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RENAISSANCE AND NORTHERN RENAISSANCE ART J. NEWMAN
23

J. NEWMAN. High Renaissance (mainly Italy) 1) Realism and Expression 2) Linear Perspective 3) Classicism (Roman and Greco influence) 4) Emphasis.

Jan 03, 2016

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Page 1: J. NEWMAN.  High Renaissance (mainly Italy)  1) Realism and Expression  2) Linear Perspective  3) Classicism (Roman and Greco influence)  4) Emphasis.

RENAISSANCE AND NORTHERN

RENAISSANCE ART

J. NEWMAN

Page 2: J. NEWMAN.  High Renaissance (mainly Italy)  1) Realism and Expression  2) Linear Perspective  3) Classicism (Roman and Greco influence)  4) Emphasis.

CHARACTERISTICS High Renaissance

(mainly Italy) 1) Realism and

Expression 2) Linear Perspective 3) Classicism (Roman

and Greco influence) 4) Emphasis

on Individualism 5) Geometrical

Arrangement of Figures

6) Light & Shadowing/Softening Edges

7) Religious

Northern Renaissance (Beyond Italy) 1. Realistic 2. Detailed 3. Symbolism 4. Un-idealized

figures (figures are too thin or pale)

5. Printmaking- use of woodcut, common way to produce images

Page 3: J. NEWMAN.  High Renaissance (mainly Italy)  1) Realism and Expression  2) Linear Perspective  3) Classicism (Roman and Greco influence)  4) Emphasis.

Self-portrait of Leonardo da Vinci

Page 4: J. NEWMAN.  High Renaissance (mainly Italy)  1) Realism and Expression  2) Linear Perspective  3) Classicism (Roman and Greco influence)  4) Emphasis.

The Last Supper

Page 5: J. NEWMAN.  High Renaissance (mainly Italy)  1) Realism and Expression  2) Linear Perspective  3) Classicism (Roman and Greco influence)  4) Emphasis.

MonaLisa

Page 6: J. NEWMAN.  High Renaissance (mainly Italy)  1) Realism and Expression  2) Linear Perspective  3) Classicism (Roman and Greco influence)  4) Emphasis.

Self Portrait of Michelangelo Buonarroti

Page 7: J. NEWMAN.  High Renaissance (mainly Italy)  1) Realism and Expression  2) Linear Perspective  3) Classicism (Roman and Greco influence)  4) Emphasis.

Painting on the Sistine Chapel ceiling

Page 8: J. NEWMAN.  High Renaissance (mainly Italy)  1) Realism and Expression  2) Linear Perspective  3) Classicism (Roman and Greco influence)  4) Emphasis.

LaPieta

Page 9: J. NEWMAN.  High Renaissance (mainly Italy)  1) Realism and Expression  2) Linear Perspective  3) Classicism (Roman and Greco influence)  4) Emphasis.

Self Portrait of Raphael

Page 10: J. NEWMAN.  High Renaissance (mainly Italy)  1) Realism and Expression  2) Linear Perspective  3) Classicism (Roman and Greco influence)  4) Emphasis.

Cowpepper Madonna

Page 11: J. NEWMAN.  High Renaissance (mainly Italy)  1) Realism and Expression  2) Linear Perspective  3) Classicism (Roman and Greco influence)  4) Emphasis.

School of Athens

Page 13: J. NEWMAN.  High Renaissance (mainly Italy)  1) Realism and Expression  2) Linear Perspective  3) Classicism (Roman and Greco influence)  4) Emphasis.

JAN VAN EYCK -

GIOVANNI ARNOLFINI

& HIS WIFE (DETAILS)

Page 14: J. NEWMAN.  High Renaissance (mainly Italy)  1) Realism and Expression  2) Linear Perspective  3) Classicism (Roman and Greco influence)  4) Emphasis.

ROGIER VAN DER WEYDEN (1399-1464)

The Depositio

n

1435

Page 15: J. NEWMAN.  High Renaissance (mainly Italy)  1) Realism and Expression  2) Linear Perspective  3) Classicism (Roman and Greco influence)  4) Emphasis.

VAN DER WEYDEN’S DEPOSITION (DETAILS)

Page 16: J. NEWMAN.  High Renaissance (mainly Italy)  1) Realism and Expression  2) Linear Perspective  3) Classicism (Roman and Greco influence)  4) Emphasis.

QUENTIN MASSYS (1465-1530) “the renovator

of the old art.” The Ugly

Dutchess, 1525-1530

Page 17: J. NEWMAN.  High Renaissance (mainly Italy)  1) Realism and Expression  2) Linear Perspective  3) Classicism (Roman and Greco influence)  4) Emphasis.

MASSYS’ THE MONEYLENDER & HIS WIFE, 1514

Page 18: J. NEWMAN.  High Renaissance (mainly Italy)  1) Realism and Expression  2) Linear Perspective  3) Classicism (Roman and Greco influence)  4) Emphasis.
Page 19: J. NEWMAN.  High Renaissance (mainly Italy)  1) Realism and Expression  2) Linear Perspective  3) Classicism (Roman and Greco influence)  4) Emphasis.
Page 20: J. NEWMAN.  High Renaissance (mainly Italy)  1) Realism and Expression  2) Linear Perspective  3) Classicism (Roman and Greco influence)  4) Emphasis.

LUCAS CRANACH THE ELDER

Old Man with a Young Woman

Amorous Old Woman with a Young Man

Page 21: J. NEWMAN.  High Renaissance (mainly Italy)  1) Realism and Expression  2) Linear Perspective  3) Classicism (Roman and Greco influence)  4) Emphasis.

DÜRER – SELF-PORTRAIT IN FUR-COLLARED ROBE, 1500

Page 22: J. NEWMAN.  High Renaissance (mainly Italy)  1) Realism and Expression  2) Linear Perspective  3) Classicism (Roman and Greco influence)  4) Emphasis.

DÜRER

FOURHORSEMENOF THEAPOCALYPSE

WOODCUT, 1498

Page 23: J. NEWMAN.  High Renaissance (mainly Italy)  1) Realism and Expression  2) Linear Perspective  3) Classicism (Roman and Greco influence)  4) Emphasis.

EL GRECO

CHRIST IN AGONY ON THE CROSS

1600’S