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Intro: The Middle Ages to Intro: The Middle Ages to Renaissance & Reformation Renaissance & Reformation Renaissance & Reformation Renaissance & Reformation
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Intro: The Middle Ages to Renaissance ...

Oct 20, 2021

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Page 1: Intro: The Middle Ages to Renaissance ...

Intro: The Middle Ages to Intro: The Middle Ages to Renaissance & ReformationRenaissance & ReformationRenaissance & ReformationRenaissance & Reformation

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Renaissance (c15 - 16) ( )Reformation (c16) Scientific Revolution (c16 - 17) Enlightenment (c18) Age of Revolution (c18 - 19)

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A world without background noise: no factories, no gengines, no traffic… nature in the countryside along with the church bells were the “noise makers”.

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C.1250-1493The Holy Roman Empire could not control its own subjects, let alone exercise leadership over others.W ld l d b f d li i i d hWorld was ruled by feudalism, superstition… and the plague.

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The Course of the Black Death in FourteenthThe Course of the Black Death in Fourteenth--Century EuropeCentury Europe

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Began in Asia… spread with speed due to increasing trade g p p gand travel.Social impact in many cases was panic, to wild d b h h d ddebauchery as the end neared.Church suffered from loss of their flock to death and disillusionmentdisillusionmentIt is argued that 1 in 3 people died in EuropeBlame ranged from God to Jews to lepersBlame ranged from God to Jews to lepers.

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Medieval interest in the human body was minimal. The internal organs were not differentiated.Medieval people lived in an environment of fear and insecurity that limited their awareness and potential forinsecurity that limited their awareness and potential for independent thinking.Challenged by: bandits, Viking raids, plague, famine,

h f bl danarchy… man was feeble, God was great.

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The Gothic interpretationThe Gothic interpretation of this point of view was a monument that seems tomonument that seems to dwarf the man who enters it, for space, light, structure and the plastic effects of the masonry are

i d t dorganized to produce a visionary scale.

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Built on theologyNew ideas were quashedi.e. Duns Scotus (‘Dunce”) Willi f O khWilliam of Ockham‘Okham’s Razor’ – “the principle that facts should be interpreted with a minimum of explanatory causes”…interpreted with a minimum of explanatory causes … separates reason from faith… opening the door to sciencePeriod of witchcraft

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Social structure dictated by Hierarchical Order…. Serfs yrun by masters… Men rule women, Church rules peoplePunishment of crimes: hanging, mutilation, amputation.Historiography was dictated by males, often priests or monks… most events explained by the “will of God”.

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Vlad III, Prince of WallachiaVlad III, Prince of Wallachia (Romania)During the Crusade of Varna (1443-4) captured and tortured by Ottoman TurksTh “ l ” i t d t kThe “palar” or pointed stake often used as a form of torture.For Vlad an instrument of massFor Vlad, an instrument of mass terror… in one expedition, approx 24000 impaled.

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15th Century considered the transition periody pWestern Europe broke free of Muslim blockadesNot necessarily a “rebirth” for everyone

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“The essence of the Renaissance lay not in any sudden y yrediscovery of classical civilization but rather in the use which was made of classical models to test the authority underlying conventional taste and wisdom”underlying conventional taste and wisdom

Europe by Norman Davies- Europe, by Norman Davies

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A period from the early 1300’s to roughlyA period from the early 1300 s to roughly 1600 when there was a renewed interest in history literature and artin history literature and art.Renaissance = “Rebirth”Europe’s economic recoveryRenewed study of ancient Greece andRenewed study of ancient Greece and Rome

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The term is used to describe a MOBILIZATION OF IDEAS which is primarilyARTISTICLITERARYCULTURALThe Renaissance as an “INTELLECTUAL” reality, not as a “PHYSICAL” one

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‘independence of mind’independence of mindA Person who mastered all areas of arts and thought… becoming a g g“complete man”.Humanity was mastering the y gworld they lived in.“man’s fate could me controlled and improved”

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The work that distinguishes the Baroque period is stylistically complex, even contradictory. In general, however, the desire to evoke emotional states by appealing to the senses, often in dramatic ways, underlies its , y ,manifestations. Some of the qualities most frequently associated with the Baroque are grandeur, sensuous richness drama vitality movement tension emotionalrichness, drama, vitality, movement, tension, emotional exuberance, and a tendency to blur distinctions between the various arts.

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FlorenceFlorence

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SalutatiMan is responsible for his good or bad deedsGod does not control a man’s will or moralityIt i b tt t b fit th b li i ti bli lifIt is better to benefit others by living an active public life than to live as a monk, which does not benefit anyone other than the monk

-Rejected medieval view of humanity and focused on the goodness of mankind

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BruniMedieval values of piety, humility, and poverty not importantAttitudes about wealth credit finances and usury modifiedAttitudes about wealth, credit finances, and usury modifiedPagan elements introduced into Christian culture

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Emphasized the dignity and worth of the individualPeople are rational beings who possess within themselves the capacity for truth and goodnessEmphasized the value of the Greek and Latin classicsEmphasized the value of the Greek and Latin classics for their own sake, rather than for their relevance to ChristianityyCollection and translation of classical manuscriptsInspired by Plato (Aristotle inspired medieval scholarship)Centered around education Att t d t d l th h t d i t lli fAttempted to develop the character and intelligence of pupils by a general literary study of the ancient classics

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Invented in 1440 By Johannes Gutenbergy gLed to a great demand for books in the mid 15th century

Printers met the high demand by printing an over-abundance f b kof books.

Prices plummeted (20% less than a manuscript)

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Aided in political and religious revolutionp gHumanist movement fueled its success.

Canterbury Tales and Dante’s Divine Comedy were some of h fi i dthe first printed

Led to the rise of the vernacular (non-Latin) literary text

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Europe: A History by Norman DaviesLegacy by Garfield Newmanhttp://www.tcnj.edu/~simona/ppt.htmlhttp://www.lib.virginia.edu/dic/colls/arh102/p g

Google Imageshttp://www.columbia.edu/~eer1/branner.htmlhttp://www ibiblio org/wm/paint/glo/baroque/http://www.ibiblio.org/wm/paint/glo/baroque/http://www.toffsworld.com/art_artists_painters/images/pieta_small.jpg