Demolition Plans
Mar 05, 2016
The score to "Demolition Plans," track 10 on In Two (A) (March 2014).
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Transcript
Copyright March 2014 Ben Norton
Alto
Tenor
Baritone
Electric Guitar
Electric Guitar
5-string Bass Guitar
Piano
Synthesizer
Violin I
Violin II
Viola
Violoncello
Strings
Drum Set
Please
f
re lax.-
q = 220
Please
f
re lax.- Would you just re lax?- Learn to acq ui- esce.-
Please
f
re lax.- Would you just re lax?- Learn to acq ui- esce.-
f
f
f
Sounds a M3rd lower than written.
Demolition Plans
Ben Norton
from In Two (A)
P-7 P-6 P-7 P-6 P-7 P-6 P-7 P-6
P-7 P-6 P-7 P-6 P-7 P-6 P-7 P-6
3
Ben
Stamp
A.
T.
Bar.
E. Gtr.
E. Gtr.
Bass
Pno.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Str.
Dr.
Please re -
10
Learn to ex press- your self- with the bi nar- - y. Ex press- your self- in the bi na- ry.- Please re -
Learn to ex press- your self- with the bi nar- - y. Ex press- your self- in the bi na- ry.- Please re -
P-7 P-6 P-7 P-6 P-7 P-7 P-6 P-7 P-6
P-7 P-6 P-7 P-6 P-7 P-7 P-6 P-7 P-6
3
2
A.
T.
Bar.
E. Gtr.
E. Gtr.
Bass
Pno.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Str.
Dr.
lax.
19
lax. Would you just re lax?- Learn to acq ui- esce.-
lax. Would you just re lax?- Learn to acq ui- esce.-
P-7 P-6 P-7 P-6 P-7 P-6 P-7 P-6
P-7 P-6 P-7 P-6 P-7 P-6 P-7 P-6
3
A.
T.
Bar.
E. Gtr.
E. Gtr.
Bass
Pno.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Str.
Dr.
27
Learn to be your self- with the bi na- ry.- Be your self- in the bi na- ry.- Be
Learn to be your self- with the bi na- ry.- Be your self- in the bi na- ry.- Be
P-7 P-6 P-7 P-7 P-6 P-7 P-6 P-7
P-7 P-6 P-7 P-7 P-6 P-7 P-6 P-7
4
A.
T.
Bar.
E. Gtr.
E. Gtr.
Bass
Pno.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Str.
Dr.
Be the bi nar y.-
35
the bi nar- y.- Be the bi nar y.- This is what we're told. You
the bi nar- y.- Be the bi nar y.-
P-6 P-7 P-6 P-7 P-6 P-7 P-6 P-7
P-6 P-7 P-6 P-7 P-6 P-7 P-6 P-7
3
5
A.
T.
Bar.
E. Gtr.
E. Gtr.
Bass
Pno.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Str.
Dr.
Get rea dy-
43
bet ter- be have.- Get rea dy-
P-6 P-7 P-6 P-7
P-6 P-7 P-6 P-7
6
A.
T.
Bar.
E. Gtr.
E. Gtr.
Bass
Pno.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Str.
Dr.
to re hearse.-
49
to re hearse.- You'll per form- the gen der-
P-7 P-6 P-7 P-6 P-7 P-6 P-7 P-6
P-7 P-6 P-7 P-6 P-7 P-6 P-7 P-6
7
A.
T.
Bar.
E. Gtr.
E. Gtr.
Bass
Pno.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Str.
Dr.
57
chos en- for you. You'll per form- the sex chos en- for you.
You'll per form- the sex chos en- for you.
P-7 P-6 P-7 P-6 P-7 P-6 P-7
P-7 P-6 P-7 P-6 P-7 P-6 P-7
8
A.
T.
Bar.
E. Gtr.
E. Gtr.
Bass
Pno.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Str.
Dr.
64
You'll per - form the sex u- al- i- ty.- chos en- for you.
You'll per - form the sex u- al- i- ty.- chos en- for you.
P-6 P-7 P-6 P-7
P-6 P-7 P-6 P-7
9
A.
T.
Bar.
E. Gtr.
E. Gtr.
Bass
Pno.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Str.
Dr.
70
The sys tem's- in fal- li- ble.- The sys tem's- in fal- li- -
The sys tem's- in fal- li- -
P-6 P-7 P-6 P-7
P-6 P-7 P-6 P-7
10
A.
T.
Bar.
E. Gtr.
E. Gtr.
Bass
Pno.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Str.
Dr.
