Hizkia Gouw - Master of Architecture Portfolio

HIZKIA IRWANTO GOUW PORTFOLIOBachelor of Design (Swinburne University of Technology) 2008 - 2009Master of Architecture (The University of Melbourne) 2010 - [email protected] 0449027097

Documenta 13Kassel, GermanyStudio Leader: Prof. Bharat Dave

New ABP HallPakville, The University of MelbourneStudio Leader: S Mee, J Williamson, B Kinnaird

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Tesselation at FABLAB WindowPakville, The University of MelbourneStudio Leader: Prof. Bharat Dave

Bourke St Social HousingBourke St Mall, Melbourne CBDStudio Leader: Julie Firkin

Stack Trace PavilionGovernor Island, New YorkStudio Leader: Dr. Marcus White and David Lister

Kampoeng ArtistThe Old Town, JakartaStudio Leader: Dr. Amanda Achmadi

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Open

Fuse

Community

Conceptual Diagram

Shadow Studies during Summer 8am 12am 5pm

Staatstheatre

People CirculationHeavily TraveledModerately TraveledNo Vehicle (Tram only)

Site Plan 1:2000

Staatstheatre

ottoneum

Fridericianum

Cafe

FrankfurterstrabeKonigstrabeDocumenta Halle

ZONE A

ZONE A

ZONE A

ZONE B

Tram StopCar Park AccessTaxi

People Circulation Vehicle Intensity Transportation acces

Conceptual Diagram

Fragmented

Conceptual Perspective View

Hizkia Irwanto Gouw378785Master of Architecture Studio CLecturer: Bharaat Dave

I want to close the gap between an architecture that you can realize from outside and an architecture that you experience from inside. I want to continuously combine how we think about the overall environment and how we think of it about programme.

-Kazuyo Sejima-

Concept Diagram

Inital Canopys Form Developed Canopys Form

Canopys Rational Bamboos connection

Two 7m bamboos connected togeth-er using lashing in traditional method

Too hold the bamboos in place, there are thin bamboos that wrap them, and lashing will be used to tie the circular bam-boos to each of the vertical bamboo members.

Vertical bamboos

Bamboos ring

Lashing

Lashing

I want to close the gap between an architecture that you can realize from outside and an architecture that you experience from inside. I want to continuously combine how we think about the overall environment and how we think of it about programme.

-Kazuyo Sejima-

Documenta 13 Master of Architecture Studio CInternational Student Competition, 2011Kassel, GermanyStudio Leader: Prof. Bharat Dave

Documenta 13

Kassel, Germany, 2011

Upper:View to the cafe and meeting areaBottom Left:View towards the skyBottom Right:Initial sketches/ideas.

Initial Module Final Module

Sliding

Staatstheatre


Site Plan 1:2000

Staatstheatre

ottoneum

Fridericianum

Cafe


ZONE A

ZONE A

ZONE A

ZONE B



3000

8000 14000

Modular Unit

1 Module 2 Modules

Option 2

Option 1

Staatstheatre


Site Plan 1:2000

Staatstheatre

ottoneum

Fridericianum

Cafe


ZONE A

ZONE A

ZONE A

ZONE B



Sliding

Staatstheatre


Site Plan 1:2000

Staatstheatre

ottoneum

Fridericianum

Cafe


ZONE A

ZONE A

ZONE A

ZONE B



3000

8000 14000

Modular Unit

1 Module 2 Modules

Option 2

Option 1

Staatstheatre


Site Plan 1:2000

Staatstheatre

ottoneum

Fridericianum

Cafe


ZONE A

ZONE A

ZONE A

ZONE B



Sliding

Staatstheatre


Site Plan 1:2000

Staatstheatre

ottoneum

Fridericianum

Cafe


ZONE A

ZONE A

ZONE A

ZONE B



3000

8000 14000

Modular Unit

1 Module 2 Modules

Option 2

Option 1

Staatstheatre


Site Plan 1:2000

Staatstheatre

ottoneum

Fridericianum

Cafe


ZONE A

ZONE A

ZONE A

ZONE B



Sliding

Developed Module

Moveable Circular Wall with door handle from the inside (Sliding)

Permanent Wall

Steel Structure (80 x 40 x 1.6 mm SHS)Covered with 4mm Alucobond coated with solid colour2 Circular Steel tracks for

sliding wall

Harmonica Shaped Transparent PVC Foil

4mm Hardwood Timber Decking sit on the C-beam

Door handle from the interior

Steel trackWheel

C-beam

4mm Hardwood Decking, 100mm above ground level

Earth

80x40x1.6 mm Steel Hollow Sec-tion (SHS)

4mm Alucobond coated with solid colour

Earth

Documenta 13


Upper:View to the bookshop and shop for documenta articlesBottom:View to the stage area

