ASIAN ART - Wannenes Art Auctions

ASIAN ART

26 NO

VEMBER 2019

MI293

wannenesgroup.com

ASIAN ARTMILAN 26 November 2019米兰, 2019年11月26日

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Lot 72

Lot 60

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front page:Lot 66

La partecipazione all’Asta implica l’integrale e incondizionata accettazione delle Condizioni di Vendita riportate in questo catalogo

I lotti potranno essere ritirati a partire da Martedì 26 Novembre esclusivamente previo appuntamento telefonico +39 02 72023790

Taking part in the Auction implies the entire and uncondItional acceptance of the Conditions of Sale outlined in this Catalogue.

The lots may be collected from Tuesday 26 November, by telephone appointment calling +39 02 72023790.

ASIAN ARTMILAN, 26 NOVEMbER 2019

米兰, 2019年11月26日

Lot 4

ASTA - AUCTIONMilanoPalazzo RecalcatiVia Amedei, 8

MARTEDì 26 NOVEMBRETuesday 26 November

Tornata Unicaore 15.00 lotti 1 - 156Single Sessionat 3pm (local time) lots 1 - 156

ESPOSIZIONE - VIEWINGMilanoPalazzo RecalcatiVia Amedei, 8

SABATO 23 NOVEMBREore 10-13 14-18Saturday 23 November10am to 1pm - 2 to 6pm

DOMENICA 24 NOVEMBREore 10-13 14-18Sunday 24 November10am to 1pm - 2 to 6pm

LUNEDì 25 NOVEMBREore 10-13 14-18Monday 25 November10am to 1pm - 2 to 6pm

MARTEDì 26 NOVEMBREore 10-13Tuesday 26 November10am to 1pm

I lotti contrassegnati con il simbolo "*" al momento della stampa sono stati identifi-cati come contenenti materiali organici che possono essere sottoposti a restrizioniper l'importazione o l'esportazione. Chi fosse interessato è pregato di mettersi incontatto con i nostri uffici prima dell'asta.

Lots with this symbol "*" have been identified at the time of cataloguing as contai-ning organic material which may be subject to restrictions regarding import or ex-port. For further information contact the Management of WANNENES ARTAUCTIONS before the sale.

在编目时已经识别出含有此符号“*”的批次可能受进出口限制的有机材料。有关更多信息，请联系WANNENES ART管理层拍卖前拍卖。

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INFORMAZIONI RIGUARDANTIqUESTA VENDITAAUCTION ENQUIRIES AND INFORMATION

ESPERTISPECIALISTS IN CHARGE

Asian ArtAlessandra [email protected]

AMMINISTRAZIONEVENDITORI - COMPRATORIPAYMENT bUYERS - SELLERSLuciana Moratti Colonna+39 010 [email protected]

ASSISTENZA CLIENTICOMMISSIONI D’ACQUISTOOFFERTE TELEFONICHECLIENT SERVICESAbSENTEE bIDSIlaria De [email protected] [email protected]+39 02 72023790

RISULTATI D’ASTAAUCTION RESULTSLinda Montecchiani+39 02 [email protected]

STATO DI CONSERVAZIONECONDITION REPORTTel. +39 02 72023790Fax +39 02 89015908 [email protected]

Lot 11

MILANOPalazzo Recalcati

Via Amedei, 8

20123 Milano

Tel. +39 02 72023790

Fax +39 02 89015908

GENOVAPalazzo del Melograno

Piazza Campetto, 2

16123 Genova

Tel. +39 010 2530097

Fax +39 010 2517767

ROMA

Via Avezzana, 8

00195 Roma

Tel. +39 06 69200565

Fax +39 06 69208044

MONTE CARLO

6, Avenue Saint Michel

98000 Monaco

Tel. +377 99 90 4626

GUIDO [email protected]

ASSOCIATI

Giulia Checcucci WannenesTotal [email protected]

Luca ViòloMedia & [email protected]

Chiara GuiducciResponsabile Assistenza [email protected]

Barbara BaiardiAssistenza Clienti [email protected]

Agnese BensoAssistenza Clienti [email protected]

Ilaria De PianAssistenza Clienti [email protected]

Linda MontecchianiAssistenza Clienti [email protected]

Costanza da SchioAssistenza Clienti [email protected]

Luciana Moratti [email protected]

Alessandro VigoAssistenza Tecnica e Servizio [email protected]

Luca RedentiResponsabile Sala d’Asta

Alessio CaselliYuri Lo NobileSpedizioni e Ritiri

Dan UngureanuSpedizioni e Ritiri Milano

STAFF

BOARD

MAURIZIO PIUMATTIDirettore [email protected]

LUCA MELEGATIDirettore [email protected]

STEFANO DELLA CROCE DI DOJOLADirettore [email protected]

PugliaFrancesco Petrucci+39 348 [email protected]

SiciliaRiccardo Vitali+39 345 [email protected]

ToscanaCecilia brunner Muratti+39 335 [email protected]

VenetoChristiane d’Albis+39 338 [email protected]

FranciaClaudia Pucci di benisichi+33 607 [email protected]

Regno UnitoFederica Della Rocca+44 7899 [email protected]

LiguriaPaola bertolini+39 366 [email protected]

Lombardiabenedetta Gallizia di Vergano+39 347 [email protected]

PiemonteChiara benevolo Caroni+39 351 [email protected]

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TAPPETI E TESSUTI ANTIChIDavid Sorgato

[email protected]

DIPINTI ANTIChIAntonio Gesino

[email protected]

DIPINTI DEL XIX SECOLORosanna Nobilitato

[email protected]

MEMORABILIA & COLLECTABLESRoberto Ruggeri

[email protected]

OROLOGIGiacomo Cora

[email protected]

GIOIELLIbenedetta Romanini

[email protected]

Teresa [email protected]

WINE & SPIRITSGelasio Gaetani d’Aragona

[email protected]

MOBILI, SCULTURE E OGGETTI D’ARTEMauro Tajocchi

[email protected]

MONETE E MEDAGLIEDaniele Ricci

[email protected]

DIPART

IMEN

TIARGENTI, AVORI, ICONEE OGGETTI D’ARTE RUSSATommaso [email protected]

CLASSIC & SPORTS CARSJacopo [email protected]

Luigi Chiaramonte [email protected]

DIAGNOSTICA E RICERCA SCIENTIFICAMichela [email protected]

ASIAN ARTAlessandra [email protected]

DESIGNAndrea [email protected]

Giacomo [email protected]

ARTE MODERNAE CONTEMPORANEAGuido [email protected]

Massimo [email protected]

Pier Matteo [email protected]

DIPART

IMEN

TI

CERAMIChE E VETRILuca [email protected]

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RULES TO bID 競投規則

A money deposit of € 5.000,00 to 10,000.00 will be requested to participate to the bid ( cash, bank tran-sfer or credit card Visa - Mastercard)欲參與競投者，需先交付 € 5.000,00 - € 10,000.00的保證金(接受以現金、銀行匯款或信用卡支付)In the case of not getting the lot, the amount will be immediately, or refund within 7 days after sale

在沒有投到拍品的情況下，該金額將立即，或在出售后7天内退款

Telephone bid and written offer must be made maximum 48h before the Auction以電話競投或書面出價競投的參與者，請於拍賣開始前48小時內完成申請

"Premium Lot " deposit : to bid the premium lot, a guarantee deposit of € 10.000 will be requested ( to sendat least 5 working days before the Auction) “高额“保證金：投標溢價很多，為 € 10,000保證金將被要求提交（在拍賣之前至少5個工作日)

All the bidders in the room must have a paddle nr. and be regularly registered (personal data, copy of pas-sport or ID card; in the case they bid for a third person all the data of the third person must be registeredbefore the sale所有房間內的投標人必須有一個競標號碼牌。定期進行登記（個人資料，護照或身份證複印件，第三方代表須在競拍三日之前註冊登記）

All the data for the invoicing must be conferred immediately after the sale, before leaving the saleroom發表日期必須在售後馬上確定

The entirely amount must be paid within 7 working days from the date of the Auction 該款項

必須從拍賣之日7個工作日內完全支付

After 10 working days of non payment bank interests will be added 10個工作日

內後不付款到將被添加銀行的利益

MONEY TRANSFER : 匯款：ART AUCTIONS Srl (WANNENES) UNICREDIT bANK – Via Dante 1 – 16121 GenoaIBAN IT 02 H 02008 01400 000110001195 SWIFT UNCRITMMAll the CREDIT CARD PAYMENTS for Caution deposit or for lot payment must be made in CNY value or acommission will be requested) 所有信用卡付款的注意事項：保證金付款必須在人民幣價值呢或者的佣金）

For long distance authorization payments (caution deposit or payment of invoice) with CREDIT CARD,WANNENES will provide you a Form to full fill and return by fax or email to the registration desk 對於長距離的付款：（保證金或付款發票）使用信用卡，Wannenes將為您提供一個表格，请填

寫完整並傳真或電郵至登記處

Fax nr. 傳真號碼 0039 02 72023790 Email 郵箱 : [email protected] – [email protected]

CONDITION REPORTAnswering your request, we gently provide you the “condition report” of the objects described in the ca-talogue. As we are not restorers or professional conservators, all the possible buyers should inspect thelots by themselves or consult a professional restorer of their trust during the viewing before the auction.Any statement made by WANNENES is a subjective opinion. WANNENES offers and sell all lots in accordancewith the “General condition of sale” (art. 8) printed in the catalogue.狀況報告拍卖会

应您的要求，我们为您提供目录中描述对象的“状况报告”。因為沒有修复的专业人士，我们建议

每一个可能的买家亲自或由其信任的人在每次竞拍曝光前检测卖品。WANNENES 的任何聲明是

主觀意見。Wannenes按照印在目录的 “条款和条件” 提供和销售所有拍卖品（见第8条条款）Lot 82

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TORNATA UNICAMARTEDì 26 NOVEMBRE 2019 ORE 15LOTTI 1 - 156

SINGLE SESSIONTUESDAY 26 NOVEMBER 2019 AT 3PM

LOTS 1 - 156

Lot 80

1312

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DIPINTO A COLORI SU SETA, GIAPPONE, FIRMATO KANOTSUNENOBU (1636 – 1713)

A COLOR PAINTING ON SILK, JAPAN SIGNED KANOTSUNENOBU (1636 - 1713).Depicting a standing crane by bamboo tree, framed by a silkdamask panel. Wears on the surface, folding marks.

155 cm high, 68 cm wide without frame

€ 800 - 1.200

Provenance: from the heritage of Giuseppe Dell’ Oro who lived inHong Kong and Japan at late 19th century and since than in thefamily

彩色丝绸绘画，日本，河野君伸签名（1636年-1713年）高度155cm,宽68cm,无框

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DUE FIGURE IN BRONZO PARZIALMENTE DORATO DI GUERRIERI, GIAPPONE, EPOCA MEIJI (1869-1912)

TWO PARTIALLY GILT BRONZE FIGURES OF WARRIORS, JAPAN, MEIJI PERIOD (1869-1912)Standing in a full armour, poising in a belligerent position with separate legs, holding swords, on a wood irregular base.In very good condition.

20 cm high

€ 800 - 1.400

Provenance: from the heritage of Giuseppe Dell’ Oro who lived in Hong Kong and Japan at late 19th century and since than inthe family.

两尊镀金青铜像,日本,明治时期（1869-1912）高20cm

Mr. Isidoro Dell’Oro in 1863 established his firm in Yokohama as one of the first Italian silk export business with Euro-pe, when he went home in 1880 he left Japan and the company to be managed by one of his sons, Giuseppe Del-l’Oro, who established his business in Hong Kong where he continued his life until he died mid twenty century. Herepresented a few pieces Mr. Dell’Oro had in his apartments inherited and passed to heirs.Isidoro Dell'Oro先生于1863年在横滨成立了自己的公司，这是意大利最早的对欧洲的丝绸出口业务之一，1880年回家后，他离开日本，由他的一个儿子管理公司，朱塞佩·戴尔·奥罗Giuseppe Dell’Oro），他在香港建立了自

己的业务，在那里他继续他的生活，直到他于20世纪中期去世。这里展示了几件戈德先生的住所继承并移交给

继承人的作品

FROM THE HERITAGE OF ANTONIO AND GIUSEPPE DELL’ORO WHO LIVEDIN HONG KONG AND JAPAN AT MID - LATE XIX CENTURY AND SINCE THANIN THE FAMILY来自ANTONIO和GIUSEPPE DELL'ORO的遗产,十九世纪以来他们一直居住在香港和日本

1514

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BOWL IN PORCELLANA SATSUMA, FIRMATAKITAMURA, GIAPPONE PERIODO MEIJI (1869-1912),UNITA AD UN’INCENSIERE TRIPODE FIRMATO KOZAN,GIAPPONE, PERIODO EDO (1603-1868)

A SATSUMA PORCELAIN LOBED BOWL, BYKITAMURA, JAPAN, MEIJI PERIOD (1869-1912)AND A SATSUMA TRIPOD CENSER YAKI BYKOZAN, JAPAN, EDO PERIOD (1603-1868)The bowl in good condition, the censer with coverbroken (partly pieces available).

Tripod 9 cm high, 14,5 cm diam.Bowl 6 cm high, 15 cm diam.

€ 300 - 500

Provenance: from the heritage of Giuseppe Dell’ Orowho lived in Hong Kong and Japan at late 19thcentury and since than in the family.

瓷碗,北村落款,日本,明治时期（1869-1912)和一只三角香炉,Kozan落款,日本,江户时期1603-1868）三脚架高9cm，直径14,5cm - 碗高6cm，直径15cm

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PREZIOSA SCATOLA CON COPERCHIO PER UTENSILI DASCRITTURA IN LACCA DORATA, (SUZURIBAKO), GIAPPONE, MEIJIPERIOD (1869-1912)

A PRECIOUS BLACK AND GILT LACQUER SUZURIBAKO(BOX FOR WRITING UTENSILIS) AND COVER, JAPAN,MEIJI PERIOD (1869-1912)With a rectangular shape, the flush-fitting cover withshaped indentations to either sides for easy removaldecorated with tree by a river with blossoming flowersbranches and pheasants amongst clouds, all in gold, silverand black and blue takamaki-e and hiramaki-e on a nashijiground, the underside of the cover lacquered in similartechniques with a scene of flowers sprouts and rocks by asinuous river, removable inner tray and on a nashiji ground,fitted with an rectangular inkstone and a silver waterdropper with prunus flowers. In very good condition, verytiny wear on lacquer on the corners.

25,8 cm high, 22,8 cm wide

€ 2.000 - 4.000

Provenance: from the heritage of Giuseppe Dell’ Oro who livedin Hong Kong and Japan at late 19th century and since than inthe family.

精美金漆铃木漆（用于制作器皿的盒子),日本,明治时期（1869年至1912年）高25,8cm，宽22,8cm

inside cover

1716

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PICCOLO MOBILETTO PORTATILE IN LACCA NERA, ROSSAE ORO, GIAPPONE, MEIJI EPOCA (1869-1912)

A SMALL BLACK, RED AND GOLD LACQUER TRAVELCABINET, JAPAN, MEIJI PERIOD (1869-1912)Of rectangular shape with a frontal door revealingthree drawers, the exterior with engraved metalmounts and lock plates, lacquered with differentgeometrical patterns revealing cartouches of differentshapes and inside different subjects decorated intakamaki-e. Some wear on the surface and minorlacquer consumption.

23 cm high, 18 cm wide, 26,6 cm deep

€ 200 - 500

Provenance: from the heritage of Giuseppe Dell’ Orowho lived in Hong Kong and Japan at late 19th centuryand since than in the family.

小件黑金漆旅行柜，日本，明治时期（1869-1912）高23cm，宽18cm，深26.6cm

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PICCOLO MOBILETTO (KODANSU) IN LACCA NERA E ORO,GIAPPONE, MEIJI EPOCA (1869-1912)

A BLACK AND GILT LACQUER KODANSU (SMALLCABINET), JAPAN, MEIJI PERIOD (1869-1912) Of rectangular form with six drawers and the small dooropening to reveal three sliding drawers, the exterior withengraved metal mounts and lock plates, set on cabriolelegs, the gold lacquer depicting standing cranes bybamboo trees and on the sides, the top and the backflying cranes over a river, the drawers with flowers andleaves gold lacquer decoration. Some wear on thelacquer and on the surface, one knob missing.

36 cm high, 36 cm wide, 17 cm deep

€ 300 – 500

Provenance: from the heritage of Giuseppe Dell’ Oro wholived in Hong Kong and Japan at late 19th century andsince than in the family.

小件黑金漆（小柜子），日本，明治时期（1869-1912）高36cm，宽36cm，深17cm

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PICCOLO MOBILETTO IN LACCA NERA E ORO, GIAPPONE, EPOCA MEIJI (1869-1912)

A SMALL BLACK AND GILT LACQUER CABINET, JAPAN, MEIJI PERIOD (1869-1912)Of a rectangular shape with eight drawers, decorated in takamaki-e with bamboobranches. Some wear on the surface and some gild losses.

19,5 cm high, 26 cm wide, 13 cm deep

€ 200 - 500

Provenance: from the heritage of Giuseppe Dell’ Oro who lived in Hong Kong and Japan atlate 19th century and since than in the family.

黑金漆壁橱,日本,明治时期（1869-1912）高19.5cm，宽26cm，深13cm

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INUSUALE ARMADIETTO PER TABACCO, IN LACCA NERAE ORO, GIAPPONE, EPOCA MEIJI (1868-1912)

UNUSUAL BLACK AND GILT LAQUER CABINET FORTOBACCO, JAPAN, MEIJI PERIOD (1869-1912)Of a squared shape with three drawers, decoratedin takamaki-e with double gourds and tobaccoleaves. The pipe missing, some wear and some giltlosses.

20,5 cm high, 14 cm wide, 13 cm deep

€ 200 - 500

Provenance: from the heritage of Giuseppe Dell’ Orowho lived in Hong Kong and Japan at late 19th centuryand since than in the family.

黑色镀金漆柜,日本,明治时期（1869-1912）高20,5cm，宽14cm，深13cm

1918

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ETAGERE CON ANTINE (SHODANA) IN LENGO LACCATO NERO, ROSSO E ORO E BASE ASSOCIATA, GIAPPONE, EPOCA MEIJI(1868-1912)

A BLACK, RED AND GILT LACQUER AND MARQUETRY SHODANA CABINET WITH ASSOCIATED STAND, JAPAN, MEIJIPERIOD (1869-1912)The structure black and red lacquered with incised geometric pattern on the borders, the small five cabinet shelves withsides doors, opening doors and drawers with gold lacquered work depicting figures in every day scenes in naturalisticand village landscape. The stand with relief incision of a dragon on the front border. Some wear on lacquer and onthe surface of the cabinet, the stand with minor wear on the surface.

47 cm high, 36 cm wide the shelf16,5 cm high, 43 cm wide the stand

€ 400 - 600

Provenance: from the heritage of Giuseppe Dell’ Oro who lived in Hong Kong and Japan at late 19th century and since than inthe family.

黑红镀金漆家具,日本,明治时期架子高47cm, 宽36cm-底座高16,5cm, 宽43cm

FROM THE PRIVATE COLLECTION OF A MILANESE GENTLEMAN来自米兰绅士私藏

2120

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SCATOLA PER DOCUMENTI "RYOSHIBAKO" IN LACCA NERA, ORO E COLORI, GIAPPONE, EPOCA MEIJI (1868-1912) FIRMATAFAMIGLIA TAKAYAMA-SUN YUE

A LARGE BLACK, GOLD AND COLOUR-LACQUER "RYOSHIBAKO" (DOCUMENT BOX), JAPAN, MEIJI PERIOD (1868-1912) SIGNED: TAKAYAMA FAMILY-SUN YUEOf rectangular form, flush-fitting lid and interior tray; the exterior with black lacquer ground decorated in gold andtakamaki-e, gold foil, nashiji-e, depicting open and closed folding fans with flowers on them, on the left side cornerthe signature, the sides with part of the cover decoration, base and interiors of the box nashiji-e. The tray nashiji-e withinternally fan and flower decoration, externally the signature. The base black lacquer, minor old wear

22,5 cm wide, 30,5 cm long, 14 cm high

€ 900 - 1.500

Provenance: from the private collection of a Milanese Gentleman

黑金漆彩文件盒,日本,明治时期 (1868-1912) 高山家族印章宽22,5cm,长30,5cm,高14cm

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SCATOLA PER LETTERE "FUBAKO" IN LACCA NERA E ORO, GIAPPONE, EPOCA EDO-MEIJI

A BALCK AND GOLD-LACQUER "FUBAKO" (BOX FOR LETTERS), JAPAN, EDO-MEIJI PERIODSlender and rectangular to accommodate papers, the box decorated in gold hiramaki-e with leafy bamboo and cranes,with orange silk cords and tassels; the interior gilt nashiji-e. In good condition.

25,5 cm long, 9 cm wide, 5 cm high

€ 400 - 600


黑金漆器,烟盒,日本,江户-明治时期长25,5cm，宽9cm，高5cm

2322

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GRANDE SCATOLA A RIPIANI E COPERCHI "JUBAKO" IN LACCA NERA E ORO, GIAPPONE, EPOCA TAISHO (1912-1926)

A LARGE BLACK AND GOLD-LACQUER FIVE-TIERED "JUBAKO" (BOX FOR FOOD) AND COVERS, JAPAN, TAISHOPERIOD (1912-1926)The five-tiered rectangular box and covers decorated in gold hiramaki-e on a black ground with scatteredchrysanthemums and flowers and leaves, the interior in red lacquer. Due to humidity the bases of the tiers on some sidedetached, on one cover a piece of 2 cm of lacquer re-stuck.

22,7 cm wide, 24,2 cm long, 34 cm high

€ 200 - 500


大件五层“ JUBAKO”黑金漆器（1912-1926)日本,大正时期宽22,7cm，长24,2cm，高34cm

2524

14

PICCOLA COPERTINA DI MANOSCRITTO CON TRACCE DI DORATURA E LACCATURA ROSSA, TIBET, XVIII-XIX SECOLO

A SMALL PARTIALLY GILT AND RED LACQUER MANUSCRIPT COVER, TIBET, 18TH-19TH CENTURYCarved in the centre with a Tibetan inscription between a lotus petal border. The frame with three different carved reliefbands. In good condition the relief but losses in gilt and red lacquer, traces of red lacquer in the back.

44,2 cm wide, 10 cm high

€ 300 – 500


小件镀金红漆木刻, 西藏, 十八十九世纪宽44,2cm，高10cm

15

COPERTINA DI MANOSCRITTO IN LEGNO, TIBET, TRACCE DORATURA E LACCATURA ROSSA, XVIII-XIX SECOLO

A PARTIALLY GILT AND RED LACQUER WOOD MANUSCRIPT COVER, TIBET, 18TH-19TH CENTURYCarved in the centre with a lozenge pattern and lotus foliate decoration, on the rim stylized lotus leaves relief decoration.In good condition the relief but losses in gilt and red lacquer, traces of red lacquer in the back.

47,5 cm wide, 17,7 cm high

€ 300 - 500


青铜色红漆木器，西藏，十八至十九世纪宽47,5cm，高17,7cm

13

COPPIA DI COPERTINE IN LEGNO LACCATO ROSSO E ORO, TIBET, XVIII-XIX SECOLO

A PAIR OF RED LACQUER AND GILT MANUSCRIPT COVERS, TIBET, 18TH-19TH CENTURY (2)In the centre a lozenge pattern with dense lotus flowers and foliate decoration, on the rim stylized clouds decoration,the back in green colour. In quite good condition the decoration while the framing borders with some loss of lacqueron the surface.

60 cm wide, 11,5 cm high

€ 500 - 700


一对红色漆镀金木刻,西藏,十八世纪至十九世纪 (2）宽60cm，高11,5cm

2726

17

GRANDE COPERTINA DI MANOSCRITTO IN LEGNO, TIBET, XVII SECOLO

A LARGE WOOD MANUSCRIPT COVER, TIBET 17TH CENTURYThe rectangular recessed panel portraying three major divinities from Tibetan Buddhist teaching, all seated on elaboratethrones, surrounded by tutelary deities, bordered by two sets of Bodhisattvas arranged in vertical registers flanked byfoliate scrolls, the border with petals. Minor wear on the surface, the underside with sign of scratches.


€ 1.500 - 2.000


大件木质工艺品，西藏，十七世纪宽65,5cm，高24,5cm

18

GRANDE COPERTINA DI MANOSCRITTO IN LEGNO PARZIALMENTE DORATO, TIBET, XVIII SECOLO

A LARGE PARCEL GILT WOOD MANUSCRIPT COVER, TIBET 18TH CENTURYCarved with a central amrita issuing three tiers of round connected foliate scrolls, framed by three beaded rims andlotus petal borders, on the major border engraved the eight Buddhist emblems. The front in quite good condition, somelosses of gilt, the back with scratched consumption.


€ 1.200 - 1.600


大件镀金木雕, 西藏,十八世纪宽72,2cm，高28,2cm

16

GRANDE COPERTINA DI MANOSCRITTO IN LEGNO PARZIALMENTE DORATO E CON ISCRIZIONE SUL RETRO, TIBET, XVI SECOLO

A LARGE PARCEL GILT WOOD MANUSCRIPT COVER, TIBET, 16TH CENTURYElaborately carved and well-preserved, the manuscript cover depicts in a roundel the Deity seated above its associatedvehicle, flanked by relief foliate scroll with two monks playing the conch and two Kilins, the border repeating the foliatescroll with in the centre two masks.The underside retains much of its original painted decoration, featuring gilt Tibetan inscription on a red lacquer ground.Wear on lacquer, minor losses.

70 cm wide, 22,5 cm high

€ 2.000 - 3.000


大件西藏镀金木雕,西藏, 十六世纪宽70cm，高22,5cm

2928

19

BELLA COPPIA DI VASI A BOTTIGLIA IN PORCELLANA A FONDO GIALLO CON DECORO DI DRAGHI E FIORI DI LOTO, CINA,PERIODO REPUBBLICA, MARCHIO APOCRIFO QIANLONG

A NICE PAIR OF YELLOW GROUND “DRAGON AND LOTUS” PORCELAIN BOTTLE VASES, CHINA, REPUBLIC PERIOD,APOCRYPHAL QIANLONG MARK (2)Each vase is decorated with an allover design of multi colored flowers and foliate scroll incorporating large lotusblooms on a lemon-yellow ground, on the neck a climbing red dragon is applied all between bands of ruyi-heads aboveon the rim and below at the base a lappet band. The vases in good condition: a piece of a left leg of the dragonmissing on one vase, very minor wear on the surface, one vase slightly lining.

31,5 cm high, 18.5 cm wide

€ 1.400 – 3.000

Provenance: private property of a lady from central Italy

绝美龙纹黄底莲花瓷瓶,中国, 民国时期, 乾隆落款印章高31,5cm，宽18,5cm

FROM THE PRIVATE PROPERTY OF A LADY FROM CENTRAL ITALY 来自意大利中部一位女士私藏

3130

20

GRANDE E BEL VASO A ROULEAU IN PORCELLANA “FAMIGLIA ROSA”, CINA, XIX SECOLO

A LARGE AND FINE “FAMILLE ROSE” ROULEAU PORCELAIN VASE, CHINA, 19TH CENTURYThe slightly swelling cylindrical body rising from a short-recessed foot to a long neck and to an everted waisted flaredmouth rim, finely enamelled with bright colours of vivid pink, green, purple, red and yellow, depicting a continuous sceneof warriors in battle on foot and horseback in mountainous landscapes. In perfect condition very minor firing imperfectionand tiny wear on enamels.

