Top Banner
IANNIS XENAKIS AND HIS INFLUENCE ON MUSIC TECHNOLOGY TODAY
22

Iannis Xenakis and his influence on music technology today

Dec 31, 2015

Download

Documents

Cameron Norman

Iannis Xenakis and his influence on music technology today. Xenakis : An introduction. May 29,1922 – February 4, 2001 Greek composer, music theorist, and architect/engineer - PowerPoint PPT Presentation
Welcome message from author
This document is posted to help you gain knowledge. Please leave a comment to let me know what you think about it! Share it to your friends and learn new things together.
Transcript
Page 1: Iannis Xenakis  and his  influence  on  music  technology today

IANNIS XENAKIS AND HIS INFLUENCE ON MUSIC TECHNOLOGY TODAY

Page 2: Iannis Xenakis  and his  influence  on  music  technology today

XENAKIS: AN INTRODUCTION

• May 29,1922 – February 4, 2001• Greek composer, music theorist, and

architect/engineer• Born in Romania. Ethnic Greek. Forced to flee to

Greece after being denounced a Communist. Later became a naturalized citizen of France and worked both in the US and in France.• Post-war avant-garde composer

Page 3: Iannis Xenakis  and his  influence  on  music  technology today

XENAKIS: OVERVIEW OF HIS METHODS

• Used mathematical models and applications of set theory, stochastic (random) processes and game theory to make his music.

• Mixing music with mathematics

• XENAKIS AS AN ARCHITECT• http://www.iannis-xenakis.org/xen/archi/real.html

Page 4: Iannis Xenakis  and his  influence  on  music  technology today

AS AN ARCHITECT

• Xenakis designed the hyperbolic Phillips Pavilion with Le Corbusier for the 1958 Brussels World Fair. • Edgard Varese’s “Poeme Eletronique”• Concret PH” by Xenakis

• Idea: “Math can be applied to any art form”

• Le Corbusier’s sketches were hand over to Ixenakis• He was to translate them through mathematics. • Xenakis was working on“Metastasis”• So, he turned his graphical musical sketches of Metastasis

into architectural schemes

Page 5: Iannis Xenakis  and his  influence  on  music  technology today

“METASTASIS”

Page 6: Iannis Xenakis  and his  influence  on  music  technology today

AS AN ARCHITECT

Page 8: Iannis Xenakis  and his  influence  on  music  technology today

“CONCRET PH”

• Crackling sound of burning charcoal

• Tape recording - cut into hundreds of tiny pieces and arranged in various densities according to theories of probability.

• Controlled individual elements of sound

• “Second-order sonorities” • Spectrum of small moments in time larger formal

structures• Related to the concept of fractals

Page 9: Iannis Xenakis  and his  influence  on  music  technology today

“ANALOGIQUE B”

• Tape piece written in 1959

• Xenakis’s first attempt at granular synthesis• All sounds can be represented as micro-temporal pieces

of sound called “grains.”

• Xenakis used data that depicted a moment in time and contained information regarding the density, frequency and amplitude of grains at that moment • Determined by Stochastics.

Page 10: Iannis Xenakis  and his  influence  on  music  technology today

“ORIENT-OCCIDENT”

Page 11: Iannis Xenakis  and his  influence  on  music  technology today

“BOHOR” (1962)

Page 12: Iannis Xenakis  and his  influence  on  music  technology today

“BOHOR” (1962)

Page 13: Iannis Xenakis  and his  influence  on  music  technology today

CELLULAR AUTOMATA (CA)

• Colored cells on a grid of a specified shape • Cells change through discrete time steps based on a set of rules

defined by surrounding cells.• “On” and “off” states

• Discrete model – computability theory, mathematics, physics, biology, and microstructure modeling.

• Xenakis used CA calculated with his “pocket computer” to determine the succession of chords within a rational, perceptible structure

• His mapping was based on pre-determined pitches and the state of the cell chose the instrumentation.

Page 14: Iannis Xenakis  and his  influence  on  music  technology today

CELLULAR AUTOMATA

• Left: Close up of Xenakis’ text/symbol pocket computer printout for his piece “Horos”

• Right: Graphic blocks and stretched to line up with printout

Page 15: Iannis Xenakis  and his  influence  on  music  technology today

IN TERMS OF MAPPING

• Xenakis was the first composer to make mathematical concepts popular in composition.

• Mapping – using numbers plugged into a system that recognizes values and manipulates data by presenting it in a way that makes sense to our minds.

Page 16: Iannis Xenakis  and his  influence  on  music  technology today

IN TERMS OF MAPPING

• Xenakis designed the UPIC (computerized music composition tool) and is the inspiration behind the program called (IanniX)• IanniX is a program that can be integrated with Max

Page 17: Iannis Xenakis  and his  influence  on  music  technology today

IN TERMS OF MAPPING

• Dynamic stochastic synthesis• http://www.cycling74.com/forums/topic.php?id=16542

• IanniX• Graphical open source sequencer• http://vimeo.com/25041544

Page 18: Iannis Xenakis  and his  influence  on  music  technology today

UPIC

• Digitalizing tablet linked to a computer with a vector display.• Draw waveforms and volume envelopes on the

tablet• Compose with the waveforms by drawing

"compositions" on the tablet• X-axis = time• Y-axis = pitch.

• Compositions can be stretched in duration, transposed, reversed, inverted, and other algorithmic transformations.

• Allows for real time performance by moving the stylus across the tablet.

Page 19: Iannis Xenakis  and his  influence  on  music  technology today

UPIC

Page 20: Iannis Xenakis  and his  influence  on  music  technology today

UPIC

Page 22: Iannis Xenakis  and his  influence  on  music  technology today

CONTRIBUTION

• Founded the Center for Musical Mathematics and Automation

• France and the US:• Center Iannis Xenakis (CIX)• Xenakis Project of the Americas (XPA)