BRITISH BROADCASTING CORPORATION RADIO 4 TRANSCRIPT OF “FILE ON 4” – “A GREEK TRAGEDY” CURRENT AFFAIRS GROUP TRANSMISSION: Tuesday 10 th January 2017 2000 – 2040 REPEAT: Sunday 15 th January 2017 1700 - 1740 REPORTER: Phil Kemp PRODUCER: Sally Chesworth EDITOR: Gail Champion PROGRAMME NUMBER: PEL44001242/AAA
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CURRENT AFFAIRS GROUP - BBCnews.bbc.co.uk/2/shared/bsp/hi/pdfs/10_01_17_fo4_agreektragedy.pdf · - 5 - KEMP: 15 year old Bilal is one of the star pupils in the English class. BILAL:
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BRITISH BROADCASTING CORPORATION RADIO 4
TRANSCRIPT OF “FILE ON 4” – “A GREEK TRAGEDY”
CURRENT AFFAIRS GROUP
TRANSMISSION: Tuesday 10th
January 2017 2000 – 2040
REPEAT: Sunday 15th
January 2017 1700 - 1740
REPORTER: Phil Kemp
PRODUCER: Sally Chesworth
EDITOR: Gail Champion
PROGRAMME NUMBER: PEL44001242/AAA
- 1 -
THE ATTACHED TRANSCRIPT WAS TYPED FROM A RECORDING AND NOT
COPIED FROM AN ORIGINAL SCRIPT. BECAUSE OF THE RISK OF MISHEARING
AND THE DIFFICULTY IN SOME CASES OF IDENTIFYING INDIVIDUAL
SPEAKERS, THE BBC CANNOT VOUCH FOR ITS COMPLETE ACCURACY.
“FILE ON 4”
Transmission: Tuesday 10th
January 2017
Repeat: Sunday 15th
January 2017
Producer: Sally Chesworth
Reporter: Phil Kemp
Editor: Gail Champion
ACTUALITY – WILD ANIMAL NOISES
KEMP: I’m on the Greek island of Samos on the European
Union’s eastern frontier and I’ve just walked into a migrant camp, where we’re told as many
as eighty children could be staying without their families. On one side of me is a tall metal
fence capped with barbed wire and what looks like a small village of metal containers behind
it. On the other, row after row of tents snake up the hillside here. You might have thought
the migrant crisis was over - and it’s true the number arriving on these islands is much
reduced. But a new crisis has taken its place and thousands are now trapped in Greece,
waiting to see if they’ll be granted asylum in the EU - many of them children.
MUSIC
BILAL: My father dead, the Taliban killed him. Two brothers
dead in suicide bomb and then my mother. I’m sorry, I can’t say.
RAMYAR: No baba, no mother, father. Me no family. Family
finish.
- 2 -
KEMP: Tonight on File on 4, we meet the children braving
winter here in makeshift detention camps and ask if enough is being done to protect some of
the world’s most vulnerable washing up on Europe’s shores.
MUSIC FADE
ACTUALITY WITH TABLE FOOTBALL
BISWAS: Yeah, this is the foosball table. So it’s being used at
least ten hours a day. You can see almost some of the small men are starting to lose their legs
because it’s being spun so much around.
KEMP: The sound of young migrants playing table football can
be heard pretty much all day here in Athens at the shelter Dan Biswas founded with his wife
last July. It’s called Faros – or Lighthouse in English – and Dan opened it to house at least
some of the unaccompanied children he was finding living on the streets or in the city’s
parks. These boys are the lucky ones. There are twice as many unaccompanied migrant
children in Greece as there are official places available in shelters.
So what goes on in this building then? [BOY GRABS MICROPHONE]
RAMYAR: How are you? Welcome.
KEMP: [LAUGHING] Hello.
Dan’s showing me around when a boy grabs the microphone.
RAMYAR: We are from Iraq, Faros very, very good.
KEMP: And how old are you?
RAMYAR: How old are me? Twelve!
KEMP: You are twelve?
RAMYAR: Yes, twelve.
- 3 -
KEMP: Wow, your English is excellent.