61 cm high, 22 cm wide

€ 2.400 – 4.000

Provenance: private property of a gentleman in north of Italy

大型和精美的“粉彩”罗勒乌瓷花瓶, 中国, 十九世纪高61cm，宽22cm

PROPERTY OF A GENTLEMAN IN NORTH OF ITALY 意大利北部绅士私藏

3332

22*

GRUPPO IN CORALLO RAFFIGURANTE GLI OTTOIMMORTALI CON UN DRAGO, CINA, PRIMA META'XX SECOLO

A LARGE "EIGHT IMMORTALS" AND DRAGONCORAL GROUP, CHINA, FIRST HALF 20THCENTURYFinely carved, the coral of a medium red tonewith minor whitish inclusion. In perfectcondition.

35 cm high, 13 cm wide, 1000 gr.

€ 4.000 – 6.000

Provenance: from the private property of a lady inwest of Italy

八仙于龙珊瑚雕刻，中国，十九世纪前半叶高35cm，宽13cm, 1000 gr. 克

21

GRANDE E RARO VASO CON COPERCHIO AFORMA DI ZUCCA IN GIADA CELADON,CINA, XX SECOLO

A LARGE CELANDON JADE OPENWORKPUMPKIN SHAPED VASE AND COVER,CHINA, 20TH CENTURYFinely carved the vase in the shape of bigpumpkin surrounded by smaller pumpkins,flowers branches, birds and butterfly. Thevase in good condition only minor chips,a few dark inclusions.

63,5 cm high, 29 cm wide

€ 2.200 – 3.500

Provenance: private property of a gentlemanin north of Italy

翡翠玉碗大号和稀有南瓜盖花瓶, 中国, 二十世纪高63,5cm，宽29cm

FROM THE PRIVATE PROPERTY OF A LADY IN WEST OF ITALY意大利北部一位女士私藏

back

3434

23

BELLA FIGURA IN BRONZO DORATO DI AMITAYUS, DINASTIA QING, EPOCA QIANLONG, MARCA E DEL PERIODO

A FINE CHINESE GILT-BRONZE FIGURE OF AMITAYUS, QING DYNASTY, QIANLONG MARK AND OF THE PERIODA fine cast and gilt bronze sculpture of Amitayus on a rectangular stool with decorated scrollwork legs, seated invajrasana, the hands in dhyanamudra, with the hair piled in high knot and adorned with a five-leaf high diadem (asBodhisattvas wearing a crown "five leaves" indicate that he is an entity not subject to natural laws), earrings, a necklace,with bracelets on the arms and wrists, the long robes draped in folds and falling pendent over the edge of the stool.The front stretcher of the stool incised with a nine-character mark Da Qing Qianlong geng ying nian jing zao,'Respectfully made in the geng yin year of the Qianlong period of the Great Qing Dynasty. The votive object missing,partial wear in the gilding.

21 cm high, 11,8 cm wide

€ 3.200 - 4.500

Provenance: from the private collection of a Gentleman in Turin

金陵青铜像, 清朝, 乾隆印章高21cm，宽11,8cm

FROM A PRIVATE COLLECTION IN TURIN来自都灵的私人收藏

FROM AN IMPORTANT NOBLE MANSION IN ROME来自罗马的贵族后裔

25

RARA E GRANDE GIARA A BALAUSTRA IN PORCELLANA INCISA, CINA, DINASTIA QING, PERIODO KANGXI (1662-1722)

A RARE AND LARGE WHITE-GLAZED INCISED PORCELAIN BALUSTER JAR, CHINA, QING DYNASTY PERIOD OFKANGXI (1662-1722)Heavily potted the baluster body, rising from a slight spreading foot to a rounded shoulder and surmounted by awaisted neck and slightly lipped rim, the vase with a incised decoration of a continuous foliate scrolls and blossomscarved with a bands of upright lappets of stylized leaves on the tapering neck, covered inside and out with a bluish-white glaze color pooling to a deeper bluish tone in the recesses, the outside of the base and base rim left unglazed.The vase with firing imperfections and with some long cracks on the body, one of which is riveted and infilled, surfacewear from age.

48 cm high, 36 cm diam.

€ 1.000 - 2.000

Provenance: from an important noble mansion in Rome

大件稀罕彩釉瓷瓶, 中国, 清朝, 康熙时期（1662-1722）高48cm，直径36cm

3636 37

24

UNA BELLA COPPIA DI VASI ESAGONALI IN PORCELLANA SMALTATA BLU CON DECORO IN ORO, CINA, DINASTIA QING, XVIIISECOLO

A FINE PAIR OF BLUE-GLAZED AND GOLD DECORATION EXAGONAL BALUSTER PORCELAIN VASES, CHINA, QINGDYNASTY, 18TH CENTURY Each of hexagonal section with a tall stepped neck and everted rim, flanked by stylized phoenix handles, adorn witha rich gilded decoration. One side with a scene of a landscape with houses close to a riverbank and a boat, in thedistance a pagoda amid high mountains and trees, the opposite side a night scene of a Sage seated in front of a servantunderneath a trunk pine tree, on the sky in the distance the lighting moon. All the other sides decorated with a spreadmotif of bushes bamboo. The base left unglazed. In good condition, with slightly wear to the gilding decoration, insome areas more pronounced, a vase with the mouth rim with an old restoration possibly covering chips and hairline,very minor firing imperfections.

41cm high, 19 cm wide

€ 800 - 2.000


一对精美六角青花瓷瓶,中国, 清朝,十八世纪高41cm，宽19cm

3938

26 PREMIUM LOT

RARA COPPIA DI VASI CERIMONIALI IN PORCELLANA SMALTATA BIANCO E COPERCHI, CINA, DINASTIA QING XVIII SECOLO

A VERY RARE PAIR OF CEREMONIAL WHITE-GLAZED PORCELAIN VASES AND COVERS, CHINA, QING DYNASTY,18TH CENTURYThe jars carefully potted with rounded sides rising from a slightly concave base to a high shoulder and a short taperedneck with a slightly lipped rim, the vases and covers are applied inside and out with an unctuous white glaze,surmounted by the covers formed as a lotus leaf with a curling rim and incised leaf vein, and a small curly stem formingthe finial. The vases and the covers are covered in with white ceremonial glaze, except for the unglazed inner rim ofthe covers and the base of the vases. In very good condition, the vases with very minor firing imperfections, the coverswith small chips-flake on the curling side and polished, minor surface wear from age, as expected of the period andtypical of this type.


€ 14.000 - 30.000

Provenance: from an important noble mansion in Rome, already Bulgari Collection.

极为罕见的一对白釉花瓶,中国,清朝,十八世纪高38cm，直径30cm

4140

27

BELLA E RARA FIGURA DI GALLO IN PORCELLANA, CINA, DINASTIA QING, PERIODO QIANLONG (1736-1795)

A VERY NICE RARE PORCELAIN FIGURE OF A STANDING COCK, CHINA, QING DYNASTY, QIANLONG PERIOD(1736-1795)

Well modeled with a realistic features with the bird perched on a brown pierced rockwork base with one leg standingand the opposite claw raised, the plumage on the body carefully and lightly incised and picked out with a delicatewhitish-glazed color, with a strong real expression, with its head turned to the right, the wattle and comb formerlypainted on the biscuit in red with the eyes touched with a black tone. In good condition with only the crest re-stuck,minor firing imperfections and minor surface wear.


€ 400 – 1.000


非常精美的瓷像，中国，清朝，乾隆时期(1736-1795)高40cm，宽24cm28

42

28

A CHINESE EXPORT BLUE AND WHITE PORCELAIN OCTAGONAL ASSEMBLED PART DINNER SERVICE, CHINA, 18THCENTURY (120+2)There are two slightly different main patterns: one with pagoda with a brick wall by a river landscape, another with pagodassurrounded by trees by a river landscape. Associated some plates with similar pagodas decoration and others with pheasantsand trees. Overall in good condition with 24 large pieces in good condition and 72 plates in good condition, minor firingimperfections and fritting (detailed condition report available). Total 120 pcs. + 2 covers

52 octagonal dinner plates with pagodas and brick wall 22,5 cm diam.6 octagonal dinner plates with pheasants and trees 22 cm diam. 13 octagonal dinner plates with pagodas and trees 23 cm diam.3 octagonal dinner plates with different pagodas decoration 22 cm diam.

10 octagonal soup plates with pagodas and brick wall 22 cm diam.3 octagonal soup plates with pagodas and trees 23 cm diam.1 octagonal soup plate with houses 22 cm diam.

3 octagonal small dinner plates with pagodas and trees 16 cm diam.1 round small dinner plates with pagodas and trees 16 cm diam.3 octagonal small soup plates with pagodas 16 cm diam.

2 sauce boats with different pagodas 19,5 cm long, 10,5 cm wide2 square salad bowls one with terrace land scape and the other with flowers medallions 23 x 25 cm wide, 12,5 cm high

1 large octagonal rectangular charger with pagodas and trees 40,8 x 33,2 cm3 large octagonal rectangular serving dishes (one with pagoda and brick wall and two with pagoda and trees)(40,4x32,8cm;41x33,6cm;40x32cm)4 medium octagonal rectangular serving dishes (three with pagoda and trees, one with pagoda and brick wall)(37,5x29,5cm;34x26,5cm;33x26cm;32,8x25,5cm)4 small octagonal rectangular serving dishes (all with pagoda and trees)(28,5x21,5cm;28,5x21,5cm;28,6x21,2cm;25x18cm)

1 oval pierced plate with pagoda and trees 32x24,5 cm

4 chafing dishes with pagoda and brick wall 27,6x23,5cm2 (total 6 pcs.) tureens with covers and stands with pagoda and trees (the stands 37,5x28,5cm and 37,4x28,2cm; the covers30x22,5 cm and 29,6x21,6 cm; the tureens 35x22cm and 35x21,6 cm)

€ 2.000 – 5.000


一套精美不同花样青花瓷具,中国,十八世纪 - 共120+2 件

44

30

COPPA IN PORCELLANA “FAMIGLIA ROSA” AFONDO BLU POUDRE’ CON DECORO IN ORO,CINA, XVIII SECOLO

A POWDER-BLUE-GROUND AND GILT “FAMILLEROSE” PORCELAIN BOWL, CHINA, 18THCENTURYExternally depicting floral vases and internallywith “Famille Rose” enamel floral spray, theinternal rim with an iron red floral band. In goodcondition, wear on the gilt enamels and on thesurface.

11 cm high, 26,5 cm diam.

€ 200 - 500

Provenance: from an important noble mansion inRome

精美镀金“粉彩”瓷碗,中国,十八世纪高11cm，直径26,5cm

29

PICCOLO VASO MEIPING IN PORCELLANA BIANCA E BLU, CINA, DINASTIA QING, MARCHIO APOCRIFFICO KANGXI, XIX SECOLO

A SMALL BLUE AND WHITE PORCELAIN MEIPING VASE, CHINA, QING DYNASTY, APOCRYPHAL MARK KANGXI,19TH CENTURY The vase is well-potted with a high broad shoulder below a short, waisted neck, and tapers elegantly towards the slightlyflared foot. Decorated with a continuous scene of figures in a garden under a tree between fences and rocks abovea clouded sky. It is covered overall in a transparent glaze stopping neatly around the raised unglazed foot rim with thesmall glazed recessed center base. The outside base with a blue six-character mark within a double circle in underglazeblue. In very good condition, minor firing imperfections and minor surface wear, the narrow mouth closed by a lampmount.


€ 400 - 700


青花瓷小花瓶，中国，康熙落款印章，十九世纪高19cm，宽13cm inside

47

31

COPPIA DI GRANDI PIATTI IN PORCELLANA “FAMIGLIA ROSA”, CINA, XVIII SECOLO

A LARGE PAIR OF “FAMILLE ROSE” PORCELAIN DISHES, CHINA, 18TH CENTURY

Finely enamelled with bright “Famille Rose” colours, depicting in the centre blooming peonies and Buddhist symbols,on the border the same recalling decoration between auspicious pomegranate and ruyi head shaped cartouches. Ingood condition, minor wear on the surface.

35,2 cm diam.

€ 300 - 600


一对大件“粉彩”瓷盘，中国，十八世纪直径35.2cm

46

32

COPPIA DI GRANDI PIATTI IN PORCELLANA “FAMIGLIA ROSA”, CINA, XVIII SECOLO

A LARGE PAIR OF “FAMILLE ROSE” DISHES, CHINA, 18TH CENTURY (2)With floral decoration of peonies emerging from rocks within a gilt spearhead border. Minor fritting and one chip, minorwear on the surface.

33 cm diam.

€ 400 - 700


一对大件“粉彩”瓷盘, 中国, 十八世纪直径33cm

33

QUATTRO RARI PIATTI IN PORCELLANA A DECORO DI LOTO, CINA, XVIII SECOLO UNITI A DUE PIATTINI XIX SECOLO

FOUR RARE UNDERGLAZE-BLUE AND IRON-RED “LOTUS” EXPORT PORCELAIN PLATES, CHINA 18TH CENTURY ANDTWO SMALLER 19TH CENTURY (6)Of lobed shape, with full centred lotus in iron-red, the rim with a continuous lotus and leaves underglaze-blue band. Ingood condition, minor flakes on the rim due to hanging clips.

20 cm diam.,10 cm diam.

€ 300 - 500


四件莲花瓷盘, 中国, 十八世纪, 另外两件是十九世纪直径20cm，直径10cm

48 49

35

TREDICI PIATTI CONCAVI IN PORCELLANA “FAMIGLIA VERDE”, CINA, XVIII SECOLO

THIRTEEN UNUSUAL “FAMILLE VERTE” SAUCER DISHES, CHINA, 18TH CENTURYEach painted in the centre with a magnolia tree in borders of miscellaneous sprays and flowerheads. Overall in goodcondition, minor wear on enamels and minor fritting.

23 cm diam.

€ 1.000 - 3.000


一套精美不同花样青花瓷具,中国,十八世纪直径23 cm

34

QUINDICI PIATTI ASSORTITI IN PORCELLANA “FAMIGLIA ROSA”, CINA, XVIII SECOLO, EPOCA QIANLONG

FIFTEEN “FAMILLE ROSE” PORCELAIN ASSORTED PLATES, CHINA, 18TH CENTURY, QIANLONG PERIODDepicting floral branches seven spreading from white rocks, three from blue rocks and five with floral vase all within agilt spearhead border. Some in good condition, few flakes under the rim of 3/5mm, hairline of 4 cm, minor wear onthe surface and minor firing imperfections.

23,5 cm diam.

€ 600 – 1.200


十八件“粉彩”瓷盘,中国,十八世纪,乾隆时期直径23.5cm

5150

36

COPPIA DI GRANDI FIGURE DI LEONI BUDDISTI IN GRES SMALTATO, CINA, DINASTIA MING

A LARGE PAIR OF TAIL BUISCUIT FIGURE OF BUDDHIST LIONS, CHINA, MING DYNASTYOn a rectangular base the powerful standing lions glazed with a vivid green on the body and a golden yellow for thecurly and combed crest, tail and eyebrow. Restorations and wear on the enamels.


€ 3.000 - 5.000


一对石雕狮像, 中国, 明朝高52cm，宽66cm

52

37

GRANDE E FINE VASO A BALUSTRA A FONDO RUBINO 'TRE CAPRONI' IN PORCELLANA ‘FAMIGLIA ROSA’, CINA, QING DYNASTY,XIX SECOLO, MARCHIO APOCRIFO A SIGILLO QIANLONG

A MASSIVE AND FINELY PAINTED RUBY-GROUND “FAMILLE ROSE” 'THREE RAMS' BALUSTER PORCELAIN VASE, QINGDYNASTY, 19TH CENTURY, APOCRYPHAL IRON-RED SEAL MARK QIANLONGThe massive vase mightily constructed with an ovoid body rising from a splayed foot, surmounted by a tall waisted neckand flared rim, the exterior luxuriantly decorated in the Famille-Rose palette, with stylized flower heads amongst scrollingfoliage on a ruby ground, the neck flanked by two applied iron-red chilong handles accentuated with gilt highlights,the exterior of the body enameled against the white ground, with a continuous scene depicting three rams traverse ina landscape, under large pine trees from which a rising sun shines through, surroundings with detailed of fruiting andblossoming branches issuing from rockwork, including roses and peonies, berries and prunus, together with leafy trees,all between two ruby-ground bands, above with a key-fret motif band, another one, with a yellow foliate spraysencircling the lower shoulder of the body, the neck decorated with further stylized lotus blossoms with cash, bats andShou character, suspending chimes between a turquoise band of ruyi pendant collaring the lower mouth rim, the white-glazed base inscribed to the center with a six-character seal Qianlong mark in iron-red. In very good condition, aparta light star crack to the base close to the mark, and a firing defect to the joint of the lower neck, which was not wellmerged with the body, following the detachment at the joint of the neck of the vase, it was again annealed at lowtemperature with the consequence that at the joint the enamels are slightly over-fired, with some other minor firingimperfections, very small wear on the surface as well as some minute scratches and very minute flakes to the enamels,more evident at the joint of the neck.

71,7 cm. high, 36 cm wide

€ 4.000 – 6.000

Provenance: from the private property of a northern Italy lady and thence descendants

精美的红宝石色“粉彩” ,“三羊”瓷花瓶,中国,十九世纪,乾隆印章落款高71,7cm 宽36cm

Note: three Rams ‘san yang' design that represents a change of fortune with the arrival of Spring and the New Year and is thusclosely associated with New Year celebrations. The three rams are often shown together with the rising sun ‘taiyang’ to form therebus for 'three ram ‘yang’ bring prosperity'. The Book of Changes ‘Yijing’ first mentions the phrase san yang referring to the threemale lines, called tai – the symbol of heaven. Tai is positioned under three female lines called kun that represent earth. Hence thephrase 'sanyang kaitai' which means the New Year brings renewal and a change in fortune.

53

FROM A NORTHERN ITALIAN LADY AND THEN DESCENDANTS来自意大利北部一位女士的继承人

38

RARO E FINE DIPINTO SU CARTA SU TELA,CINA, XVIII SECOLO

A FINE PAINTING ON PAPER ONCANVAS, CHINA,18TH CENTURYInk color on paper depicting a lady in alarge terrace with fine furniture,deposing lotus flowers in a vase,besides her child holding a lotus flowerin his hand showing to another babycouched on the sofa. Overall in goodcondition, some minor imperfection incolors.


€ 3.200 - 5.000

Provenance: from the private collection of amansion in Piedmont

精美画卷, 中国,十八世纪高96cm，宽53cm

5554

FROM THE PRIVATE COLLECTION OF A MANSION IN PIEDMONT来自皮埃蒙特私人收藏

FROM A NORTH ITALIAN PRIVATE COLLECTION 意大利北部的私人收藏

5756

39 PREMIUM LOT

RARA ED IMPORTANTE PICCOLA FIGURA IN BRONZO DI SHIVA EPARVATI, ARDHANARISHVARA, INDIA DEL NORD EST, X SECOLO

A VERY RARE AND IMPORTANT SMALL BRONZE FIGUREOF SHIVA AND PARVATI, ARDHANARISHVARA,NORTHEASTERN INDIA, 10TH CENTURYThe finely cast bronze sculpture represent the androgynousform of Shiva and Parvati Ardhanarishvara, shown with hisupper right hand holds the tri��la, a weapon very similar tothe trident, in which the lateral prongs are curved andgenerally the central prong is longer. The right ear wearsa nakra-kundala, sarpa-kundala ("serpent-earring"). A fulleye depicted in the middle. His half has a flat masculinechest, a straight vertical chest, broader shoulder, widerwaist and muscular thigh. He wears a yagnopavita(sacred thread) across the chest, which is sometimesrepresented as a naga-yagnopavita (a snake worn as ayagnopavita) or a string of pearls or gems. Theyajnopavita may also divide the torso into its male andfemale halves. He wears ornaments characteristic ofShiva's iconography, including serpent ornaments. Thefemale half has karanda-mukuta (a basket-shaped crown)on her head or well-combed knotted hair or both. The leftear wears a valika-kundala (a type of earring). A tilaka orbindu (a round red dot) adorns her forehead, matchingShiva's third eye. The left eye normally is painted withblack eyeliner, while the male neck is sometimes adornedwith a jewelled hooded serpent, the female neck has ablue lotus matching it. In the four-armed form, one of the leftarms rests on Nandi's head, while the other is bent inkataka pose and holds a nilotpala (blue lotus) or hangsloosely at her side as ours. In quite good condition, the lower part of the feet missing,other only few small pieces missing and minor nicks on theextremities, minor surface wear and other small castimperfections and some small incrustations, all as expectedof the period and typical of this type.


€ 3.000 – 6.000

Provenance: from a north Italian private collection

十分珍贵青铜雕像, 湿婆和帕尔瓦蒂, 阿达纳里什瓦拉, 印度东北, 十世纪高13,5cm，宽7,5cm

5958

40

PICCOLA FIGURA IN LEGNO SCOLPITO DI DIVINITÀ, CINA, DINASTIAMING O ANTECEDENTE CIRCA 1300-1600

A SMALL CARVED WOOD FIGURE OF A DEITY, CHINA, MINGDYNASTY OR EARLIER CIRCA 1300-1600The figure depicted standing wearing o long robe and a fluent sashand a high crown, with his left arm raised and the right one in thegesture of piece. Some pigment remains underneath the lacquerlayers. In very good condition with only very minute chips andflakes notably on the nose, minor surface wear as expected of theperiod and typical of this type.


€ 500 - 800


小件木质雕像，中国，明朝或者更久之前，大约1300-1600高11,4cm，宽4,6cm

60 61

43

PICCOLA FIGURA IN LEGNO PARZIALMENTE DORATO,RAFFIGURANTE VAJRAPANI, TIBET-NEPAL, XIV-XVI SECOLO

A SMALL PARCEL GILT CARVED WOOD FIGURE OFVAJRAPANI, TIBET-NEPAL, 14TH-16TH CENTURYThe figure depicted standing in a strong movement andwearing a fluent robe, a long sash, a necklace and askull five-pointed bodhisattva crown, with his facepowerfully carved in a wrathful expression. In goodcondition, some pigment remain underneath of thelacquer layers and some of the gilding, with only veryminute chips and flakes notably on the crown, minorsurface wear, all as expected of the period and typicalof this type.


€ 500 - 800


瓦加拉帕尼小雕花镀金木雕雕像，尼泊尔，十四到十六世纪高6cm，宽3,5cm

44

FIGURA IN BRONZO DI GARUDA ACCOVACCIATA, INDIA,DAL X - XIII SECOLO

A BRONZE FIGURE OF A CROUCHED GARUDA, INDIA,CIRCA 10TH - 13TH CENTURYThe mythical bird crouched on a double rectangularplinth, the deity expressively cast with the two raisedopen arms, a large beak and paws and raised tail, itswings outstretched and rendered in an elaborate feather.In good condition, the surface with small greenencrustation very few dents and minor castingimperfections, as expected of the period and typical ofthis type.


€ 1.000 – 2.000


铜像加鲁达铜像，印度，大约十到十三世纪高8.5cm , 宽8cm

41

PICCOLA FIGURA IN BRONZO 0F BALAKRISHNA, INDIAMERIDIONALE, X - XIII SECOLO

A SMALL BRONZE FIGURE 0F THE DEITY BALAKRISHNA,SOUTH INDIA, 10TH-13TH CENTURYThe figure cast over a waisted square plinth incised witha lattice pattern, depicted standing while dancing on arounded lotus blossom with his right leg raised his lefthand stretched out to his side and his right holding abutterball, adorned with a beaded belt and a necklace,the hair pulled up into a bun, with a smooth dark patinaoverall. In good condition, the figure lean slightly, veryfew minute nicks and minor cast imperfections, asexpected of the period and typical of this type.


€ 2.400 – 3.000


神巴拉克瑞斯纳小铜像，印度南部，十到十三世纪高9cm，宽5,5cm

42

PICCOLA FIGURA IN BRONZO DI UN GANESHA SEDUTO,INDIA, DAL X - XIII SECOLO CIRCA

A SMALL BRONZE FIGURE OF A SEATED GANESHA,INDIA, CIRCA 10TH - 13TH CENTURYThe small bronze depicts a Ganesha son of Shiva andParvati seated on a beaded lotus foliate plinth. In goodcondition the piece lean slightly and with only a smallpiece missing on the plinth base, minor surface wear andsmall casting imperfections, as expected of the periodand typical of this type.


€ 500 - 800


甘尼萨小铜像,印度，约10世纪至13世纪高5,3cm，宽4,2cm

45

PICCOLA FIGURA IN BRONZO DI GANESHA IN PIEDI CON SEDICI BRACCIA, INDIA, XVIII - XIX SECOLO

A BRONZE FIGURE OF A STANDING GANESHA WITH SIXTEEN ARMS, INDIA, 18TH 19TH CENTURYGanesha represented in a standing position on a incised foliate lotus plinth, flanked by two horns, depicted with hissixteen arms that holding a variety of weapons and symbols including a cube, elephant goad, discus, ax, knife, anotherelephant goad, arrow, bow, noose, shield, trident, conch shell, laddu and a small club with his front right hand in thevarada mudra which is a boon granting gesture. In good condition the piece lean slightly and with only a small piecemissing on the plinth base, minor surface wear and small casting imperfections, as expected of the period and typicalof this type.


€ 800 - 1.200


十六只手臂站立象头神铜像，印度，十八十九世纪高18,5cm，宽13cm

62

46

FIGURA IN BRONZO DORATO DI VISHNU IN PIEDISOPRA GARUDA, INDIA, X-XIII SECOLO OSUCCESSIVO

A RARE BRONZE FIGURE OF VISHNU ON HISVEHICLE GARUDA, INDIA 10TH-13TH CENTURYOR LATERThe four-armed deity standing with his leg onGaruda's shoulder, Vishnu holding a padma (lotusflower) in the lower left hand, the Panchajanyashankha (conch) in the lower right hand, theKaumodaki gada (mace) in the upper left handand the discus weapon Sudarshana Chakra in theupper right hand, both with benign expressionsand with Garuda holding his arms and wingsoutstretched as if flying through the air, all posingon a round lotus plinth. In good condition withsome small encrustation areas, small nicks toextremities and a reinforced welding to theshoulder of Garuda, as expected of the periodand typical of this type.


€ 2.800 - 4.000


毗湿奴铜像，印度，十到十三世纪之后高18,5cm，宽12,5cm

63

6564

47

UNA FIGURA IN BRONZO DI MANJUSHRI SAMANTABHADRA, CINA, TARDA DINASTIA MING, XVI-XVII SECOLO

A BRONZE FIGURE OF MANJUSHRI SAMANTABHADRA, CHINA, LATE MING DYNASTY, 16TH-17TH CENTURY The bodhisattva is shown seated with the legs in pralambanasana pendent on the back of a recumbent elephant, andwith the hands held in Anjali mudra as they hold the ends of lotus stems that rise to the shoulders where they support ascroll and a book. The figure is wearing a flowing dress with a long ribbon and a beaded jewelry with a high complexjeweled crown. Both pose on a lotus base. In good condition, with only a small loss to the crown of the bodhisattvaand probably to the tusk of the elephant, the surface cover with a thick layer of dust from age, minor cast imperfectionsand some oxidation, the bronze will have a great improvement by cleaning it by a professional restored.


