Fine Art Auctions, Miami, 18.02.2014

8/13/2019 Fine Art Auctions, Miami, 18.02.2014

1/46


2/46

32

FINE ART AUCTIONS MIAMI350 NW 29th street Miami FL 33127

Tel (1) 305-573-4228 [email protected] www.faamiami.com

Frederic THUTAuctioneer License no AU4372

STREET ART AUCTION& EVENT

at LMNT Studios

59 NW 36th Street

Miami, FL 33127

SALE PREVIEWSFriday, February 14th until Tuesday, February 18th10am- 5pm (EST)

SPECIALIST FOR THIS AUCTION

Sebastien LaboureauFrench Cell +33 6 80 56 41 37US Cell +1 786 216 49 [email protected]

TUESDAYFEBRUARY18THAT6PM

CATALOGUE ONLINE ON www.faamiami.comLIVE BIDDING ON www.liveauctioneers.comIMPORTANT NOTICE: The conditions of sales and the absentee bid form are at the end of the catalog.

FascinatingZipNecklace, transformable intoa bracelet, coloured sapphiresand diamonds.

Haute Joaillerie, place Vendme since 1906

HARBOUR - 9700 Collins Avenue - 305-866-0899

M BEACH - 202 Worth Avenue - 561-655-6767

efarpels.com


3/46

54

As a long standing public art form, voicing the temperaments and opinions of the youngest generations, urban

art has only recently been recognized and accepted as a fine art form and is developing into one of the most

exciting sectors of the art market.

On February 18th Fine Art Auctions Miami will host a Major Street auction giving the world an opportunityto own legendary pieces of contemporary street art. Our exceptional major auction will feature 60 lots from

some of the top international artists in the field. Lots by pioneer artists will be available including Jean-Michel

Basquiat and Keith Haring. The auction will also include current trail blazers such as Banksy, Bambi, CES, Cope

2, LA2, Michael Tracy, Retna, Ron English, Speedy Graphito, T-Kid and countless others with a unique artistic flair

have helped to push the boundaries . Many of these artists started honing their skills beginning in the 1970s

and 1980s at the start of the movement, making these works available for auction a piece of history. Further

making history are the kids of these legends; the next generation of street art will also be up for grabs!

FAAM will have an exciting platform for these young artists to exchange ideas and creations in an open forum

where masterpieces can be immortalized through dialogue between viewers and artists. Street art is a nar-

rative art rooted within our everyday lives, delivering societal messages and characterizing the way our civi-

lization is evolving. This Street Art auction will introduce iconic works to the world by giving voice to strong

messages. The events and auction will further enrich and diversify Miamis art market and art community by

promoting emerging and established talents. Events will happen daily beginning on February 14th, 2014 at

LMNT a unique-high end venue located in Midtown Miami. The auction and events surrounding it will attract

a global audience of significant collectors and art lovers alike.

FAAM will be putting together a special exhibition space, pop-up show, and dedicated live street working

spaces within LMNT Midtown for a featured group of artists to work over a four day period. Internationally

acclaimed street artist Speedy Graphito will feature a special pop-up exhibition of his latest works, including a

major installation that he will be working on live throughout the 5 days. The events will also feature talentedlocal artists from the Wynwood area who will be painting live for the public. The Wynwood artists featured will

be KAZILLA, Diana Contreras, Dean ZEUS Colman, HOX, Jeff Dekal, ABSTRK, Ruben Ubiera, and TREK6.

FAAM is keen on bringing the global spotlight achieved through the auction to the local talented artists that

are contributing to the rise of Wynwood as a Street Art Mecca which is beaming with creative energy..

