MAADHYAM Nurturing Gifted Minds INSIDE HIGHLIGHTS: Mathematics Behind Pyramid and Taj Mahal Exploring mathematically designed buildings around the world Why architects use triangular structures? Maadhyam News Corner MONTH:NOVEMBER ISSUE NO:2015(4) Printed under Gifted Education Abhiyaan An initiative by the office of principal Scientific Advisor to the Government of India
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MAADHYAM Nurturing Gifted Minds
INSIDE HIGHLIGHTS:
Mathematics Behind Pyramid and Taj Mahal
Exploring mathematically designed buildings around the
world
Why architects use triangular structures?
Maadhyam News Corner
MONTH:NOVEMBER ISSUE NO:2015(4)
Printed under Gifted Education Abhiyaan
An initiative by the office of principal Scientific
Advisor to the Government of India
Have you ever wondered how buildings are constructed?
Are our buildings shaped by
sacred numbers and hidden
codes?
What factors determine the
maximum height of a
monument? ?
Is there any building which is
mathematically designed?
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"In mathematics, if a pattern occurs we can go on and ask 'Why does it occur?' 'What does it signify?' and we can find answers to these questions." W.W.Sawyer Mathematics is full of beautiful patterns. Sacred geometry, or spiritual geometry, is the belief that numbers and patterns such as the divine ratio have sacred significance. Many mystical and spiritual practices, including astrology, numerology, tarot, and feng shui, begin with a fundamental belief in sacred geometry. Architects and designers may draw upon concepts of sacred geometry when they choose particular geometric forms to create pleasing, soul-satisfying spaces. Architecture begins with geometry. Since earliest times, architects have relied on mathematical principles. The ancient Roman architect Marcus Vitruvius Pollio believed that builders should always use precise ratios when constructing temples. "For without symmetry and proportion no temple can have a regular plan,“ From the pyramids in Egypt to the new World Trade Center tower in New York, good architects use the same essential building blocks as your body and all living things. Moreover, the principles of geometry are not confined to great temples and monuments. Mathematicians say that when we recognize geometric principles and build upon them, we create dwellings that comfort and inspire.
Mathematics In Architecture
To read more about M.V.Pollio, visit
http://www.vitruvius-pollio.com/
Strange Before you dismiss the idea of sacred geometry, take a few moments to reflect on the ways some numbers and patterns appear time and again in every part of your life.
The Pythagorean theorem and the 3-4-5 right triangle was used by rope stretchers and Egyptian
engineers. Rope was knotted into 12 sections that stretched out to produce a 3-4-5 triangle. For e.g. If
you tie 12 equally spaced knots into a rope, fix the rope at the 5th knot to the ground, go with the longer
side 4 knots in one direction, fix the rope there too, and then try to bring both lose ends together, you
will automatically get a right angle. The Egyptians also used length/height-ratios to construct pyramid
slopes. Mostly used were 1:22 and 1:21-ratios, one cubit height to 21 or 22 fingers length. If you
substitute the cubit with the fingers you get for Kephrens pyramid a 28:21-ratio. Divide this by 7, and
you get a "3 units length by 4 units height"-ratio. These are the short sides of a holy triangle, so the third
side must then be in a "5 units"-ratio in respect to the other sides. Therefore, all pyramids in Egypt
constructed in the 1:21-ratio are carrying the 3:4:5-ratio quite naturally.
The Great Pyramid was laid out with geometric precision - a near-perfect square base, with sides of 230
meters that differ from each other by less than twenty centimeters, and faces that sloped upwards at an
angle of 51º to reach an apex nearly 150 meters above the desert floor.
Some people have made certain discoveries about the Great Pyramid, using maths:
When using the Egyptian cubit the perimeter is 365.24 - the amount of days in the year.
The height x 10 to the power of 9 gives approximately the distance from the earth to the sun.
The perimeter divided by 2 x the height of the pyramid is equal to pi - 3.1416
The weight of the pyramid x 10 to the power of 15 is equal to the approximate weight of the earth.
When the cross diagonals of the base are added together, the answer is equal to the amount of time
(in years) that it takes for the earth's polar axis to go back to its original starting point - 25,286.6
years.
The link between mathematics and architecture goes back to ancient times, when the two disciplines were virtually
indistinguishable. Pyramids and temples were some of the earliest examples of mathematical principles at work. Today,
mathematics continues to feature prominently in building design.. We are not just talking about mere measurements, — though elements like that are integral to architecture.
Thanks to modern technology, architects can explore a variety of exciting design options based on complex mathematical languages, allowing them to build groundbreaking forms.
Now take a look at several structures in the past that were modeled along mathematics.
DO YOU KNOW ???
The Great Pyramid of Giza in 4700
B.C. is with proportions according to
a “sacred ratio”. The ancient
Egyptians constructed the Great
Pyramids in such a way that the ratio
(b : h : a) is approximately equal to
(1 : √φ : φ).