€ 5.500 - 8.000


曼祖里·萨曼塔巴德拉古铜像，中国，明朝晚期，十六十七世纪高39cm，宽31cm

48

FIGURA IN BRONZO DI BUDDHA SAKYAMUNI, TIBET, XVIIISECOLO

A BRONZE SEATED FIGURE OF BUDDHA SAKYAMUNI,TIBET, 18TH CENTURYShown seated in dhyanasana on a waisted lotus base, theright hand lowered in bhumisparsa mudra and the left handheld above the feet in dhyana mudra, wearing a patchworkkasaya with enhanced borders and draped to expose thechest and the top of a skirt secured above the waist, theface crisply cast with serene expression and inset with aurna, the hair cast in small spiky curls, the left palm and thesoles of the feet with wheels emblematic of chakras, with anice overall brown patina. In very good condition, minorsurface wear, very small cast imperfections and very minutenicks on the extremities, as expected of the period andtypical of this type.


€ 1.000 – 2.000


西藏释迦牟尼铜像, 西藏, 十八世纪高21,5cm，宽13,2cm

66

49

GRANDE STELE IN PIETRA CHIARA DI GANGA YAMUNA E SARASWATI,INDIA CENTRALE, IX -X SECOLO

A LARGE LIGHT STONE STELE OF GANGA YAMUNA ANDSARASVATI, CENTRAL INDIA, 9TH-10TH CENTURYThe large finely carved deities are represented standing withGanga in graceful tribhanga at right adorned with an elaborateknotted belt and wearing long necklaces, standing on a lotusblossom over a rearing makara, the deity flanked by one diminutivefemale attendant figure and Sarasvati also adorned with a knottedbelt upright on a lotus blossom. In good condition, only few smallpieces lost and minor flakes and chips on the extremities, minorsurface wear and other small imperfections as expected of theperiod and typical of this type.


€ 18.000 - 28.000

Provenance: from a north Italian private collection, purchased et T. A.New York, 1983

甘加·亚穆纳和萨拉斯瓦蒂的大型石碑，印度中部，建于10世纪9世纪高66cm，宽43cm

Note: Ganga Yamuna's iconographic depiction is seen on templedoorjambs, along with that of Ganga (the goddess of the Ganges), sincethe Gupta era. Agni Purana describes Yamuna's iconography: she isdepicted as black in complexion and stands on her mount, the tortoise,holding a water pot in her hand. Sarasvat�, o Saraswat�, (sanscrit, "shewho flows"), it is the first of the three great goddesses of Hinduism, alongwith Lakshmi and Durg�, and the consort (or shakti) of Shri Brahm�, theCreator. Sarasvat� has been venerated since the Vedic age as a goddessof knowledge and the arts, literature, music, painting and poetry, but alsoof truth, forgiveness, healings and births; it is often mentioned in the RigVeda and Pur��as as river gods. It is not generally adorned with jewelsand precious like Lakshmi, and indeed it is often in austere clothes. It oftenhas four arms that represent the mind, intellect, consciousness and ego, thefour aspects of the person involved in learning.

6968

50 PREMIUM LOT

IMPORTANTE E GRANDE PIETRA GRIGIO SCURO DI VISHNU, INDIA SETTENTRIONALE, PERIODO PALA, XI - XII SECOLO

AN IMPORTANT LARGE DARK GREY STONE OF VISHNU, NORTHEASTERN INDIA, PALA PERIOD, 11TH 12TH CENTURY The large openwork finely carved, the Deity on a stepped plinth with scrolling tendrils Vishnu is shown standing insamabhanga on a double-lotus throne supported, flanked with elephants, birds, lions and scrolls of foliage, threedevotees and a donor figure and Ganesha, his face displays a serene expression with almond-shaped eyes, the four-armed deity holding the staff the upper hands a wheel and staff and a lotus in his lower right, wearing multiple necklacesand other jewelry and a short dhoti secured with an elaborate sash and foliate collar, flanked by the two goddessesSaraswati and Lakshmi, the over-arched mandorla centered by a kirttimukha mask above a fine foliate scrollwork andbeside two Apsaras encircled by spiral lines on the throne back. In good condition, only few small pieces lost and minorflakes and chips on the extremities, minor surface wear and other small imperfections as expected of the period andtypical of this type. Some traces of the original pigments remain on the hollows.


€ 24.000 - 40.000

Provenance: from a north Italian private collection, purchased at Galerie Marco Polo, (210 Boulevard Saint-Germain 75007)Paris, in 1980

��重要的度毗湿奴石像，印度北部，十一到十二世纪高92cm，宽42cm

For similar example see: Christies New York 23 September 2004 lot 37 - Christies New York 31 March 2005 Lot 53previously sold at Sotheby's London, 15 June 1987 lot 204.

70 71

51

BUSTO IN PIETRA ROSSA RAFFIGURANTE HARIHARA, INDIA, GUJARAT, XII – XIII SECOLO

A LIGHT RED STONE BUST DEPICTING HARIHARA, INDIA, GUJARAT, 12TH-13TH CENTURYThe stone carved figure of Hari-hara is represented with his face with lips, nose, and elongated eyes beneath finelyarched brows, the hair pulled up into an elaborate chignon secured with a beaded and festooned crown. In goodcondition, only few small pieces missing and minor flakes and chips on the extremities, minor surface wear and othersmall imperfections, as expected of the period and typical of this type.


€ 7.000 - 12.000

Provenance: from a north Italian private collection, purchased at Eskenazi, Milan, 1979

��哈里哈拉浅红石像，印度十三世纪至十二世纪高34cm，宽24cm

Note: Harihara è una divinità sincretica Shivaista nata dall’unione tra Vishnu-Hari e Shiva-Hara, secondo la tradizione portataavanti dall'induismo classico. Conosciuto anche come "Shankaranarayana", con Shankara che è Shiva mentre Narayana ècorrispondente a Vishnu. Harihara viene in tal maniera venerato sia dai membri del vishnuismo sia da quelli dello shivaismocome una delle forme del Dio supremo.

7372

52 PREMIUM LOT

GRANDE E RARA FIGURA IN PIETRA DI GANESHA, INDIA, UTTARPRADESH, EPOCA PRATHIHARA, X SECOLO

A RARE MASSIVE BUFF STONE CARVED OF A DANCINGGANESHA, INDIA, UTTAR PRADESH, PRATHIHARA DYNASTY,10TH CENTURYThe large openwork finely carved with the four-armed goddepicted frontally, standing dancing. He holds many attributesassociated with his father, the Hindu god Shiva, a battle-axe androsary in two of his right hands, and a trident in one of his lefthands and the bowl of sweets is his own taking one with his trunkto fills his corpulent belly with the sugary cakes and a snakewrapped across his belly and with his broken tusk: all supportedby two attendant figure, one lost. In good condition, only few smallpieces lost and minor flakes and chips on the extremities, minorsurface wear and other small imperfections as expected of theperiod and typical of this type.


€ 20.000 - 30.000

Provenance: from a north Italian private collection, purchased atEskenazi, Milan, 1983 (see catalogue Eskenazi, April 7th, May 7th,1983, pg.94)��象头神的珍稀石像，印度，北方邦普拉塔哈拉，十世纪高44cm，宽34cm

Note: Ganesha is widely revered as the remover of obstacles, thepatron of arts and sciences and the deity of intellect and wisdom. Asthe god of beginnings, he is honored at the start of rites andceremonies. He is also invoked as patron of letters and learning duringwriting sessions. Ganesha, lord of beginnings and remover ofobstacles, dances as two musicians keep rhythm on their drums.Ganesha likely emerged as a deity as early as the 2nd century CE butmost certainly by the 4th and 5th centuries CE, during the Guptaperiod, although he inherited traits from Vedic and pre-Vedic precursors,Hindu mythology identifies him as the restored son of Parvati and Shivaof the Shaivism tradition, but he is a pan-Hindu god found in its varioustraditions.

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53 PREMIUM LOT

RARA STELE DI PIETRA NERA DI SHIVA E PARVATI, UMAMAHESHVARA,INDIA, BIHAR, IX SECOLO

A RARE BLACK STONE STELE OF SHIVA AND PARVATI,UMAMAHESHVARA, INDIA, BIHAR, 9TH CENTURYFinely carved with Shiva and his consort Parvati the divine couplerepresented in a tender embrace seated on a throne, his upperhands holding a trident and lotus bud, the latter backed by a cobraemerging from his tall jatamukuta, she holding a lotus, her hair ina simple bun, both clad in simple dhotis and jewelry with finelyarched brows, surrounded by a retinue of attendant figures,including their sons, Ganesha and Skanda, and Nandi with thesage Bhringi, all over a rocky hill representing Mount Kailasha,centered by Ravana and his attendants below attempting to liftthem, and with five lingas at top. In good condition, only few smallpieces lost and minor flakes and chips on the extremities, minorsurface wear and other small imperfections as expected of theperiod and typical of this type.


€ 18.000 - 28.000

Provenance: from a north Italian private collection, purchased at T.A.New York, 1983

希瓦和帕尔瓦蒂黑石碑，印度，乌马赫什瓦拉，比哈尔9世纪高51cm，宽24,5cm

7776

54

BUSTO SCOLPITO IN PIETRA ROSSO SCURO DI SHIVA E PARVATI, UTTAR PRADESH, PERIODO CHANDELA, XII SECOLO

A FINE DARK RED STONE CARVED BUST OF SHIVA AND PARVATI, UTTAR PRADESH, CHANDELA DYNASTY, 12THCENTURYCarved together the stone bust represent Shiva with his right arm up, holding in his hand a beaded bangle his faceflanked by pendant earlobes, the hair piled in to a high jatamukuta and adorned with richly various jewelry and theleft arm gently embracing his consort Parvati, she is adorned with rings a long necklace going up on her chest and abody collar ornamented with a pendant. In good condition, only few small pieces missing and minor flakes and chipson the extremities, minor surface wear and other small imperfections, as expected of the period and typical of this type.


€ 17.000 - 25.000

Provenance: from a north Italian private collection, purchased at Eskenazi, Milan, 1983

湿婆和帕瓦蒂红石像，北方帮，昌德拉王朝，十二世纪高35cm，宽39cm

Note: Shiva is one of the most important deities in Hinduism, considered creator, destroyer of evil and transformer. His depictionmay be the benevolent one of a yogi (ascetic) who lives isolated on Mount Kailash, in the Himalayas, in the company of his wifeParvati and his two sons Ganesha and Kartikeya, or the fearsome one who kills the demons.

7978

55

RARA STELE IN PIETRA GRIGIA SCOLPITA DI LAKSHMI NARAYANA, NEPAL, XII SECOLO

A RARE CARVED GREY STONE STELE OF LAKSHMI NARAYANA, NEPAL, 12TH CENTURYThe large finely carved deity is represented standing above on a base formed on the lower part by a large plinth oflotus petals which support a smaller double lotus pedestal. His face displays a serene expression flanked by two jewelsring and an important high crown, is depict with the right half representing Vishnu holding the chakra, conch, mace,and lotus bud stem, and with Garuda emerging below the lotus, the left representing Lakshmi holding a sutra, lotus,mirror, and water pot, with the tortoise vehicle below. The sides of the arched back-plate carved with a fine motif of afoliate scroll which also surrounds his head. In good condition, only few small pieces missing and minor flakes and chipson the extremities, minor surface wear and other small imperfections, as expected of the period and typical of this type.


€ 8.000 - 10.000


罕见雕刻的灰色石碑，腊克希•纳拉亚纳，尼泊尔，十二世纪高51cm，宽32cm

Note: Is interesting to compare our figure with a stele of Laxmi-Narayan Nepal, 10th-11th Century gray- stone Intended gift ofDavid T Owsley 142.1990.3 Dallas Museum of Art; and a gilt copper of Lakshimi-Narayan Népal 14th Century of the Visnuandrogyne, Népal, Ref. 2MA 6148 in the Musée Guimet, Arts asiatiques – Paris.

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56 PREMIUM LOT

UNA GRANDE E BELLA MASCHERA IN TERRACOTTA DI BHAIRAVA, NEPAL, XV - XVI SECOLO

A FINE AND LARGE TERRACOTTA MASK OF BHAIRAVA, NEPAL, 15TH 16TH CENTURY The mask represented Shiva in the form of Bhairava very finely and powerfully modeled in a ferocious expression withsharply arched brows flanked by serpent hooped earrings and with large bulging eyes beneath furled brows centeredby the third eye, with gaping mouth exposing the fangs encircled by a finely ornamented of moustache and beard (canstill see some of the polychrome color which adorned the mask as we can see on the illustration of the catalogue)surmounted by a foliate tiara, amid petal borders, the flaming hair arranged in rows of tight curls finely detailed andcentered by a crescent moon, serpents and skulls, the face and ornaments richly detailed. In good condition, but couldhave a great improvement made by a professional restoration which could clean showing some of the remainingpolychrome color that with can still see underneath, with some surface wear and chips and flakes on surface and tothe extremities with only very small firing imperfections, minor surface wear and minor scratches, as expected of theperiod and typical of this type.


€ 9.000 - 15.000

Provenance: from a north Italian private collection, purchased at Galerie Marco Polo, (210 Boulevard Saint-Germain 75007)Paris, in 1980

大件白陶面具，尼泊尔，十五十六世纪，高40cm，宽38cm

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57

OGGETTO DA RITUALE BUDDHISTA, TIBET, XVIII XIX SECOLO

A BRONZE RITUAL DAGGER PHURBA, TIBET, 18TH 19TH CENTURYThe bronze ritual dagger cast with a three-edged blade and with the three faces ofVajakia Buddha at the top with a single flaming snake-bound topknot shared by allthree, each with tree fierce eyes and flaming eyebrows, mustaches and beardsradiating. In good condition with minor surface wear and small cast imperfections,very small dents and nicks, as expected of the period and typical of this type.


€ 500 – 800

Provenance: from a north Italian private collection��一件鎏金佛像，西藏，十八十九世纪高25,5cm，宽4,2cm

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INUSUALE FIGURA IN BRONZO DI SHOULAO, GIAPPONE, XVIII SECOLO XIX SECOLO

AN UNUSUAL BRONZE FIGURE OF SHOULAO, JAPAN, 18TH 19TH CENTURYThe bronze represents the divinity of Shoulao wearing a long fluent robe and sitting on the top of a sphere with threesmall engraved shells, one of which is gilded, the sphere wrapped in a knotted tissue. In very good condition only avery small surface wear and small surface encrustation.


€ 300 - 500


寿老铜像，日本，十八十九世纪高20.5cm，宽14cm

FROM THE PRIVATE COLLECTION OF THE NOBLE FAMILY OF COUNT ZAVAGLIRICCIARDELLI AND BARONESSA DI BROCCHETTI THENCE DESCENDANTS来自来自伯爵ZAVAGLI RICCIARDELLI 和 BARONESSA DI BROCCHETTI和他们后裔的私人收藏

8584

FROM THE PRIVATE COLLECTION OF THE NOBLE FAMILY OF COUNT ZAVAGLIRICCIARDELLI AND BARONESSA DI BROCCHETTI THENCE DESCENDANTS来自来自伯爵ZAVAGLI RICCIARDELLI 和 BARONESSA DI BROCCHETTI和他们后裔的私人收藏

The clothes and objects in the catalogue come from the private collection of the noble family of Counts ZavagliRicciardelli. They were brought to Italy by Count Antonio Zavagli Ricciardelli (1877-1970), captain of the Italian RoyalNavy, stationed since 1912 in the port of Tientsin, today's Tianjin and his wife, Baroness Matilde Di Brocchetti (1892-1982).Baroness Matilde was the granddaughter of captain Enrico Di Brocchetti, official of the Kingdom of the Two Siciliesand minister of the Italian Navy, and daughter of Admiral Alfonso Di Brocchetti, of the Italian Royal Navy, (navalattaché in Paris and president of the Superior Council of the Navy, and field assistant to His Majesty the King). BothDi Brocchetti were senators of the Kingdom of Italy and in various diplomatic missions had repeatedly sailed the seasof Africa, America, China, Japan. Antonio and Matilde married in Rome, then left for the East, first to Japan then toChina, to Beijing, following in the footsteps of the family.Antonio and Matilde lived in Beijing in the Italian garrison from 1912 to 1916, while the Italian Royal Navy maintainedits fleet in the port of Tientsin. The Italian fleet was in charge of the commercial concession and the various delegationspresent there.Their apartment was furnished with furniture, paintings and furnishings of the best Chinese tradition and collected withrefined love and passion for local art or received as a gift or handed down by their parents who had already been inthe East. When they left, the entire collection was placed in trunks and boarded on military ships returning to Europe.(Photos and information come from the Zavagli Ricciardelli Archive.)

目录中的衣服和物品来自Counts Zavagli Ricciardelli贵族家族的私人收藏。他们由1912年驻扎在天津的意大利皇家海军上尉安东尼奥•扎瓦利•里查德利伯爵（1877-1970）带到意大利。和他的妻子马蒂尔德•迪•布罗切蒂男爵夫人（1892-1982）。马蒂尔德男爵夫人是船长恩里科•迪•布罗切蒂（Enrico Di Brocchetti）的侄女，恩西科•迪•布罗切蒂（Enrico Di Brocchetti）是两个西西里王国的官员和意大利海军部长，也是意大利皇家海军上将阿方索•迪•布罗切蒂（Alfonso Di Brocchetti）的女儿（巴黎海军武官和高级理事会主席）海军，以及国王Her下的助手营地）。迪布罗克切蒂都曾是意大利王国的参议员，在多次外交访问中，他们多次越过非洲，美国，中国和日本。安东尼奥（Antonio）和马蒂尔德（Matilde）在罗马结婚，然后跟随家人的足迹，先是在日本，然后前往东方，在中国的北京。1912年至1916年，安东尼奥和马蒂尔德住在意大利驻军的北京，而意大利皇家海军则在天津港维持舰队。意大利车队负责主持商业特许权以及在场的各个代表团。他们的公寓配有中国最好的传统家具，绘画和家具，并以对当地艺术的热爱和热爱来收藏，或者作为礼物送给已经在东方的父母。离开后，整个收藏品被放在行李箱中，然后登上返回欧洲的军舰。

8786

59 PREMIUM LOT

RARO ABITO DI CORTE “KESI” A FONDO BLU CON DRAGHI, CH’I-FU, CINA, DINASTIA QING, XIX SECOLO, EPOCA JIAQING-DAOGUANG

A RARE COURT KESI BLUE-GROUND "DRAGON" ROBE, CH’I-FU, CHINA, QING DYNASTY, 19TH CENTURY, JIAQING-DAOGUANG PERIODThe robe is finely woven in the split-weave technique with the nine gilt threads five clawed dragons couching andpursuing the flaming pearl all amongst dense ruyi-shaped clouds.Centrally a basket with peonies, symbol of beauty, surrounded by lotus, white flowers, peaches branches, bats, andribboned Taoist emblems. The hem with the central terrestrial diagram and tall lishui stripes under a band of wind-tossed waves. The collar and the horse-hoof cuffs repeating the dragons pursuing the flaming pearl amongst cloudsabove waves on a midnight blue. The arms plain blue silk. Lined light blue silk. Wears in threads of the collar and cuffs,wear on sleeves silk, a few breaks in the silk due to ageing consumption, some ancient repairs.

190 cm wide,144 cm high

€ 9.000 - 15.000

Provenance: from the private collection of the noble family of counts Zavagli Ricciardelli and descendants

��, ��-��稀有丝蓝地面龙袍，济浮, 十九世纪，中国嘉庆-道光时期宽190cm，高144cm

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RARO ABITO DI CORTE DA DONNA IN SETA A FONDO ARANCIATO RICAMATO CON DRAGHI, CH’I-FU, CINA, DINASTIA QING,XIX SECOLO, EPOCA DAOGUANG – XIANFENG

A RARE LADY'S COURT WARM ORANGE-GROUND EMBROIDERED SILK “DRAGON” ROBE, CH’I-FU, CHINA, QINGDYNASTY, 19TH CENTURY, DAOGUANG – XIANFENG PERIODThe warm orange silk tone ground with nine couched five-clawed dragons, pursuing the flaming pearl, worked incouched gilt thread and multi colored satin stitch and pecking knots embroidering peonies, chrysanthemum, and otherfloral scattering, bats, double gourd vases and beribboned Taoist emblems amidst ruyi-form clouds, all around a centraldouble bats nine strings of pearls pendant. The hem with the central terrestrial diagram and lishui stripes compressedby a rich band of wind-tossed waves. The collar of a dark blue ground embroidered with a multi colored floral scrollborder with figures of Golden Pheasant and Lion (second civil and military rang). The sleeves ending with a floral blue-tones embroidered border, the cuffs with multi-colored double happiness symbol, lotus, swastika and bats between agilt threads geometrical border. Lined in vivid blue tone silk. In very good condition, very minor discoloring and wearsof silk, in the linen, round the collar. The cuffs with few ancient silk adjustments.

156 cm wide, 139 cm high

€ 9.000 - 15.000


罕见橙色面绣花“龙”丝长袍，清朝，十九世纪，道光-咸丰时期宽156cm，高139cm

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ABITO DI CORTE IN SETA BROCCATA A FONDO PORPORA CON DRAGHI, CH’I-FU, CINA, DINASTIA QING, TARDO XIX SECOLO

A PURPLE-GROUND SILK BROCADE "DRAGON" COURT ROBE, CH’I-FU, CHINA, QING DYNASTY, LATE 19TH CENTURYThe robe is woven with gilt, purple blue, green, yellow and orange threads with nine five-clawed dragons in pursuitof flaming pearls amidst cloud scrolls, cranes, bats, double fishes, shou-roundels and auspicious and Taoist symbolsabove the terrestrial diagram and gilt lishui stripes; the collar and the horse-hoof cuffs with a black ground dragonspatterned band flanked by a gilt geometrical band. In quite good condition, one blue stain on the back side slightlytrespassing on the front, the bottom side of the left sleeve to be re sewed as well a part of a string round the collar.


€ 2.000 - 3.000


藏红花龙纹丝绸，济福，中国，清朝十九世纪晚期宽162cm，高142cm

62

BORSINA RETTANGOLARE DI CORTE IN SETA RICAMATA CON FENICE, CINA, XIX SECOLO

A “PHOENIX” GILT THREADS AND SILK EMBROIDERED COURT PURSE, CHINA, 19TH CENTURYA rectangular one drawer shaped red orange-ground silk purse with drawstring and tassels, finely embroidered institched gold and coloured threads depicting a Phoenix (Empress symbol) and flowers decoration, the drawer in paleblue silk, lined in yellow silk as well the box. In quite good condition, very minor detachment of few threads and onthe corner of the box, one stain on the bottom and back of the inner tray.


€ 1.000 - 1.500


凤凰金线丝绸绣制，中国，十九世纪高11,5cm，宽7.8cm

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BORSINA DI CORTE IN SETA ROSSA RICAMATA IN FILI D’ORO E COLORI, CINA, XIX SECOLO

A GILT THREADS AND COLOURS EMBROIDERED RED SILK COURT PURSE, CHINA, 19TH CENTURYA heart-shaped red-ground silk purse with drawstrings and tassels, finely embroidered in stitched gold and colouredthreads depicting a Shou character on each side, double bats, and double double-gourd vases all auspicious symbolsof happiness, luck and longevity. In good condition, very minor detachment of few threads.

8,5 cm diam., 8,5 cm high

€ 1.000 - 1.500


金线红色丝绸刺绣，中国，十九世纪直径8,5cm，高8,5cm

64

BORSINA DI CORTE IN SETA GIALLA RICAMATA IN FILID’ORO E COLORI, CINA, XIX SECOLO

A GILT THREADS AND COLOURS EMBROIDEREDYELLOW SILK COURT PURSE, CHINA, 19THCENTURYA heart-shaped yellow-ground silk purse withdrawstrings and tassels, finely embroidered institched gold and coloured threads depicting lotusand flowers decoration. In good condition, veryminor detachment of few threads.

8 cm diam., 9,5 cm high

€ 1.000 - 1.500

Provenance: from the private collection of the noblefamily of counts Zavagli Ricciardelli and descendants

彩刺绣花黄色丝绸，中国，十九世纪直径8cm, 高9,5cm

65

BORSINA DI CORTE RICAMATA A KESI, CINA, XIXSECOLO

A KESI SILK COURT PURSE, CHINA, 19TH CENTURYA heart-shaped dark silk purse with drawstring,finely embroidered in kesi technique depicting amonkey climbing on a pine tree on one side and ona prunus on the other side intending to catch abutterfly. In good condition, very minor wear on thesilk by the folding side, tassels missing.

10 cm diam,9,5 cm high

€ 1.000 - 1.500

Provenance: from the private collection of the noblefamily of counts Zavagli Ricciardelli and descendants

凯西丝绸刺绣，中国，十九世纪直径10cm，高9.5cm

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66

RARO CAPPELLO DI CORTE, IN SETA ROSSA E PELLICCIA, CINA, XIX SECOLO

A VERY RARE RED SILK AND FUR COURT HAT, CHINA, 19TH CENTURYA rare and most handsome for a Mandarin's court hat, Chaoguan, the gilt hat finial indicates a fourth rank by the bluePeking glass stone. The official would wear this hat when wearing his chaofu robe. The hat with fur brim has a crowncovered with a red flossed silk instead of the traditional tassels. A central simulated pearl on the rim indicates the frontof the hat. The jewel remembers the lama 'Master' stone, symbolising a pure mind, a gem capable of cutting throughany substance, but which itself could not be penetrated, the interior lined in orange. Overall in very good condition,the peacock feather plume missing.

25 cm diam., (the finial12 cm high)

€ 4.500 - 7.000


极为罕见的红色真丝毛皮制帽子，中国，十九世纪直径25cm,(最后高度12cm）

Notes: for similar, please see: Christie's, south Kensington, 9 November 2012, Lot 1298 and Christie's, south Kensington, 12November 2010, Lot 1482.

95

inside top

97

67

ABITO INFORMALE DA CORTE “CH’I-FU” IN SETA DAMASCATA BLU, CINA, TARDA DINASTIA QING

A BLUE-GROUND DAMASC INFORMAL “DRAGON” COURT ROBE “CH’I-FU”, CHINA, LATE QING DYNASTYWoven with nine dragons chasing the flaming pearl in pale colored silks threads amongst cloud scroll, Buddhistemblems, cranes, bats and Shou characters, over a sea-wave border, the horse shoe cuffs with dragons. In quite goodcondition, discoloring, one cuff of different color.


€ 600 - 1.500

Provenance: private property of a lady in the north of Italy, bought at Christies sale 5346 February 2008 lot 280

-非正式丝绸礼服，中国, 清朝晚期宽218cm，高134cm

68

ABITO INFORMALE FEMMINILE IN SETACOLOR MELANZANA, CINA, XIXSECOLO

AN AUBERGINE SILK INFORMALLADY’S ROBE, CHINA, 19THCENTURYThe aubergine silk embroidered insatin stitch with prunus blossoms; theblack silk border, collar and cuffswoven with multi-color butterflies,lined with light blue silk. In quitegood condition.


€ 500 – 1.000

Provenance: private property of a ladyin the north of Italy, bought at Christiessale 5346 February 2008 lot 292

女性非正式丝绸礼服，中国，十九世纪宽140cm，高106cm

69

GIACCA INFORMALE DA SIGNORA INSETA ROSSA, CINA, TARDA DINASTIAQING

A LADY’S RED SILK INFORMALJACKET, CHINA, LATE QINGDYNASTY Finely embroidered in multi-coloursatin stitch depicting butterflies,peaches, citron fingers, Taoistemblems, peonies and pheasantsembroidered with pecking knotstechnique.Stains, buttons missing, defects.