TH E MOST IMP OR TANT ST REET AR T AUC TI ON SALEORGANIZED IN MIAMI

TOG ET HER W ITH A FIV E- DAY EXH IBITIONAND LIVE HAPPENING EVENTS

Hox

Ruben Ubiera

Jeff Dekal

Kazilla

Diana Contreras

Speedy Graphito

Trek6

Abstrk

Dean Zeus Colman


4/46

76

INDEX

Lady AIKO & Terror 161 19

BAMBI ARTIST 1, 4, 29BANKSY 2, 3, 5

Jean-Michel BASQUIAT 22Hebru BRANTLEY 17, 18

C215 32, 33CHANOIR 6, 7Dean Zeus COLMAN 26Cope 2, CES, & T-Kid 9CRASH 28

Burhan DOGANCAY 41

Ron ENGLISH 11

FAILE 15, 34, 35, 37, 38

Speedy GRAPHITO 20GULLY 13

Keith HARING 24

LA2 23

Adam NEATE 36Herr NILSSON 16

PHASE 2 27, 30

RETNA 12Joseph RUBIN 39

Kenny SCHARF 8SEEN 31STIK 40, 48SWOON 10

Michael TRACY 21, 25

ZEVS 14

Auction license # AB3131Auctioneers for this sale:

FREDERIC THUT, FL LICENCE #AU4372

FINE ART AUCTIONS MIAMI350 NW 29th street Miami FL 33127

Tel (1) 305-573-4228 [email protected] www.faamiami.com

MIAMI APPRAISAL OFFICE

350 NW 29th STREETMIAMI, FL 33127

Tel. +1 305 573 4 228

DIRECTOR AND ART EXPERT

FREDERIC THUT

[email protected]. +1 917 282 6 044

BUSINESS MANAGER

SHANTELLE [email protected]

ACCOUNTING

LESTER CAESAR

[email protected]

LOGISTICS AND INVENTORY MANAGER

INTERNATIONAL SHIPMENTROXANA [email protected]

NEW YORK APPRAISAL OFFICE

EUROPEAN EVALUATORS

501 MADISON AVE, 14th FLOOR

NEW YORK, NY 10022Tel. +1 212 759 98 03

[email protected]

BUSINESS MANAGER AND ART RESEARCHER

EDA AKSOY

[email protected]

PARIS APPRAISAL OFFICE

17 RUE DE BEAUNE

PARIS 75007FRANCE

Tel. [email protected]

DIRECTOR AND ART EXPERTDAN [email protected]

Tel. +33682654557

www.faamiami.com

PDF1.pdf 1 2/13/2014 2:43:00PM


5/46

98

Proceeds from the sale of this Bambi piece will be donated to the Arts and Business Council of Miami

who in turn will use the funds to continue to provide services to the local arts community. Fine

Art Auctions Miami will also auction selected artworks by local Wynwood artists, including KAZILLA,

TREK6, Jeff De kal, Ruben Ubiera, Jose M ertz, ABSTRK, and Hox with proceeds benefiting the artists

and the Arts & Business Council of Miami.

Since our inception in 1985 our staff, consultants and volunteers have contributed services and pro-

grams valued at over 9.5 million dollars. A chapter of Americans for the Arts, one of the leading arts

advocacy organization in the United States, the Arts & Business Council of Miami serves as a catalyst

between the cultural and corporate communities by developing unique and beneficial partnerships

that make a difference in South Floridas cultural landscape.

For over two decades the Councils myriad of programs and services continue to be distinctive and

in-demand among cultural organizations and businesses alike. The Council currently assists over 500

arts groups through volunteer programs, leadership training, board retreats, educational workshops,

collaborations, and networking events. This unique cross-discipline approach stimulates rewards for all

involved while bolstering the regions strength and stability.

The servic es of the Art s & Business Co uncil have bec ome increa singly essen tial to main taining a stro ng

& vital cultural community. Partnerships among for-profit and non-profit organizations have the poten-

tial to create a crucial network where the arts and business communities flourish. The Council takes a

leadership role developing and strengthening these partnerships through programs that bring toge-

ther business and arts for effective collaboration.