RAMYAR: English, yes, yes, I have to …
KEMP: This is Ramyar. Because of his age, we’ve changed
his name to protect his identity. Ramyar is amiably mischievous. He’s bouncy and curious
and loves a cuddle, especially from the women on the staff at Faros. He arrived just three
months ago and Dan and his team are still unravelling what happened to him.
RAMYAR: No baba, no mother, father. Me go, I think, yes.
KEMP: Do you have family in Athens at all?
RAMYAR: Me no family, family finish.
BISWAS: So when he came here he was giving different versions
of his story as a defence mechanism, not allowing anyone to get that close to him and then he
actually ran away from our shelter, but then after I think a week or two, he was brought back
and we were able to get closer to him and work more with him and get to know him and try
our best also to make him feel safe, and although he is still very vulnerable and in a very
difficult situation, we have seen a lot of change in him also.
KEMP: Taking over as our tour guide, Ramyar leads us to his
dorm and points to a bunk bed decorated with brightly coloured pictures.
So this is your bed?
RAMYAR: Yes. Only photo.
KEMP: So you drew all these?
RAMYAR: Yes, because me very, very like photo.
KEMP: What have you drawn on these pictures?
- 4 -
RAMYAR: I love Marianna.
KEMP: Is Marianna your dog?
RAMYAR: Yes, me very, very love Marianna, because dog love
me. After Marianna, photo Faros after Iraq. Now England.
KEMP: Well that’s very good. You draw very well.
Ramyar shares his dorm with boys from some of the world’s most crisis-hit communities. He
points to where each of them sleep.
RAMYAR: Yes, yes, yes. Because room Afghani, Pakistani,
Kurdish, Kurdish, Afghani. Because me very, very like, always friendly.
KEMP: You’re on the bottom of a bunk bed here.
RAMYAR: Yes, me very, very like bed here.
KEMP: This is your blanket.
Ramyar and the other nineteen boys who stay here at Faros are among more than two
thousand unaccompanied migrant children now estimated to be in Greece.
ACTUALITY IN LANGUAGE CLASS
TEACHER: Let’s start with just a little bit of conversation.
Anybody want to tell me, what did you do last night?
BOY: I went to sleep …
KEMP: As well as being given food, shelter and legal advice to
help them pursue asylum claims, the boys are also offered education at Faros.
BILAL: Last night my sister called to me from Afghanistan,
yes.
- 5 -
KEMP: 15 year old Bilal is one of the star pupils in the English
class.
BILAL: I was speaking with her a lot of time. I think two hours
I spoke with her.
TEACHER: Beautiful. Okay.
KEMP: Bilal’s around five feet tall with slick, long black hair
combed into a side parting. He looks very young in jeans and a black hoodie. Once more,
because of his age, we’ve changed his name.
BILAL: When I reaching Faros I think I born now.
KEMP: You were born?
BILAL: Yeah, I born now, because when I was in Afghanistan,
my place is very bad. Kunduz now there is Taliban and Daesh.
KEMP: Isis?
BILAL: Isis, yes. And now I have there two brothers, and last
night I called him. How is life going? And he told me, oh don’t speak about life. After 6 or
5pm, we can’t go outside, my brother told me. If I go outside, maybe the Taliban or Isis
killed me.
KEMP: Do you worry about them?
BILAL: Of course I worry about them, because I don’t have
father or mother. My father dead, the Taliban killed him. Two brothers dead in suicide bomb
and then my mother. I’m sorry, I can’t say.
KEMP: It’s okay, take your time, take your time.
- 6 -
KEMP cont: After a moment collecting his feelings, Bilal explains
he’d also lost his mother - to cancer - so his older brothers had to raise him.
BILAL: I love my brothers, like father and like mother.
KEMP: It must have been so hard for you to leave them.
BILAL: It was difficult for me. They told me if you go Europe,
I think your life be better.
MUSIC
KEMP: Bilal tells us for a time he worked in a factory in Iran,
making women’s dresses. He would sleep at work after the lights went out, afraid he might
be caught by the police if he was spotted outside for being in the country illegally. Before
long he’d earned enough money to pay some smugglers to get him to Europe.