€ 300 - 500

Provenance: private property of a ladyin the north of Italy, bought at Christiessale 5346 February 2008 lot 272

女士红色丝绸非正式外套，中国，清朝晚期宽138cm，高91cm

96

PRIVATE PROPERTY OF A LADY IN THE NORTH OF ITALY 意大利北部一位女士私藏

FROM THE PRIVATE COLLECTION OF A NORTH ITALIAN GENTLEMAN ANDTHENCE DESCENDANTS 来自意大利北部的紳士，及因而後代的私人收藏

98 99

70

GRANDE TESSUTO IN SETA RICAMATO CON DRAGHI A MEDAGLIONI, CINA,TARDA DINASTIA QING

A VERY LARGE DRAGON SILK TAPESTRY, CHINA, LATE QING DYNASTYEmbroidered in satin stitch on a creamy silk ground depicting a boldpattern of five-clawed dragon chasing the flaming pearl formingmedallions, surrounded by blue shades Lingzhi fungus shaped clouds.The rim on blue ground depicting multicoloured flowers and foliate. Ingood condition.


€ 1.000 – 2.000

Provenance: private property of a gentleman in Rome

大件丝绸龙纹收藏品，中国，清末晚期高100cm，宽480cm

71

SCATOLA IN LACCA ROSSA A FORMA DI CUSCINO,CINA, DINASTIA MING

A PILLOW SHAPED CINNABAR LAQUER BOX,CHINA, MING DINASTYFinely engraved on a geometrical patternground, depicting a scene of four literates sittingamongst rocks under pine trees in thebackground mountains, on the sides of the coverand the base an incised geometrical continuouspattern. Minor wear on surface, restorations onthe hedge on the sides.

5 cm high, 11 cm long, 8,5 cm wide

€ 900 - 1.500

Provenance: private property of a lady in the northof Italy

枕式红漆盒, 中国，明代高5cm，长11cm，宽8,5cm

101

72

SCATOLA A FORMA DI PESCA IN LACCA ROSSA, CINA, POSSIBILMENTE DINASTIAMING

A RED LACQUER BOX PEACH SHAPED, CHINA, POSSIBLY MING DYNASTY The cover finely carved depicting a scene of scholar receiving attendants undera pine tree surrounded by mountains landscape; the sides of the box carvedwith a geometric pattern. Overall in good condition, piece on a side of the basere-stuck, some minor losses of the lacquer at the base.


€ 1.400 - 2.000

Provenance: from the private collection of a north Italian gentleman and thencedescendants

红漆漆器盒桃，中国，明朝高12cm，宽5.5cm

73

BELLA E RARA COPPIA DI BEI VASI A BOTTIGLIA IN CERAMICA E LACCA ROSSA ’CINNABAR’, CINA, XVIII SECOLO

A RARE FINE PAIR OF CERAMIC AND RED CINNABAR LACQUER INCISED BOTTLE VASES, CHINA, 18TH CENTURY (2)

Of compressed globular form, the interior and the base and the mouth rim exposing the ceramic body, the exteriorcovered in coating of cinnabar lacquer body finely carved through the red lacquer layers with a scene depictingscholars and attendants sitting or walking in the open air on path and terrace with fences surrounded by wutong,willows and pine trees and on the background a landscape with houses and mountains in the distance between ruyi-head and lappet borders, the neck with deep incised geometric pattern grounds and with a flower and foliate scrollswith stylized stems between rims with key-frets and lappets, on a background carved with further geometric motifs. Invery good condition, only minor wear on the surface and very minor tiny nicks on the extremities, on the top mouth rimsome minor flakes showing the ceramic body as well as for the foot, as expected of the age and typical of this type.


€ 6.500 - 10.000

Provenance: from the private collection of a north Italian gentleman and thence descendants

一对精美的陶瓷和红色辛纳巴克漆器雕刻的花瓶，十八世纪（2）高23.5cm，宽14.5cm

100

103102

74

BELLA COPPA IN PORCELLANA “FAMIGLIA ROSA”, CANTON, CINA, XIX SECOLO

A LARGE "FAMILLE ROSE" CANTONESE PORCELAIN BOWL, CHINA, 19TH CENTURYThe interior and the exterior decorated with alternate medallions of figurative and naturalistic scenes all reserved on agilt and green-ground of scrolling flowers, butterflies, pomegranates. In very good condition, minor wear on the enamelsin the centre.

39 cm diam., 15 cm high

€ 500 – 700


大件“粉彩”彩瓷碗，中国，十九世纪直径39cm，高15cm

75

BEL PAIO DI VASI IN PORCELLANA “FAMIGLIA ROSA”, CANTON, CINA, XIX SECOLO

A NICE PAIR OF "FAMILLE ROSE" PORCELAIN VASES CANTON, CHINA, 19TH CENTURY (2)The body of a globular form, each enameled with panels of lady’s court scenes between borders of scattered butterflies,birds, Buddhist emblems and floral sprigs, on the sides minor cartouches with court scenes; the lobed tall everted neckrepeating court scenes. Two pairs of gilt chilongs applied in high relief on the shoulder divided by two confronted giltBuddhist lions and cub. In perfect condition, very minor wear on the surface.


€ 2.600 – 3.000


一对精美的“粉彩”瓷花瓶，中国广州，十九世纪（2）高58.5cm，宽24cm

104

76

CORNICE IN ARGENTO LAVORATA A CESELLO CON DRAGHI, CINA, XIXSECOLO

A DRAGON OPENWORK SILVER FRAME, CHINA, 19TH CENTURYWith six dragons pursuing the flaming pearl amongst clouds. Markon the reverse.

32 cm high, 24 cm wide, 429 gr. Net

€ 200 – 500

Provenance: from the heirs of a major of Royal Italian army in China until1903

龙镂空银框，中国，十九世纪高32cm，宽24cm，429克

105

A Major in the Royal Italian Army, was born in Liguria in 1863 (?). He died inAfrica in fighting in Africa in 1913. He came from a family of venetian shipownersand great travellers. At 17 years of age he went to the military school in Modenaand began his military career. Lieutenant first and then colonel, he was sent toChina as a Major to assume the command at Tien-Tsin: he stayed there till 1903.Thanks to his good work in China, he was awarded the cross of a Knight of theOrdine della Corona d’Italia and of the Ordine dei SS. Maurizio e Lazzaro.In 1906 he left for Eritrea where he stayed until 1910 and he was promoted toLieutenant Colonel. Two years later, he was in Cirenaica (Libya) where he fought heroicallyand died in 1913. He was awarded the gold medal for Military Excellence.The collection here illustrated is comprised of objects he collected and received in China (he held a high militaryposition and frequented embassy parties and high society milieux): the collection have since remained with hisdescendants.

意大利皇家军少校出生在力古里亚大区(1863?) 1913年在非洲战场战亡。

他来自威尼斯一个船东家庭，指挥船只，17岁开始旅行，1882年加入摩德纳军事学校，开始他的军事生涯。先是

中尉然后是上校，奉意大利国王的命令，以少校身份派到中国，指挥混合队伍，在天津总部直到1903年，奉命回

国。回到祖国后，由于他的丰功伟绩，他获得意大利皇室和圣十字堂骑士勋章。随后，在1906年，他去厄立特里

亚，在那里直到1910年，晋升为中校。两年后，他去往昔兰尼加（利比亚），在这里，上校，1913年英勇战亡。

因为这次事件，他被授予金质勇气勋章。

下列展品是在他逗留中国期间，收集或被赠与的物件组成，（他在大使馆有一个重要军事地位，与最高层接触）

于是，这些收集品来到意大利，并保存在他的住所，后来流传给他的合法继承人。

FROM THE PRIVATE COLLECTION OF A MAJOR OF ROYAL ITALIAN ARMY INCHINA UNTIL 1903 AND THENCE DESCENDANTS年選集意宽利皇家軍隊在中國的一個主要的私人收藏

106

77

TRE PETTORINE DI RANGO MILITARE E CIVILE IN SETA RICAMATEED IN CORNICE, CINA, XIX SECOLO

THREE FRAMED MILITARY AND CIVIL RANK SILK BADGES,CHINA, 19TH CENTURYTwo embroidered in gilt thread with the first military rank,the Qilin shown facing the sun sewn coral colored tinypearls emerging the waves above a gold lishui stripe. Oneembroidered Kesi, the second civil rank, the goldenpheasant, embroidered in white and different shades ofblue amidst clouds, bats and Buddhist emblems abovelishui stripes. In quite good condition being conservedframed.

86 cm high, 30 cm wide (the frame), 29x30 cm each

€ 500 – 1.000

Provenance: from the heirs of a major of Royal Italian army inChina until 1903

三架架丝绸徽章，中国，十九世纪高86cm，宽30cm（框架），每个29x30cm

78

TAVOLINO QUADRATO IN LEGNO, CINA, TARDO XIXSECOLO

A SQUARED HARDWOOD STAND, CHINA, LATE19TH CENTURYThe stand in quite good condition, minor wear onthe surface of the top.

87 cm high, 41,7 cm wide each side

€ 200 – 500

Provenance: from the heirs of a major of Royal Italianarmy in China until 1903

木质方桌，中国，十九世纪晚期高87cm，每侧宽41,7cm

79

TAVOLINO RETTANGOLARE IN LEGNO, CINA, TARDOXIX SECOLO

A RECTANGULAR HARDWOOD STAND, CHINA,LATE 19TH CENTURYThe stand in quite good condition, somescratches and wear on the surface.

84,7 cm high, 43x31,3 cm wide

€ 200 – 500

Provenance: from the heirs of a major of Royal Italianarmy in China until 1903

矩形硬木桌，中国，十九世纪。高84,7cm，宽43x31,3cm

107

108

80 PREMIUM LOT

MOLTO RARA GRANDE COPPIA DI PORTA GHIACCIO QUADRATI IN PORCELLANA BIANCA E BLU, CINA, DINASTICA QING, TARDOXVIII SECOLO INIZI XIX SECOLO

A VERY RARE LARGE SQUARE PAIR OF BLUE AND WHITE PORCELAIN ICE-CHEST, CHINA QING DYNASTY LATE 18THEARLY 19TH CENTURY Formed of square section this fine ice-chest are heavily potted with high slightly flaring sides, horizontally divided intothree sections and encircled by two raised ribs imitating metal bands, adorn with a blue scrolling motif, the sides finelypainted, with the mouth rim decorated with a reserve band of continuous ruyi heads with inside blue flowers belowan alternating foliate strap-work design, the central section with an ornament of stylized phoenix and bloom flowers,the third section painted above the foot rim in white reserve with a continuous topping decoration of scrolling stylizedphoenix, the interior all in plain white glaze and with the recessed base unglazed as well as for the encircling shortfoot rim.One in very good condition, with only very small firing imperfections, minor surface wear and minor scratches, insidethe plain white glaze with stains of stale water, the second in one side a chip with a V-shaped hairline from the mouthrim down close to the foot rim and with very small firing imperfections, minor surface wear and minor scratches, insidethe plain white glaze with stains of stale water, as expected of the age and typical of this type.


€ 5.000 – 10.000

Provenance: from the heirs of a major of Royal Italian army in China until 1903

罕见方形承冰青花瓷器，清朝，十八世纪末十九世纪初高31,7cm，宽38,8cm

Note: Our ice-chest with this type of decoration suggest that were used by a noble consort.In the National Palace Museum Beijing we can see some example with this form in cloisonne’ with square section. Largeice chests were used in the Palace during the hot summer months. Filled with ice and placed in certain rooms used bythe Imperial family. The ice was used to cool drinks, fruit and sweet, as well as cooling the surrounding area andsomewhat alleviating the oppressive heat of Beijing, which the Manchu emperors found so uncomfortable. These chestswere sometimes placed directly on the floor beneath tables to cool both the food and those seated at the table. In winterice blocks were cut from the Inner Golden River and were stored in the five ice vaults in the Forbidden City near theGate of the Great Ancestors.

109

110

81

TAVOLINO DA INCENSO IN LEGNO INTAGLIATO, CINA, TARDO XIX SECOLO

A FINE AND CARVED INCENSE STAND, CHINA, LATE 19TH CENTURYOf square shape with two shelves a drawer carved with dragons, bats and Shou motif.The stand in quite good condition, minor wear on the surface and one gap between the top and the structure, smallchips on the edges.

93 cm high, 48 cm wide each side

€ 200 – 500


刻木雕香桌，中国，十九世纪高93cm，每侧宽48cm

111

FROM A PRIVATE COLLECTION OF A GENTLEMAN IN THE NORTH OF ITALY,IN THE PROPERTY SINCE THE 80’S意大利北部私人收藏, 80年代以来的房地产

112

82 PREMIUM LOT

FINE COPPIA DI VASI A BOTTIGLIA IN PORCELLANA “FAMIGLIA ROSA” “DRAGO E FENICE”, CINA, DINASTIA QING, MARCATA EDEL PERIODO GUANGXU (1875-1908),

A FINE PAIR OF “DRAGON AND PHOENIX” “FAMILLE ROSE” PORCELAIN BOTTLE VASES, CHINA, QING DYNASTY,GUANGXU MARKS AND OF THE PERIOD (1875-1908)Well potted with a globular body supported on a slightly splayed foot, sweeping up to a waisted neck and flared rimis decorated to the globular lower body section with an iron-red and gilt five-clawed dragon chasing the flaming pearland a phoenix in flight chasing a gilt sun, all amongst billowing ruyi-shaped cloud scrolls, the shoulder is adorned witha band of lotus sprays alternating with gilt Shou characters all between foliate scrolls, and the flared neck is decoratedwith an interspersed motif of eight groups of flowers showing at the center the Eight Buddhist Emblems, bajixiang, allbetween a petal-lappet band of pendent ruyi-heads below the mouth rim and with a band of over-lapped waves abovethe foot. The base with a six-character mark in iron red. In very good condition with very minute firing imperfectionsand very slight wear on the surface, most notably on the gilding.


€ 12.000 – 20.000

Provenance: from a private collection of a gentleman in the north of Italyin the property since the 80’s

精致“粉彩”中的瓷罐（1875-1908），清朝，光绪时期高42.5cm，宽24cm

113

115114

83 PREMIUM LOT

BELLA COPPIA DI COPPE A MEDAGLIONI SU FONDO GIALLO IN PORCELLANA “FAMIGLIA ROSA”, DINASTIA QING, MARCATE ASIGILLO E DEL PERIODO DAOGUANG (1821-1850)

A NICE PAIR OF YELLOW-GROUND “FAMILLE ROSE” PORCELAIN ‘MEDALLION’ BOWLS, QING DYNASTY, SEAL MARKOF DAOGUANG AND OF THE PERIOD (1821-1850) (2)Each with deep rounded sides rising from a short foot to a slightly flaring rim, the exterior is finely painted in brightenamels with four rose-bordered circular medallions alternating with a motif of flowering trees and landscape sceneswith figures, all divided by stylized lotus issuing from scrolled leafy stems against a lemon-yellow ground. The interioris decorated in underglaze blue with four be-ribboned canopied vases enhances with gilding decoration, surroundingby a central medallion of stylized flowers radiating four flowering plants. inscribed to the base with a six-characterDaoguang seal mark in underglaze blue. In very good condition with only a very slightly surface wear and very fewminute flakes to the yellow ground most notably close to the foot rims, and some fading to the green and black enamels.

15 cm diam.,6,2 cm high

€ 7.000 - 15.000


粉彩瓷纹碗一对，清代，道光时期（1821-1850）（2）直径15cm，高6,2cm

inside inside

117116

84

VASO ‘DEI CENTO PIPISTRELLI’ IN PORCELLANA “FAMIGLIA ROSA”, CINA, DINASTIA QING, MARCATO E DEL PERIODO GUANGXU(1875-1908)

A “FAMILLE ROSE” PORCELAIN ‘HUNDRED BATS’ VASE, CHINA, QING DYNASTY, MARK AND OF THE PERIOD OFGUANGXU (1875-1908)The vase rising from a strait foot and is potted with a compressed globular body gently rising to a slightly tapered neck,densely painted on the exterior with iron-red bats in flight, hovering amongst multicolor swirling clouds, all between apendant ruyi-head band at the mouth and a border of upright stylized lappets around the foot, the countersunk baseinscribed in iron red with a six-character reign mark. In very good condition, only a very slightly surface wear.


€ 7.000 - 15.000


“粉彩”“百福”花瓶，中国，清朝，光绪年前（1875-1908年）高34cm，宽26cm

119

85

VASO ‘DEI CENTO PIPISTRELLI’ IN PORCELLANA “FAMIGLIA ROSA”, CINA, DINASTIA QING, MARCATO E DEL PERIODO GUANGXU(1875-1908)

A “FAMILLE ROSE” PORCELAIN ‘HUNDRED BATS’ VASE, CHINA, QING DYNASTY, MARK AND OF THE PERIOD OFGUANGXU (1875-1908)The vase rising from a strait foot and is potted with a compressed globular body gently rising to a slightly tapered neck,densely painted on the exterior with iron-red bats in flight, hovering amongst multicolor swirling clouds, all between apendant ruyi-head band at the mouth and a border of upright stylized lappets around the foot, the countersunk baseinscribed in iron red with a six-character reign mark. In good condition, a small V-shaped piece re-stuck on the rimapproximately 1,5 cm. with associated hairline of approximately 12cm. as we can see from the illustration of thecatalogue, and with very slightly wear on the surface.


€ 3.800 - 6.000


“粉彩”“百福”花瓶，中国，清朝，光绪年前（1875-1908年）高34cm，宽26cm

121120

86

UNA COPPIA RARA DI COPPE IN PORCELLANA “FAMIGLIA ROSA”, CINA, DINASTIA QING, MARCATE E DEL PERIODO DIXUANTONG (1909-1911)

A VERY RARE PAIR OF FAMILLE ROSE PORCELAIN ‘PHOENIX ‘ BOWLS, CHINA, QING DYNASTY, MARKS AND PERIODOF XUANTONG (1909-1911) (2)The bowls with deep rounded sides rising from a straight foot, each finely enamelled on the exterior with four stylizedphoenix amongst exotic flowers borne on a scrolling foliage, a narrow gilt and iron-red line above the foot and belowthe mouth rim, the interior white, the exterior of the base with a six-character mark in iron-red. In very good condition,only a very minute firing imperfections and very light surface wear.

15 cm diam., 6 cm high

€ 2.800 - 5.000


粉彩“凤凰”瓷器一对。中国清代，清代宣通（1909-1911年）（2）直径15cm，高6cm

123122

87

UNA RARA COPPA IN PORCELLANA “FAMIGLIA ROSA” CON FENICI, CINA, DINASTIA QING, MARCATA E DEL PERIODO DIGUANGXU (1875-1908)

A VERY RARE “FAMILLE ROSE” PORCELAIN “PHOENIX” BOWL, CHINA, QING DYNASTY, MARK AND OF THE PERIODOF GUANGXU (1875-1908)The bowl with deep rounded sides rising from a straight foot, delicately enamelled on the exterior with a decorationof four stylized phoenix amongst flowers on a scrolling foliage enclosed between two bands, the one above the footin blue enamel decorated with a stylized scrolling of flowers, the other band below the mouth rim in polychromeenamels adorned with a scroll of flowers and foliage, all set between with a narrow gilt and iron-red line around themouth and foot, the interior in the center with a small group of lingzhi mushrooms above an hexagonal geometricalband between two lines, the exterior of the base with a six-character mark in iron-red. In very good condition, only avery minute firing imperfections and very light surface wear.

16 cm diam., 7,5 cm high

€ 2.000 - 4.000


极富盛名的“粉彩”瓷器凤凰碗，中国清朝，清光绪十年（公元1855-1908年）直径16cm，高7,5cm

FROM AN IMPORTANT NOBLE FAMILY CASTLE IN THE NORTH OF ITALY来自意大利北部一个贵族家庭的收藏, 来自意大利北部贵族城堡

125124

88 PREMIUM LOT

UN IMPORTANTE E FINEMENTE INTAGLIATO PORTA PENNELLI ‘SCHOLAR’ IN GIADA VERDE SPINACIO, BITONG, CINA, DINASTIAQING, QIANLONG 1736-1795

A HIGHLY IMPORTANT AND FINELY CARVED LARGE SPINACH-GREEN JADE 'SCHOLAR' BRUSHPOT, BITONG, CHINA,QING DYNASTY, QIANLONG 1736-1795Raised on a thick cylindrical body, the sides are finely and deeply carved with a scene depicting eminent scholars ina continuous dramatic mountain landscape surrounded by rocky peaks, wutong and pine trees under a cloudy sky, twoscholar seated around a rectangular table and holding in their hands cups, one admiring a scroll and an attendantserving him the tea, above in the distance a terrace with a double-roof pavilion, each of them with a long beard andwearing a voluminous robes, other two scholar on a small terrace near a path zigzagging up the mountain to thedistant pavilion, the other winding behind a diagonal ridge of rock-work, the stone of a deep spinach-green colorvariegated with lighter green passages.In very good conditions, the stone is very well polished and preserved. There are some natural flaw lines. There arevery few small scratches and wear on the surface. There are a few very minute nicks and chips to the extremities of thecarving, as expected of the period and typical of this type, together with an Italian later wood gilded base, in goodcondition with some wear and scratches on the surface and some minor flakes on the extremities.


€ 50.000 - 90.000

Provenance: from an important noble family castle in the north of Italy

高精制绿玉笔筒，中国，清朝，乾隆1736-1795

127126

高23cm，直径24cm89

BEL VERSATOIO IN PORCELLANA BIANCA E BLU, CINA, EPOCA TRANSIZIONE

A NICE BLUE AND WHITE PORCELAIN EWER, CHINA, TRANSITIONAL PERIOD Of a proportioned globular form, the body depicting a scene of a dignitary with his attendants in a terraced garden,surrounded by trees and rocks, the neck and the shoulder decorated with floral motifs. In good condition, minor firingimperfection and minor wear on the surface.

22 cm high,11cm wide

€ 1.100 – 2.000

Provenance: from a private property in Rome, bought at Van Halm, London

精美的青花瓷壶，中国，过渡时期

FROM THE PRIVATE COLLECTION OF A MILANESE LADY AND THENCEDESCENDANTS 来自米兰淑女及其后裔私藏

129128

高22cm，宽11cm90

GRANDE SERVIZIO UNITO IN PORCELLANA "FAMIGLIA ROSA", CINA, XVIII SECOLO, EPOCA QIANLONG

AN EXTENSIVE ASSEMBLED "FAMILLE ROSE" EXPORT PORCELAIN PART DINNER SERVICE, CHINA, 18TH CENTURY,QIANLONG PERIOD (150 PCS + 5 COVERS)Enameled in vivid pink, purple and green colors, each piece painted with flowering branches within an iron-and giltground band reserved with lotus petals on the cavetto, the rim with floral sprays within a gilt spearhead border. Theservice has two shapes: octagonal and lobed. Overall in good condition, minor firing imperfection, minor wear on thesurface, some pieces with hairline, minor flake and chips (CR detailed available). 66 dishes, 14 chargers, 2 tureens,1salad pierced basked, 1 small tureen,4 sauce boats in perfect condition.

OCTAGONAL45 octagonal dinner plates 22,5 cm diam.12 octagonal soup plates 22,6 cm diam. 2+2+2 (total 6 pcs.) tureens with covers and stands (the stands 37x28,8cm; the tureens 35x22cm 25cm h.)2 large octagonal rectangular serving dishes 46,5 x 38 cm4 large octagonal rectangular serving dishes 32,5 x 24,5 cm3 medium octagonal rectangular serving dishes 29 x 21 cm4 small octagonal rectangular serving dishes 25 x 17,3 cm2 large octagonal rectangular serving dishes 37 x 29 cm

LOBED25 lobed dinner plates 22,7 cm diam.26 octagonal soup plates 23 cm diam. 3 lobed small dinner plates 16 cm diam.1+1+1 (total 3 pcs.) lobed tureen with cover and stand (the stands 39x30,1cm, the tureen 36x23 cm 22cm h.)1 large lobed oval serving dish 43 x 35,5 cm1 large lobed oval serving dish 39 x 31 cm1 medium lobed oval serving dishes 31,5 x 23,5 cm2 medium lobed oval serving dishes 28 x 19,3 cm

VARIOUS2+2 sauce boats and plates 19,5 cm long, 10,5 cm wide3 sauce boats without plates (2 matched, 1 broken and re-stuck) 19,5 cm long, 10,5 cm wide2 pierced fruit baskets 32 x 22,6 cm2 + 2 small tureens and covers 19x16,5cm1 salt cellar 8 x 6,2 cm1 dinner plate 23 cm diam.

€ 12.000 - 25.000

Provenance: from the private collection of a Milanese lady and thence descendants

一套精品“粉彩”瓷具，中国，十八世纪，乾隆时期（150件，5个盖子）

131130

91

VENTIQUATTRO PIATTI ED UN VASSOIO IN PORCELLANA "FAMIGLIA ROSA", CINA, XVIIISECOLO, EPOCA QIANLONG

TWENTYFOUR "FAMILLE ROSE" EXPORT PORCELAIN PLATES AND ONE OVALSERVICE DISH, CHINA, 18TH CENTURY, QIANLONG PERIOD (25)Enameled in vivid pink, purple and green colors, each piece painted with floweringbranches within an iron-and gilt ground band reserved with lotus petals on thecavetto, the rim with floral sprays within a gilt spearhead border. Overall in goodcondition, minor firing imperfection, minor wear on the surface, some pieces withhairline, minor flake and chips, the oval dish in good condition.

24 lobed dinner plates 22,7 cm diam.1 medium lobed oval serving dishes 31,5 x 23,5 cm

€ 3.500 - 5.000


二十四件瓷盘，“粉彩”，中国，十八世纪，乾隆时期直径22,7cm,1个椭圆形31.5 x 23,5cm

92

VASO IN PORCELLANA IMARI CON MONTATURA IN BRONZO, GIAPPONE, XVIIISECOLO

AN IMARI PORCELAIN VASE WITH BRONZE MOUNT, JAPAN, 18TH CENTURYThe oviform octagonal vase with slightly everted neck, decorated in iron-redenamel and gilt on underglaze blue with shaped panels depicting cherryblossom, peonies and butterflies. In good condition, some wear in gilt, thecover missing.


€ 400 - 600


青铜壁饰陶瓷花瓶，十八世纪，日本高39 cm，宽34 cm

93

COPPIA DI GRANDI POTICHES CON COPERCHIO, IN PORCELLANAIMARI, GIAPPONE, XVIII SECOLO

A LARGE PAIR OF IMARI PORCELAIN JARS AND COVERS,JAPAN, 18TH CENTURY (2)The large oviform vases with slightly everted neck, decoratedin iron-red, green enamel and gilt on underglaze bluedepicting in the body a central vase spreading cherry blossombranches surrounded by rock and trees, on the shoulder andthe neck continuous floral bands: the covers repeating thesame motif than on the body. In good condition, minor wearin gilt, a firing hairline at the base of one vase rising to thebody


€ 2.000 - 4.000

Provenance: from the private collection of a Milanese lady andthence descendants

伊万里瓷瓶壶，有盖，日本，十八世纪（2）高70cm，宽43cm

en suite with the previous lot

133132

94

GRANDE E RARO VERSATOIO TRIPODE INPORCELLANA IMARI, GIAPPONE, EPOCA MEIJI(1868-1912)

A LARGE AND RARE IMARI PORCELAINCOFFEE EWER, JAPAN, 19TH CENTURY,MEJI PERIOD (1868-1912)On tripod feet, modelled in high-relief anddecorated in underglaze blue and iron-red,pink, gilt and yellow colors depicting flyingcranes towards a nest with four new born,amongst prunus branches and pine trees.The three feet figured as boy figuresholding the ewer.In good condition, only a chip on the rimof the cover of 2,3 cm, minor wear onenamels.


