpana roy
vice president ravi raman
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editiOn
EVENTS OF THE MONTH
COMING UP
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j.lOJust like
SAvE
VsSPLURGE
THE criSP cOOL Air
HAS HiT DOHA AND
WHiLE mOST Of USArE TEmPTED TO PULL
ON THE LEggiNgS
WiTH OvErSizED
SWEATErS, HErE
iS AN iDEA frOm
JENNifEr LOPEz TO
SPicE THiNgS UP.KEEP WArm WiTH
A LEATHEr JAcKET
fOr AN EvENiNg DO
WHErE yOU WiLL bE
mOSTLy iNDOOrS.
AND JAzz iT UP WiTH A
fEATHErED miNi SKirT.
JENNifEr LOPEzATTENDiNgcHANELS rUNWAy
SHOW AT PAriSfASHiON WEEK.SHES cArryiNgA SigNATUrEqUiLTED cHANELcLUTcH.
compiled by debrina aliyah
alice by temperleyleather jacket
- qr1850catherine
malandrino whitedress - qr2150
wide lapelcollar leatherjacket - qr595
feathered miniskirt - qr 175
two-waysling clutch - qr 95
pointy heels- qr150
moschinobag - qr 4750
all available from stradivarius
allavailablefroms
a
lams
tores
moschinopumps
- qr3895
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26 \ fASHiON
Lookingfor
MidasTHErE iS NOTHiNg mOrE
grATifyiNg THAN SOmE
OPULENcE TO rEvivE A
TirED WArDrObE. THE
TOUcH Of gOLD iS PErfEcT
fOr mATTE cOLOUr
OUTfiTS AND WOrKS LiKEA cHArm EvEryTimE yOU
NEED A cLASSy LOOK.
compiled by debrina aliyah
alexander mcqueen -metallic glossed-
leather cardholdersprice on request
erickson beamon for theoutnet - gold-tone crystal
ring for qr 740
erickson beamon for theoutnet - gold-tone crystal
earrings for qr651
esquivel - derby metallicleather brogues for qr960
iris & ink - shearlinggilet for qr1925
made - nyota
gold-tone ringset for qr148
michaelmichael kors- sequinedjersey wrapdress for qr456
7/30/2019 My works in GLAM January 2013 issue
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THErE iS NO bETTEr brAND TO rUN TO if yOU ArE
iN NEED Of A PicK-mE-UP. HOUSE Of HOLLANDS
LOUD AND bOLD PriNTS, NEON brigHT cOLOUrSAND A TOTAL mErry-mAKiNg vibE WHicH
ENcOmPASSES THE ALL LONDON cHic. THE brANDS
vivAciOUS PErSONALiTy iS rEfLEcTivE Of THE
DESigNErS LArgEr-THAN-LifE cHArm, A yOUNg
ENErgETic briTiSH LAD WHO firST cAPTUrED THE
ATTENTiON Of fASHiONiSTAS WOrLDWiDE WiTH
HiS cHEEKy STATEmENT TEES. henry hollandAmUSES US THiS iSSUE WiTH HiS STyLE POST
A cOLLEcTiON Of THiNgS THAT ArE rUNNiNg
THrOUgH HiS miND rigHT NOW.
by debrina aliyah
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InspirationRight now the rich colours o the leaves on the trees is a source oinspiration. Autumn is such a beautiul season in the UK, the changingo seasons is so charming.
Destination
Hong Kong is a wonderul city ull o rich culture. I love the speed atwhich everything moves there and the thirst or inormation.
Favourite ModelThere are so many models who I consider to epitomise the Houseo Holland brand. My best riend, Agyness has always been a greatsupport to me and is obviously an amazing model. More recently, wehave worked with Eliza Cummings, Iggy Azalea and I have done ashoot with Pixie Geldo or a British newspaper.
Trend ObsessionFor me, a skinny black jean will always be a wardrobe staple. I wearthem all the time because they work with everything. I like wearingone statement piece. A blazer, shirt or t-shirt and a black jean and agood pair o shoes always pulls the look together.
Kicking o the Design ProcessWhen I am thinking about my next collection, I am always inspiredby the women around me. Each person in my lie gives me creativeideas. My grandmother inspired my FW 11 collection - she was soglamourous and would never answer the door without her lipstick on.