Bookshop

Service PointCloak Room

International Center

Box Office Common Room Seminar Room

Stage+ Rehearsal Room

Meeting Space Pantry Space for Visi-tor Impression

Shop Exhibition Space Toilet

Rationale of the Spaces

Substract Substract

Documenta 13

Site Plan 1:1250

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Interior Layout Plan 1:750

Legend1. Internet cafe2. International Press Centre3. Female Toilet4. Male Toilet5. Cloak Room6. Exhibition Space

7. Room for Seminars and Lectures8. VIP Lounge9. Cafe and Restaurant10. Pantry11. Meeting point for the catering12. Disabled Toilet

13. Space for Visitor Impression14. Counter for Service Point15. Box Offices Sales Counter16. Back Office17. Shop for Documenta Articles18. Common/ Break Room

19. Bookshop20. Storage Room21. Stage/ Theatre22 Rehearsal Room for Artists23. Seating Area

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Bottom:Street Elevation

City of Dreams PavilionStack Trace PavilionStack Trace I provides a secluded space for performance and education where the relationship between those contained inside and those outside is reversed. Its radial plan and alternating layers of bamboo manipulate the visual permeability of the pavilion walls; people inside can observe through panorama those outside, while those outside can only glimpse in.

The pavilion is based on a synthesis of the architectural concepts of modularity and sectioning expressed through use of recycled pallets and layered sustainable bamboo.

Modularity Sectioning

Stack Trace produces from repeating structural units a free-form volume. Gramazio & Kohlers Structural Oscillations, Venice, 2007-2008, explored this concept with the robotic placement and rotation of bricks as an irreducible component of architecture along a continuous curve to generate three-dimensional form. Stack Trace extends this by allowing the repeating structural unit to define through linear extensions a volume beyond itself.

Embedded consistencies of assembly procedures facilitate construction by hand; rotation of the modular units is uniform, and the variation in length between nearby linear elements is limited.

Stack Trace defines form through horizontal sectioning of a volume. Mafoombey, Helsinki, 2005, by M. Kalliala and E. Ruskeep, used stacking of inexpensive cardboard to create internal geometries. The volume of material required for this approach at Stack Traces larger scale would be impracticable. Lowering the resolution of the section to the thickness of a pallet, and using linear, rather than planar, elements in alternating directions solves this but still allows a form to be read through the rotation of the bamboo around the structural axis.

Module

Stack Trace Pavilion

Production of Digital SpaceInternational Competition, 2012Governor Island, New YorkLecturer: Dr. Marcus White and David Lister

Massing Model

Upper:Exterior Perspective

Governor Island, New York, 2012

Bamboos slotted into the spaces between 2 pallets, and nail them in right position.

Materials Quantity Price TotalBamboo 90mm diameter 2000 pcs $ 1.00 $ 2,000.00Transported from Changxing Jianyun Bamboo Art Factory (China)

Wood Pallets 1200x1000mm 315 pcs $ 0.00 $ 0.00Intent to borrow from a recycle pallet company.

Accomodation for 2 People Quantity Price TotalReturn Flight from Melbourne - New York 2 people $ 2,723.00 $ 5,446.00Use Qantas Airlines

Hotel 7 nights $ 100.00 $ 700,00

Total $ 8,145,00

Bamboo 90mm diameterRecycle wood palletsWood Pallets 1200x1000mm

Sustainable materials that store carbon are used in the construction. The embodied energy, including that from transport, of the materials is low.

The simple, modular construction allows elements to be assembled offsite or onsite, and the pavilion can be disassembled for reuse elsewhere. The pallets and bamboo can be recycled to different purposes, and have end-of-life uses as fuel sources or organic gardening matter.

Exploded View of the Construction

Budgeting

Lifecycle Diagram

Stack Trace Pavilion

Elevation View Plan View

Aerial View

Upper:Interior Perspective

Governor Island, New York, 2012

Concept Diagram

Melbourne Model

History

Verticality + Connection

Conceptual Diagram

Informal Learning

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194319611975

1989

1995

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20062010

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Display Box

Massing

Final Iteration

By using Polyvision Privacy Glass, the appearance of the glass can be changed from translucent to transparent with the touch of an electrical switch. It would be useful if there will be an exhibition that needs darker space

Floor: Tempered Glass

Wall: Polyvision Privacy Glass

Structure: Steel Structure

Transparent Translucent

Concrete Lawn

Union House

New ABP Building Elizabeth Murdoch

Physic

Masson RoadRaymond Priestley

Redmond Barry

Concrete Lawn

Union House

New ABP Building Elizabeth Murdoch

Physic

Masson RoadRaymond Priestley

Redmond Barry

AmplifyJohn Wardle Architects and NADAAA

In this studio you will explore a range of ideas focused around informal learning environments. These explorations will be set around and within the proposed central studio space for the new Faculty of Architecture, Building and Planning at the University of Melbourne. This space is intended to become the focus of activity for the faculty in the future. It will be un-programmed space and a place for collaboration and invention.

