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A Design Process: one of infinite ways to design
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Page 1: Design Process

A Design Process: one of infinite ways to design

Page 2: Design Process

Step 1: Goals Articulation“Goals help us integrate the various elements that will serve our needs, and they also help guide our decision-making. They speed up the process of design and implementation, help ensure details are thoroughly researched, help to re orient us when suffering from ‘designer’s block’, prevent wasted effort and sharpen our focus in observing our site.”

-Jacke & Toensmeier

(Taken from: Edible Forest Gardens volume 2)

Page 3: Design Process

Goals Articulation• As a designer, you are serving in the role of

“midwife.” • You are supporting your clients (friends, family, professional, etc.) to

articulate their goals and realize what they truly want from their lives

• Sometimes clients will be fixated on one solution or element—the proverbial “red gazebo.” They believe this “red gazebo” is the solution.

• Your job is to remain objective and hold the possibility of multiple solutions. In this way, you can help guide your clients to gain a wider perspective.

Page 4: Design Process

Guidelines for Goals Articulation

• The difference between articulating vs. setting goals is the belief that our goals are already within each of us—and the act of articulating them is a means to unearth the function of our root needs behind the form

• Setting goals, on the other hand, implies we are striving to achieve something foreign, future-based, and outside of ourselves.

Page 5: Design Process

Guidelines for Goals Articulation

• State goals in PRESENT TENSE ACTIVE VOICE (PTAV), as if the condition already exists. For instance,

• “The orchard on the south-facing hill provides our family with delicious fruit while helping to prevent erosion.”

– When goals are set in the future…condition X will happen…the actualization of the goal sounds as if it is a dream, one which may never be realized.

– Writing in the passive voice sounds weak and the visionary power behind the goal is compromised

Page 6: Design Process

Goals Articulation Example: Urban Permaculture Design

Austin, TX

• An edible landscape feeds the family.• Wildlife are invited through a habitat that

offers food, shelter, and water to animals.• The landscape exhibits year-round interest

through native, ornamental plantings.• Water is sustainably managed and celebrated

as a resource, while mitigating erosion.

Page 7: Design Process

Step 2: Site Analysis & AssessmentObserve and record the existing conditions of a site without judgment or jumping to a design solution.

The elements you record should be relevant to the goals.

Then, analyze the existing conditions.

What are your interpretations of what you have observed—positive or negative?

Page 8: Design Process

Base Map

• The first step to inventorying existing conditions is the creation of a base map.

• You can make observations from the base map directly (a simple approach).

• Or you can use the base map as your bottom layer, and stack overlays of different factors affecting the site on top of it.

• On each overlay (e.g. drainage patterns, vegetation etc.), make a set of observations (with a dot) and interpretations (with an arrow)

Page 9: Design Process

Creating a Base Map

Page 10: Design Process

Contour Lines: Landform/Slope

Page 11: Design Process

Aerial Photographs

Page 12: Design Process

Example Base M

apBASE MAP: • Property Boundary• Building Footprint• Existing Hardscape• Significant Trees & Plants

TITLE BLOCK:• North Arrow• Scale• Site Location• Your Name

Page 13: Design Process

NORTH ARROW

BUILDING FOOTPRINT

DRIVEWAY/HARDSCAPE

VEGETATION/TREES

PROPERTY BOUNDARY

TITLE BLOCK

PATH/HARDSCAPE

SCALE

Page 14: Design Process

Context Observations

Context is important to consider—although not on this map, key elements to consider in this design:

• Climate: humid, hot, central Texas, with short, temperate winter• 1-acre urban lot

abutting a public park with stream corridor• On the corner of a busy

intersection: cars, cyclists, and pedestrians• Two elementary-age

children live here

Page 15: Design Process

← Slopes

← Land Use

← Impervious Surfaces

← Hydrology

← Soils

← Transportation

← Conservation Areas

← Farmland

Map Overlay Analysis: taken from Feed Northampton: First steps Towards a Local Food System

Summ

ary Analysis

Page 16: Design Process

Summ

ary AnalysisSCALES OF PERMANENCE:• Wind Direction• Sun & Shade• Drainage Patterns• Landform/Slope• Views• Flows: Sound/ Light/Erosion• Vegetation• Access & Circulation

TEXT:• Observations• Implications• Design Directions

Page 17: Design Process

Step 3: Design Design is a result of integrating:

Step 1: Goals Articulation +Step 2: Site Analysis and Assessment

Ideally, all design decisions are informed by the client’s goals and conditions of the site

Page 18: Design Process

• Include Elements that address Goals

• Arrange Elements using Permaculture Principles

• Maximize on Beneficial Relationships

• Graphics are Simplified and Sketchy

• Key spatial relationships are explored

• Good stage for a Reality Check

Design: Bubble D

iagram

Page 19: Design Process

Final Design

• Plant Species & Quantities

• Illustrative Graphics

• Color Rendered

• To Scale

• Make it your own Style!

TEXT• Summary of Main Points• Pros• Cons

Page 20: Design Process

Step 4: ImplementationStep 5: Evaluation

Implementation takes the ideas on paper and puts them to test on the site. For instance, installing a garden or a water feature.

Evaluation compares the design with the original goals of the project and evaluates how well the design is achieving those goals.

Page 21: Design Process

GADIE

• G: Goals Articulation• A: Analysis & Assessment• D: Design• I: Implementation• E: Evaluation