€ 900 - 1.500

Provenance: property of a lady in the north ofItaly

罕见陶瓷咖啡壶，日本，世纪世纪，（明治时期）（1868-1912）高45cm，宽25cm

95

COPPIA DI CANI DI FO IN BISQUIT SMALTATO, GIAPPONE, XIX SECOLO

A PAIR OF GLAZED BISQUIT FO DOGS, JAPAN, 19TH CENTURYEnameled in creamy white and dark aubergine glaze, the dogs seated with open mouth and wide eyes. In goodcondition, only one tooth and a finial of one tail missing, minor wear on enamels.


€ 500 - 700

Provenance: private property of a Lady

三彩祥狮釉面，日本，十九世纪高30cm，宽25cm

135134

96

COPPIA DI GRANDI VASI IN PORCELLANA BIANCA E BLU, CINA, XX SECOLO,MARCHIO APOCRIFO QIANLONG

A LARGE PAIR OF BLUE AND WHITE PORCELAIN “LOTUS” VASES, CHINA, 20TH CENTURY, QIANLONG APOCRYPHALMARK (2)The body of a globular form, rising from a short spreading foot to a tall waisted neck set on the sides with a pair ofhandles masks depicting two large bands with lotus flower and foliate scroll between a continuous wave band at thebottom and a stylized lappet band on the shoulder toward the neck rim. Overall in good condition, a 2 cm hairlineon the mouth rim of one vase, the other in good condition, minor wear on the surface.


€ 1.000 - 2.000


青花瓷大花瓶一对（2）中国，二十世纪高53cm，宽40cm

FROM THE PRIVATE COLLECTION OF A GENTLEMAN IN ROME来自羅馬紳士私人收藏

Lot 100

136

97

VASO IN PORCELLANA BIANCA E BLU, CINA, EPOCA WANLI

A BLUE AND WHITE PORCELAIN VASE, CHINA, WANLIPERIOD;The ovoid body decorated with Kilin amongst lotus and foliatescroll, the straight cylindrical neck with a geometrical continuousband. Minor firing imperfections, one chip on the body and onthe rim of the neck, minor wear on the surface.

19,5 cm high, 17 cm diam.

€ 900 - 1.500

Provenance: from the private property of a gentleman in Rome, labelGoffi Carboni

青花瓷瓶，中国，万历年间高19,5cm，直径17cm

98

VASO IN PORCELLANA BIANCA E BLU CON COPERCHIO IN LEGNO,CINA, EPOCA KANGXI

A BLUE AND WHITE PORCELAIN VASE AND COVER, CHINA,KANGXI PERIOD;Of ovoid form the white body decorated with round cartoucheswith mobilier and Buddhist emblems, between a floral band atthe base and on the shoulder. One 8 cm star cracks to body,wood cover broken and restored, minor wear on the surface.


€ 300 - 500

Provenance: from the private property of a gentleman in Rome

青花瓷花瓶和木质盖子，中国，康熙时期高20,5cm，直径21cm

99

COPPIA DI TAZZINE CON PIATTINO E UNA LATTIERA IN PORCELLANA BIANCA E BLU, CINA, XVIII SECOLO

A PAIR OF BLUE AND WHITE PORCELAIN CUPS AND SAUCERS, CHINA, 18TH CENTURY, TOGETHER WITH A MILKEWER (3)With flowers decoration. Cover missing for the ewer, restorations, two minor chips on the saucers.

13 cm max high, 14 cm max wide

Lot with no reserve 无底价竞拍��

Provenance: from the private property of a gentleman in Rome, label The Chinese Porcelain Company

一对小瓷杯瓷盘，中国，十八世纪最高13cm，最大14cm宽

100

GIARA CON COPERCHIO ABBINATO IN PORCELLANA“FAMIGLIA ROSA”, CINA, XVIII SECOLO

A “FAMILLE ROSE” PORCELAIN JAR AND MATCHEDCOVER, CHINA,18TH CENTURYThe jar of ovoid form enamelled with peonies branchesin bloom amongst rocks. Minor firing imperfections, acover with a 2 cm flake on the band rim


€ 900 - 1.200

Provenance: from the private property of a gentleman inRome

精致“粉彩”瓷器，中国，十八世纪高24,5cm，直径23cm

139

103

COPPIA DI VASI CON COPERCHIO IN PORCELLANABIANCA E BLU, CINA, EPOCA KANGXI

A PAIR OF BLUE AND WHITE PORCELAIN VASESAND COVERS, CHINA, EPOCA KANGXI (2)Of baluster shape with the body ribbed acontinuous floral and foliate scroll divided in fourbands. One neck and cover with a restoration,minor flakes on the rim.


€ 600 - 1.000

Provenance: from the private property of a gentleman inRome, label Goffi Carboni

一对青花瓷瓶，中国，康熙时期（2）高31cm，直径14cm

104

COPPIA DI VASI IN PORCELLANA BLANC-DE-CHINE, CINA,XIX SECOLO, MARCHIO APOCRIFO QIANLONG

A PAIR OF BLANC-DE-CHINE PORCELAIN VASES,CHINA, 19TH CENTURY, APOCRYPHAL QIANLONGMARK (2)Baluster squared shaped rising from a tall foot, the neckflanked by two elephant head handles, the body withrelief decoration of dragons amongst clouds. In goodcondition, small firing imperfection.


Lot with no reserve �无底价竞拍��

Provenance: from the private property of a gentleman inRome

一对青花瓷瓶，中国，十九世纪，乾隆印章（2）高20cm，宽9,3cm

138

101

DUE VASI IN PORCELLANA BIANCA E BLU CONCOPERCHIO, CINA, XVIII SECOLO

TWO BLUE AND WHITE PORCELAIN VASES ANDCOVERS, CHINA,18TH CENTURY (2)The body of baluster shape with a continuous sceneof figures in a mountain landscape. Minor firingimperfections, restorations on the covers.

27,5 cm max high,12 cm diam.

€ 900 - 1.500


两件带盖青花瓷花瓶，中国，十八世纪最高27,5cm，直径12cm

102

COPPIA DI VASI IN PORCELLANA BIANCA E BLU CONMANICI, CINA, EPOCA KANGXI

A PAIR OF BLUE AND WHITE PORCELAIN VASES WITHHANDLES, CHINA, KANGXI PERIOD (2)Of a baluster shape and a tall flared neck flanked bytwo animal mask handles with removable rings,depicting female figures in a terraced garden. Missingrings in one vase, two hairlines one of cm 4 and theother of cm 18, minor wear on the surface.


€ 2.200 - 3.000


一对带柄的青花陶瓷花瓶，中国，康熙时期高26cm，直径10cm

141140

105

COPPA IN PORCELLANA BIANCA E BLU, CINA, TARDA DINASTIA MING, MARCHIO APOCRIFO CHENGHUA

A BLUE AND WHITE PORCELAIN BOWL, CHINA, LATE MING, APOCRYPHAL CHENGHUA MARKDepicting the phoenix and the dragon in a landscape. In good condition, the rim polished.

21,4 cm diam.,9 cm high.

€ 500 - 800

Provenance: from a private property of a gentleman in Rome, bought at Bardith Ltd., New York

青花瓷碗，中国，明末晚期，成化落款直径2144cm，高9cm

106

DUE PIATTI IN PORCELLANA BIANCA EBLU, CINA, EPOCA WANLI

TWO BLUE AND WHITE PORCELAINPLATES, CHINA, WANLI PERIODThe rim with cartouches alternatingflower and Buddhist symbols, thecentre with birds in landscape. Onehairline of 5 cm on one plate, minorwear on the surface.

21,6 cm diam., 3,8cm high

€ 200 - 500

Provenance: from a private property of agentleman in Rome

一对青花瓷盘，中国，万历年间直径21.6cm，高3.8cm

143142

107

VASO QUADRATO IN PORCELLANA BIANCA E BLU, CINA,XIX SECOLO, MARCHIO KANGXI

A SQUARED BLUE AND WHITE PORCELAIN VASE,CHINA, 19TH CENTURY, KANGXI MARKEach side of the vase is decorated with elegantpeonies branches and the neck with bamboobranches also. In good condition, minor wear on thesurface, a small chip on the rim.


€ 500 – 700

Provenance: private property of a Lady in Rome

青花瓷方瓶,中国,十九世纪,康熙印章高45,2cm，宽14,5cm

108

GARNITURE IN PORCELLANA BIANCA E BLU, CINA,XVIII SECOLO

A BLUE AND WHITE PORCELAIN GURNITURE,CHINA, 18TH CENTURY (5)Composed by three potiches and covers and twotrumpet vases depicting naturalistic scenes withrocks and flower branches. Hairlines of 1,5, 1,5and 2,5 cm on the three potiches, one trumpetvase with pieces re-stuck on the rim, one matchedcover, minor wear on the surface.


€ 300 - 500


青花白蓝瓷家具，中国，十八世纪高29cm，宽14cm

FROM THE PRIVATE PROPERTY OF A LADY IN ROME羅馬的夫人私人財產

145144

109

COPPIA DI GRANDI PIATTI CONCAVI IN PORCELLANA BIANCA E BLU, CINA, XVIII SECOLO, PERIODO KANGXI

A LARGE PAIR OF BLUE AND WHITE SAUCER DISHES, CHINA, 18TH CENTURY, KANGXI PERIOD (2)Depicting a plain flower decoration, with Artemisia leaf symbol on the backside. One with a hairline of 6 cm and minorfritting, the other with fritting and minor chips on the rim, minor wear on the surface.

38,7 cm diam., 7 cm high

€ 400 - 600


一对青花瓷瓶，中国，康熙时期直径38,7cm，高7cm

110

DUE GRANDI PIATTI IN PORCELLANA BIANCA E BLU, CINA, XVIII SECOLO, PERIODO KANGXI

TWO LARGE BLUE AND WHITE PORCELAIN DISHES, CHINA, 18TH CENTURY, KANGXI PERIOD (2)Depicting a plain flower scroll decoration, with the lingzhi fungus symbol on the backside.One with hairline of 8 cm, fritting and minor firing imperfection, the other in good condition with minor fritting and firingimperfection, minor wear on the surface.

42,7 diam.,7 cm high

€ 500 - 700


两个青花大瓷盘，十八世纪，康熙时期直径42.7，高7cm

147146

112

GRANDE PIATTO IN PORCELLANA BIANCA E BLU, CINA, XVIII SECOLO, PERIODO QIANLONG

A LARGE BLUE AND WHITE PORCELAIN CHARGER, CHINA, 18TH CENTURY, QIANLONG PERIODDepicting two ladies in a garden surrounded by rocks and flower branches. One hairline of 7 cm and minor frittingon the rim, minor wear on the surface.


€ 200 - 500


中国白瓷和蓝瓷大盘，十八世纪，乾隆直径41,6cm，高6,5cm

111

DUE GRANDI PIATTI CONCAVI IN PORCELLANABIANCA E BLU, CINA, XVIII SECOLO

TWO LARGE BLUE AND WHITE SAUCERDISHES, CHINA, 18TH CENTURY (2)Depicting a full motif of flowers and foliate.The smallest with Artemisia leaf symbol on thebackside; one with a hairline of 6 cm andminor fritting and a small chip, the other ingood condition with minor fritting on the rim,minor wear on the surface.

35 and 39 cm diam., 6 cm high

€ 400 - 600


两个青花凹瓷盘，中国，十八世纪直径35cm,39 cm，高6cm

149

114

GRUPPO DI TRE OGGETTI IN PORCELLANA BIANCA E BLU, CINA, XVIII SECOLO

THREE BLUE AND WHITE PORCELAIN OBJECTS, CHINA, 18TH CENTURY (3)Including a rectangular bottle with cap (with flower branches decoration), a bowl (depicting scene of figures in agarden) and a standing cup (with flower and foliate decoration). The bottle and the bowl in good condition with minorfiring imperfections and the standing bowl with two hairlines of 3 and 5 cm, minor wear on the surface.

27 cm high, 10 cm wide the bottle8,4 - 14,5 cm diam., 8,4 - 8 cm high the bowls

€ 300 - 500


一组三件青花瓷器，中国，十八世纪高27cm，宽10cm, 直径8.4-14.5cm，碗高8.4-8cm

148

113

VASO CON COPERCHIO IN PORCELLANA BIANCA EBLU UNITO A TEIERA CON COPERCHIO, CHINA, XIXSECOLO

A BLUE AND WHITE PORCELAIN VASE WITHCOVER TOGETHER WITH A TEAPOT WITHCOVER, CHINA, 19TH CENTURY,The vase depicting female figures in a garden bya tree, the knop of the cover in the shape ofanimal: the teapot depicting scenes in a garden.The vase with a hairline of 3 cm on the neck, theteapot in good condition, minor wear on thesurface.

32,2 cm high, 13 cm wide (the vase),20 cm high,13,5 cm wide (the teapot)

€ 200 - 500


青花瓷花瓶，带盖，中国，十九世纪，高32,2cm，宽13cm（花瓶）, 高20cm，宽13,5cm（茶壶）

151150

115

GRUPPO DI OGGETTI IN PORCELLANA BLANC DE CHINE, CINA, XVIII SECOLO

A GROUP OF THREE BLANC DE CHINE OBJECTS, CHINA, 18TH CENTURY (3)Including a seated figure of dignitary, a libation cup with Chinese characters inscription and a teapot with cover witha Qilong. A chip on the rim of the libation cup, the teapot broken and re-stuck, the head of the dignitary probably re-glued and minor firing imperfection, minor wear on the surface.

22,5 - 8,6 - 14,5 cm high, 10 - 13 - 16,5 cm wide

Lot with no reserve 无底价拍卖


一组青花瓷器，中国，八世纪高22,5-8,6-14.5cm，宽10-13-16,5cm

FROM THE PRIVATE PROPERTY OF A NORTHEN ITALIAN GENTLEMAN意大利北部绅士私人收藏

From Lot 116 to Lot 127 Lots with no reserve从116号拍到127号拍, 无底价竞拍

116

DUE BELLE GUANYIN IN PORCELLANA ‘BLANC-DE-CHINE’, CINA, DINASTIA QING, XVIII – XIX SECOLO

TWO FINE BLANC-DE-CHINE GUANYIN, CHINA, QING DYNASTY, 18TH-19TH CENTURY (2)The bigger, the Goddess of Mercy finely modelled seated at royal ease on a rocky outcrop, wearing a necklace, anda long flowing robe falling on the rocks, her hands clasped together in front of her raised knee, her serene meditativeexpression framed by plaited braids cascading down both shoulders, a ribbon tied a scroll at her side. Impressed onthe back with a double gourd seal mark. In good condition, only minor wear on the surface.The smaller, a fine small Avalokitesvara seated on a recumbent Buddhist lion with the jaws slightly open, wearing avoluminous long-sleeved robe falling in soft folds on the beast's back, her long tresses caught in two bands falling overher shoulders, the right arm supporting a scroll, the left hand holding a rosary, she wearing a flowing garment exposingjewellery chains adorning the bare chest. Impressed on the back with a double gourd seal mark. An old collection labelon the base. In good condition, only one finger missing on the right hand

15,5 and 11,6 cm high, 13 and 10,5 cm wide

€ 200 - 500

Provenance: private property of a northern Italian gentleman

两座美丽青花瓷白玉观音，清朝，中国，十八十九世纪高15,5cm和高11,6cm，宽13cm和宽10,5 cm

153

119*

BEL PORTA PENNELLI CILINDRICO IN AVORIO INCISO ED INSCRITTO, DINASTIA QING, XIX SECOLO

A FINE ENGRAVED AND INSCRIBED IVORY CYLINDRICAL BRUSHPOT, QING DYNASTY, 19TH CENTURYThe tapering cylindrical body finely incised with one side of the body, showing a scene decorated with a fine landscapewith wisps bamboo tree and foliage growing up from group of rocks, on the other side of the brush a poetic inscriptionaccompanied by seals. In very good condition, only minute surface scratches and wear, on the base an old erasedlabel collection.

12,2 cm high, 8,5 cm diam

€ 200 - 500


象牙刻字笔筒，清朝，十九世纪高12,2cm，直径8,5cm

152

117

DUE GIADE TRAFORATE, UN LAVAPENNELLI IN GIADA E UNA PIETRA DURA CON LEONI BUDDISTI, CINA, DINASTIA QING, XVIII –XIX SECOLO

TWO JADE OPENWORKS, A JADE BRUSH WASHER AND ONE HARDSTONE WITH BUDDHIST LIONS, CHINA, QINGDYNASTY, 18TH-19TH CENTURY (4)The fine paper weight 'tianhuang' stone carved in high relief with a couple recumbent lions with its two young ridingon its back. The mane is detailed with tight curls and the hair finely incised. A pierced jade with a foliate motif withbird, and a jade plaque with a fine carved dragon amongst clouds. The jade brush washer with a stem and leavesfrom which it unfolds a lotus leaf. In very good condition, only very minute nicks to the extremities

5,5 cm max high, 9,5 cm max wide

€ 200 - 500


两块穿孔玉石，一个玉石神兽笔洗，中国，清朝，十八至十九世纪高5,5cm，宽9,5

Note: A dense variety of nacrite, which is traded in China as a gemstone and is used for carvings. The material consists mainlyof nacrite, but may also contain minor illite or dickite in varying proportions. The most valuable variety consists of golden yellownacrite with a coating of colorless, transparent to semi-transparent dickite. This material is only known from the Banlian gravelbeds near Shoushan, Fuzhou Prefecture, Fujian Province. The Chinese consider Tianhuang stone as a variety of Shoushan stonealthough true Shoushan stone mainly consists of pyrophyllite.

118

GRUPPO DI QUATTRO TABACCHIERE IN VARI MATERIALI, CINA, DINASTIA QING

A GROUP OF FOUR DIFFERENT MATERIALS SNUFF BOTTLES, CHINA, QING DYNASTY (4)The rectangular one in glass, the other in different hard stones, two of them in the shape of double gourd vase. In verygood condition, the caps missing in all, one cap is matched.


€ 200 - 500

Provenance: private property of a northern Italian gentleman一组稀有材质鼻烟壶，中国，清朝高6,9cm 宽4,4cm

back

front

155

122

UN BELLO E GRANDE SCETTRO ‘RUYI’ IN LEGNOINTAGLIATO, CINA, DDINASTIA QING, XIX SECOLO

A GOOD AND LARGE CARVED HARDWOOD RUYISCEPTRE, CHINA, QING DYNASTY, 19THCENTURYThe large wood sceptre is finely decorated withvarious Daoist deities, auspicious motifs, and fourcharacters jixiang ruyi 'May all your good fortunesbe fulfilled'. The large head terminal is deeplycarved with Shoulao Longevity God accompaniedby his attendant and another Daoist divinity. In verygood condition, only few minute nicks on theextremities and minor surface wear and scratches.


€ 200 - 500

Provenance: private property of a northern Italiangentleman

精美木质如意，中国，清朝，十九世纪高56,5cm 宽16cm

154

120

UN FINE PORTA PENNELLI SCOLPITO IN BAMBOO, CINA, DINASTIAQING, XVIII – XIX SECOLO

A FINELY CARVED BAMBOO BRUSH POT, CHINA, QINGDYNASTY, 18TH 19TH CENTURYThe cylindrical brush pot is finely carved in high relief, in acontinuous landscape scene, with seven sages in various leisurelypursuits, playing and listening to the qin, engaging in a game ofchess under the shade of a pine tree, and seated in peacefulcontemplation, attended by three servants, in an idyllic bamboogrove, the patina of an attractive honey-brown tone, minor agecracks as expected of the age and typical of this type. In very goodcondition, only minute surface wear, scratches and minute nicks tothe mouth rim, with a small piece of the bamboo base is missing.

12 cm high, 6 cm diam

€ 200 - 500


精美竹质笔筒，中国，清朝，十八十九世纪高12cm，直径6cm

121

SEI COPPETTE IN COCCO CON MOTIVI A RILIEVO, CINA, DINASTIA QING, XVIII – XIX SECOLO

SIX COCONUT BOWLS WITH THE THREE WINTER FRIENDS RELIEF, CHINA, QING DYNASTY, 18TH 19TH CENTURY (6)Well carved in relief with the motif of the Three Winter Friends also known as Suihan Sanyou, is an art motif thatcomprises the pine, bamboo, and plum. The Chinese celebrated the pine, bamboo and plum together, as they observedthat these plants do not wither as the cold days deepen into the winter season unlike many other plants. In goodcondition, with only minor surface scratches and tiny nicks and light surface wear.

4 cm high, 6,5 cm diam

€ 200 - 500


六件椰盒，中国，清朝，十八十九世纪高4cm，直径6,5cm

157

125

DUE PIETRE DURE CON ISCRIZIONI E DUEVASI DA MURO IN GIADA GRIGIA CONINSERTI INSCRITTI IN GIADA BIANCA,CINA, DINASTIA QING

TWO HARD STONES WITHINSCRIPTIONS AND TWO WALLSVASES IN GRAY JADE WITHINSERTED WHITE JADE PLAQUES,CHINA, QING DYNASTY (4)The two hard stone are of irregularform and of quadrangular section,very well carved through the creamywhite surface of the stone with a fineChinese inscription on each of the foursides. The baluster wall vases raisingfrom a narrow foot, each carved withlotus foliate on the tapering body andon the waisted neck between key-fret atthe shoulder and at the foot and mouth ring, flanked by a pair of handles, the center is inset with two whitejade plaques decorated with a poetic inscription, the back of the wall vases present a flat surface showingan indentation for hanging. In very good condition, only a very minor surface wear and scratches, one of theinserts of one wall vase is leaking. To be note that the two jade inserts plaques are older than the wall vases.


€ 200 - 500


带有刻纹的玉石和带有白玉镶嵌的壁瓶，中国，清朝高17,7cm 宽7,8cm

126

UN BEL VASO IN BRONZO IN STILE ARCAICO E DUE SPECCHI IN BRONZO, CINA, DINASTI QING, XVIII – XIX SECOLO

A BRONZE ARCHAISTIC BRONZE VASE AND TWO BRONZE MIRROR, CHINA, QING DYNASTY, 18TH 19TH CENTURY(3)The vessel finely cast in the form of an archaic bronze gu vase with raised flanges. The bulbous mid-section depictsinterspersed mystical beast on a twisted ground, the flared neck is decorated with upright leaves. The two bronzemirrors cast with an archaistic motif.

18 cm max high, 13 cm max diam.

€ 200 - 500

Provenance: private property of a northernItalian gentleman

两面青铜镜铜瓶，中国，清朝，十八十九世纪高18cm，直径13cm

156

123

BELLO E GRANDE SIGILLO IN PIETRA DURA SCOLPITO CON‘CHILONGS’, CINA, DINASTIA QING

A LARGE AND FINE HARD STONE SEAL CARVED WITHCHILONGS, CHINA, QING DYNASTYThe hard stone is of irregular form, the upper side and someof the sides surface intricately carved in high relief to depictvarious ‘chilong’ with bi-furcated horn, in pursuit. The lowersurface is carved with antique Chinese characters. In verygood condition, the stone smooth and with a good patina,only a very minor surface wear and minute nicks to theextremities.


€ 200 - 500


大件漂亮印章石，中国，清朝高16cm，宽10cm

124*

UN GRUPPO DI SETTE NETZUKE, GIAPPONE, EPOCA MEIJI-TAISHO (1868 – 1926)

A GROUP OF SEVEN NETZUKE, JAPAN, MEIJI-TAISHO PERIOD (1868-1926) (7)Mostly in ivory, four of them depicting single different figures, one a female musician, two openwork group figures andone carved in the shape of chestnuts. In good condition, minor wear on the surface the female hair adorn re-glued.


€ 200 - 500


一组7件悬坠，日本，明治-大正时期（1868年-1926年）高7,5cm，宽4,5cm

159158

127

GRANDE PIETRA DA INCHIOSTRO INCISA, CON PROPRIA SCATOLA E COPERCHIO IN "ZITAN", CINA, DINASTIA QING, INIZI DELXIX SECOLO

A FINE AND LARGE CARVED INKSTONE WITH HIS 'ZITAN' BOX AND COVER, CHINA, QING DYNASTY, EARLY 19THCENTURYThe stone of a warm dark grey tone, of rounded rectangular form, with a slightly sloped recessed inkwell, it is carvedon three sides by a cloudy scroll, the reverse partly unpolished, revealing the natural roughness of the material, theshallow cover with a single panel top, gently curving to a beaded edge and straight sides. In good condition, the boxand the cover with only minor surface wear and scratches, the cover with a small U-shape piece missing, the inkstonewith some minor dissipation and minor wear overall.


€ 200 - 500


大件精美石刻，紫檀盖，中国，清朝，十九世纪初高22,5cm 宽15cm

FROM A PRIVATE MILANESE MANSION從私人豪宅在米蘭

161160

130

GRANDE PIATTO CONCAVO IN PORCELLANA BIANCA E BLU, CINA, XIX SECOLO

A LARGE BLUE AND WHITE SAUCER DISH, CHINA, 19TH CENTURYWith a peonies and foliate scroll decoration. In very good condition, minor wear on the surface.

38 cm diam.

€ 200 - 500

Provenance: from the private property of a Milanese gentleman

大件青花瓷盘，中国，十九世纪直径38cm

129

POTICHE CON COPERCHIO IN PORCELLANA SMALTATA BLU, FINE XVIIISECOLO

A LARGE BLUE PORCELAIN BRASS-MOUNTED JAR AND COVER,CHINA, LATE 18TH CENTURYOf baluster form with domed cover, the rim and the cover withmetal mount. The jar and the cover in good condition, the coveronly re-enamelled with a darker blue tone to pair with the brokenone of the previous lot, both pierced to allow mount.


€ 400 - 600


十八世纪末，中国的大蓝瓷黄铜罐盖高61cm，直径36cm

128

POTICHE CON COPERCHIO IN PORCELLANA SMALTATA DI BLU, CINA,FINE XVIII SECOLO

A LARGE BLUE PORCELAIN BRASS-MOUNTED JAR AND COVER,CHINA, LATE 18TH CENTURYOf baluster form with domed cover, the rim and the cover withmetal mount. The jar in good condition, the cover restored and re-enamelled with a darker blue tone, both pierced to allow mount.


€ 300 - 500


一件蓝彩瓷罐，中国，十八世纪晚期高64cm，直径38cm

En suite with the previous lot

163162

131

COPPIA DI GRANDI PIATTI IN PORCELLANA "FAMIGLIAROSA", CINA, XVIII SECOLO

A LARGE PAIR OF “FAMILLE ROSE” FLORALDISHES, CHINA, 18TH CENTURY (2)The enamels in good condition, one dish with onehairline on the rim, the other with two hairlines onthe rim.

33 cm diam.

€ 300 - 500

Provenance: from the private property of a Milanesegentleman

一对“粉彩”瓷碟,中国,十九世纪（2）直径33cm

132

COPPIA DI GRANDI PIATTI FLOREALI INPORCELLANA IMARI, CINA, XVIII SECOLO

A PAIR OF LARGE IMARI PORCELAINFLORAL DISHES, CHINA, 18TH CENTURY(2)With a rich decoration of flowers androcks. In very good condition, minor wearon the surface.

32 cm diam.