Initially, you will investigate and conduct research into new schools of architecture, the lineage of the studio as a spatial type, historical precedents, alternative typologies, the impact of new technologies on learning spaces, and the hall as gathering space. Armed with this knowledge you will then be asked to reconsider the central studio space and to manipulate program, form, skin, detail, furniture, structure to amplify and exaggerate the potential of this space.

The general programmatic organization of the current Schematic Design will be the starting point. You will be asked to develop design strategies that create new environments for learning and a sense of place and community for the entire Faculty within and around the central studio hall space. Indeed, your ideas will not be constrained by the conventional demarcations between enclosed and open spaces, or studio and hall, or interior and campus - they may permeate throughout. These strategies may include radical interventions and urban gestures, or operate at a finer grain of inhabitation, always loosely working within the parti of the current Schematic Design.

The particular design processes of our practices will form the basis of exploring and presenting your design. There will be an opportunity for interaction with the Boston based office of NADAAA. Studio sessions will be held at the office of John Wardle Architects, in the Melbourne CBD.

Studio Leaders:Stefan Mee is a Principal at John Wardle Architects and a design leader within the practice, having joined in 1994 following graduation in Architecture from the University of Melbourne. He has worked on projects of all scales at John Wardle Architects, including many successful design competitions.

Jasmin Williamson is an Architect at John Wardle Architects and is leading many aspects of the new building for the Faculty of Architecture, Building and Planning.

Bryon Kinnaird from the Faculty of Architecture, Building & Planning will also be involved in the studio.

Studio participants will include several others from John Wardle Architects and NADAAA, including John Wardle, Nader Tehrani as well as other guests during the semester.

Union House

Concrete Lawn

Joseph Reed Facade

New ABP Building

Elisabeth Murdoch

Site Analysis

Site Plan

Site Connection

New ABP Hall Master of Architecture Studio DMSD Design Project, 2011The University of Melbourne, ParkvilleStudio Leader: Stefan Mee, Jasmin Williamson, Byron Kinnaird

New ABP Hall

The University of Melbourne, Parkville, 2011

Upper:View to the main hall from the entranceBottom:View to the display box from bridge in second floor

Crit/Large Group Area

1 :1 Scale Space

Exhibition Space

StoreGrand Stair

Stair

Lockers

Study Space

Studio Studio Studio Studio Studio Studio

Studio

Studio

Studio Studio

AA

B

B

Main Entrance

TerraceTerrace

Terrace

Japanese Garden

Deans Workspace

Lift 1 Lift 2 Lift 3 Print Room Print Store

CAD Lab

Terrace

Terrace

large Seminar Roomlarge Seminar RoomStair Stair

Comms Room

Void

Stair

Lockers

Lockers

Study Space

ExhibitionStair

Stair

Lift 1 Lift 2 Lift 3

Stair

StairStair

Comms Room

Academic Workspace

Academic Workspace

RHDsWorkspace

Japanese RoomRHDs Workspace RHDs Workspace

Academic Workspace

Academic Workspace

Stair

Academic Workspace

VoidVoid

Void

Study Space

Crit/ Study Area

Model MakingStudio

Studio Studio Studio Studio Studio Studio

StudioStudio Studio Studio

Studio Studio

Grand Stair

StairStair

Lift 1 Lift 2 Lift 3

Stair Stair

Comms Room

Stair

Academic Workspace

Studio

Academic Workspace

CAD Lab

Void

Void

Void

New ABP Hall

First Floor Plan 1:450

Second Floor Plan 1:550 Third Floor Plan 1:450

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Parkville, The University of Melbourne, 2011

Upper:View to the grand stair from the display boxBottom:View to the study space behind Joseph Reed Facade

