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Musical Instruments and Sound Simple Harmonic Motion Envelope of sound NIHL report AUD202 Audio and Acoustics Theory
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Musical Instruments and Sound Simple Harmonic Motion Envelope of sound NIHL report AUD202 Audio and Acoustics Theory.

Dec 16, 2015

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Page 1: Musical Instruments and Sound Simple Harmonic Motion Envelope of sound NIHL report AUD202 Audio and Acoustics Theory.

Musical Instruments and SoundSimple Harmonic Motion

Envelope of soundNIHL report

AUD202Audio and Acoustics Theory

Page 2: Musical Instruments and Sound Simple Harmonic Motion Envelope of sound NIHL report AUD202 Audio and Acoustics Theory.

Last Week >

Wave Interaction / Phase ConceptsBeat Frequencies / Comb Filtering

Harmonics and Overtones

Page 3: Musical Instruments and Sound Simple Harmonic Motion Envelope of sound NIHL report AUD202 Audio and Acoustics Theory.

Upcoming Events

32 Days - NIHL Report

53 Days - Sound Observations Report

63 Days - Exam

Page 4: Musical Instruments and Sound Simple Harmonic Motion Envelope of sound NIHL report AUD202 Audio and Acoustics Theory.

COMB FILTERING

Page 5: Musical Instruments and Sound Simple Harmonic Motion Envelope of sound NIHL report AUD202 Audio and Acoustics Theory.

Comb filtering is caused by a wave combining with a delayed version of itself

Page 6: Musical Instruments and Sound Simple Harmonic Motion Envelope of sound NIHL report AUD202 Audio and Acoustics Theory.

Comb Filtering

A wave delayed by 180 degrees (half a

wavelength) results in the fundamental frequency of cancellation.

Frequencies delayed by 1.5x, 2.5x, 3.5x the wavelength will cancel, while whole number multiples (1, 2, 3 etc) will reinforce.

Page 7: Musical Instruments and Sound Simple Harmonic Motion Envelope of sound NIHL report AUD202 Audio and Acoustics Theory.

Comb Filtering

A wave delayed by half a wavelength results in the fundamental frequency of cancellation

Page 8: Musical Instruments and Sound Simple Harmonic Motion Envelope of sound NIHL report AUD202 Audio and Acoustics Theory.

Single signal, no comb filter issues

Page 9: Musical Instruments and Sound Simple Harmonic Motion Envelope of sound NIHL report AUD202 Audio and Acoustics Theory.

1ms delayed version of the signal added

Page 10: Musical Instruments and Sound Simple Harmonic Motion Envelope of sound NIHL report AUD202 Audio and Acoustics Theory.
Page 11: Musical Instruments and Sound Simple Harmonic Motion Envelope of sound NIHL report AUD202 Audio and Acoustics Theory.
Page 12: Musical Instruments and Sound Simple Harmonic Motion Envelope of sound NIHL report AUD202 Audio and Acoustics Theory.

Comb Filtering

Common causes of comb filtering:

1.Two microphones at different distances from the same source.

2.Reflective nearby surface causing a reflected sound to arrive at the microphone slightly after the direct sound.

3.Two identical sounds in a DAW with a 1 to 10ms delay

Page 13: Musical Instruments and Sound Simple Harmonic Motion Envelope of sound NIHL report AUD202 Audio and Acoustics Theory.

Comb Filtering Question

If one mic is positioned 2 metres from a sound source and another mic is 3.5 metres from a sound source, what will be the fundamental frequency of cancellation if they are combined?

Page 14: Musical Instruments and Sound Simple Harmonic Motion Envelope of sound NIHL report AUD202 Audio and Acoustics Theory.

WHITE NOISE & PINK NOISE

Page 15: Musical Instruments and Sound Simple Harmonic Motion Envelope of sound NIHL report AUD202 Audio and Acoustics Theory.

Noise

White noise: Equal energy per frequency

Pink noise: Equal energy per octave

Pink noise is simply White noise with a ‘pinking filter’ added (-3dB/octave roll off)

Page 16: Musical Instruments and Sound Simple Harmonic Motion Envelope of sound NIHL report AUD202 Audio and Acoustics Theory.
Page 17: Musical Instruments and Sound Simple Harmonic Motion Envelope of sound NIHL report AUD202 Audio and Acoustics Theory.

ENVELOPE OF SOUND

Page 18: Musical Instruments and Sound Simple Harmonic Motion Envelope of sound NIHL report AUD202 Audio and Acoustics Theory.
Page 19: Musical Instruments and Sound Simple Harmonic Motion Envelope of sound NIHL report AUD202 Audio and Acoustics Theory.

ADSR (Attack, Decay, Sustain, Release)

Page 20: Musical Instruments and Sound Simple Harmonic Motion Envelope of sound NIHL report AUD202 Audio and Acoustics Theory.