BILAL: I had one time twenty hours hiking mountain. It was
very bad for me because I didn’t have water and I didn’t have food, so I was there like this,
oh help me, help me, I don’t have water, I don’t have water, please help me.
KEMP: So were you all on your own?
BILAL: I was alone, so I was in Turkish four days and then I
came to Greece. That’s more difficult.
KEMP: What was that like?
BILAL: Oh, boat makes from balloon tube, balloon.
KEMP: So like an inflatable boat?
- 7 -
BILAL: Yeah, yeah. 43 or 45 people in the boat. We didn’t
have place for sitting. When I reached the middle, here is Turkish, here is Greece, my boat
finished gas.
KEMP: The boat ran out of gas halfway to Greece?
BILAL: Yeah, yeah. We were there five hours, six hours,
everybody crying, oh my God, help me, oh my God, help me, oh my God, help me. And
some person told me, do you speak English? So I called Greece police, I told them police,
please help us. There were children and oh, I can’t say, it’s difficult, yeah.
KEMP: Is it hard, hard to remember?
BILAL: Yeah, yeah.
MUSIC
KEMP: After concern across Europe about the scale of the
crisis, the countries along the so-called Balkan route to the EU – Macedonia, Croatia and
Slovenia - closed their borders to migrants last March, trapping tens of thousands of them
inside Greece. The EU also signed an agreement with Turkey to send back anyone who
either doesn’t apply for asylum or has their claim rejected, in exchange for accelerating
Ankara’s plans for accession. As a result, last year the number making the journey to Greece
fell by around 80%. But what was hoped would be a solution has created a whole new crisis.
Closing the borders means that the migrants that are here - still around 60,000 - have to enter
a Greek asylum system overwhelmed by the task it faces. Since the deal with Turkey, just
162 unaccompanied migrant children have been relocated from Greece to other European
countries. To put that into context, there are currently an estimated 2,300 children in the
country without their families. Bilal is just one of many desperate to move on.
BILAL: I don’t like to learn Greek because I don’t want to be
here.
KEMP: You don’t want to stay in Greece?
- 8 -
BILAL: No, I don’t want to stay here.
KEMP: Georgia Spyropoulou is a human rights lawyer who
compiles monthly reports on the situation for migrants and refugees for the European Union
Agency for Fundamental Rights. She’s highly critical of Europe’s response since the height
of the crisis.
SPYROPOULOU: It’s definitely worse than it was in 2015. What is
happening now is that Greece has turned into a great warehouse for refugees. Fifty thousand
people are living in this situation, worse than if they lived in an actual warehouse. I mean, if
you see the refugee sites that people are staying, they are not a way of living, it’s not a proper
way of living in the 21st century in a European member state. We cannot actually compare
the situation in 2015 with the situation in 17, because what happened in 2015 was an
emergency situation. We shouldn’t approach the situation as an emergency situation. It’s
not. We should talk about something that’s in a way permanent, because these people, until
they are either relocated or their asylum applications are examined and taken the status of
refugee, they will stay in Greece and they will stay in these camps until they are fully
integrated or relocated. We should have a coherent way of providing shelter and services and
this is not the case in Greece today.
ACTUALITY BUSKING IN MAIN SQUARE
KEMP: Here in Athens’ main square, there’s little sign of the
warehousing Georgia Spyropoulou told us about, but you don’t have to go far to find it.
We’ve heard that, on the outskirts of the city, there’s an old airport that’s been brought back
into service as a kind of bizarre migrant village, so we’re about to jump on the metro and see
what conditions are like for the hundreds now living there.
ACTUALITY ON METRO
ACTUALITY OUTSIDE AIRPORT, RAIN
- 9 -
KEMP: Well, this is completely surreal. I’m standing in what
must have been the old forecourt to the airport and there are children out playing in the
puddles as lightning flashes in the distance, and I can see tiny handprints painted on the walls,
where this must be used as a kind of nursery during the daytime. There’s just an
overwhelming sense of futility about the place - toddlers’ clothes hanging out to dry in the
middle of a torrential downpour and hundreds of migrants sleeping in the middle of an old