Model Making Studio

Exhibition

Exhibition

Rooftop

Study/Crit Space StudioStudio

Studio

Studio

Studio

WorkspaceWorkspace

Workspace

CAD Lab

Workshop Foyer Library

Plant Medium Lecture Theatre

Library Library

Model Making Studio

Exhibition

ExhibitionGrand Stair

1:1 Model Installation

Study Space

Study Space

StoreLockers

Study Space

Terrace

Rooftop Workspace

Workspace

Roof Terrace

Large Exhibition

Foyer Airlock

Medium Lecture Theatre


New Courtyard

Chalkboard Wall Display WallPixel Wall

Pixel Wall

1500mm

2000mm

2000

mm

500m

m

Backside of the Studio Wall

Studio Wall Metamorphosis

0 Month 3 Month

6 Month 9 Month

Screen Wall

Stackable Furniture

400m

m40

0mm

400mm

2 Stack (600mm) 3 Stack (800mm)

Sou Fujimoto, Final Wooden House

4 Stack (1200mm)1 Stack (400mm)

New ABP Hall

Section A 1:450

Model Making Studio

Exhibition

ExhibitionGrand Stair

1:1 Model Installation

Study Space

Study Space

StoreLockers

Study Space

Terrace

Rooftop Workspace

Workspace

Roof Terrace

Large Exhibition

Foyer Airlock



New Courtyard

Parkville, The University of Melbourne, 2011

Section B 1:450

Upper:Top floor of the display box

Tessellation at FABLAB Window

Modules Diagram

Shapes Diagram

8 lines that come from 1 point, illustrate the 8 master programs that could be chosen from bachelor environment degree.

These lines will be use as the basis for module in morphing stage.

The grid of surface boxes. Change the depth of the boxes using the pol-ylines attractor (arrange in 3d coordinates to adjust the depth)

This is the final morphed of the module into the surface boxes; it starts pretty flat and similar, and then drastically changes at one point.

Polylines attractor

The idea behind this tessellation is inspired by the new Melbourne Model program in the University of Melbourne education system. This system changed the old scheme of specialization into more cross-disciplinary program. At the moment, in the Faculty of Architecture Building Planning (ABP), there is only one bachelor degree which is Bachelor of Environment (B.env). After students gradu-ate from this degree, they could choose variety of 8 specific post-graduate program. Architecture,

Urban Design, Landscape Architecture, and Property, are few examples of the major area.

The initial thought of this tessellation was to create a pattern that could reflect the scheme of Mel-bourne Model. The lines that come out from one point illustrate the current education program in ABP. There are a lot of options that student can choose for their master program. Then, lines that intersect each other attempt to represent the notion of cross-disciplinary, where people that come from different education background could study and interact together.

This tessellation will be located in the front window of FabLab, just beside the main entrance of ABP building. Definitely, it will be one of the visual appearances for people (staff, student or visitor) that

passing or coming to the building. So this tessellation has to work as one of the story teller about ABP Faculty. It has to represent art, creativity, design, and etc. That is the reason why the overall shape of this tessellation is not flat, because it tries to give the sense of sculptural object or a piece

of art. The shape of the tessellation starts from considerably flat (near the entrance) and start to get

bigger as it move further from the entrance. It was intentionally made in order to blend the tessel-lation with the building. Rendered Tesselation

Rendered Module

Concept Diagram

Tessellation at FABLab Window


Digital Design ApplicationMSD Design Project, 2011The University of Melbourne, ParkvilleLecturer: Prof. Bharat Dave

Upper:Model photoBottom:Model photos

Grasshopper Model

Grasshopper ScriptLogic Diagram

Layout the elements into 900x600 layout. Labelled each element into its unique number / id.

Pull out all the elements from the board. Assembly all of the elements by looking at their label names. Do the horizontal and vertical ele-ments first, then diagonal elements after that.

Grid ( with its specific name) in Rhinos model, as the basis for the fabrication process.

Example of vertical element

Example of horizontal element

Example of diagonal element (1)

Example of diagonal element (2)

The 1: 5 physical model was made by laser cutter, using 2mm boxboard. The assembly of all elements used the grillage structure. Traditional notching method was used in order to join the intersection part.

One significant thing that has to be considered when making a grillage structure fabrication is the tolerance of the notching. There is so important to test cut first before submit the file for final fabrication.

In addition, labeling also plays a big role, as it would be really easy to get confuse when working with lots of pieces.

Tessellation at FABLab Window

Fabrication Process

Logic Diagram and Script


Upper:Rendered tessellationBottom:View of tessellation on FABLab window

Bourke St. Social Housing

Socialize Social Housing

Experiences

Urban Streetscape

Conceptual Diagram

Verticality + Connection

Concept Diagram

Loundry + Gathering Space (Big Kitchen)

Loundry + TV Room ( Common Living Area)

Loundry + Games (Sport Recreation)

Loundry + Consultation Room + Study Space

Garden Rooftop (Gardening + Open lounge space)

Facilities Diagram

Social activities within the building are organized as a spiral, linking the lower level to the open space at the roof.