To know more on mathematical proof visit the link: https://www.dartmouth.edu/~matc/math5.geometry/unit2/unit2.html;http://www.halexandria.org/dward106.html 2
The British physicist and mathematician, Roger Penrose, developed a periodic tiling which incorporates the golden section. The tiling is comprised of two rhombi, one with angles of 36 and 144 degrees (figure A, which is two Golden Triangles, base to base) and one with angles of 72 and 108 degrees (figure B). When a plane is tiled according to Penrose's directions, the ratio of tile A to tile B is the “Golden Ratio." In addition to the unusual symmetry, Penrose Tilings reveal a pattern of overlapping decagons. Each tile within the pattern is contained within one of two types of decagons, and the ratio of the decagon populations is, of course, the ratio of the Golden Mean. Visit link :
1) First construct a square ABCD. 2) Construct the midpoint E of DC. 3) Extend DC. With center E and radius EB, draw an arc crossing EC extended at C. 4) Construct a perpendicular to DF at F. 5) Extend AB to intersect the perpendicular at G. 6) AGFD is a Golden Rectangle. 7) Now measure the length and width of the rectangle. Then find the ratio of the
length to the width. This should be close to the Golden Ratio (approximately 1.618).
•Constructed in 430 or 440 BC the Parthenon was built on the Ancient Greek ideals of harmony, demonstrated by the building’s perfect proportions.
•The width to height ratio of 9:4 governs the vertical and horizontal proportions of the temple as well as other relationships of the building, for example the spacing between the columns.
•It’s also been suggested that the Parthenon’s proportions are based on the Golden Ratio (found in a rectangle whose sides are 1: 1.618).
Sydney Harbour Bridge
•The Sydney Harbour bridge is a magnificent structure of mathematical genius, located in what has to be the world’s most beautiful city.
•The mathematics associated with the Sydney Bridge, including deriving the Quadratic Equations for both the lower and upper parabolic arches of the bridge.
•Read more for mathematical proof of bridge: http://passyworldofmathematics.com/sydney-harbour-bridge-mathematics/
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Taj Mahal
Sydney Harbour Bridge
Akshardham
- a 3D fractal like
temple
The Great
Pyramid of Giza
Morbius Strip Temple
Magic Square
Cathedral Gherkin's curves, London
The Eden Project, Cornwall,
UK
Parthenon
Cube Village
Experimental Math-Music
Pavilion
MONTH:NOVEMBER ISSUE NO:2015(4)
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Bahá'í-House of worship, New Delhi
The beautiful concept of the lotus, as conceived by the architect, had to be converted into definable geometrical shapes such as spheres, cylinders, toroids and cones. These shapes were translated into equations, which were then used as a basis for structural analysis and engineering drawings.
Unlike conventional structures for which the elements are defined by dimensions and levels, here the shape, size, thickness, and other details were indicated in the drawings only by levels, radii, and equations.
The resultant geometry was so complex that it took the designers over two and a half years to complete the detailed drawings of the temple.
Follow the link to know more: http://www.bahaihouseofworship.in/architectural-blossoming
The Eden Project, Cornwall, UK
•It’s little surprise that the building has taken its inspiration from plants, using Fibonacci numbers(0, 1, 1, 2, 3, 5, 8, 13, 21, 34 ... where every number is the sum of the previous two) to reflect the nature featured within the site.
•The outer layer is made of hexagons (the largest is 11 metres across), plus the odd pentagon. The inner layer comprises hexagons and triangles bolted together.
•The geodesic concept provided for least weight and maximum surface area on the curve – with strength.
•The Mobius Strip is a surface with only one side and only one boundary.
• An example of a Möbius strip can be created by taking a paper strip and giving it a half-twist, and then joining the ends of the strip together to form a loop.
•The Möbius strip has the mathematical property of being non-orientable, while the Möbius strip has several curious properties.
•A line drawn starting from the seam down the middle will meet back at the seam but at the “other side”. If continued the line will meet the starting point and will be double the length of the original strip.
•This single continuous curve demonstrates that the Möbius strip has only one boundary.
•Read more : http://www.arch2o.com/buddhism-temple-miliy-design/
M.C.ESCHER Art and Math may at first seem to be very different things, but people who enjoy math tend to look for mathematics in art. They want to see the patterns and angles and lines of perspective. This is why artists like M.C. Escher appeal to mathematicians so much. There is a large amount of math involved in art, not to mention basic things like measuring and lines, but the intricacies of art can often be described using math. Visit the given link to know more about M.C. Escher http://www.mcescher.com/about/ Escher is a famous artist who created mathematically challenging artwork. He used only simple drawing tools and the naked eye, but was able to create stunning mathematical pieces. He produced polytypes, sometimes in drawings, which cannot be constructed in the real world, but can be described using mathematics. His drawings caught the eyes and looked possible by perception, but were mathematically impossible. His particular drawing, Ascending and Descending, was one of the masterpieces. In this drawing, Escher creates a staircase that continues to ascend and descend, which is mathematically impossible, but the drawing makes it seem realistic.
The diagram shows a rhombus PQRS with an internal point O such that OQ=OR=OS=1unit. Penrose used this rhombus, split into two quadrilaterals, a dart and a kite, to make his famous tiling which fills the plane but, unlike a tessellation, does not repeat itself by translation or rotation.
Find all the angles in the diagram, show that POR is a straight line and show that triangles PRS and QRO are similar. Hence prove that the length of the side of the rhombus is equal to the Golden Ratio.