Milford Galleries Dunedin 18 Dowling Street (03) 477 7727 [email protected] 5 th February - 2 nd March, 2011 www.milfordgalleries.co.nz MARC BLAKE Status Update
Mar 23, 2016
Milford Galleries Dunedin18 Dowling Street (03) 477 7727 [email protected]
5th February - 2nd March, 2011
www.milfordgalleries.co.nz
MARC BLAKEStatus Update
1. MARC BLAKE, ECHELON (2010), acrylic, graphite, colour pencil, pigment ink & UVLS varnish on board, panel (v x h x d): 460 x 755 x 46 mm
1. DETAIL VIEW MARC BLAKE, ECHELON (2010)
2. MARC BLAKE, Re:Generations (2010), acrylic, graphite, colour pencil, pigment ink & UVLS varnish on board, panel (v x h x d): 736 x 755 x 47 mm
2. DETAIL VIEW MARC BLAKE, Re:Generations (2010)
3. MARC BLAKE, Everything I Can Do to Remember (2011)
acrylic, graphite, colour pencil, pigment ink & UVLS varnish on board, panel (v x h x d): 1201 x 1198 x 46 mm
3. DETAIL VIEW MARC BLAKE, Everything I Can Do to Remember (2011)
4. MARC BLAKE, The Value of Persistence (2011)
acrylic, graphite, colour pencil, pigment ink & UVLS varnish on board, panel (v x h x d): 599 x 965 x 46 mm
4. DETAIL VIEW MARC BLAKE, The Value of Persistence (2011)
5. MARC BLAKE, Future Progressive (2010)
acrylic, graphite, colour pencil, pigment ink, gel ink & UVLS varnish on board, panel (v x h x d): 456 x 384 x 46 mm
5. DETAIL VIEW MARC BLAKE, Future Progressive (2010)
6. MARC BLAKE, Status Update (2011)
acrylic, graphite, colour pencil, pigment ink, gel ink & UVLS varnish on board, panel (v x h x d): 300 x 230 x 47 mm
6. DETAIL VIEW MARC BLAKE, Status Update (2011)
Marc Blake’s first solo exhibition at Milford Galleries in Dunedin showcases an emerging artist
with an absolutely unique and intriguing art practice. Crossing the boundaries of painting
and drawing, landscape and surrealism, two dimensional surface and perspectival space,
past and future, Blake explores the world of dream, memory and everyday reality.
On first glance his works appear simple - sublime, calm, sparse landscapes in which figures,
trees, animals and boats almost float in ethereal space. On closer inspection, the layers of
meaning, compositional elements and narratives begin to reveal themselves and the tension
between the controlled and uncontrollable becomes apparent. Objects are symbols, motifs
are cultural and historical signifiers and figures are characters, all involved in a dynamic and
compelling composition.
Blake explores the opposing nature of illusion and reality. Like a Japanese printmaker he
manipulates the surface pattern to show the viewer both flatness and depth. In ‘The Value of
Persistence’, he plays with the illusionary space, not only alluding to a landscape in the grain
of the wood and the placement of the symbolic elements but also in the expressive and
vivid, profile landscape that although floating, finds a solid grounding in the depth of the
illusional space. This landscape here suggests the development of a signature style,
demonstrating Blake’s ability to introduce an element that is abstract in nature (yet
remarkably representative of wild and unruly bushland) seamlessly and successfully in to a
work that is so tightly constructed. ‘Status Update’ shows a young woman with a cell phone
in her hand carried away in her own illusionary world – a cyber space.
Time is a theme that is recurrent throughout Blake’s work. There is a melding of historical and
futuristic elements and in one illustrated moment he captures the past, present and future.
Blake talks of ‘Re:Generations’ as being “one moment in the infinite cycle of life” yet in that
moment all time is revealed. Ghostly figures recede into the background like memories, the
sky becomes a mix of dusk and dawn and the seasons change the leaves of a tree from
green to gold. ‘Everything I Can do to Remember’ talks of changing memories over time.
Here a young woman takes a photograph on her cell phone of a horse that seems to slowly
fade into the background. Are things ever as we remember them to be?
‘Status Update’ is a powerful and thought provoking exhibition of works that transcend
reality, yet reflect directly on our everyday modern world.