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Site Plan 1:500Social Housing

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Site Plan

Master of Architecture Studio EMSD Design Project, 2012Bourke St. Mall, Melbourne CBDStudio Leader: Julie Firkin, Anna Jeffery

Bourke St. Mall, Melbourne CBD, 2012

Upper:Exterior view of the social housingBottom:View to the green rooftop

Housing entrance + Mail room

Housing entrance + Mail room

Garbage rooms

Garbage rooms

Bike storage

Bike storage

Ramp to Carpark

B

A

Childcare

Healthcare

Void

Void

Ground Floor Plan 1:500 First Floor Plan 1:500


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Void

Void

Void

Loundry

Gathering Space

Office Office

Office Office

Void

Void

Office Office

Office Office

Void

Garden rooftop

Consultation Room

Laundry

Study Space

Second Floor Plan 1:500 Fifth Floor Plan 1:500


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Conceptual Diagram

Exterior East Facade

Exterior West Facade

Interior East Facade

Interior West Facade

Conceptual Diagram





Facade System

Internal Skin

Exterior Skin

Analogy

Conceptual Diagram





Conceptual Diagram





Conceptual Diagram





Conceptual Diagram





Conceptual Diagram





Conceptual Diagram





Modular

6mm Stainless steel rod

Alumunium fixing plate

3mm coated sheet alumunium

Galvanized steel SHSGalvanized steel

Carpet Floor Covering

200mm Concrete slab Waterproofing membrane

Ceramic Tile Ceramic Tile

Steel Framework

Gypsum board

Steel Stud WallThermal insulation

Plasterboard

Clear glass

Top track

Bottom track

Blind

Galvanized steel SHS

Galvanized steel SHS15mm Polycarbonate sheet

Steel frames for railing

Box gutter

Glass sliding door

Steel angle

Section Detail


Steel battens atach to horizontal SHS.

Horizontal SHS attach to floor slab.

Diagonal steel frames to strengthen the vertical steel battens.

Prefabricated polycarbonate sheets attach to vertical steel battens.

Exploded View


Upper:View to the new laneway

LiftHousing

Housing

Housing

Housing

Retail

Retail RetailRetailRetail

Atrium

Carpark

Garden rooftop

Garden rooftop

Garden rooftop

1st Floor +4.00

2nd Floor +8.00

3rd Floor +11.00

4th Floor +14.00

5th Floor +17.00

6th Floor +20.00

7th Floor +23.00

8th Floor +26.00

Roof +29.00

Ground Floor +0.00

Basement -3.00

Section A 1:500

Union Lane Causeway Lane

Housing Unit

Studio Room 4 x 8m = 32m2

One Bedroom6 x 8m = 48m2

Two Bedroom8 x 8m = 64m2

Living/Kitchen/Room 23,2m2Toilet 3m2Balcony 3,7m2

Living/Kitchen 21,8m2Room 12,m2Toilet 4,6m2Balcony 5,5m2

Living/Kitchen 26,1m2Room 1 12,1m2Room 2 8,3m2Toilet 4,6m2Balcony 7,2m2


Childcare Healthcare

Loundry + Gathering place

Loundry + Common living area

Loundry + Games area

Loundry + Consultation room + Study Space

Carpark Carpark

Retail

Retail

Retail

Office Office

Office Office

Office Office

Office Office

Office Office

Office Office

Lift

Lift

1st Floor +4.00

2nd Floor +8.00

3rd Floor +11.00

4th Floor +14.00

5th Floor +17.00

6th Floor +20.00

7th Floor +23.00

8th Floor +26.00

Roof +29.00

Ground Floor +0.00

Basement -3.00

1st Floor+4.00

4th Floor+16.00

5th Floor+20.00

6th Floor+24.00

7th Floor+28.00

Roof +32.00

Ground Floor+0.00

Basement-3.00

2nd Floor+8.00

3rd Floor+12.00

Section B 1:500

Little Collin Street


Upper:View to housing corridor

Collective

Socio-Culture Exchange

Branding

Conceptual Diagram

Kampoeng ARtist

Concept Diagram

Concept Diagram

As the nation capital, Jakarta is melting pot of representatives from throughout the archipelago. It is a city of contrast; the traditional and the modern, the sacral and the worldly, the poor and the rich, often stand side by side in this bustling metropolis. Kampoeng Artist at the Old Town of Jakarta tries to deal with those contrasts by using the concept of inclusive urbanism. Kampoeng Artist consists of student housing, artist housing, workshops, art retails, art library, amphitheatre, indoor theatre, 1 to 1 museum, as well as open spaces. Through the mixed of programs that emphasizes on the traditional art and culture of Indonesia, Kampoeng Artist would encourage public engagement of all ages, ethnics, and classes. It offers interactions and cultural exchanges among locals and visitors. Moreover, in order to honour the history of the site and also to counter the dominance the colonial heritage at the northern part of the Old Town, the design of Kampoeng Artist traces back the indigenous urban form of Kampoeng and the Chinese settlement at the Old Batavia.