€ 400 - 600

Provenance: from the private property of aMilanese gentleman

一对花样瓷碟，中国，十八世纪直径32cm

165164

133

GRANDE VASO A FORMA DI BOTTIGLIA IN PORCELLANA SMALTATA FAMBLE’, CINA, XIX-XX SECOLO

A LARGE RED FLAMBE’ PORCELAIN BOTTLE VASE, CHINA, 19-20TH CENTURYOf a compressed globular body and a tall straight neck, covered with a lustrous glaze of red ruby tone interspersedby light blue thinning to a buff colour to the hedge. A star crack hairline under the base and a restoration on the neckrim repaired.


€ 400 - 600


大件精美瓷瓶中,国,十九二十世纪高33cm，宽21cm

134

COPPIA DI VASI IN PORCELLANA SMALTATA TURCHESE CON DECORI SOTTO COPERTA, CINA, XIX-XX SECOLO

A PAIR OF TURQUOISE PORCELAIN BOTTLE VASES, CHINA, LATE 19TH, SIX CHARACTER RELIEF MARK AT THE BASE (2)The globular body with an underglaze lotus flower scroll decoration. In good condition, minor wear on the surface.


€ 300 - 500


一对土耳其绿松石色瓷瓶,中国,十九世纪,底部有六个刻字宽15cm，高27cm

167

138

VASO CON COPERCHIO IN PORCELLANA “FAMIGLIA VERDE”, CINA, XIXSECOLO

A “FAMILLE VERTE” PORCELAIN POTICHE AND COVER, CHINA,19TH CENTURYDepicting a continuous scene of warriors in battle on foot andhorseback in mountainous landscapes. In good condition, minorwear on the surface.


€ 1.000 – 2.000

Provenance: from a private property in Piedmont

“绿釉”瓷瓶，中国，十九世纪高43cm，宽27cm

166

135

COPPIA DI POTICHES CONCOPERCHIO IN PORCELLANA AFONDO GIALLO CON DECORO"FAMIGLIA VERDE", CINA, XIXSECOLO

A PAIR OF YELLOW-GROUND"FAMILLE VERTE" PORCELAINPOTICHES AND COVERS,CHINA, 19TH CENTURY (2)With domed cover, globularbody decorated with continuousscene of men working in thecountry side on a mountainlandscape. Overall in goodcondition, only a u piece re-stuckon one neck, minor wear on thesurface.


€ 400 - 600

Provenance: from the privateproperty of a Milanese gentleman

一对青花黄底瓷罐," 绿釉",中国,十九世纪高44cm，宽25cm

136

POTICHE CON COPERCHIO IN PORCELLANA“FAMIGLIA VERDE A FONDO BLU POUDRE’,CINA, XIX SECOLO

A POWDER-BLUE "FAMILLE VERTE"PORCELAIN JAR AND COVER, CHINA,19TH CENTURYDecorated with two large, shaped panelsof phoenix, bird and lotus in “Famille Verte”enamels, in between smaller reserves withanimals and birds. The jar in goodcondition, a 2 cm flake under the cover rim,one 5 cm hairline from the rim down to theneck.


€ 200 - 500

Provenance: from the private property of aMilanese gentleman

美丽“粉彩”蓝底瓷罐,中国,十九世纪宽25cm，高40cm

137

COPPIA DI VASI OVOIDALI IN PORCELLANA“FAMIGLIA ROSA” CON COPERCHI IN LEGNO,CINA, TARDA DINASTIA QING

A PAIR OF “FAMILLE ROSE” PORCELAINVASES AND WOOD COVERS, CHINA,LATE QING DYNASTYDepicting standing Taoist figures and on thebackside Chinese characters inscriptions,between a lappet band and a continuousstylized ruyi head band. One vase in goodcondition the other with a small piecemissing inside the rim, minor wear onenamel and on the surface.


€ 400 - 600

Provenance: from a private mansion in centralItaly

一对“粉彩”瓷瓶，木盖，中国，清朝晚期高30cm，宽22cm

VARIOUS PRIVATE PROPERTIES

其他屬性

169168

139

GRANDE VASO IN PORCELLANA CINESE FAMIGLIA ROSA CON DECORO DI PESCHE, CINA, XX SECOLO, MARCHIO APOCRIFOQIANLONG

A LARGE FAMILLE ROSE “NINE PEACHES” PORCELAIN VASE, QING DYNASTY, EARLY 20TH CENTURY, APOCRYPHALQIANLONG MARKThe globular body and tall waisted neck finely and brightly enameled with fluttering bats and nine peaches issuing fromgnarled leafy blossoming branches which curl up and around the body and neck. In very good condition, minor wearon the surface.


€ 1.000 – 2.000

Provenance: from a private property in central Italy

大件粉彩蟠桃瓷瓶，清朝，乾隆落款印章高52cm，宽40cm

140

COPPIA DI VASI A FONDO GIALLO IN PORCELLANA “FAMIGLIA ROSA”, CINA, TARDO XIX SECOLO, MARCHIO APOCRIFOQIANLONG

A PAIR OF YELLOW GROUND “FAMILLE ROSE” PORCELAIN VASES, CHINA, LATE 19TH CENTURY, APOCRYPHALQIANLONG MARKThe ovoid body is decorated in bright enamels with a scene of two rams in a garden by a pine tree surrounded byrocks and flower branches in bloom; all between a trefoil border at the shoulder and around the base, above a floralband around the foot; the waisted neck enamelled with a stylised lotus scroll and bats and upright lappets on a yellowground, flanked by a pair of gilt and iron-red dragon handles, with classic scrolls around the foot and mouth rims. Quitein good condition, one handle of one vase re-stuck, a restoration on one rim and on both necks, minor wear onenamels.


€ 400 - 600

Provenance: from a private mansion in central Italy

一对”粉彩”黄底花瓶，十九世纪末期，中国乾隆高40cm，宽24cm

171

144

SCATOLA IN METALLO PARZIALMENTE DORATA CON DRAGHI, CINA, TARDA DINASTIA QING O SUCCESSIVA

A RECTANGULAR ENGRAVED PARTIALLY GILT METAL DRAGON BOX, CHINA, LATE QING DYNASTY OR LATERIn good condition, minor wear on the surface.

13 cm wide, 8,2 cm deep, 4 cm high

€ 200 – 500

Provenance: from a private property in piedmont

鎏金龙纹金属盒器，中国，清末宽13cm，深8,2cm，高4cm

170

142

VASO A DOPPIA GOURDE IN PORCELLANA SMALTATA DI ROSSO,CINA, DINASTIA QING, MARCHIO YONGZHENG

A RED DOUBLE GOURDE MONOCHROME PORCELAIN VASE,CHINA, QING DYNASTY, YONGZHENG MARKIn good condition, minor wear on the surface.


€ 500 - 700


红釉葫芦瓷瓶，中国，清朝，雍正印章高15.9cm，宽10cm

143

UNA FIBBIA IN GIADA VERDE PALLIDO UNITA AD UNCIONDOLO IN GIADA BIANCA, CINA, TARDADINASTIA QING

A JADE BELT BUCKLE OF A PALE CELANDONTONE TOGETHER WITH A WHITE JADEPENDANT, CHINA, LATE QING DYNASTY (2)The pendant with a small chip, the buckle ingood condition, minor wear on the surface

5,2 cm high, 3,5 cm high (pendant), 7 cm long, 2cm wide (belt buckle)

€ 500 - 700

Provenance: from a private property in piedmont

白玉吊坠扣，中国，清朝晚期高5.2cm，高3.5cm（吊坠），长7cm，宽2cm（皮带扣）

141

PICCOLO VASO IN PORCELLANA SMALTATA “CLAIR DE LUNE”, CINA,DINASTIA QING, MARCHIO YONGZHENG

A SMALL OVOID “CLAIR DE LUNE” PORCELAIN VASE, CHINA,QING DYNASTY, YONGZHENG MARKIn good condition, minor firing imperfection.


€ 300 - 500


小件精美白瓷瓶，中国，清朝，雍正印章高17cm，宽9cm

back

173

146

UNA COPPA CON COPERCHIO UNITA A DUEPORTA PENNELLI IN PORCELLANA, CINA,TARDA DINASTIA QING

AN IRON RED GLAZED DRAGON BOWLAND COVER AND TWO SMALLEXAGONAL SHOU PORCELAIN BRUSHPOTS, CHINA, LATE QING DYNASTYAll in good condition only minor fireimperfections and minor wear on thesurface.

12,5 cm max high, 10 cm max wide,

Lot with no reserve 无底价竞拍

Provenance: from the heirs of a major of RoyalItalian army in China until 1903

铁红色釉面龙碗和两个瓷笔刷，中国，清晚期。最高12,5cm，最大10cm宽

172

145

COPPIA DI TEIERE CON COPERCHIO IN PORCELLANA “FAMIGLIA ROSA” A DECORO “MILLEFIORI”, CINA, MARCHIO E DEL PERIODOGUANGXU (1895 – 1908)UNITE A DIECI TAZZINE CON LO STESSO DECORO.

A PAIR OF “FAMILLE ROSE” “MILLEFLEUR” PORCELAIN TEAPOTS WITH COVERS, TOGETHER WITH TEN CUPS EN SUITE,CHINA, MARK AND OF THE PERIOD GUANGXU (1895-1908); (12)On a gilt background enamelled with vibrant pink, green, blue, yellow and red colours. In good condition, minorwear on the surface.

10,7 cm high,14,2 cm wide the teapot6 cm diam., 3,5 cm high the cups

€ 1.800 – 2.500

Provenance: private property of a lady in the north of Italy

一对有盖“ 百花”“粉彩”瓷瓶，中国，光绪年前，（1895-1908）；十个同款小杯子茶壶高10,7cm，宽14,2cm直径6cm，杯子高3,5cm

147

GRANDE GIARDINIERA IN PORCELLANA CON DECORO “MOBILIER”, CINA, TARDA DINASTIA QING

A LARGE “FAMILLE ROSE” GIARDENERE, CHINA, LATE QING DYNASTYOf cylindrical form with “Mobilier” decoration in the front and Chinese inscriptions on the back side. Broken and re-stuck.


Lot with no reserve


大件“粉彩”花圃，中国，清晚期直径40,6cm，高38,7cm

175

150*

GRUPPO IN AVORIO INTAGLIATO, CINA, INIZIO XX SECOLO

AN OPENWORK CARVED IVORY GROUP, CHINA, EARLY XX CENTURYIn good condition.


€ 200 - 500

Provenance: from private property of a gentleman in north of Italy

一组象牙雕像，中国，二十世纪初期高33cm，宽6cm

174

148

INUSUALE COPPIA DI MOONFLASK SINO-TIBETANO IN FERRO, QING DYNASTY, XIX SECOLO

AN UNUSUAL PAIR OF SINO-TIBETAN IRON MOONFLASK, QING DYNASTY, 19THCENTURYEach moon-flask executed and made up of four pieces, the lid, the main bodyconsisting of two faces welded together and the foot fixed by four pins, the flattened,circular body with a rounded recessed flat belly engrave with a Shou character onboth sides, and adorned with an incised decoration depicting medallions of flowers,resting on applied flared foot. In good condition, some wear on the surface andscratches, slightly knocked on the surface, some very minor nicks to extremities.

37 and 34 cm. high, 25,5 and 28 cm. wide

€ 600 – 800

Provenance: from private property of a lady in north of Italy铁鎏金嵌银丝抱月壶，清朝，十九世纪高37,34cm，宽28,25,5cm

149

DUE INCENSIERI TRIPODI IN BRONZO ED UN SIGILLO CON BACCHETTA DIINCHIOSTRO, CINA, XVIII-XIX SECOLO, MARCHIO APOCRIFO XHUANDE

TWO BRONZE TRIPOD CENSERS, ONE BRONZE SEAL AND INK, CHINA,18-19TH CENTURY, APOCRYPHAL MARK XHUANDEThe censers with globular for and two upright loop handles at the rim. Allpieces in good condition, minor wear on the surface.

10,5 cm max high, 6,5 cm max wide,

Lot with no reserve无底价竞拍


两个青铜三脚炉，一枚青铜印章，中国，十八至十九世纪最高10,5cm，最大6,5cm

177

153

VASO IN PORCELLANA “FAMIGLIA ROSA”,CANTON, CINA, TARDA DINASTIA QING

A “FAMILLE ROSE” PORCELAIN CANTONVASE, CHINA LATE QING DYNASTYOf baluster form the body depictingreserved scenes of dignitaries in theirpalace. The vase in good condition, theneck rim restored.


€ 200 – 500

Provenance: from private property of agentleman in north of Italy

“粉彩”瓷瓶，广东，中国，清朝晚期高44,5cm，宽21cm

154

VASO A BOTTIGLIA IN PORCELLANA SMALTATADI ROSSO, CINA, XIX SECOLO

A RED ENAMELLED PORCELAIN BOTTLEVASE, CHINA, 19TH CENTURYThe neck broken and re-stuck, a smallhairline in the neck and minor chips at thebase.


Lot with no reserve无底价拍卖

Provenance: from a private property in centreof Italy

红釉瓷瓶，中国，十九世纪高18cm，宽9cm

176

151

COPPIA DI VASI CON COPERCHIO IN PORCELLANA IMARI, GIAPPONE, XIX SECOLO

A PAIR OF IMARI PORCELAIN VASES AND COVERS, JAPAN, 19TH CENTURYThe ovoid vase decorated with reserves depicting flowers and trees and bird decoration, the finial of the covers animalshaped. The vases in overall good condition, one hairline of 7 cm at the base of one vase, minor wear on the surface.


€ 400 – 600

Provenance: private property of a gentleman in north of Italy

一对瓷瓶，日本，十九世纪高46cm，宽22cm

152

DUE TABACCHIERE IN PORCELLANA BIANCA E BLU, CINA, DINASTIA QING,MARCHIO KANGXI

TWO BLUE AND WHITE PORCELAIN SNUFF BOTTLES, CHINA, QINGDYNASTY, KANGXI MARKOne with chip and restoration at the mouth rim, matched caps.

7 cm max high, 2,5 cm max wide

€ 200 - 500


青花瓷鼻烟壶，中国，清朝，康熙印章最高7cm，宽最大2,5cm

179178

155

DUE DIPINTI SU SETA, INCORNICIATI,CINA, XIX SECOLO

TWO FRAMED PAINTINGS ONSILK, CHINA, XIX CENTURY Ink and color on silk, depictingLadies in naturalistic landscape bytrees and rocks. Wear on thesurface and some humidity stains.


€ 1.000 - 1.500

Provenance: from a private property incentre of Italy

两幅丝绸画作，中国，十九世纪高118cm，宽30,2cm

156

DUE DIPINTI SOTTO VETRO SU SPECCHIO, CINA, TARDA DINASTIA QING

TWO REVERSE PAINTING ON GLASS, CHINA, LATE QING DYNASTYDepicting portrait of Chinese Lady elegantly dressed in informal dress holding a fan or a manuscript. Some wear andloss on colours, the frames with few pieces must be re-glued.

51 cm high, 36 cm wide without frame

€ 800 - 1.200

Provenance: private property of a lady from central Italy

两幅玻璃镜画，中国，清末晚期高51cm，宽36cm，无框

181180

UNICREDIT bANCA, Via Dante 1, 16121 Genova SWIFT UNCRITMM – IBAN IT 02 H 02008 01400 000110001195

D) Alcune carte di credito/debito sono accettate in particolari sedi di Wannenes,con un ricarico del 3% sull'importo totale per le carte estere. Si prega di contatta-re Wannenes per maggiori informazioni.WANNENES ART AUCTIONS ha la possibilità, previo accordo con il venditore, di of-frire agli acquirenti che ritenga affidabili la facoltà di pagare i lotti acquistati a ca-denze dilazionate. I potenziali acquirenti che desiderano accedere ad unpagamento dilazionato devono prendere contatto con la direzione di WANNENESART AUCTIONS prima della vendita.

RITIRO DEI LOTTIGli acquirenti devono effettuare il ritiro dei lotti entro 15 giorni lavorativi dalla data del-l’asta. Decorso tale termine, WANNENES ART AUCTIONS non sarà più tenuta alla custo-dia né sarà responsabile di eventuali danni che possano arrecarsi ai lotti che potrannoessere trasferiti in un apposito magazzino. WANNENES ART AUCTIONS addebiterà al-l’acquirente i costi di assicurazione e magazzinaggio secondo la tabella a disposizionedei clienti presso la sede. Al momento del ritiro del lotto, l’acquirente dovrà fornire aWANNENES ART AUCTIONS un documento d’ identità. Nel caso in cui l’acquirente in-caricasse una terza persona di ritirare i lotti già pagati, occorre che quest’ultima sia mu-nita di una delega scritta rilasciata dall’acquirente e di una fotocopia del documento diidentità dell’acquirente. I lotti saranno consegnati all’acquirente o alla persona delega-ta solo a pagamento avvenuto.In caso di ritardato ritiro dei lotti acquistati, la casa d’aste si riserva la possibilità di ad-debitare i costi di magazzinaggio (per mese o frazione di mese), di seguito elencati atitolo indicativo:€ 100 + IVA per i mobili€ 50 + IVA per i dipinti€ 25 + IVA per gli oggetti d’arte

SPEDIZIONE DEI LOTTIIl personale di WANNENES ART AUCTIONS sarà lieto di occuparsi della spedizione dei lotti ac-quistati seguendo le indicazioni comunicate per iscritto dagli acquirenti e dopo che questiabbiano effettuato per intero il pagamento. La spedizione avverrà a rischio e spese dell’acqui-rente che dovrà manlevare per iscritto WANNENES ART AUCTIONS da ogni responsabilità inmerito. Il nostro personale è inoltre a disposizione per valutazioni e consigli relativi a tutti i me-todi di spedizione e assicurazione dei lotti.

ESPORTAZIONE DEI LOTTI ACQUISTATIIl Dlgs n. 42 del 22 gennaio 2004 regola l’esportazione di beni Culturali al di fuori del ter-ritorio della Repubblica Italiana. Il Regolamento CEE n. 3911/92 del 9 dicembre 1992,come modificato dal Regolamento CEE n. 2469/96 del 16 dicembre 1996 e dal Rego-lamento CEE n. 974/01 del 14 maggio 2001, regola invece l’esportazione dei beni Cul-turali al di fuori dell’Unione europea.Per esportare fuori dall’Italia i beni Culturali aventi più di 50 anni è necessaria la Licenza di Es-portazione che l’acquirente è tenuto a procurarsi personalmente. WANNENES ART AUC-TIONS non risponde per quanto riguarda tali permessi, né può garantire il rilascio deimedesimi. WANNENES ART AUCTIONS, su richiesta dell’acquirente, può provvedere al-l'espletamento delle pratiche relative alla concessione delle licenze di esportazione se-condo il seguente tariffario:- euro 250,00 + IVA per singolo lotto o per il primo di una pratica- euro 100,00 + IVA per gli altri lotti facenti parte della medesima pratica

Il rimborso comprende la compilazione delle pratiche, le marche da bollo e la stampadelle fotografie a colori.La mancata concessione delle suddette autorizzazioni non può giustificare l’annulla-mento dell’acquisto né il mancato pagamento, salvo diverso accordo preso prima del-l’Asta con WANNENES ART AUCTIONS.In riferimento alle norme contenute nell’art. 8, 1° comma, lettera b, del DPR 633/72, siinformano i gentili acquirenti che, nel caso in cui volessero trasportare il bene fuori dalterritorio comunitario e ottenere il rimborso dell’Iva, è necessario rispettare le seguen-ti procedure: - completare le pratiche doganali e il trasporto fuori dal territorio U.E. entro 3 mesi a par-tire dalla data di fatturazione.- far pervenire entro lo stesso termine la bolla doganale originale o documento equipol-lente direttamente a WANNENES ART AUCTIONS.

DIRITTO DI SEGUITOCon Dlgs n. 118 del 13/2/2006 è in vigore dal 9 Aprile 2006 in Italia il “Diritto di Seguito”(Droit de Suite), ossia il diritto dell’autore (vivente o deceduto da meno di 70 anni) diopere di arti figurative e di manoscritti a percepire una percentuale sul prezzo di vendi-ta degli originali delle proprie opere in occasione delle vendite successive alla prima. Ta-le diritto sarà a carico del Venditore e sarà calcolato sul prezzo di aggiudicazione ugualeo superiore ai 3.000,00 euro.Tale diritto non potrà comunque essere superiore ai 12.500,00 euro per ciascun lotto.L’importo del diritto da corrispondere è così determinato:- 4% per la parte del prezzo di vendita fino a 50.000 euro- 3% per la parte del prezzo di vendita compresa fra 50.000,01 e 200.000 euro- 1% per la parte del prezzo di vendita compresa fra 200.000,01 e 350.000 euro- 0,50% per la parte del prezzo di vendita compresa fra 350.000,01 e 500.000 euro- 0,25% per la parte del prezzo di vendita oltre i 500.000 euroIl diritto di seguito addebitato al Venditore sarà versato dalla WANNENES ART AUCTIONS al-la SIAE in base a quanto stabilito dalla legge.

AVVERTENZATutti i lotti contenenti componenti elettriche vengono messi in vendita come nonfunzionanti e da revisionare integralmente. WANNENES ART AUCTIONS si manlevada qualsiasi responsabilità verso chiunque per uso improprio dei lotti venduti o perla non osservanza delle avvertenze.Si ricorda la necessità, prima dell'utilizzo dei lotti, di far verificare da personale esper-to e di fiducia dell'acquirente, il corretto funzionamento di tutte le parti elettriche.La dicitura “...anni...” oppure la data riportata nella descrizione del lotto indica il pe-riodo di inizio produzione del lotto in oggetto, salvo diversamente specificato.Le immagini descrittive in catalogo e sul sito potrebbero non rappresentare fedelmente i lot-ti proposti in asta. La Casa d’Aste consiglia sempre la visione diretta delle opere prima di ef-fettuare offerte.In caso non fosse possibile visionare i lotti di persona si può richiedere un condition reportper ricevere immagini aggiuntive e dettagliate degli oggetti.Parte acquirente espressamente autorizza Art Auctions s.r.l. al libero e gratuito utilizzo dellefotografie ritraenti i lotti oggetto dell’asta per qualsiasi fine nessuno escluso e/o eccettuatoivi compresi, in via esemplificativa ma non esaustiva, la pubblicità, la diffusione via internet e/ocon qualsiasi altro mezzo, la pubblicazione su Magazine e/o riviste sia editate in proprio cheda terzi.

TERMINOLOGIALe affermazioni riguardanti l’autore, l’attribuzione, l’origine, il periodo, la provenienza ele condizioni dei lotti in catalogo sono da considerarsi come un’opinione personaledegli esperti e degli studiosi eventualmente consultati e non un dato di fatto.

TIZIANO: l’opera, secondo la nostra opinione, è opera dell’artista.ATTRIbUITO A TIZIANO: l’opera, secondo la nostra opinione, è probabilmente

opera dell’artista, ma non ve n’è certezza.bOTTEGA DI TIZIANO: l’opera, secondo la nostra opinione, è di un pittore non

conosciuto della bottega dell’artista che può averla eseguita sotto la sua su-pervisione o meno.

CERCHIA DI TIZIANO: l’opera, secondo la nostra opinione, è di un pittore nonconosciuto, ma distinguibile, legato al suddetto artista, ma non necessaria-mente da un rapporto di alunnato.

STILE DI/SEGUACE DI TIZIANO: l’opera, secondo la nostra opinione, è di un pit-tore, contemporaneo o quasi contemporaneo, che lavora nello stile del-l’artista, senza essere necessariamente legato a lui da un rapporto dialunnato.

MANIERA DI TIZIANO: l’opera, secondo la nostra opinione, è stata eseguita nellostile dell’artista, ma in epoca successiva.

DA TIZIANO: l’opera, secondo la nostra opinione, è una copia di undipinto dell’artista.

IN STILE...: l’opera, secondo la nostra opinione, è nello stile menzionato, ma diepoca successiva.

FIRMATO – DATATO – ISCRITTO: secondo la nostra opinione, la firma e/o la data e/ol’iscrizione sono di mano dell’artista.

RECANTE FIRMA – DATA - ISCRIZIONE: secondo la nostra opinione, la firma e/o ladata e/o l’iscrizione sono state aggiunte.

Le dimensioni date sono prima l’altezza e poi la larghezza.

CONDIZIONI DI VENDITALa partecipazione all’asta implica l’integrale e incondizionata accettazione delle Con-dizioni di Vendita riportate di seguito su questo catalogo. Si raccomanda agli acquirentidi leggere con attenzione questa sezione contenente i termini di acquisto dei lotti po-sti in vendita da WANNENES ART AUCTIONS.

STIME Accanto a ciascuna descrizione dei lotti in catalogo è indicata una stima indicativa per i po-tenziali acquirenti. In ogni caso, tutti i lotti, a seconda dell’interesse del mercato, possonoraggiungere prezzi sia superiori che inferiori ai valori di stima indicati. Le stime stampate sulcatalogo d’asta possono essere soggette a revisione e non comprendono la commissioned’acquisto e l’IVA.

RISERVAIl prezzo di riserva corrisponde al prezzo minimo confidenziale concordato tra WANNENESART AUCTIONS e il venditore al di sotto del quale il lotto non sarà venduto. I lotti offerti sen-za riserva sono segnalati sul catalogo con la stima di colore rosso o con la dicitura O.l. e ven-gono aggiudicati al migliore offerente indipendentemente dalle stime pubblicate.

ESPOSIZIONE PRIMA DELL’ASTAOgni asta è preceduta da un’esposizione aperta al pubblico gratuitamente i cui orari sonoindicati nelle prime pagine di questo catalogo. L’esposizione ha lo scopo di permettere atutti gli acquirenti di effettuare un congruo esame dei lotti posti in vendita e di verificarnetutte le qualità, quali ad esempio, l’autenticità, lo stato di conservazione, il materiale, la pro-venienza, ecc.

ACQUISTO DI OROLOGILe descrizioni degli orologi in catalogo, siano essi da tasca, da polso, domestici o di altra natu-ra, anche relativamente allo stato di conservazione e ad eventuali restauri, vengono fornite atitolo di orientamento per i potenziali acquirenti, ma non possono in nessun modo essere ri-tenute esaustive. Anche il condition report, che WANNENES ART AUCTIONS invierà su richiestadel potenziale acquirente, non riveste carattere di totale completezza e potrebbe non segna-lare difetti o restauri. Tali condition report sono prodotti dai nostri Esperti dopo analisi al vero deipezzi, ma su base soggettiva e non costituiscono ad alcun titolo elemento di dichiarazione ogaranzia che possano sostituire l’esame diretto da parte degli interessati all’acquisto.Tutti gli orologi dovranno quindi essere preliminarmente esaminati in modo adegua-to dal potenziale acquirente per poterne completamente accertare lo stato, sia esteti-co che meccanico e funzionale. I lotti sono venduti nello stato di fatto e la mancataindicazione di un difetto o di un restauro non implica che tale difetto o restauro nonpossa sussistere. Gli orologi, in quanto beni di natura meccanica e di uso, sono per lo-ro stessa natura oggetti utilizzati e manutenuti, e, se necessario, riparati, nel corso del-la loro esistenza: essi vengono analizzati dagli Esperti di WANNENES ART AUCTIONS infase di preparazione dell’asta, ma la Casa d’Aste non assume alcuna garanzia circa il lo-ro stato di funzionamento, la presenza di parti non originali o di restauri.Nel caso di orologi da polso dichiarati dal produttore come impermeabili, il loro esame ne harichiesto l’apertura: WANNENES ART AUCTIONS suggerisce pertanto che l’acquirente, primadi utilizzarli in condizioni di presenza d’acqua, li porti a un centro assistenza qualificato per laverifica della loro tenuta.Nel caso di presenza di movimenti al quarzo non vengono date informazioni sullo stato di fun-zionamento, se la batteria interna, al momento della verifica da parte degli Esperti, risultassescarica. I documenti relativi agli orologi, se non specificato diversamente, non sono presenti.I cinturini ed i bracciali, se non specificato diversamente, sono da ritenersi non originali. I cin-turini, le custodie o le casse o altra parte degli involucri in materiale organico, eventualmen-te presenti, sono mostrati montati in fase di prevendita a puro scopo di presentazione: ipotenziali acquirenti sono consapevoli che l’importazione in Paesi stranieri di materiali pro-venienti da specie in pericolo di estinzione, quali, a titolo di puro esempio, tartaruga ed avo-rio, è soggetta alla normativa internazionale CITES. E’ quindi indispensabile che il potenzialeacquirente provveda ad informarsi adeguatamente, in fase preliminare, relativamente a talirestrizioni, se intende partecipare all’asta per un lotto che contenga, anche solo in parte, ma-teriali di questa tipologia. Le indicazioni relative al peso, se inserite in catalogo o presenti nelcondition report, sono da intendersi al lordo e puramente indicative, così come le misure del-le casse e l’effettiva natura e le carature di eventuali pietre preziose o altri materiali di pregiopresenti.