ADSR (Attack, Decay, Sustain, Release)

Attack initial run up of levelDecay decay in the signal directly after the attackSustain level during the main sequenceRelease how quickly the sound fades

Page 21: Musical Instruments and Sound Simple Harmonic Motion Envelope of sound NIHL report AUD202 Audio and Acoustics Theory.
Page 22: Musical Instruments and Sound Simple Harmonic Motion Envelope of sound NIHL report AUD202 Audio and Acoustics Theory.

Resonant Frequencies

A resonant frequency is a natural frequency of vibration determined by the physical parameters of the vibrating object

Resonant frequencies of a body are frequencies at which energy is most efficiently converted to physical displacement

Page 23: Musical Instruments and Sound Simple Harmonic Motion Envelope of sound NIHL report AUD202 Audio and Acoustics Theory.

Resonant Frequencies

1. It is easy to get an object to vibrate at its resonant frequencies, hard to get it to vibrate at other frequencies.

2. A vibrating object will pick out its resonant frequencies from a complex excitation and vibrate at those frequencies, essentially "filtering out" other frequencies present in the excitation

3. Most vibrating objects have multiple resonant frequencies.

Page 24: Musical Instruments and Sound Simple Harmonic Motion Envelope of sound NIHL report AUD202 Audio and Acoustics Theory.

Standing waves in Musical instruments

Page 25: Musical Instruments and Sound Simple Harmonic Motion Envelope of sound NIHL report AUD202 Audio and Acoustics Theory.
Page 26: Musical Instruments and Sound Simple Harmonic Motion Envelope of sound NIHL report AUD202 Audio and Acoustics Theory.

Two sine waves travelling in opposite directions can result in a

standing wave

Page 27: Musical Instruments and Sound Simple Harmonic Motion Envelope of sound NIHL report AUD202 Audio and Acoustics Theory.
Page 28: Musical Instruments and Sound Simple Harmonic Motion Envelope of sound NIHL report AUD202 Audio and Acoustics Theory.

Different instruments employ different methods to create pitches

•String instruments use strings•Wind instruments use a vibrating column of air•Percussion instruments use methods such as bars, membranes and plates

Page 29: Musical Instruments and Sound Simple Harmonic Motion Envelope of sound NIHL report AUD202 Audio and Acoustics Theory.

Classes of Instruments

Stringed InstrumentsWind Instruments

Percussion Instruments

Page 30: Musical Instruments and Sound Simple Harmonic Motion Envelope of sound NIHL report AUD202 Audio and Acoustics Theory.

Standing Wave in Stringed Instruments

Include: violin, cello, guitar, bass etc

The standing wave constraint of string instruments is that at each end of the medium there must be a node.

They can produce a fundamental and all odd and even harmonics

Page 31: Musical Instruments and Sound Simple Harmonic Motion Envelope of sound NIHL report AUD202 Audio and Acoustics Theory.

Stringed Instruments

• The bridge lifts the strings so they can vibrate with the air as well as amplifying the strings

• The soundboard radiates with the strings helping to amplify the sound

Page 32: Musical Instruments and Sound Simple Harmonic Motion Envelope of sound NIHL report AUD202 Audio and Acoustics Theory.

Wind Instruments

Wind instruments include brass and woodwind families (categorised by the type of reed used)

Brass: trumpet, trombone, french horn, tuba, didgeridoo. Uses Lip Reeds.

Woodwind: flute, recorder, saxophone, oboe, clarinet, bassoon. Uses either Mechanical or Air Reeds.

Page 33: Musical Instruments and Sound Simple Harmonic Motion Envelope of sound NIHL report AUD202 Audio and Acoustics Theory.

Wind Instruments

Lip Reed (brass) instruments vibrate under the influence of the air flow.

Mechanical Reed (woodwind) instruments have a flexible reed or reeds at the mouthpiece, forming a pressure-controlled valve

For Air Reed (woodwind) instruments such as the flute, the flow of air over the mouth of the instrument forms a flow-controlled valve.

Page 34: Musical Instruments and Sound Simple Harmonic Motion Envelope of sound NIHL report AUD202 Audio and Acoustics Theory.

Percussion Instruments

Bars (xylophone, glockenspiel, triangle)

Membranes (drums)

Plates (cymbals)

Page 35: Musical Instruments and Sound Simple Harmonic Motion Envelope of sound NIHL report AUD202 Audio and Acoustics Theory.

Speed Writing Exercise

List ANYTHING that might cause NIHL

List occupations where NIHL might be a problem

List ways to avoid NIHL

Page 36: Musical Instruments and Sound Simple Harmonic Motion Envelope of sound NIHL report AUD202 Audio and Acoustics Theory.
Page 37: Musical Instruments and Sound Simple Harmonic Motion Envelope of sound NIHL report AUD202 Audio and Acoustics Theory.

Next Week >

Anatomy of the EarNIHL Report

OH&S