Problem StatementNowadays, The Old Town of Jakarta is not becoming a prime tourist destination anymore. Most of the heritage buildings are damage and unmaintained, which creates a negative image for the visitors. Moreover, there is a big concern with the lack of attractive places and public facilities around the Old Town. In order to attract larger visitors, these problems need to be addressed. Visitors will not come to the Old Town just for the sake of admiring the historical buildings; they also need attractive places that can offer various activities. As currently there is a growing number of youth that visit the Old Town, there is a potential to explore the Old Town as part of creative industry that focus on the involvement of young society.

Design Proposal

Kampoeng Artist Kota Tua

Kampoeng Artist at Kota Tua Jakarta

Kampoeng Artist

Master of Architecture Design ThesisMSD Design Project, 2012The Old Town, JakartaStudio Leader: Dr. Amanda Achmadi

Collective


Branding

Conceptual Diagram

Kampoeng ARtist

There is a need for finding a new identity to revitalize the Old Town of Jakarta. It might be the time for a new and fresh architectural intervention to invigorate the area. Culture and Art would be a potential theme, since Jakarta is famous for its cultural richness.

Re-activate the Old Town, would also mean the re-activation of local economy sector. By creating a place that could attract regular visitors, indirectly, it will give domino effect for the opening of other commercial activity around the area.

Thus, most importantly, this architectural intervention needs to be inclusive in addressing the social problem in Jakarta. The programs must be designed to have interactions and cultural exchanges between locals and visitors, as well as different social classes.

Problem Statement

Nowadays, The Old Town of Jakarta is not becoming a prime destination anymore for tourism. Most of the heritage buildings are damage and unmaintained, which creates a negative image for the visitors. Moreover, there is also a big concern with the lack of attractive places and public facilities around the Old Town. In order to attract larger visitors, these problems need to be addressed. Visitors will not come to the Old Town just for the sake of admiring the historical buildings; they also need attractive places that can offer various activities.

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STASIUN KERETA API KOTA

PERKANTORAN

PT JARORED

PERTOKOAN

PERTOKOAN

PERTOKOAN

PERTOKOAN

PERTOKOAN

PERTOKOAN

PANIN BANK

KANTOR

METEOROLOGI

PERTOKOAN

PERTOKOAN

BANK BNI 46

BANK DAGANG NEGARA

PERTOKOAN

PERTOKOAN

PERTOKOANPERTOKOAN

GLODOK

PERTOKOAN

P E R T O K O A N

SD 01, 02 SMEA 7

PERTOKOAN

Design Intention

JAKARTA KOTA STATION SQUARE CIRCA 1938

http://farm5.static.flickr.com/4084/5005543778_d6c89f92ea_b.jpg


Kampoeng Artist at Kota Tua Jakartaby Hizkia Irwanto Gouw 378785 Master of Architecture Thesis Studio Studio Leaders: Amanda Achmadi

Conceptual Diagram Heritage Preservation Kampoeng Typology

Co-housing Typology

Control Interaction In between Spaces

Linear

Central Courtyard

DispersedHybrid

Aerial View of Kampoeng ArtistTypology

Collective


Branding

Conceptual Diagram

Kampoeng ARtist

There is a need for finding a new identity to revitalize the Old Town of Jakarta. It might be the time for a new and fresh architectural intervention to invigorate the area. Culture and Art would be a potential theme, since Jakarta is famous for its cultural richness.

Re-activate the Old Town, would also mean the re-activation of local economy sector. By creating a place that could attract regular visitors, indirectly, it will give domino effect for the opening of other commercial activity around the area.

Thus, most importantly, this architectural intervention needs to be inclusive in addressing the social problem in Jakarta. The programs must be designed to have interactions and cultural exchanges between locals and visitors, as well as different social classes.

Problem Statement

Nowadays, The Old Town of Jakarta is not becoming a prime destination anymore for tourism. Most of the heritage buildings are damage and unmaintained, which creates a negative image for the visitors. Moreover, there is also a big concern with the lack of attractive places and public facilities around the Old Town. In order to attract larger visitors, these problems need to be addressed. Visitors will not come to the Old Town just for the sake of admiring the historical buildings; they also need attractive places that can offer various activities.