ACQUISTO DIPINTI Partecipando all’asta l’acquirente esonera espressamente la Casa d’Asta da ogni e qualsiasiresponsabilità e/o garanzia in relazione allo stato di conservazione delle cornici delle operebandite fino al momento della consegna al compratore stesso. In particolar modo il partecipante si dichiara perfettamente informato del fatto che la cor-

nice non ha costituito né elemento per la formazione del prezzo né elemento decisionaleper l’acquisto considerandosi la sua presenza, o meno, irrilevante.A parziale modifica di quanto sopra la Casa d’Asta risponderà dello stato di conservazionedella cornice solo ed esclusivamente se avrà fornito, a seguito di formale richiesta, un con-dition report (nei limiti della omessa indicazione di eventuali significative manchevolezze).

STATO DI CONSERVAZIONELe proprietà sono vendute nel loro stato attuale. Consigliamo quindi ai potenziali acquirentidi assicurarsi dello stato di conservazione e della natura dei lotti prendendone visione primadella vendita. Gli Esperti di WANNENES ART AUCTIONS saranno lieti di fornire su richiesta deirapporti informativi sullo stato di conservazione dei lotti in vendita. Le descrizioni sui catalo-ghi rappresentano unicamente l’opinione dei nostri Esperti e potranno essere soggetti adeventuali revisioni che saranno comunque comunicate al pubblico durante l’Asta.

PARTECIPAZIONE ALL’ASTALa partecipazione all’Asta può avvenire attraverso la presenza in sala ovvero attraversoofferte scritte e offerte telefoniche che WANNENES ART AUCTIONS sarà lieta di esegui-re in nome e per conto dei potenziali acquirenti. Si ricorda che il servizio è gratuito e per-tanto nessun tipo di responsabilità potrà essere addebitato a WANNENES ARTAUCTIONS che non sarà responsabile per offerte inavvertitamente non eseguite o pererrori relativi all’esecuzione delle stesse. I nuovi acquirenti devono fornire adeguate re-ferenze bancarie a mezzo lettera di presentazione della propria banca indirizzata a WAN-NENES ART AUCTIONS, piazza Campetto 2, 16124 Genova.

PARTECIPAZIONE IN SALAPer la partecipazione in sala i potenziali acquirenti devono registrarsi e ritirare l’apposi-to numero di partecipazione compilando l’apposito Modulo di Partecipazione all’Astafornendo un valido documento di identità e il codice fiscale. Tutti i lotti venduti saran-no fatturati al nome e all’indirizzo rilasciati al momento dell’assegnazione del numerodi partecipazione e non potranno essere trasferiti ad altri nomi e indirizzi. Qualora un po-tenziale acquirente voglia partecipare in nome e per conto di terzi deve informare pri-ma dell’Asta la direzione di WANNENES ART AUCTIONS.

OFFERTE SCRITTE E OFFERTE TELEFONICHEPer la partecipazione attraverso offerte scritte e telefoniche i potenziali acquirenti de-vono compilare l’apposito Modulo di Offerta pubblicato in questo catalogo ed inviar-lo via fax al numero +39 010 2517767 almeno 7 ore prima dell’inizio dell’asta. Le offertedevono essere in euro e sono al netto dei diritti d’asta e degli oneri fiscali previsti dalleleggi vigenti.Le Offerte Scritte saranno eseguite per conto dell’offerente al minimo prezzo possibile con-siderati il prezzo di riserva e le altre offerte. Le Offerte Scritte effettuate sui lotti senza riser-va (contrassegnati dalla stima di colore rosso) in assenza di un’offerta superiore sarannoaggiudicati a circa il 50% della stima minima o alla cifra corrispondente all’offerta, anche seinferiore al 50% della stima minima.Le Offerte Telefoniche saranno organizzate da WANNENES ART AUCTIONS nei limiti delladisponibilità delle linee ed esclusivamente per lotti aventi una stima massima di almeno500 euro. I collegamenti telefonici durante l’Asta potranno essere registrati. I potenziali ac-quirenti collegati telefonicamente acconsentono alla registrazione delle loro conversazioni.

ASTA LIVEè possibile partecipare alle aste live sul nostro sito www.wannenesgroup.com nellasezione asta on air e seguendo tutte le istruzioni scritte.

AGGIUDICAZIONIIl colpo di martello indica l’aggiudicazione del lotto e in quel momento il compratoresi assume la piena responsabilità del lotto. Oltre al prezzo di aggiudicazione l’acquiren-te dovrà corrispondere a WANNENES ART AUCTIONS i diritti d’asta e gli oneri fiscali pre-visti dalle leggi vigenti.

PAGAMENTOGli acquirenti devono effettuare il pagamento dei lotti entro 10 giorni lavoratividalla data dell’asta tramite:

A) Contanti per un importo inferiore a 3.000,00 euro

B) Assegno circolare italiano intestato ad Art Auctions S.r.l., soggetto a preventivaverifica con l’istituto di emissione

C) bonifico bancario intestato ad Art Auctions S.r.l.:

INFORMAZIONI IMPORTANTI PER GLI ACQUIRENTI

183182

SWIFT UNCRITMM - IBAN IT 02 H 02008 01400 000110001195If paying by bank transfer, the amount received after the deduction of any bank feeand/or conversion of the currency of payment to euro must not be less than the eu-ro amount payable, as set out on the invoice

D) Certain credit/debit cards are accepted in some Wannenes offices, with a 3% sur-charge on the total invoice value for foreign cards. Please contact Wannenes for mo-re information.

WANNENES ART AUCTIONS may, upon agreement with the Seller, offer those Pur-chasers it deems reliable the possibility to pay for Lots in instalments. Potential pur-chasers who wish to undertake payment by instalments should contact theManagement of WANNENES ART AUCTIONS before the Sale.

COLLECTION OF LOTSPurchasers must collect the Lot/s by 15 working days from the date of the Auction. Atthe end of this span of time, WANNENES ART AUCTIONS will not be responsible eitherfor the custody of the Lot/s or for any damage that may occur to the Lot/s upon theirremoval to an appropriate warehouse. WANNENES ART AUCTIONS will charge the Pur-chaser with the costs of insurance and storage as laid down in the Chart available toCustomers in the headquarters of the Company. When collecting the Lot/s, the Pur-chaser must provide WANNENES ART AUCTIONS with a valid document of identity.Should the Purchaser request a Third Party to collect the Lot/s already paid for, the lat-ter should possess a piece of written permission signed by the Purchaser and a pho-tocopy of the Purchaser’s document of identity. The Lot/s are given to the Purchaseror the Third Party only upon payment having taken place. If purchased Lot/s are col-lected after the above-mentioned time limit the Auction House may debit the costsof storage (by month or part of a month) as follows:100 euro + VAT for Furniture50 euro + VAT for Paintings25 euro + VAT for Objects

THE SHIPPING OF LOTSThe Staff at WANNENES ART AUCTIONS will be glad to ship Lots purchased accordingto written instructions given by the Purchaser, following payment of the Lot/s con-cerned. Shipping will be at the risk and expense of the Purchaser who, by means of awritten communication, will have to subtract WANNENES ART AUCTIONS from anyresponsibility concerning such an operation. Furthermore, our Staff is available for eva-luations and advice in relation to the shipping methods employed and insurance ofthe Lot/s.

EXPORT OF THE LOTS PURCHASEDThe Law Decree no. 42 of January 22nd 2004 regulates the export of cultural heritageand goods outside the Republic of Italy. The EU Regulation no. 3911/92 of December9th 1992, as modified by EU Regulation no. 2469/96 of December 16th 1996 and byEU Regulation no. 974/01 of May 14th 2001, regulates the export of cultural heritageand goods outside the european Union. In order to export outside Italy cultural heri-tage and goods that are over 50 years old need an Export Licence that the Purchaserhas to procure for him/herself personally. WANNENES ART AUCTIONS is not involvedin the procurement of such permits and cannot therefore guarantee the relative issueof such permits. WANNENES ART AUCTIONS, upon the request of the Purchaser, mayundertake the operations necessary for the granting of the Export Licence accordingto the following tarifs:- euro 250,00 + VAT for each single lot or the first lot of a series of lots- euro 100,00 + VAT for the stub sequent lots in a series of lotsincluding form-filling, taxation stamps and photographic (colour) documentation.Should the above-mentioned authorisation not be granted the Purchase of the Lot/sis not nullified, neither is the payment of the Lot/s, unless prior agreement with WAN-NENES ART AUCTIONS was made before the Auction. With reference to the regula-tions contained in art. 8, 1st paragraph, letter b DPR 633/72. Purchasers have to respectthe following procedures should they wish to take the Lot/s outside the europeanUnion and claim the VAT refund: The completion of CUSTOMS forms/papers and transport outside the european Unionwithin three months from the invoice date.The sending - within the same term - of the ORIGINAL CUSTOMS TAXATION STAMPOR EQUIVALENT DOCUMENT directly to WANNENES ART AUCTIONS.

THE ARTIST’S RESALE RIGHTThe Artist’s Resale Right has been in force in Italy since April 9th 2006 with the Law De-cree no. 118 (13/02/2006). This represents the right of the Author/Artist (living or de-ceased within the previous seventy years) of figurative art works and manuscripts toperceive a percentage of the sale price of his/her original works upon those sales ta-king place following the initial sale of the work/s in question. Resale Royalties will becharged to the seller where the hammer prise is 3.000,00 euro or more and will not besuperior to 12,500 euro per lot. The amount to be paid may thus be calculated:4% for the sale price up to 50,000 euro.3% for the sale price between 50,000,01 and 200,00 euro.1% for the sale price between 200,000,01 and 350,000 euro.0.5% for the sale price between 350,000,01 and 500,000,01 euro.0.25% for the sale price above 500,000 euro.The Artist’s Resale Right charged to the seller will be paid by WANNENES ART AUC-TIONS to the SIAE (The Italian Society for Authors and Editors) as laid down by the Law.

NOTICEEvery lot with any electric equipment is sold as "not working" and it should be totallyre-conditioned. Wannenes Art Auctions is not responsible for any incorrect, wrong useof sold lots or for any non-compliance with instructions.

The words “….year…..” or the date cited in the lots description indicates the periodfrom when the said lot was first produced, unless otherwise specified.

The descriptive image in the catalogue and website might not faithfully represent thelots at auction. The Auction House always recommends directly viewing the lots be-fore making any bids. In case it is not possible to directly view the lots in person, a bid-der may request a condition report in order to receive additional and detailed imagesof the lot/s. The Purchaser explicitly authorises Art Auctions s.r.l. to use freely and at nocost the photographs depicting the auction lots for any purpose whatsoever for exem-plary - but not necessarily exhaustive purposes - in terms of publicity, internet usageor usage by any other means, as well as publication in the Magazine and/or magazi-nes published by third parties.

TERMINOLOGY AND DEFINITIONSAffirmations concerning the Author, attribution, origin, period, provenance and con-ditions of the Lot/s in the Catalogue are to be considered as the personal opinion ofthe Experts and Scholars who may have been consulted and do not necessarily re-present fact.

TITIAN: in our opinion, the work is the work of the artist.ATTRIbUTED TO TITIAN: in our opinion, the work is probably by the artist, but the-

re is no absolute certainty.TITIAN’S WORKSHOP/STUDIO: in our opinion, the work is by an unknown pain-

ter working in the artist’s workshop/studio who may or may not have un-dertaken the painting under the artist’s supervision.

TITIAN’S CIRCLE: in our opinion, the work is by an unknown painter who is in so-me way connected or associated to the artist, although not necessarily a pu-pil of the artist.

STYLE OF/FOLLOWER OF TITIAN: in our opinion, the work is by a painter who wascontemporary or almost contemporary to the artist, working in the samestyle as the artist, without being necessarily connected to him by an artist-pupil relationship.

MANNER OF TITIAN: in our opinion, the work has been carried out in the style ofthe artist but subsequent to the period of the artist.

FROM TITIAN: in our opinion, the work is a copy of a painting by the artist. IN THE STYLE OF...: in our opinion, the work is in the style mentioned but from a

later period.SIGNED – DATED – INSCRIbED: in our opinion, the signature and/or date and/or

inscription are by the artist.bEARING SIGNATURE – DATE – INSCRIPTION: in our opinion, the signature and/or

date and/or inscription have been added.The dimensions supplied are HEIGHT first, followed by WIDTH.

CONDITIONS OF SALETaking part in an Auction implies the entire and unconditional acceptance of the Con-ditions of Sale outlined in this Catalogue. bidders are required to read carefully the sec-tion of the Catalogue containing the purchase terms of the Lots for sale by WANNENESART AUCTIONS.

ESTIMATESbeside each Lot description in the Catalogue there is an indication of the Estimate forpotential Purchasers. In each case, all the Lots, in light of market interest, may achieveprices that are either superior to or inferior to the indicated Estimates. The Estimatespublished in the Auction Catalogue may be subject to revision and do not includethe purchase commission (buyer’s premium) and VAT.

RESERVEThe reserve price corresponds to the minimum price agreed upon between WANNE-NES ART AUCTIONS and the SELLER, beneath which the Lot will not be sold. Lots of-fered with no reserve are indicated in the Catalogue with the Estimate in RED and withthe description O.1. These Lots are sold to the highest bidder independently of thepublished Estimates.

VIEWING bEFORE THE AUCTIONEach Auction is preceded by a Viewing which is open, admission free, to the public.Opening times are shown in the first few pages of this Catalogue. The Viewing enablesall Purchasers to undertake an appropriate examination of the Lots for sale and to ve-rify all aspects related to the Lot, such as authenticity, state of preservation, materialsand provenance etc.

WATCH AND CLOCK SALESThe descriptions in the catalogue for watches and clocks in relation to preservationand/or restorations are given as guidelines to the prospective buyer but may under nocircumstance be considered all-inclusive.The Condition Reports which WANNENES ART AUCTIONS may send, on request of aprospective buyer, do not reflect an exhaustive description and some restorations orimperfections may not be mentioned.Condition Reports are statements of opinion given by our Experts and are pure-ly subjective and do not constitute a guarantee that may substitute a direct exa-mination by the prospective buyer.Prospective buyers should personally inspect the condition of each lot in orderto ascertain its effective state, both from the technical and the aesthetical pointsof view.Lots are sold in their present state and the fact that an imperfection or a restora-tion is not mentioned does not imply that the imperfection or restoration doesnot exist. Watches, because of their mechanical and functional nature, are nor-mally used and kept up and possibly repaired, in the course of their existence:they are examined by the Experts of WANNENES ART AUCTIONS prior to the sa-le, but WANNENES ART AUCTIONS gives no guarantee that they are in workingorder, free of repairs or in the presence of non-original parts.Wristwatches in water-resistant cases have been opened to examine their mo-vements: therefore, WANNENES ART AUCTIONS suggests that such a watch becontrolled by an authorized dealer before using the same in conditions wherewater is present.As concerns quartz movement watches, no information is given about working orderif the battery, at the moment of examination, is discharged.All documents regarding watches, if not otherwise specified, are not present.All straps and bracelets, if not otherwise specified, are not to be considered original.Straps made of organic material are associated with the watch for display purposes on-ly: prospective buyers are aware that the importation to foreign countries of materialsderived from endangered or otherwise protected species (purely as an example: tor-toiseshell, ivory) are subject to CITES international rules.Prospective buyers should therefore acquire the necessary information on such re-strictions prior to their participation in the sale for lots containing, even though partially,materials falling under these rules.Indications of weight, if included in the Condition Report, are to be considered grossand purely indicative, as are weights in carats of precious stones, indications of the na-ture of precious stones or other precious materials and measures of cases.

PAINTINGS PURCHASEby participating in the auction, the buyer expressly releases the Auction House fromany liability and / or warranty in relation to the state of preservation of the frames ofthe works auctioned until the time of delivery to the buyer.

In particular, the participant declares to be perfectly informed that the frame was nei-ther an element for the formation of the price nor a decision-making element for thepurchase, considering its presence, or its lack, irrelevant.The Auction House will be responsible for the state of preservation of the frame onlyif it has provided, following a formal request, a condition report (within the limits of theomitted indication of any significant shortcomings).

STATE OF PRESERVATIONThe Lots are sold in their current state. We recommend, therefore, that potential Pur-chasers check the state of preservation of the Lots/s, as well as the type of Lot/s beingoffered, before the Sale. The Experts of WANNENES ART AUCTIONS will be happy toprovide upon request reports on the state of preservation of the Lots on sale. The de-scriptions in the Catalogues merely represent the opinion of our Experts and may besubject to further revisions that will, in due course, be given to the public during theAuction.

TAKING PART IN AN AUCTIONTaking part in an Auction may occur by means of the bidder being present in theAuction Room, or by means of written or telephone bids that WANNENES ART AUC-TIONS will gladly carry out for potential Purchasers. This service is free of charge and,therefore, WANNENES ART AUCTIONS bears no form of responsibility for this servi-ce. WANNENES ART AUCTIONS will, therefore, not be responsible for any bids inad-vertently mislaid or for mistakes in relation to the latter. New Purchasers will have toprovide sufficient bank references by means of a Presentation Letter supplied by thePurchaser’s bank to WANNENES ART AUCTIONS, piazza Campetto, 2, 16124, Genoa.

bIDDING IN PERSONIn order to bid in person, potential Purchasers have to register and collect a biddingnumber by filling out the bidding Form and providing a valid document of identifica-tion and tax code number. All Lots sold will be invoiced to the name and address sup-plied when collecting the bidding Number and they will not be able to be transferredto other names and/or addresses. Should a potential Purchaser wish to bid on behalfof a third party, s/he should inform WANNENES ART AUCTIONS before the beginningof the Auction.

WRITTEN AND TELEPHONE bIDSIn order to bid by means of written or telephone bids potential purchasers have to fillout the bidding Form in this Catalogue and send it by fax to the number +39 0102517767 at least SEVEN hours before the beginning of the Auction. bids must be in eu-ro and do not include Auction commissions and charges and taxation as laid down bythe Law. Written bids are carried out on behalf of the bidder at the lowest price possi-ble in consideration of the reserve price and the other bids offered. In the absence ofa higher bid, written bids undertaken on Lots without a reserve (indicated by the Esti-mate in RED) will be sold at approximately 50% of the lowest estimate or at the figu-re corresponding to the bid, even though lower than 50% of the lowest Estimate.Telephone bids are organised by WANNENES ART AUCTIONS according to the availa-bility of the telephone lines being used and exclusively for Lots that have a maximumEstimate of at least 500 euro. Telephone calls during the Auction may be recorded. Po-tential purchasers who bid by telephone consent to the recording of their conversa-tions.

ASTA LIVEYou can bid online going on our website www.wannenesgroup.com – on the on airsale section and following the instructions

HAMMER PRICEThe Hammer Price indicates that a Sale of a Lot has been made and at that momentthe Purchaser assumes full responsibility for the Lot. As well as the hammer price thePurchaser has to recognise the commissions (buyer’s premium) to be paid to WAN-NENES ART AUCTIONS and the taxes to be paid as laid down by the Law.

PAYMENTPurchasers have to carry out payment for the Lot/s by 10 working days from the dateof the Auction by means of:

A)Cash payments are accepted up to a maximum amount of 3.000 euro.

B) Italian bank drafts payable to ART AUCTIONS SRL

C)Credit transfer payable to ART AUCTIONS SRL:UNICREDIT bANCA, Via Dante, 1, 16121, Genoa

BUYING AT WANNENES

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Art. 9 Le stime relative al prezzo base di vendita, riportate sotto la descrizione di ogni bene sul catalogo, sono da intendersi al netto di ognionere accessorio quale, ad esempio, diritti d’asta, tasse ecc. ecc. Poiché i tempi tipografici di stampa del catalogo richiedono la de-terminazione dei prezzi di stima con largo anticipo esse potranno essere oggetto di mutamento, così come la descrizione del bene.Ogni e qualsivoglia cambiamento sarà comunicato dal banditore prima dell’inizio dell’asta sul singolo bene interessato; fermo restandoche il lotto sarà aggiudicato unicamente in caso di raggiungimento del prezzo di riserva.

Art. 10 Il completo pagamento del prezzo di aggiudicazione, dei diritti d’asta, e di ogni altra spesa accessoria dovrà essere effettua-to entro 10 giorni lavorativi dalla data dell’Asta, in valuta avente corso legale nella Nazione ove si è svolta l’asta. In caso di man-cato pagamento, fermo restando il diritto a ottenere il diritto anche dei maggiori danni, ART AUCTIONS potrà: a) restituire ilbene al mancato venditore ed esigere il pagamento dal mancato acquirente delle commissioni perdute; b) agire per otte-nere l’esecuzione coattiva dell’obbligo di acquisto; c) vendere il lotto a trattativa privata, od in aste successive, comunque indanno del mancato compratore, trattenendo a titolo di penale gli eventuali acconti versati. Nel caso il lotto rimanesse cu-stodito da ART AUCTIONS ciò avverrà a rischio e spese dell’aggiudicatario e del mancato venditore in solido. In ogni caso fi-no alla data di ritiro o restituzione l’aggiudicatario dovrà corrispondere ad ART AUCTIONS i costi di magazzinaggio (per meseo frazione di mese), di seguito elencati a titolo indicativo: € 100 + iva per i mobili; € 50 + iva per i dipinti; € 25 + iva per gli og-getti d'arte. Tale somma sarà dovuta a partire dal 16esimo giorno lavorativo dalla data dell'asta.

Art. 11 L’aggiudicatario, dopo aver pagato tutte le somme dovute, dovrà ritirare i lotti acquistati entro 15 giorni lavorativi dalla data dell’Astaa suo esclusivo rischio, cura e spese, rispettando l’orario a ciò destinato da ART AUCTIONS. Nel caso in cui l’aggiudicatario non do-vesse ritirare i lotti acquistati entro il termine sopraindicato ART AUCTIONS li conserverà, ad esclusivo rischio e spese dell’aggiudica-tario, nei locali oggetto dell’asta per altri cinque giorni lavorativi. Trascorso tale periodo ART AUCTIONS potrà far trasportare, semprea rischio e spese dell’aggiudicatario, i beni presso un qualsiasi depositario, od altro suo magazzino, liberandosi, nei confronti dell’ac-quirente, con la semplice comunicazione del luogo ove sono custoditi i beni. Resta fermo il fatto che per ritirare il lotto l’aggiudica-tario dovrà corrispondere, oltre al relativo prezzo con accessori, anche il rimborso di ogni altra spesa successiva.

Art. 12 In ogni caso ART AUCTIONS potrà concordare con gli aggiudicatari diverse forme di pagamento, di deposito, di vendita atrattativa privata, di assicurazione dei beni e/o la fornitura di qualsiasi altro servizio che fosse richiesto al fine del miglior an-damento possibile dell’affare.

Art. 13 Tutti sono ovviamente tenuti a rispettare le leggi vigenti all’interno dello Stato ove è stata svolta l’asta. In particolare ARTAUCTIONS non assume nessuna responsabilità in relazione ad eventuali restrizioni all’esportazione dei lotti aggiudicati, e/oin relazione a licenze e/o permessi che l’aggiudicatario potrà dover richiedere in base alla legge vigente. L’aggiudicatarionon potrà richiedere alcun rimborso ne al venditore ne ad ART AUCTIONS nel caso che lo Stato esercitasse il suo diritto diprelazione, od altro diritto a lui riservato. I diritti maturati in relazione ad una aggiudicazione poi annullata a causa della ne-gata autorizzazione all’esportazione del lotto per contrasto tra le diverse Soprintendenze, sono comunque dovuti dal man-dante ad ART AUCTIONS se tale mancato permesso deriva dalla non comunicazione del mandante ad ART AUCTIONSdell’esistenza di una autorizzazione all’esportazione rilasciata dall’Ente competente su richiesta del mandante stesso.

Art. 14 In caso di contestazioni rivelatesi fondate, ed accettate da ART AUCTIONS a seguito della vendita di oggetti falsificati ad ar-te la Casa d’Aste potrà, a sua discrezione, dichiarare la nullità della vendita e, ove sia fatta richiesta, rivelare all’aggiudicatarioil nome del venditore. L’acquirente potrà avvalersi di questo articolo solo ed esclusivamente nel caso in cui abbia notificatoad ART AUCTIONS, ai sensi degli articoli 137 e SS CPC la contestazione con le prove relative entro il termine di 15 giorni dal-l’aggiudicazione. In ogni caso, a seguito di un reclamo accettato l’aggiudicatario avrà diritto a ricevere esclusivamente quan-to pagato per l’aggiudicazione contestata, senza l’aggiunta di interessi o qualsiasi altra somma per qualunque altro motivo.

Art. 15 Le presenti condizioni di Vendita sono accettate automaticamente alla firma della scheda di cui all’art 5 e comunque da tut-ti quanti concorrono alla vendita e sono a disposizione di chiunque ne faccia richiesta. Per qualsiasi controversia è stabilitala competenza del foro di Genova

Art. 16 Legge sulla Privacy d. lgs. 196/03 e successive modifiche e integrazioni (GDPR 2016/679). Titolare del trattamento è ART AUC-TIONS S.r.l. con sede in Genova Piazza Campetto, 2. Il cliente potrà esercitare i diritti di cui al d. lgs. 196/03 (accesso, correzio-ne, cancellazione, opposizione al trattamento ecc.ecc.), rivolgendosi ad ART AUCTIONS S.r.l.. GARANZIA DI RISERVATEZZA aisensi dell’art. 25 del d. lgs. 196/03 i dati sono trattati in forma automatizzata al solo fine di prestare il servizio in oggetto, o dialtro servizio inerente l’oggetto sociale della società, con le modalità strettamente necessarie allo scopo. Il conferimento deidati è facoltativo: in mancanza, tuttavia ART AUCTIONS non potrà dar corso al servizio. I dati non saranno divulgati. La par-tecipazione all’asta consente ad ART AUCTIONS di inviare successivi cataloghi di altre aste.

CONDIZIONI GENERALI DI VENDITA

Art. 1 I beni possono essere venduti in lotti o singolarmente ad insindacabile giudizio della WANNENES ART AUCTIONS (di seguito ARTAUCTIONS o Casa d’Aste). Le aste saranno tenute in locali aperti al pubblico da ART AUCTIONS che agisce unicamente come man-dataria nel nome e nell’interesse di ciascun venditore (il nome del quale è trascritto in tutti i registri previsti dalle vigenti leggi). Glieffetti della vendita influiscono direttamente sul compratore e sul venditore. ART AUCTIONS non assume nessuna responsabilitànei confronti dell’aggiudicatario, del venditore, o di qualsiasi altro terzo in genere.