The creation o a new collection is always an exciting process. Thereare so many people involved rom conception to completion and whenwe see the complete collection coming together, it is a real buzz.
Favourite Items rom Current CollectionsFrom A/W, the zig-zag oversized coat was probably my avourite pieceand my avourite look rom S/S13, is the tie-dye shirt with printedleather mini-skirt.
The Perect MuseI dont think there needs to be one speciic muse. I would like to seeanyone who appreciates my collection wearing the pieces.
What is the one thing you would like to see women wearing this all?House o Holland o course!
A collection of things that arerunning through his mind right now.
STyLE POST /35
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ALEGACY
CALLEDHARRODS
iT WAS ONcE A cHArmiNg NEigHbOUrHOOD
grOcEry STOrE. TODAy iT iS ONE Of THE
mOST DiSTiNgUiSHED gLObAL brAND NAmES
iNTErTWiNED WiTH THE HiSTOry Of LONDON ciTy.
by debrina aliyah
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the famous brompton roadterracotta facade
designed by c.w. stephens.
HEriTAgE /43
was once a charming and quaint neighbourhood grocerystore, simply named Harrod & Co. Grocers, supplying the
local community with resh produce and tea. Today, it isone o the most distinguished global brand names, be-coming an iconic institution that is synonymous and in-tertwined with the history o London city. But much morethan just a store, Harrods is the keeper o a thousand sto-ries curated by its various illustrious owners, and the cus-tomers who continue to live the legacy.
The story is almost airy tale-like. The humble beginningso one man has spanned into a global conglomerate inthe colossal time rame o nearly two centuries. Step into
Harrods today, and there will be no less tourists happilyclicking away on their cameras to capture their visits to thestore, or earnestly buying momentos to bring home. Theold-world charm o the original grocer has de initely livedon, the ounding ather himsel Charles Henry Harrodi
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all images are courtesy of harrods. follow the officialharrods pinterest account to learn more about theirhistorical journey.
the china room the french room
would be a smiling man were he alive today to see theestivities.
Ater various grocer and tea ventures, Harrods son,Charles Digby Harrod, inally settled into a single room in
the district o Brompton, wherehe began building the legacy.The single room soon expandedto include adjoining buildings,orming the building where themodern day departmental storeis located. Harrod specialisedin a retail operation tradingmedicines, perumes, reshproduce and stationery. Evenwith a major setback when thestore was blazed by a ire in 1883,the determined man quickly gotback onto his eet to revive the
business. It was a smart businessstrategy that played to the heartso his customers, ulilling hisChristmas orders despite thetragedy that beell the store.The successul venture turned arecord proit and a new structuresoon came into place on thesame site. Harrods thrived andthe store became a avourite
with many legendary namesincluding Charlie Chaplin,
Oscar Wilde, Sigmund Freud, Gertrude Lawrence andEllen Terry - all whom have lent their sparks to the historyo Harrods.
In 1889, Charles Digby Harrod retired and the companyshares was loated on the London Stock Exchange. Britishdepartment store holding company House o Fraser thenbought Harrods in 1959. In 1985, the Fayed brotherscame into possession o Harrods ater purchasing Houseo Fraser. Harrods was always in the media spotlightthereater because o the Fayed brothers and their personalendeavours.
The modernday store occupies a 5-acre site and hasover one million square eet o selling space making it thebiggest department store in Europe. In the rise o the age oconsumerism, Harrods attained cult status especially orsome stellar departments including the Food Hall and thespecial Christmas department. The entire store is madeup o 330 departments and truly embodies the meaning oall under one roo.
The French Room and the International Designers Room
The French Room was opened in the 1950s, as a showcaseor haute couture, an elegant and classy room dedicated tothe artistic works o the ashion designers rom the era. TheFrench Room today has expanded to the whole o Harrodsirst loor and is dedicated to designer womenswear. Anew International Designers Room has also been addedrecently to include a repertoire o exciting designers romall over the world including the Middle East. This move isa nod to the unmistakable inluence o ashion and designin contemporary retail. As Harrods is registered with
the English Heritage as a 19th century historical site, alladditions and renovations are meticulously undertakento both preserve the historical value o the space and tointroduce modern inluences.