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JL. PINTU

BESAR UTARA

KA

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ESA

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JL. ASEM

KA

JL. BANK

JL. PINTU

BESAR UTARA

JL. KALI BE

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JL. KALI BESAR TIMU

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JL. KALI B

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JL. JEMBATAN

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JL. PINAN

GSIA 1

JL. ASEM

JL. PINANG

SIA 3

JL. KEMUKU

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JL. PINAN

GSIA 1

JL. PINAN

GSIA BARAT

JL. ASEM

JL. KETUM

BAR

JL. PINANG

SIA 2

JL. PANCORAN

ST. KOTA

JL. PINTU

BESAR SELATAN

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JL. PE

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JL. LADA

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JL. PINAN

GSIA BARAT

KALI BESAR

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JL. PINAN

GSIA TIM

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JL. MANGGA

DUA

KANTORPAJAK

BANK BUMI DAYA

TAMAN FATAHILAH

MUSIUM WAYANG

MUSIUM FATAHILAH

BANK EXIM

PT. KARYA NIAGA

PERKANTORAN

PERKANTORAN

BANK BUMI DAYA

BANK INDONESIA

PARKIR BI

BANK EXIM

BANK EXIM

TEMPAT PARKIR

PASAR PAGI

PERKANTORAN

BANK DAGANG NEGARA

PERKANTORAN

JASA RAHARJA

BAHKRA ADIGUNA

BANK EXIM

PERTOKOAN

BCA

PUSAT

PERBELANJAAN

PERTOKOAN

PERTOKOAN

TK. JEMBATAN BATU

PERTOKOAN

PERTOKOAN

MESS

BANK BNI 46

PERTOKOAN

PERTOKOAN

PERTOKOAN

MASJID BNI 46

PERTOKOAN

PERKANTORAN

PERTOKOAN


PERKANTORAN

PT JARORED

PERTOKOAN

PERTOKOAN

PERTOKOAN

PERTOKOAN

PERTOKOAN

PERTOKOAN

PANIN BANK

KANTOR

METEOROLOGI

PERTOKOAN

PERTOKOAN

BANK BNI 46

BANK DAGANG NEGARA

PERTOKOAN

PERTOKOAN

PERTOKOANPERTOKOAN

GLODOK

PERTOKOAN

P E R T O K O A N

SD 01, 02 SMEA 7

PERTOKOAN

Design Intention




Kampoeng Artist at Kota Tua Jakartaby Hizkia Irwanto Gouw 378785 Master of Architecture Thesis Studio Studio Leaders: Amanda Achmadi

Conceptual Diagram Heritage Preservation Kampoeng Typology

Co-housing Typology

Control Interaction In between Spaces

Linear

Central Courtyard

DispersedHybrid

Aerial View of Kampoeng Artist

Kampoeng Typology

Co-housing Typology



Heritage Preservation

Existing Jembatan batu Elevation

The Old Town, Jakarta, 2012

Upper:Aerial view of Kampoeng Artist

Artists HousingArts Retails and GalleriesCafe (Traditional Food)Grand Stair and Viewing PlatformArtists Workshops

IKJ Students Housing

Street Hawkers Area

Art Retails

Art LibraryIndoor Theatre Entrance from the Station KotaAmphitheatre Seating for Drop-off1 to 1 Museum

Student Housing 101 Studio Rooms (@25,8m2)33 Two Bedrooms (@35,2m2)Students Workshop12 Smaller Workshops (@55,2m2)2 Bigger Workshops (226,5m2, 151,5m2)Artists Housing20 One Bedrooms (@48,7m2)Artists Workshop8 Large Space Workshops(7x 146,2m2, 1x 93,7m2)Retail / Gallery Spaces(11x 55,2m2, 6x 146,2m2)Theatre2 Level Indoor Theatre (342,8m2)Amphitheatre (194,5m2)Restoration3 Level Library (514,7m2)Tunnel Entrance (75,1m2)1 to 1 Museum (300,4m2)

Planning Diagram

Stage 1Preserving and re-using existing heritage buildings.

Stage 2Adding housings by keeping the typology of Chinese Shophouse

Stage 4Create the landscaping of the site (amphitheatre, trees and greenery

Stage 3Placing Kampoeng style workshops and housings in the middle of the site and blend it with the Chinese Shophouse

Stage Planning

Kampoeng Artist


Upper:View to the amphitheatreBottom:View from the viewing platform to the Station Kota Square

