iKATSUHIBOOTOMOi
iKATSUHIBOOTOMOi
BY KATSUHIRO OTOMO
^Chapter 3
NUMBER 41!
The year is 2030. The world
is rebuilding from World
War III. In Neo-Tokyo
plans are being made to hold Ihe
next Olvmpics in the "old city—
re, thirty-eight years before
ihe first of the bombs fell
Kaneda and his friends—
teenaged delinqjents from the
3l vocational school—have
made an unauthorized motor-
cvclemn into the old city io
check lit the old site and found
far more than they expected. In
la said to be totally
deserted they encounter a
strange wzen-faced child,
known on y as Number 2G. Hef; te rfed of something and is
possessed of extraordinary
te ekinelr abilities. During the
encou te the paranormal boy
gavely njjresTetsuo, oneof
: ose friends. Then, he
vanishes
Kanedas gang find them-
se ves in seriojs trouble with the
authortes following the inci-
dent and they learn, to their
5urp f^e thai the "police" they
encountered after the accident
were not ormal officers at all,
but pa t of some secret concern.
Moreover Tetsuo, who they
el pved had been taken to a
hosptal has disappeared.
The next night, at Harukiya,
a tough local dive, Kaneda
brazen y attempts to pick up
Kay a Strange girl who catches
his fancy Kay, however; is not
interested In fact, she and her
companion, Ryu, are part of an
underground resistance organiza-
tion dedicated to teaming what
IS happening in the old city and
putting a stop to it.
During the mayhem that en-
sues, both the delinquents and
counter NLinber 26, and again
he uses his powers, to caia
straphic effect. Both groups are
scattered, but firsi Ryu and thpr
Kaneda re-encourter Number26. Ryu attempts to reassure the
paranormal hoy. but Kaneda is
anxious io punish him for irjuniq
Tetsuo.
As they argue, the mysterious
soldiers pursuing Number 26reach the scene, amied arid
ready.
During the resolting firelight,
Kaneda is separated from Ryu
and Number 26, whom the
soldiers are detemiined to recap-
ture aliue. Kay saves Kaneda^
life, but Ryu and Number 26are cornered, and Number 26
becomes increasingly ill, e;^ibit-
ing all the symptoms of dmgwithdrawal. Kaneda returns the
favor he owes the resistance
fighters by stealing a \!u&. and
heading back into the heart of
the melee to save Ryu and
Number 26Thai IS when the mysterious
Colonel in charge of the entire
covert operation puts in an ap-
pearance bunging forward his
secretweapon—Number27,acrippled paranomial child named
Masaru
Masaru astonishes the r&-
sistance fighters by addressing
Number 26 as Takashi Kay
and Ryu had previously assumed
that Number 26 was the Ccl-
onel's ultimate weapon—theas-yet unseen paranonnal giarl
code-named Akira.
Kaneda provokes a crisis by
pretending to be on the verge of
killing Takashi, and Takashi
responds to the stress this
causes by telekinetic upheavals
that virtoally destroy the entire
area. During the courbe of he
cataclysm, Kaneda saqan
separated from the resistance
fighters, bjt he manages to in-
tercept and hide a pill meant foi
Takashi, who is recaptured by
tlie Colonel's men.
The next day, Tetsuo reap-
pears in school, seemingly little
the worse for his experiences.
However, during the course of
his treatment, it has come to the
attention of the Colonel and his
followers that Tetsuo has great
psychic potential and would be a
valuable asset to them.
Kaneda talks his girlfriend—
who warl(s in the school infirm-
ary and keeps his entire band of
delinquents supplied with drugs
—into analyzing the drug in-
tended for Takashi, and she
tells him that it is similar in
substance to what he and his
friends take, but unbelieveably
concentrated and powerful.
ot n Kaneda,
Tetsuo and e r gang head out
for a mmble with their chief
rivals—the vicious Clown gang.
Kaneda's Government Hanikiya Resistance
Girl Friend Soldier Bartender Agent
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AKIRATHE ANIMATED MOVIE
Kaneda, Tetsuo, and the rest of
Akira's large cast have sprung into life and
incredible motion. Katsuhiro Otomo has
brought his post World War 111 epic from the
comics to full animation in a feature film
produced through the partnership of Kodansha
Ltd.; Mainichi Brnadcasting System, Inc.;
Bandai Co,, Ltd.; Hakuhoda Incorporated; Toho Co.,
Ltd.; Laserdisc Corporation; Sumitomo
Corporation; and Tokyo Movie Shinsha Co., Lid.
I n the United States, when a comic
book or comic strip is turned Into a film,
the original creator's involvement will
usualiy be iimited to a consulting role. At
times not even that The final result
which appears in theaters or on videotape
often bears small resemblance to the
creation it was based upon. Mo one can say
that of the film version dAkim.
which had its premiere in Tokyo on July 16th,
Kat^atsuhiro Otomo has successfully
managed the triple feat of handling the story,
the screenplay |in cooperation with Izo
Hashimolol, and the direction of the movie.
In additon, Otomo also did the film's
storyboards, taking six months off from his
work on the comics feature in order to
complete this important phase of production
which sets into place the story's visual
and narrative flow.
All pliulOi (S 10BQ MASH-nOOM Co., Lid. / AKIFlrt Cominiute
#an a saga designed for 1800 pages
of comics fit into two hours of onscreen
time? Olomo has boldly reconstructed
the comic's storyline (not yet completedl,
keeping the same theme, but striving for
greater simplicity to allow for full cinematic
effect and to avoid the feeling of merely
doing a 'digest version' of the comic book.
Visually, Otomo admires the fluid quality
of the best Disney animation and has generated
over 160,000 animation cells (a half hour
of TV animation utilizes about 4000 cells) to
achieve the results he wanted. An epic
approach for an epic in animation.
AbDue: Ihe aiiimaled Takashi, Mumber 26,
Below: llie Labaratary Building lises In Ihe center
of Ihe Neo-Takya cityscape.
I breads. Slowly iiterlwinjrg. Coming togethHc Twisting lighler The
constniclion site for ihe mming Olympic games in posl \Mirld vHar III Meo-Tol<yo is rocked by an
explosion, Ihe work of anti-governrrient rebels. Ir a secret government project controlled by the mai
l<nown only as Ihe Colorel a wizen-faced child-woman awakens from a dream. Her dream is of
someone called AKIRA. She dreams he will soon arisB. On the streets, the yojng delinqjeni,
Kaneda, abject of gavemment pursuit and rebal scrutiny, finds his autiiotity over Ihe motorcycle
gang he leads suddenly challenged. The challenger is his friend, Tetsuo, who, following a
mysiBrious highway accident, seems to he changing. Growing distant. Growing strange. Threads.
Twisting, Tighter, Tighter until , , , something must break,
Thb 5Cdh produced bv|!
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§MANGA-SKETCHBOOK@DALNET SCANNED AND EDITED BYFINNPEST