The modern daystore occupies
a five-acre siteand has over one
million square
feet of sellingspace makingit the biggest
department storein Europe.
4
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HEriTAgE /45
the newly added retailconcept with a focuson qatar, in-q is aventure by qma
The Qatar LinkHarrods is currently owned by Qatar Holding, theinvestment arm o the State o Qatar and the spirit oHarrods motto Omnia Omnibus Ubique - All Thingsor All People Everywhere lives on. Since taking overin 2010, Qatar Holding has introduced a multitude oinnovations to the department store, bringing in moreinternational colours and lavours to project a truly globalessence. Reurbishments to many departments wereundertaken including the Beauty Apothecary, Tom Fordboutique, Berluti boutique, Manolo Blahnik boutique,The Mens Shoe Salon, Luxury Accessory Rooms,Designer Accessory Rooms, The Fine Watch Room, andThe Gourmet Cookshop. The new direction also openedup opportunities or many new Middle Eastern ashiondesigners and brands to showcase their talent to theirworld, including Qatars very own label Toujouri. QatarHolding has also announced plans to open Harrods in
China and introduction o Harrods Hotel, the irst one tobe launched in Kuala Lumpur, Malaysia.The Qatar Museums Authority (QMA) also introduced
a new innovative store in Harrods, In-Q , a retail conceptthat oers a unique insight into the diverse culture, arts,and crats o Qatar. The store provides a comprehensiveexperience, where traditional arts and crats, books,Islamic clothes, jewellery, and merchandise rom Qatarsworld-class museums will be on show and available orpurchase.
Interesting Facts about Harrods
1 Harrods was the irst building in Europe and England tointroduce the modern day escalator, then simply knownas the moving staircase. It was launched on 16 Novem-
ber 1989, and was a device that resembled a conveyorbelt made o leather, mahogany and glass.
2 The world-amous Christian the Lion, who capturedhearts worldwide in a touching story o unbreakablebond between the animal and its human owners, wasoriginally kept in Harrods. Harrods bought the cub to bedisplayed in the store beore sell-ing it o to John Rendall and AceBourke.
3 Winnie The Pooh, the amous ic-tional bear character, was actuallyinspired by the Harrods Bear. In1921, A.A. Milne bought the Har-rods bear or his son who namedit Winnie The Pooh. A.A. Milnethen went on to write the wildlysuccessul children series WinnieThe Pooh.
4
A replica o the Charles Harrodsoriginal little Victorian shop wasbuilt in the store to celebrate itsirst centennial in 1949 and canstill be viewed on the groundloor.
5 Other than the globally rec-ognised department store, Har-rods group o companies includean interesting portolio o busi-
ness. Air Harrods oers VIP helicopter charter andmanagement services; Harrods Aviation oers aircrathandling services; Harrods Estates specialises in sales,leasing, management and acquisitions o properties,and Harrods Bank is the inancial arm o the group.
The QatarMuseumsAuthority alsointroduced anew innovativestore inHarrods,
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by debrina aliyah
sbfashiOn
mANy A TimES WE fiND OUrSELvES DiScArDiNg
gArmENTS WE HAvE bArELy WOrN WiTHOUT giviNg iT
A SEcOND THOUgHT iN PUrSUE Of THE NExT iT THiNg.
fOcUS / 49
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fOcUS /49
yoursel into the world o style and trends, too many a times we ind ourselves discardinggarments we have barely worn without giving it a second thought in pursuit o the nextIT thing.The ast ashion phenomenon is one that we are all amiliar with delighted atacquiring new pieces at bargain prices and easily orgotten just because it was cheapand easily available. While we celebrate the accessibility and convenience o the mass,it is undeniable that it has resulted in many trade and ethical issues rom actory workerwages to copyright inringement. Taking time out to truly embrace the process o
creation with a compassionate perspective may be considered an idealist view in theindustry, but designer Sarah Elenany is ready to plough through with her steadastbelies and creative ammo.