The Arts a nd Busines s Council of Miami c ontinue s to fuel the a rts commu nity in Miami with n ew ideas

and initiatives, such as Arts Board Match, Jump on Board, Miami Arts Marketing Project, Volunteer

Lawyers for the Arts and Arts Connection, a monthly newsletter that connects arts, business and com-

munity leaders.

For more information about the Arts & Business Council of Miami, visit www.ArtsBizMiami.org.


6/46

1110

1 BAMBI ARTISTMake Tea Not War, Miami,2013Stencil on concrete wall40.4 x 12.5 feet12.31 x 3.81 metersOriginal street art work

Estimate: $25,000 - $30,000

The proceeds of this lot will benefit the Artsand Business Council of Miami as c harity.

Dubbed The Female Banksy by TV commentator and presenter

David Dimbleby, her approach to street art is unique, blending

the classic Stencil & Spray Paint technique with original media

like diamond dust and gold leaf. Bringing a feminine touch to the

street art scene, her artworks have a colourful and glittery feel that

make her pieces appealing to a wider range of other art lovers

than just graffiti fans. Speaking of her work in a very rare inter-

view, the media-shy artist said: I let my work speak for itself. But

dreams can inspire me and I am particularly interested in people

who spread love and joy Her subjects are often related to events

and icons of the modern times like: Agent 007 star Daniel Craig,Usain Bolt, Chinese Artist and Activist Ai Wei-Wei, Amy Winehouse,

Rihanna, Dita Von Teese, David Beckham, Prince William and Kate

Middleton. Bambis artworks have been collected by many celebri-

ties including Rihanna, Brad Pitt and Angelina Jolie, Adele, Robbie

Williams, Mark Owen, Harry Styles and Louis Walsh to name just

a few. Recently Kate Moss commissioned her to paint a personal

street art portrait in the style of Andy Warhols iconic Marilyn for

a reported sum of 50,000. Bambi had her first official exhibition

in London (Knightsbridge) last November and she is rapidly beco-

ming a rising star of the British Urban Art scene. Enjoying more and

more exposure in both National and International press, Bambi re-

vealed she used to have a prominent career in the music business

as singer. There has been speculation over what her real identity

might be (M.I.A.? Paloma Faith? Geri Halliwell?) but to this day it

still remains a well-kept secret.

Bambi painted Make Tea Not War during her visit to Miamis Design

District in December 2013.


7/46

1312


8/46

1514

BANKSY

Kissing Coppers, Brighton, ca. 2005Spray paint and stencil on emulsion basewith aluminum; Unique piece89 x 65 x 3.5 in. (framed)226 x 165 x 8.9 cm. (framed)

Estimate: $500,000- $700,000

ProvenanceKeszler GalleryPrivate Collection, New York

2*

* The seller of lots marked with an * has been guaranteed a minimum price at auction.

Banksy is the pseudonym of the prolific British graffiti artist, political activist and film director, whose identity is un-

confirmed. Recognized as one of the most important urban guerilla artists, his work includes satirical messages with

subversive epigrams that have been featured on streets, walls, and bridges of cities throughout the world. Bank-

sys work transforms public spaces into a battleground, a place where the advertisements of corporate giants, the

government and artists confront the issues of our modern world. There is a particularly strong association between

this artist and his audience due to his flagrant expression of the declining moral and social structures of today. The

success of this unknown street bandit has not only helped spread his political and social messages worldwide but

has developed legions of followers while doing so, and subsequently led to the creation of a market for street art

where none had existed before.

Think outside the box, collapse the box, and take a fucking sharp knife to it.

Banksy doesnt mince his words, he puts action behind them, as is demonstrated by the iconic piece, Kissing Cop-

pers, from 2005. Both the colours and the message are black and white, forget all prejudice and question authority.