The sy stem's- in fal- li- ble.-
77
ble. The sy stem's- in fal- li- ble.- How could it make a wrong move?
ble. The sy stem's- in fal- li- ble.-
p
P-6 P-7
3 3
P-6 P-7
3 3
3 3
3
11
A.
T.
Bar.
E. Gtr.
E. Gtr.
Bass
E. Pno.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Str.
Dr.
A84
P.M. P.M. P.M.
mf
B¨‹7 B‹7/B¨ A¨Œ„Š7(#11) FŒ„Š7/A F©‹7/A B‹7
f
P-7
3 3
Slap 3
Electric Piano
E7/B N.C.
Electric Piano
3
12
A.
T.
Bar.
E. Gtr.
E. Gtr.
Bass
E. Pno.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Str.
Dr.
90
P.M. P.M.
E¨7 A¨7½ D¨‹7 D¨7 G7(#9) G¨7(#9)
3
3
N.C.
3 3
13
A.
T.
Bar.
E. Gtr.
E. Gtr.
Bass
Pno.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Str.
Dr.
That's what we're told. Or so we're told.
B95
The world's in two.
Or so we're told.
P.M. P.M. P.M. P.M.
I-8
3 3
3 3
Piano
Piano
3
14
A.
T.
Bar.
E. Gtr.
E. Gtr.
Bass
Pno.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Str.
Dr.
101
How do we know? 'Cus they said so. 'Cus the sy stem- said so.
P.M.
P-7
3
3
3
15
A.
T.
Bar.
E. Gtr.
E. Gtr.
Bass
Pno.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Str.
Dr.
C108
Fuck that. Fuck that.
Fuck that.
3
16
A.
T.
Bar.
E. Gtr.
E. Gtr.
Bass
Pno.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Str.
Dr.
Fuck that. Fuck
116
Fuck that. Fuck
Fuck
3
17
A.
T.
Bar.
E. Gtr.
E. Gtr.
Bass
Pno.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Str.
Dr.
that.
mf
We need the
122
that.
that.
mf
I-7
Nat. Slap
3
18
A.
T.
Bar.
E. Gtr.
E. Gtr.
Bass
Pno.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Str.
Dr.
bi na- ry- just like a hole in the head.
129
3
19
A.
T.
Bar.
E. Gtr.
E. Gtr.
Bass
Pno.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Str.
Dr.
Smash the kyr i- ar- -
135
Dis man- tle- the Sy stem- a long- with its Pro crus- te- an- stan dards.-
Smash the kyr i- ar- -
20
A.
T.
Bar.
E. Gtr.
E. Gtr.
Bass
Pno.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Str.
Dr.
chy
q = 82D141
and its fa v'rite- tool,
chy the bi na- ry.-
mp
p f
Nat.
3
21
A.
T.
Bar.
E. Gtr.
E. Gtr.
Bass
Pno.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Str.
Dr.
E150
p
p
p
p
p
22
A.
T.
Bar.
E. Gtr.
E. Gtr.
Bass
Pno.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Str.
Dr.
161
23
A.
T.
Bar.
E. Gtr.
E. Gtr.
Bass
Pno.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Str.
Dr.
172
f
f
f
f
f
24
A.
T.
Bar.
E. Gtr.
E. Gtr.
Bass
Pno.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Str.
Dr.
rit. q = 82F182
p
mf p
mf p
mf p
mf p
p
3
33 3
3
33 3
25
A.
T.
Bar.
E. Gtr.
E. Gtr.
Bass
Pno.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Str.
Dr.
De
mp
con- struct
f
- the
q = 165G190
f
f
f
f
f
f
f
f f
f
26
A.
T.
Bar.
E. Gtr.
E. Gtr.
Bass
Pno.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Str.
Dr.
bi nar- y- Be
198
3
3
27
A.
T.
Bar.
E. Gtr.
E. Gtr.
Bass
Pno.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Str.
Dr.
who you want to be. On ly- then
205
f
3
28
A.
T.
Bar.
E. Gtr.
E. Gtr.
Bass
Pno.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Str.
Dr.
can we tru ly- - be free.
H211
29
A.
T.
Bar.
E. Gtr.
E. Gtr.
Bass
Pno.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Str.
Dr.
De stroy- the fuc king- bi na- ry.-
218
3 3
30
A.
T.
Bar.
E. Gtr.
E. Gtr.
Bass
Pno.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Str.
Dr.
So we
224
31
A.
T.
Bar.
E. Gtr.
E. Gtr.
Bass
Pno.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Str.
Dr.
can be who we are.
226
6
6 6
32
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