Based in London, the ounder o thr eponymous label Elenany, strikes down allstereotypes one might have o a Muslim woman in a hijab. With a charming andeervescent personality combined with the edge o the London street ashion hype,Sarah produces collections that are quirky yet classic - designs that immediately strikea chord with the ashion set. Capes, wide-legged pants, and high collars brings about avision o a designer set in the uture, and yet, retaining the most important element thathas been unconsciously and subtly incorporated, modesty. Modesty, not only in design
but in the production process also, where Sarah takes a irm stand on sustainable andethical clothing.
Tell us more about your interesting philosophy in design.My design philosophy is about designing original, beautiul clothing that will have
iMMersinG
50 \ fOcUS
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a long lie span both stylistically and unctionally. It isdriven by two actors, sustainability and value. Firstly, theproblem with ast ashion is that while the customer getsa great price or what they are buying - it also means thatthe cost o production or these garments is extremely low.This means that the people who make the clothes get paidalmost next to nothing. Fast ashion works on the premiseo low-quality clothing with a short lie span because it willbe soon replaced by a new trend. So, as well as perpetuatingunethical labour costs, it also encourages a lot o materialusage to sustain the constant demand o new styles.
Secondly, my design philosophy is driven rom a val-ue-or-customer perspective.When I was 17, I bought agreat coat by Michiko Koshi-
no and I wore it every winteror the next 5 years (I stillhave it and still wear it oc-casionally). The quality othe design was so good thatit was a timeless originalincomparison to something in-trend I had bought previous-ly and could only wear or aew months until it went out
o ashion. Being a customero ashion, I appreciated thismassively and wanted mycustomers to eel the sameappreciation or my prod-ucts. Hence the emphasis ison designing original piecesthat are made to last.
Do you ind it diicult in termso production, manuacturingand inding supportinrastructure that is in line
with your sustainable philosophy? What about costs?The great thing about getting the clothes made locallyin London is that there are lots o CMT (Cut Make Trim)actories set up in London that can make what you need,regardless o quantities. However, it does increase costsand drives down proits but maintaining this philosophy is
important to me and I eel it is the right thing to do.
Where do you draw inspirations rom in your design process?How much o your heritage inluences your work?My heritage plays a massive part in inluencing my work.
When I started the brand it was graphic-based with lots oprints and themes inspired by Palestine. The prints werevery angular too this was a nod to geometric Islamicart which I love and that which was sparked by a trip toMorocco where Islamic art is used everywhere. Althoughthe brand is not so graphic-based now, the silhouettes othe clothing remain bold and strong, as a continuation othe brands origins.
I also have other inluences I am a big an o sci-i,cartoons and most o all, Japan. Not consciously, its justthat when I thought about it, a lot o the things I like comerom Japan. Sometimes I create more tailored versionso what some o my avourite Japanese characters wear!Having said that, Ive noticed that Yohji Yamamoto alsodoes this taking traditional Japanese styles and detailing
like samurai trousers and then giving them an edgy twist.I also love how un Tokyo street style is how they mixup traditional Japanese and western styles that create aunique and un look.
How do you eel more women in hijab can be empoweredand encouraged to enter the world o ashion that is usuallyconsidered vivacious?I think its mainly the marketing side o the ashionindustry that might put o hijabi women, but there are
many areas that hijabi women can partake in ashion andstay true to their belies. For example hijabis can specialisein outerwear design or textile design or print design oraccessories design the actual practical product elemento the industry rather than the very sexualised marketingside, which I must admit, makes me uncomortable attimes.
What have been some memorable times and diicult times
that you have had in your journey so ar as a ashion designer?One o the most memorable times was when I was short-listed or Young Fashion Entrepreneur o the Year in 2010,or the innovative nature o my brand, which meant I got todo a tour o the Indonesian ashion industry.
There have been lots o diicult times, particularly withthe entrepreneurial element o running your own label.I very much consider mysel a designer and being anentrepreneur is something that I have had to work reallyhard at, but it has made me a better person proessionally
and personally.
elenanys collection is available online athttp://www.elenany.co.uk/
50 \ fOcUS
My designphilosophy is
about designingoriginal,
beautifulclothing that
will have a longlife span both
stylistically and
functionally.