All prices are NZD and include GST; Prices are current at the time of the exhibition
E X H I B I T I O N P R I C E L I S T
1 ECHELON (2010) 2,500
2 Re:Generations (2010) 3,500
3 Everything I Can Do to Remember (2011) 5,000
4 The Value of Persistence (2011) 3,500
5 Future Progressive (2010) 1,500
6 Status Update (2011) 950
Marc Blake 2011 CV Milford Galleries Dunedin www.milfordgalleries.co.nz
P a g e | 1
MARC BLAKE b. 1974, lives Sydney, Australia
Waking Up [JC] 2010
“Memories of what was are left as shadows, rubbed out, scratched off, fuzzy and disappearing into the
coloured wood grain. In areas the background becomes the foreground or the sea becomes the sky
but all of the elements seem to work together, finding grounding in the grain of the wood. The illusion of
three-dimensional space is only suggested by light stains in a natural grain or in the size of the specific
elements in the work.” (1)
“All of my pictures come partly from my own life or experience, but I’m also influenced by external or
global media events too… it’s a combination of what is directly around me in real life, as well as what
we can hunt down intentionally or just stumble across accidentally.” (2)
“I have been predominantly interested during this period in my own local environment of Kings Cross, as
well as a reflection on New Zealand, Australia and the Pacific region during a period of financial
instability and relative future social, political and environmental uncertainty.” (3)
Marc Blake was born in Auckland where he lived and studied gaining a Bachelor of Arts in English
Literature from the University of Auckland. In 2002 he moved to Japan where he lived for four years
before returning to New Zealand and on to Sydney where he now lives and works. Blake has exhibited
regularly since 2002. He has participated in solo and group exhibitions at private galleries and public
institutions including the Kyoto Cultural Museum, BankART Yokohama, and the Auckland Art Gallery. He
has been a finalist in a number of awards such as The Wallace Trust Award and Anthony Harper Award
for Contemporary Art. His works are in private collections throughout New Zealand and abroad as well
as part of the Wallace Trust Collection.
1. Vanessa Eve Cook, Marc Blake- New Text, 2010
2. Marc Blake, 2009
3. Marc Blake, 2010
Marc Blake 2011 CV Milford Galleries Dunedin www.milfordgalleries.co.nz
P a g e | 2
MARC BLAKE b. 1974, lives Sydney, Australia
EDUCATION
Bachelor of Arts (English Literature), University of Auckland
SOLO EXHIBITIONS
2010 Status Update, Milford Galleries Dunedin
2008 Nothing Like This, Backspace, Christchurch
2007 Condensed History, Aveia Gallery, Auckland
Where It All Begins, Backspace Gallery, Christchurch
2006 Watergarden, Arts Council Koganecho, Yokohama, Japan
2000 New Paintings, EON, Auckland
SELECTED GROUP EXHIBITIONS
2010 Introducing Marc Blake and Tim Thatcher, Milford Galleries Dunedin
Wallace Art Awards, Auckland
Anna Pappas Gallery, Melbourne
2008 Wallace Art Awards, Auckland
New Zealand Painting & Printmaking Award, Auckland
Anthony Harper Award for Contemporary Art, Christchurch
New Zealand Fashion Week, Auckland
2007 Off The Wall Project, Auckland Art Gallery, Auckland
Light and Dark, Satellite Gallery, Auckland
Backspace, Wellington, New Zealand
2006 In the Midst (with Jos Wheeler) (independent), Auckland
2005 3rd Annual Amuse Artjam, Kyoto Cultural Museum, Kyoto, Japan
FIVE (with Ko Masuda), BankART Studio NYK, Yokohama, Japan
AWARDS
2010 Finalist, Annual Wallace Art Awards
2008 Finalist, New Zealand Painting & Printmaking Award
Finalist, Anthony Harper Award for Contemporary Art
Finalist, Annual Wallace Art Awards
2005 Two month studio residency & exhibition, BankART NYK, Yokohama, Japan
Finalist, 3Rd Annual Amuse Inc. Artjam, Kyoto Cultural Museum, Kyoto, Japan
COLLECTIONS
The James Wallace Trust
Everything I’ve Ever Known (2009)