Final piece development part 4...From my initial drawing I was able to digitally manipulate my lay out by overlaying and repeating, flipping and altering the opacity. This gave the

Final piece development

part 4

Creating an outcome with strong links to your starting point and artists.

Loom 4 link

From my initial drawing I was able to digitally manipulate my lay out by overlaying and repeating, flipping and altering the opacity. This gave the feel of one image being more important than the other or one image being more in the forefront of someone’s memory.

Title for the page, this lets the examiner be aware ofwhat your intentions are. As in these are just lay outs for position options not final designs as they don’t have any artist influences.

A photograph of my original drawing that I am using for the composition.

1. 2.

Position the different composition design ideas evenly on the page so each can be appreciated for their own success.

From my initial drawing I was able to digitally manipulate my composition by overlaying and repeating, flipping and altering the opacity. This gave the feel of one image being more important than the other or one image being more in the forefront of someone’s memory.

1. 2.

3.

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5.

Write a couple of lines here about how successful this composition is and why.

Write a couple oflines hereabout how successful this composition isand why.

Write a couple oflines hereabout how successful this composition isand why.

Write a couple oflines hereabout how successful this composition isand why.

Kris Trappeniers

Agnes Cecile

Kris Trappeniers

Van Gogh

Influences from artists

This weeks tasks.

• Print off fused composition A4 size or trace out from computer screen.

• You could also use one of your line drawing compositions from week 1 and 2.

• With the artists you are being inspired by, apply materials to the composition

• Present work in your folder if you can.

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