Art. 2 Gli oggetti sono venduti/aggiudicati al miglior offerente, e per contanti. Nel caso in cui sorgessero delle contestazioni tra piùaggiudicatari, il banditore, a suo insindacabile giudizio, rimetterà in vendita il bene che potrà essere nuovamente aggiudica-to nella medesima asta; in ogni caso gli aggiudicatari che avessero sollevato delle contestazioni restano vincolati all’offerta fat-ta in precedenza che ha dato luogo alla nuova aggiudicazione. In caso di mancata nuova aggiudicazione il banditore, a suoinsindacabile giudizio, comunicherà chi deve intendersi aggiudicatario del bene. Ogni trasferimento a terzi dei lotti aggiudi-cati non sarà opponibile ad ART AUCTIONS che considererà quale unico responsabile del pagamento l’aggiudicatario. La par-tecipazione all’asta in nome e per conto di terzi potrà essere accettata da ART AUCTIONS solo previo deposito presso gli Ufficidella Casa d’Aste - almeno tre giorni prima dell’asta - di adeguate referenze bancarie e di una procura notarile ad negotia.

Art. 3 ART AUCTIONS si riserva il diritto di ritirare dall’asta qualsiasi lotto. Il banditore conduce l’asta iniziando dall’offerta che ritiene piùopportuna, in funzione sia del valore del lotto presentato sia delle offerte concorrenti. Il banditore può fare offerte consecutive oin risposta ad altre offerte, fino al raggiungimento del prezzo di riserva. Il banditore, durante l’asta, ha facoltà di accorpare e/o se-parare i lotti e di variare l’ordine di vendita. Il banditore può, a suo insindacabile giudizio, ritirare i lotti che non raggiungano il prez-zo di riserva concordato tra ART AUCTIONS ed il venditore.

Art. 4 Oltre al prezzo di aggiudicazione, l’aggiudicatario si impegna a corrispondere ad ART AUCTIONS, per ciascun lotto, una commis-sione di acquisto comprensiva di I.V.A. pari al:30% del prezzo di aggiudicazione fino a € 2.00025% per la parte di tale prezzo da € 2.001 fino a € 2.000.00022% per la parte di tale prezzo eccedente € 2.000.001Per i lotti che fossero in temporanea importazione, provenendo da paesi non UE oltre ai corrispettivi d’asta di cui sopra l’aggiudi-catario, se residente in un Paese UE, dovrà corrispondere ogni altra tassa conseguente, oltre a rimborsare tutte le spese necessariea trasformare da temporanea a definitiva l’importazione (i beni interessati saranno indicati con il segno**). Si ricorda che qualora ilvenditore fosse un soggetto I.V.A. l’aggiudicatario dovrà corrispondere anche le imposte conseguenti (i beni interessati saranno con-trassegnati dal segno °°).

Art. 5 Al fine di garantire la trasparenza dell’asta tutti coloro che sono intenzionati a formulare offerte devono compilare una scheda dipartecipazione con i dati personali e le referenze bancarie. ART AUCTIONS si riserva il diritto di verificare le referenze fornite e di ri-fiutare alle persone non gradite la partecipazione all’asta. All’atto della compilazione ART AUCTIONS consegnerà un cartellino iden-tificativo, numerato, che dovrà essere esibito al banditore per formulare le offerte.

Art. 6 ART AUCTIONS può accettare mandati per l’acquisto (tramite sia offerte scritte che telefoniche) effettuando rilanci tramite il banditore, ingara con le persone partecipanti in sala. In caso di offerte identiche l’offerta scritta preverrà su quella orale.

Art. 7 Nel caso di due offerte scritte identiche, che non siano superate da offerte in sala o telefoniche, ART AUCTIONS considererà ag-giudicataria quella depositata per prima. ART AUCTIONS si riserva il diritto di rifiutare, a suo insindacabile giudizio, offerte di ac-quirenti non conosciuti e/o graditi. A parziale deroga di quanto sopra ART AUCTIONS potrà accettare dette offerte nel caso siadepositata una somma a garanzia di importo pari al valore del lotto richiesto, oltre commissioni, tasse, e spese. In ogni caso all’at-to dell’aggiudicazione l’aggiudicatario comunicherà, immediatamente, le proprie complete generalità e i propri dati fiscali.

Art. 8 ART AUCTIONS agisce esclusivamente quale mandataria dei venditori declinando ogni responsabilità in ordine alla descrizione de-gli oggetti contenuta nei cataloghi ed in ogni altra pubblicazione illustrativa. Tutte le descrizioni dei beni devono intendersi pura-mente illustrative ed indicative e non potranno generare nessun affidamento di alcun tipo negli aggiudicatari. L’asta sarà precedutada un’esposizione dei beni al fine di permettere un congruo esame degli stessi da parte degli aspiranti acquirenti, affinché que-st’ultimi, sotto la loro totale e completa responsabilità, possano verificarne tutte le qualità, quali ad esempio, l’autenticità, lo statodi conservazione, il tipo, il materiale, la provenienza, dei beni posti in asta. Dopo l’aggiudicazione nessuno potrà opporre ad ARTAUCTIONS od ai venditori la mancanza di qualsiasi qualità dei beni oggetto di aggiudicazione. ART AUCTIONS ed i propri dipen-denti e/o collaboratori non rilasceranno nessuna garanzia di autenticità e/o quant’altro. Tutte le indicazioni sulla caratura ed il pe-so di metalli o pietre preziose, come sui relativi marchi, sono puramente indicative. ART AUCTIONS non risponderà di eventuali errorio della falsificazione effettuata ad arte. Nonostante il possibile riferimento ad elaborati di esperti esterni alla Casa d’Aste, ART AUC-TIONS non ne garantisce né l’esattezza né l’autenticità.

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Art. 9 The Estimates relative to the initial sale price, indicated beneath the description of each object in the Catalogue, are intended as NETand do not include, for example, the commissions (buyer’s premium), taxes etc. Since the printing time employed for the making ofthe Catalogue requires price Estimates in advance, these latter may be subject to change, as may also the description of the object.Each and every change will be communicated to the Auctioneer before the beginning of the Auction in relation to each object con-cerned. The Lot/s will, however, only be sold upon reaching the reserve price.

Art. 10 The entire payment of the hammer price, the commissions applied (buyer’s premium) as well as all other expenses must be paid forwithin ten working days of the Auction date, in the legal currency of the State in which the Auction has taken place. In the case oflack of due payment, after full compensation of damages made to ART AUCTIONS, the AUCTION HOUSE may:return the object to the Seller and demand full payment from the Purchaser of the due commissions/premium;undertake action in order to forcefully obtain the obligations of purchase;sell the Lot/s privately or in subsequent Auctions, to the disadvantage of the original Purchaser, treating any sums paid by the latteras a form of sanction. If the Lot/s is kept by ART AUCTIONS this will be at the risk and expense of the Purchaser and the original Sel-ler. In each case, until the collection or return dates the Purchaser will pay ART AUCTIONS the costs of storage (by month or parts ofmonth) as follows: 100 euro + vat for furniture, 50 euro + vat for paintings, 20 euro + vat for objects. This sum must be paid from thesixteenth day following the Auction.

Art. 11 The Purchaser, after having paid all the sums due, must collect the Lot/s acquired within fifteen working days of the Auction date,at his/her own risk and expense, in full consideration of the opening hours of ART AUCTIONS. Should the Purchaser not collect theLot/s during the above-mentioned times ART AUCTIONS will keep them at the risk and expense of the Purchaser in the AUCTIONHOUSE for a further five working days. Once this period has passed, ART AUCTIONS will remove the object/s (at the Purchaser’s ownrisk and expense) to the storage space deemed most appropriate by the AUCTION HOUSE. The AUCTION HOUSE will inform thePurchaser of the place where the object/s are kept. Let it be clearly understood that in order to collect the object/s the Purchaserwill have to pay, apart from the price plus commissions (buyer’s premium) etc, any refund due to subsequent expenses incurred bythe AUCTION HOUSE.

Art. 12 In each case, ART AUCTIONS may agree with the Purchaser/s upon different forms of payment, storage, private sale, insurance of theobject/s and/or granting of any other service requested in order to achieve the most successful results possible.

Art. 13 Everybody has, obviously, to respect the current Laws within the State where the Auction is held. In particular, ART AUCTIONS assu-mes no responsibility in relation to potential restrictions concerning the export of purchased objects and/or in relation to licencesor permits that the Purchaser might have to request on the basis of current Laws. The Purchaser will not be able to request any re-fund either from the Seller or from ART AUCTIONS should the State exercise its right to pre-emption or any other right it may pos-sess. The rights that have matured in relation to the hammer price of a sale that has been annulled on account of it not receivingauthorisation for export due to the lack of agreement of the cultural authorities concerned are, nevertheless, to be paid by the ven-dor to ART AUCTIONS if permission was not given because the vendor did not previously inform ART AUCTIONS of the existence ofauthorisation (for export) given by the relevant authority upon the request of the vendor him/herself.

Art. 14 In the case of disputes that are revealed to be well-founded and accepted by ART AUCTIONS subsequent to the sale of false objects, theAUCTION HOUSE may, at its own discretion, declare the sale null and void and, if requested, reveal the name of the Seller to the Purcha-ser. The Purchaser may make use of this Article (Article 14) only and exclusively in the case that s/he has notified ART AUCTIONS – accor-ding to Articles 137 and following in the Code of Civil Procedure – of the dispute in question with the relative proof within fifteen days ofthe Auction date. In each case, subsequent to an accepted claim the Purchaser has the right to receive exclusively what was paid as thedisputed hammer price without the addition of interests or other sums for any other reason.

Art. 15 The current Sale Conditions are accepted automatically upon signing the form (see Article 5) and by all those individuals who takepart in the Sale. The above-mentioned Conditions are at the disposal of any individual who requests to see them. Any case of con-troversy is within the jurisdiction of the Genoa Law Courts.

Art. 16 Privacy Law (Legislative Decree 196/03 including all subsequent amendments and supplements by GDPR 2016/679). Data Control-ler: ART AUCTIONS S.r.l. with headquarters in GENOA, Piazza Campetto, 2. The Customer may exercise his/her rights according to Le-gislative Decree 196/03 (access, correction, cancellation, opposition etc), by contacting ART AUCTIONS S.r.l. GARANZIA DIRISERVATEZZA according to Article 25 of Legislative Decree 196/03. The information is computerised with the sole intention of pro-viding the above-mentioned service or any further service relative to the Company, in such a way that is strictly connected to thequestion at hand. The supply of data is optional: in default of which, ART AUCTIONS will not be able to perform the service required.Data will not be divulged. Participation in an Auction allows ART AUCTIONS to send subsequent Catalogues of other Auctions.

GENERAL CONDITIONS OF SALE

Art. 1 The objects may be sold in Lots or individually according to the final opinion of WANNENES ART AUCTIONS (here follows referred toas ART AUCTIONS or AUCTION HOUSE). The Auctions will be held in premises that are open to the public by ART AUCTIONS whichacts simply as AGENT in the name and interests of each Seller (the name of the said Seller is written in all the Registers required byLaw). The Sale directly concerns the Purchaser and the Seller. ART AUCTIONS does not assume any responsibility in relation to thePurchaser, the Seller or any Third Party concerned.

Art. 2 The objects are sold to the highest bidder for cash. Should any disputes arise among more than one Purchaser, the Auctioneer(his/her decision is final) will put the object up for sale once more so it can be purchased again in the same Sale. In each case, thePurchasers who disputed the former Sale of the object in question are still bound by the initial bid (which gave rise to the subsequentSale of the object). Should the subsequent purchase fall through once again the Auctioneer (his/her decision is final) will decide whichperson may successfully purchase the Lot/s. Each transfer to Third Parties of the Lot/s purchased does not become the responsibili-ty of ART AUCTIONS which considers the Purchaser as the sole person/s responsible for payment. bidding at an Auction in the na-me of and for Third Parties may be accepted by ART AUCTIONS only after sufficient bank references as well as a power of attorneyhave been received by the AUCTION HOUSE at least three days before the Auction.

Art. 3 ART AUCTIONS reserves the right to withdraw any Lot/s from the Auction. The Auctioneer starts the Auction beginning with the bidthat s/he believes to be the most opportune, based upon both the value of the Lot/s as well as the competing bids. The Auctione-er may make further bids or in response to other bids, until the reserve price is reached. The Auctioneer, during the Auction, may grouptogether or separate Lot/s and vary the order of the Sale. The Auctioneer may – and his/her decision is final – withdraw Lot/s thatdo not reach the reserve price agreed upon between ART AUCTIONS and the Seller.

Art. 4 In addition to the hammer price, the Purchasers agree to pay to ART AUCTIONS a buyer’s premium on the hammer price of each lotsold, V.A.T. included. On all lots we charge: 30% of the hammer price up to and including € 2.00025% on that part of the hammer price over € 2.001 and up to and including € 2.000.00022% on that part of the hammer price above € 2.000.001For those Lots being temporarily imported and coming from non-EU States, apart from the above-mentioned detractions, the Purcha-ser – if resident in an EU member-State - will pay all other subsequent taxes, as well as refund all expenses required to transform the tem-porary import status of the object/s to a status that is permanent (the objects are indicated by the sign **). If the Seller is in possessionof a VAT number the Purchaser will also pay all subsequent taxes (the objects are indicated with a °°).

Art. 5 In order to guarantee the highest levels of transparency during the Auction for all those who intend to make bids, prospective bidders arerequired to fill out a participation form with personal information and bank details. ART AUCTIONS reserves the right to make checks on thedetails/references provided and to refuse those who might not be welcome. Upon completion of the form ART AUCTIONS will supply anumbered identification paddle which will have to be shown to the Auctioneer in order to proceed with bidding.

Art. 6 ART AUCTIONS may accept absentee bids (by means both of written as well as telephone bids) that will be undertaken by the Auc-tioneer, in direct competition with those present in the Auction Room. Should there be a case of identical bids, the written bid willprevail upon the oral bid.

Art. 7 Should there be two written bids that are not beaten by bids made in the Auction Room or telephone bids, ART AUCTIONS will con-sider the Purchaser to be the one who made the bid first. ART AUCTIONS reserves the right to refuse – its decision is final – bids ma-de by Purchasers who are not known or welcome. ART AUCTIONS may, however, partially in reference to the above-mentioned,accept bids if there is a guaranteed sum deposited equal to the value of the Lot that is requested, apart from commissions (buyer’spremium), taxes and expenses. In each case, at the moment of Purchase, the Purchaser will immediately inform the AUCTION HOU-SE of his/her personal information and taxation details.

Art. 8 ART AUCTIONS acts exclusively as the agent for the Sellers and bears no responsibility in terms of descriptions of the objectsin the Catalogues or in any other illustrated publication. All the descriptions of objects are intended purely as illustrative andindicative. They may not generate any form of reliance as far as the Purchaser is concerned. The Auction will be preceded bya public viewing of the objects in order to allow for a careful examination of the objects on behalf of aspiring bidders. In thisway, potential Purchasers will have the opportunity to and be responsible for a complete examination of all the qualities ofthe object/s in question: for example, the authenticity, the state of preservation, the type, the material and the provenance ofthe objects being auctioned. Following the Purchase, no one will be able to dispute or criticise ART AUCTIONS or the Sellersfor the lack of any form of quality in reference to the object being auctioned. ART AUCTIONS and its employees/consultantswill issue no guarantee of authenticity. All those indications relative to the carats and the weight of metals or precious stones,as well as their relative marks, are merely indicative. ART AUCTIONS is not responsible for any potential errors or falsifications.Notwithstanding any potential reference to descriptions by experts external to the AUCTION HOUSE, ART AUCTIONS does not ei-ther guarantee the accuracy or the authenticity of such comments.

CONFERISCO INCARICOA Wannenes Art Auctions affinché effettui per mio ordine e conto delle offerte per l’acquisto dei lotti qui sotto elencati fino al prezzo massimo (oltre commissioni, tasse e/o impo-ste e quant’altro dovuto) indicato per ciascuno di essi, e/o prenda contatto telefonico con me al momento in cui saranno posti in vendita i lotti qui sotto elencati, al numero di te-lefono da me indicato. Dichiaro di conoscere ed accettare integralmente le condizioni di vendita stampate sul catalogo ed espressamente esonero Wannenes Art Auctions da ognie qualsiasi responsabilità per le offerte che per qualsiasi motivo non fossero state eseguite in tutto o in parte e/o per le chiamate che non fossero state effettuate, anche per ragio-ni dipendenti direttamente da Wannenes Art Auctions.

RICHIAMO ALLE CONDIZIONI GENERALI DI VENDITA E VARIE1. Il presente elenco non è da considerarsi esaustivo ma, meramente, esemplificativo;il partecipante all’asta ha già preso visione delle condizioni generali di vendita che hadichiarato di aver compreso ed integralmente gradito ed accettato.2. Nel caso di parità tra un’offerta scritta ed una in sala prevarrà l’offerta scritta.3. Nel caso di parità tra più offerte scritte prevarrà quella formulata per prima, purchèformulata in maniera completa (garanzie bancarie comprese). 4. Il proponente è perfettamente a conoscenza che il prezzo finale di acquisto saràcomposto dalla somma offerta maggiorata dai diritti d’asta e da tutte le imposte etasse conseguenti, nonché da tutte le voci di spesa chiaramente indicate nel catalogo.5. Wannenes Art Auctions s’impegna a cercare di effettuare l’acquisto al prezzo piùbasso possibile.

LEGGE SULLA PRIVACYAi sensi e per gli effetti del d.lgs. 196/03 e successive modificazioni ed integrazioni i datisaranno trattati esclusivamente per le finalità per le quali sono stati comunicati e perl’invio di comunicazioni commerciali e/o pubblicitarie (comunque esclusivamente permaterie inerenti l’oggetto sociale della Wannenes Art Auctions). I dati potranno esserecomunicati a persone ed enti che prestano servizi per conto di Wannenes Art Auctions, ivi compresi istituti di credito per l’espletamento delle formalità di pagamento. I datipotranno essere trattati anche con strumenti informatici.

Ai sensi e per gli effetti degli artt. 1341 e 1342 del Codice Civile dichiaro diapprovare specificatamente con l’ulteriore sottoscrizione che segue gli articoli1, 2, 4, 5, 6, 7, 8, 9, 11, 13, 14, 15 delle Condizioni di Vendita.

Firma..............................................................................................................................

Data .................................................................... Ora ........................................... Firma ................................................................................................................

293 1119MODULO PER LE OFFERTE /ABSENTEE BIDS FORM

IO SOTTOSCRITTO

NOME/COGNOMENAME/SURNAME

DOCUMENTO/N° DATA E LUOGO DI EMISSIONEDOCUMENT/N. DOCUMENT/N.

NATO A DATABORN IN DATE

INDIRIZZOADDRESS

CITTÀ CAP STATOTOWN ZIP CODE COUNTRY

TELEFONO/FAX E-MAILPHONE/FAX E-MAIL

CODICE FISCALETAX PAYERS CODE

MODULO PER LE OFFERTE /ABSENTEE BIDS FORM293 1119

qUESTO MODULO SARÀ RITENUTO VALIDO SOLO SE PERVERRÀ PER E MAIL O FAX ALMENO SETTE ORE PRIMA DELL’INIZIO DELL’ASTATHIS FORM WILL BE ACCEPTED ONLY IF RECEVED BY E-MAIL OR FAX AT LEAST SEVEN HOURS BEFORE THE BEGINNING OF THE AUCTION

NON SI ACCETTANO OFFERTE TELEFONIChE SOTTO I 500 EURO DI STIMA MASSIMA TELEPHONE BIDS LOWER THAN 500 EURO WILL NOT BE ACCEPTEDLA RIChIESTA DI PARTECIPAZIONE TELEFONICA IMPLICA L’ACCETTAZIONE DI OFFERTA DEL PREZZO BASE

THE REQUEST OF TELEPHONE BIDDING IMPLIES THE ACCEPTANCE OF A BID AT THE STARTING PRICENON POSSIAMO ACCETTARE OFFERTE SOTTO IL PREZZO MINIMO DI STIMA WE CANNOT ACCEPT BIDS LOWER THAN THE MINIMUM PRICE

fax

+39

02 8

9015

908

- uffi

ciom

ilano

@w

anne

nesg

roup

.com

fax

+39

02 8

9015

908

- uffi

ciom

ilano

@w

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nesg

roup

.com

LOTTO DESCRIZIONE OFFERTA MASSIMA IN €

Data........................................Firma................................................................................

CVC* SCADE /

* codice di sicurezzacard verification code

AUTORIZZAZIONE ALL’ADDEBITO SU CARTA DI CREDITO Il sottoscritto ......................................................................................................... in relazione alla mia partecipazione quale acquirenteall’asta numero 293 che si terrà il 26 Novembre 2019 ed in relazione ad i lotti sopra indicati autorizzo Art Auctions s.r.l. adaddebitare tali miei acquisti sulla carta di credito trascorsi 10 giorni lavorativi dalla data dell’asta.

AUTHORIZATION TO CHARGE ON CREDIT CARDI undersigned in relation with my participation as a buyer at the sale nr. 293 which will be held November 26, 2019 and inrelation to the above-mentioned lots, I authorize Art Auctions Ltd. to charge the purchasesd lots on my credit card after 10working days from the date of the auction.

Visa Mastercard altra/other.....................................................................

IO SOTTOSCRITTO

NOME/COGNOMENAME/SURNAME

qUESTO MODULO SARÀ RITENUTO VALIDO SOLO SE PERVERRÀ PER E MAIL O FAX ALMENO SETTE ORE PRIMA DELL’INIZIO DELL’ASTATHIS FORM WILL BE ACCEPTED ONLY IF RECEVED BY E-MAIL OR FAX AT LEAST SEVEN HOURS BEFORE THE BEGINNING OF THE AUCTION

NON SI ACCETTANO OFFERTE TELEFONIChE SOTTO I 500 EURO DI STIMA MASSIMA TELEPHONE BIDS LOWER THAN 500 EURO WILL NOT BE ACCEPTEDLA RIChIESTA DI PARTECIPAZIONE TELEFONICA IMPLICA L’ACCETTAZIONE DI OFFERTA DEL PREZZO BASE


recapito telefonico (solo per offerte telefoniche in sala) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

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在编

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WAN

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ES A

RT管

理层

拍卖

前拍

卖。

授权任命书

Wannenes 艺术拍卖行努力致使每个下列竞拍品的订单和投标能以很好的价格(加上手续费和（或）税款之类)成交，在下列拍卖

品拍卖期间，请与我电话联系，下面列出电话号码声明全面认识和接受印在目录上的销售条件，明确豁免Wannenes艺术品拍卖行以任何理由不执行的部分或全部的任何及所有责任，

即使呼叫失败，或者Wannenes 艺术拍卖行员工的直接原因。

参考一般及其他的销售条款和条件款项

1.这个列表并不详尽，仅仅是举例说明；拍卖参与者已阅读理解和

接受了销售的一般条款和条件。

2. 在书面投标和会场投标同价情况下将以书面报价为准

3 . 在多个书面投标的同价情况下，将以书面为准，提供充分制定

（包括银行担保)。

4.申请人最后的购买价格包括拍卖费用及产生的所有税费，以及目

录中明确标示的所有开支项目

5. Wannenes艺术品拍卖行致力于尽量做到尽可能最低的购买价格

隐私声明根据法律 675/96 第10条的效力，随后修改和增补的数据处理将专用

于商业通信和/或广告（皆是只为Wannenes艺术品拍卖行宗旨的事

宜）。数据可能被提供服务的代表Wannenes艺术品拍卖行的个人或组织披

露，包括贷款人完成付款手续。

数据还可以由计算机进行处理。

根据意大利民法典第1341条，第1342条的效力，特此批准进一步阅

览第1 条，第2条，第4 -9条，第11条，第13-15条的销售条件

签名.......................................................................

日期..................................时间 ...................................................签名 ...............................................................................................

293 1119MODULO PER LE OFFERTE /ABSENTEE BIDS FORM

姓名

NAME/SURNAME

文档号码发行日期地点

DOCUMENT/N. DOCUMENT/N.

发行地日期

BORN IN DATE

地址

ADDRESS

城市邮编国家

TOWN ZIP CODE COUNTRY

电话/传真电子邮件

PHONE/FAX E-MAIL

增值税代码

TAX PAYERS CODE

MODULO PER LE OFFERTE /ABSENTEE BIDS FORM293 1119

QUESTO MODULO SARÀ RITENUTO VALIDO SOLO SE PERVERRÀ PER E MAIL O FAX ALMENO SETTE ORE PRIMA DELL’INIZIO DELL’ASTATHIS FORM WILL BE ACCEPTED ONLY IF RECEVED BY E-MAIL OR FAX AT LEAST SEVEN HOURS BEFORE THE BEGINNING OF THE AUCTION

NON SI ACCETTANO OFFERTE TELEFONICHE SOTTO I 500 EURO DI STIMA MASSIMA TELEPHONE BIDS LOWER THAN 500 EURO WILL NOT BE ACCEPTEDLA RICHIESTA DI PARTECIPAZIONE TELEFONICA IMPLICA L’ACCETTAZIONE DI OFFERTA DEL PREZZO BASE


fax

+39

02 8

9015

908

- uffi

ciom

ilano

@w

anne

nesg

roup

.com

fax

+39

02 8

9015

908

- uffi

ciom

ilano

@w

anne

nesg

roup

.com

拍卖品说明欧元最高出价

日期 ........................................签名 ................................................................................

验证码* 截止日期 /

* codice di sicurezzacard verification code

信用卡抵押授权

签字人 .............................................................作为买家参与竞拍品第293 号的竞拍。将于2019年11月26日，在上

述地段的艺术拍卖有限公司授权后，在拍卖之日起10个工作日内用信用卡购买。

卡万事达卡其他

姓名

NAME/SURNAME

只有拍卖开始前至少七个小时通过e-mail或传真交付本表格才有效估价低于500欧元我们将不接受手机连线

参与手机连线的请求，即表明您同意提供的基准价格

低于最低价格估计我们不能接受要约

电话 .......................................................................................................................................................................................................

I lot

ti co

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con

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"*" a

l mom

ento

del

la st

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stat

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com

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nten

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-ga

nici

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ti a

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ni p

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Chi

foss

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ssat

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di m

ette

rsi i

n co

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to c

on i

nost

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fici p

rima

dell'

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.

Lots

with

this

sym

bol "

*" h

ave

been

iden

tifie

d at

the

time

of c

atal

ogui

ng a

s con

tain

ing

orga

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l whi

ch m

ay

be su

bjec

t to

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ns re

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impo

rt o

r exp

ort.

For f

urth

er in

form

atio

n co

ntac

t the

Man

agem

ent o

f WAN

NE-

NES

ART

AU

CTI

ON

S be

fore

the

sale

.

在编目时已经识别出含有此符号

“*”的批次可能受进出口限制的有机材料。

有关更多信息，请联系

WAN

NEN

ES A

RT管理层拍卖前拍卖。

Lot 37

ASIAN ART

26 NO

VEMBER 2019

MI293

wannenesgroup.com

ASIAN ARTMILAN 26 November 2019米兰, 2019年11月26日

ASIAN ART - Wannenes Art Auctions

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