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LODOK SEL

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JL. JEMBAT

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JL. PINAN

GSIA 1

JL. ASEM

JL. PINANG

SIA 3

JL. PINAN

GSIA BARAT

JL. ASEM

JL. PINANG

SIA 2

ST. KOTA

JL. PINTU

BESAR SELATAN

JL. LADA

JL. JEMBAT

AN BATU

JL. ASEM

KA

JL. PETAK SEMBILAN

JL. PINAN

GSIA TIM

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JL. MANGGA

DUA

KALI CILIWU

NG

BANK BUMI DAYA

BANK BUMI DAYA

BANK INDONESIA

PARKIR BI

BANK EXIM

BANK EXIM

TEMPAT PARKIR

PASAR PAGI

PERKANTORAN

BCA

PERTOKOAN

TK. JEMBATAN BATU

PERTOKOAN

PERTOKOAN

PERTOKOAN

PERTOKOAN

PERTOKOAN

PERKANTORAN


PERKANTORAN

PT JARORED

PERTOKOAN

PERTOKOAN

PERTOKOAN

PERTOKOAN

P E R T O K O A N

PERTOKOAN

TOKO SUNDAY

Circulation

Entrance from station kota

Entrance from the drop off point

Side entrance

Street hawker entrance

Art laneway entrance

Retail Spaces

Entrance into student housing + workshops

Artists workshops

Amphitheatre

Large IkJ workshops

Entrance from station kota

1 to 1 museum

Legends

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Legends1. Drop off2. Amphitheatre3. Art library4. Indoor theatre5. 1 to 1 museum6. Entrance from station kota7. Art retail spaces and cafes8. Entrance into students housing9. Students private workshop10. Artists workshops11. Grand stair and viewing platform12. Outdoor artists workshops13. Stair14. Public Toilet15. IKJs workspace16. Street hawkers area17. Art laneway

Site Plan 1:5000

Ground Floor Plan 1:750

Kampoeng Artist

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Upper:View to the courtyard and workshop spacesBottom:Photos of physical model

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First Floor Plan 1:900

Second Floor Plan 1:900

Third Floor Plan 1:900

Kampoeng Artist


Upper:View to the retail space in second floorBottom:View to the laneway

Jl. Pintu Besar Selatan Jl. Pinangsia Barat

Jl. Jembatan BatuJl. Asem

Cafe

Retail space

Students workshop

Students workshop

Students housing entrance

Arts laneway

Communal kitchen

Communal living area

Communal kitchen


Communal kitchen


Cafe

Retail space

Students workshop

Students workshop


Arts laneway

Communal kitchen


Communal kitchen


Communal kitchen


Cafe

Retail space

Students workshop

Students workshop


Arts laneway

Communal kitchen


Communal kitchen


Communal kitchen


Cafe

Retail space

Students workshop

Students workshop


Arts laneway

Communal kitchen


Communal kitchen


Communal kitchen


Ground Level First Level Second Level Third Level

Kampoeng Artist

Housing Cluster (1:300)

Section A 1:500

Section B 1:500

Jl. Pintu Besar Selatan Jl. Pinangsia Barat

Bamboo fence Recycled bottle Cement block

Old window louvre Plants


Facade Types

Upper:Exterior view of the IKJ student housing

master liu bathouse

south port melb life saving club

hal hartley exhibition

2008, semester 2 2009, semester 1 2009, semester 1

Interior Design Construction Technology BStudio Leader: Val Austin

4 david lane, windsor

beaconsfield parade, south melbourne

Interior Design Studio (Sustainable)Studio Leader: Val Austin

acmi, melbourne cbd

Exhibition DesignStudio Leader: Erin Brooke

fillet stool art hotel and library

macedon housing

2009, semester 2 2009, semester 2 2009, semester 2100% tokyo, japan

Furniture DesignStudio Leader: Justin Hutchinson

22 ridgeway pl, melbourne cbd

Interior Design Construction Technology CStudio Leader: Val Austin

macedon, macedon ranges

Interior Design Studio (Inhabitation)Studio Leader: Val Austin

community hall

vtg community hall

vtg community hall

2010, semester 1 2010, semester 1 2010, semester 14 david lane, windsor

victoria treasure garden, melbourne cbd

victoria treasure garden, melbourne cbd

Master of Architecture Studio AStudio Leader: Dennis Prior



thread wall new abp building

chadstone 2030

2010, semester 2 2010, semester 2 2011, semester 2creswick campus, the university of melbourne

the university of melbourne, parkville

chadstone, melbourne

Construction Method BStudio Leader: Dr. David Obrien, Grand Dival, Hamish Hill

Master of Architecture Studio BStudio Leader: Dr. Scott Drake, Fiona Mclean

Flexible Digital Urban ModellingStudio Leader: Dr. Marcus White

un memorial paper tube pavilion

performative pavilion

2011, semester 2 2012, semester 1 2012, semester 1un headquarter, new york

governor island, new york

governor island, new york

Digital Design ApplicationStudio Leader: Prof. Bharat Dave

Production of Digital SpaceStudio Leader: Dr. Marcus White, David Lister



union house bike park

mustika utara facade

2012, semester 1 2012, semester 1 2012, februarygovernor island, new york

union house, parkville

sunter, jakarta


pvc tube pavilion

Applied ConstructionStudio Leader: Karen Marie Tairnfield

Client: Mustika Utara

HIZKIA IRWANTO GOUW PORTFOLIOBachelor of Design (Swinburne University of Technology) 2008 - 2009Master of Architecture (The University of Melbourne) 2010 - [email protected] 0449027097

Hizkia Gouw - Master of Architecture Portfolio

Documents

germanystudio leader

jakartastudio leader

melbourne cbdstudio

new yorkstudio leader

bharat davedocumenta

kazuyo sejimadocumenta

overall environment

initial sketchesideas