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lisa
mareescollecti
on
isavailable
onlineatnet-a-porte
rand
asos.
cOpiA FAshiOn dAyslisa maree is one of many designers representedby copia fashion days, a new pop-up concept tointroduce new exciting designers to the middleeast region. initiated by dubai-based copiagroup, the pop-up showroom took its band ofdesigners to the recent paris fashion week toshowcase their ss13 collections. the group ofdesigners come from a diverse range ofbackground and design influences - coveringthe full range of fashion offerings fromapparels to accessories. among the designerswho showed at the paris showroom were rutherotikritou, lumete, shana london, miriamsalat, marena y sol, gr in by anne gedeon, an dcolin heaney.
blood orangedress by temperleylondon - qr 4495
blood orangedress by temperleylondon - qr 4495
fASHiON / 53
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fASHiON /53
nature
is theMuse
he designer brings together an unusualpairing, the crochet technique in swimwear,earning her the title Queen o Crochetin the industry. Her collection has now
expanded to include resort ready-to-wearpieces and is a rm avourite with celebritiesworldwide including Rihanna, KourtneyKardashian and Vanessa Hudgens. LisaMaree presented her Spring Summer 2 013collection in Paris Fashion Week with CopiaFashion Days and GLAM caught up with the
beautiul designer or a quick chat.
Tell us the creation process behind your collection. Does the beach liestyle
o Australia play a part in inuencing your designs?The beach and gorgeous sunsets over the ocean in this part o theworld are phenomenal, and just simply being there, being a part othe wonder o mother nature is special, and o course inspiring, itenables me to take snippets o the gorgeous views and bring in that
vibe throughout my work.
How has your journey been as a designer breaking into in ternationalmarkets? Is it dicult that you have to reverse your collection process
due to diference in seasons?I launched internationally at Miami Swim Show two years ago, thelaunch was a complete success and was the catalyst or Net-a-Porterpicking up Lisa Maree, being the rst brand to be stocked by Net-a-Porter on its launch within the USA. The reverse seasons work wellor me, we fow rom one continent to another all year round whichmakes it a smooth and fuid process.
Australian designers have long been regarded as designers with an extracool quotient. How do you think the Australian ashion edge is diferent
rom the rest o the world?I know that Australians tend to be less conservative with our ashionsense - we are more inclined to try new things and think outside thebox. This fows through into a designers collection and gives us theedge that is refected in Australian ashion.
SWimWEAr iS ONE Of THE TricKiEST DESigN
PrOcESSES iN THE iNDUSTry, bUT AUSTrALiAN mODEL
TUrNED fASHiON DESigNEr LiSA mArEE HAS HiT HOmE
rUN iN cAPTUriNg THE NicHE WiTH cOLLEcTiONS
AfTEr cOLLEcTiONS Of UNiqUE PiEcES THAT WEWiSH iT WAS SUmmEr ALL-yEAr rOUND.
t
by debrina aliyah
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takeCOvERfOr A briEf mOmENT, WE TAKE A
brEAK frOm THE HArSH DESErT
SUN Of DOHA AND WELcOmE
THE cOLD WiNDS. DO NOT briNg
OUT yOUr grANNy SWEATEr
JUST yET, WE PrESENT THE
LATEST cOATS AND JAcKETS TO
mAKE SUrE yOU STAy STyLiSH
AND WArm.
fashion editor: carla mallariphotographer: rob altamirano
make up: debi mendezhair: jean louis david
models: maila torres and isabel rua of trinity talent qatarstyling assistant: zara otho
concept: debrina aliyahlocation: st regis doha
all multi-brand apparel available at salam stores
fASHiON / 59
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fASHiON /59
dress (balmain)jacket (elie tahari)
coat (donna karan)
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shoes (brian atwood)
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jacket (preen)jumpsuit (donna karan)
skirt and coat(prabal gurung)
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(prabal gurung)shirt (preen)
fASHiON /63
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top & skirt (moschino)skirt (elie tahari)
shoes (etro)
coat (givenchy)dress (catherinemalandrino)
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malandrino)
STyLE PrOfiLE /65
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1persOnAL styLem . i . i . i . i . o i 100%, i !
2tOte by LOve MOschinOt
i . t !
3bArOque cLutch by MAnGOi . i
.
4red puMps by d&Gi d&g ! t .
t .
5cOLOured scArvesi t
. i .
6FAtiMAs hAnd pendAntt . i
!
7textured WrAp rinG by hOuse OF hArLOWi . a i . t .
A LONg-TimE rESiDENT Of qATAr,
cHANTAL mOSSESS WAS A grADUATE iN
fASHiON DESigN AND HAS DAbbLED iN
vAriOUS vENTUrES bEfOrE fiNDiNg HErcrEATivE THUmb iN fiLm PrODUcTiON.
THE ArmENiAN bEAUTy LETS US TAKE A
PEEK iNTO HEr STyLE fiNDS.
FOLLOW YOUR
PERSONAL
stylesenior produce r at studio adabisc
compiled by debrina aliyah
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bEAUTy /79
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FOrever yOunGhelena rubinsteinprodigy tiss serum 40ml
ysl forever youthliberatorlancome serumantiridesguerlain abeille royalerangeguerlain super aquaserum(all available at salamstores)
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FAncy benedictmake up foreverpaillettes glitters
AFternOOn teA
eyelashes by inglot andjoyme sticker eyelinerson grapefruitm.a.c viva glam 3 mattelipstick stainm.a.c prolong wear spf 10foundation overspillm.a.c brushes 190, 187, 191.
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dOWntiMebubble bath colouredby m.a.c pigmentcolour powder
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edibLe inKm.a.c vegas volt
m.a.c lady bugm.a.c girl about town
m.a.c russian redm.a.c ravishing
loreal double wear redchanel coco rouge
gabrielle
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artEXPLORED
THE cULmiNATiON Of bEAUTy,
mAKEUP AND PHOTOgrAPHy
by debrina aliyah
cArOLine: my inspiration was betweenthe sophistication of a geisha andmarilyn monroes retro style. i wantedthe result to be sophisticated, pure and alittle bit romantic with the pink colour. ihad the idea of soda cans for theanecdotal side of the image.
rAnKin: i really believe in beauty beingcompletely subjective. it is a fact of lifethat we are now surrounded by images ofwhat brands, magazines and fashioneditors think beauty is or should be. butto me somebody with a great laugh an dsparkling eyes is still more attractive tome than a stick thin 15 year old whodoesnt want to be there and in allhonesty - shouldnt h ave to be!
fASHiON /85
cArOLine: my inspiration wasthe veil and how to rec reate thetransparency of a thin material suchas lace or fishnet wi th make up. dotsseemed to me, modern and interesting
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from an optical point of view, whileleaving a bit of mystery to the face bythe illusion of tran sparency.
crOSSiNg bOUNDAriESAND brEAKiNg
cONvENTiONAL
cONcEPTiONS Of bEAUTy,two maestros from their respective professions come together to
create visions of magnifice nt aesthetics. visually enticing, the result is
one that draws the audienc e into a fantasy world where the lines ofprevailing fashion, style and beauty are blurred. documented into a
beauty book, the collaboration between photographer rankin and make-up artist caroline saulnier is part of a three-series artistry book whererankin captures the best out of individual artists. in caroline saulniers
edition, she explores the unique and the imperfections in her models -playing with the concept of light and darkness to portray her own
definitions of beauty. glam selects snippets of the work of art from thebook and discusses inspirations and thoughts with the two artists.
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cArOLine: the theme ofthe skull has inspired alot of fashion andjewellery designers. thisgave me the idea to fo llowthis trend with swarovskifor a luxurious touch incontrast with the trashyatmosphere
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cArOLine: the idea wasto work on movementaround the eyes assprawling lashes. i chosefeathers for theirlightness with a slightbreath of air and thecolour red for a moredramatic touch.
working on the project, rankins role was tophotograph and capture the emotions andconcepts that caroline wanted to exud e. ipretty much give caroline free-reign overthe project. the concepts and researchbehind the shoots are all hers. she wouldshare her ideas with me and i worked with herto bring out the right mood in the image, andof course to light it beautif ully, rankinsays. carolines 25 years of experience ineditorial and commercial campaigns hasgiven her an in-depth understanding of thefield. beauty in todays world of fashion is areal added value. you can see it very well inmagazines and on catwalks. cosmeticsbrands compete to offer collections asdesigners do. they are innovative in bothcolours and textures. beauty has become anaccessory to complete a silhouette andassert a persona lity, she says.