Spray-painted in 2005 on the Prince Albert Pub in London, where graffiti is also illegal, it rapidly became a touristic

attraction. Alike Rodins sculpture Kiss (1889) and Doisneaus photograph (1950), this Banksy stencil expresses a

desire for freedom, safety and love. The simple black and white lines depict two English policemen kissing with true

affection highlighted by their closed eyes. This tenderness is contrasted by their uniforms as one has handcuffs and

the other a truncheon, symbols of authority. Here, Banksy challenges the prevalent ideas of masculinity; policemen

are in our general subconscious, regarded as tough and law abiding, and by exposing these two homosexual police-

men Banksy takes a sharp knife to all of our preconceived ideas. Ultimately this work, with its satirical and noncha-

lant nature, is most defining of Banksy, a persona that the public has developed ideas about based on surprisingly

little information.

- Banksy


9/46

1716

BANKSY

Crazy Horse Car DoorFrom NYC Residency Better Out Than InSeries October 9, 2013Spray paint on car door48 x 36 in. 121.9 x 91.5 cm.

Estimate: $200,000- $300,000


3

Passing through New York City for a thirty day residency in October

2013 titled, Better Out Than In, Banksy brought his social messages

yet again with a hand of sarcasm, humor and mystery. His work was

not only confined to public walls as most know it, but encompassed

the public realm by capturing the spirit of an urban city and delive-

ring his message with schemes which reflected daily New York life.

Selling his work out of sales stands outside of Central Park, rewor-

king a thrift store bought painting and creating a bid war which ex-

ploded at a final price of over half a million dollars to benefit charity;

continuing on intriguing city goers with mobile installations drivenaround the lower seat side, and his better known stencils reflecting

the host cities angsts.

The car door was par t of an installa tion about a 2007 raid i n Baghdah

with accompanying Wikileaks audio never meant to be heard by the

public, referencing the breakdown of government secrets via the

biggest public space, the internet. In turn his creations during his

thirty day residency project spoke to the public in ways art should,

by posing questions and doubts of current affairs both foreign and

local.


10/46

1918

BAMBI ARTIST

ChihuahuaPainting on metal14.93 x 17.87 in. 37.9 x 45.38 cm

Estimate: $20,000- $25,000

4


11/46

2120

BANKSY

Bandaged Heart BalloonFrom NYC Residency Better Out Than InSeries October 7, 2013Spray paint on concrete wall- tagged78 x 114 in. 198 x 289.5 cm.

Estimate: $400,000- $600,000

ProvenanceKeszler Gallery

Private Collection, New York

5

Bandage Heart Balloon is a special work which

reflects what decades of artists have been giving

the streets, a conversation! It is an unintentio-

nal collaboration as a lot of graffiti is, one artist

paints over another in response to each others

tags, creating complex layers just as any urban

landscape, transforming a few square inches into

a few square feet of art. Externalizing sentiments

of superiority, with tag upon tag street artist

OMAR NYC aka SWATCH and Banksy respond to

each other.


12/46

2322

CHANOIR (born 1976)

UntitledAcrylic on canvas47 x 47 in. 119.38 x 119.38 cm.

Estimate: $4,000- $6,000

CHANOIR (born 1976)

UntitledAcrylic on canvas38 x 26 in. 96.5 x 66 cm.

Estimate: $3,000- $5,000

6 7

Inspired by cartoon characters and childhood heroes, Alberto

Vejarano (AKA: Chanoir), born in Bogota in 1976 and resident

of Paris since 1982, developed his love for street art at an ear-

ly age watching his father paint. Young and talented, he was

granted a place at the schools of Beaux Arts in Paris where he

received formal training in the arts. Armed with a traditional

artistic education but with a spirit to be part of the streets

and the people, he began by tagging Paris streets in the mid

1990s. Chanoir was a founding member of the group known as

COLLECTIF 1980 CREW, a group which used graffiti to fill the

public spaces of the city with acid colors and recognizable cha-

racters from different comics, as well as cartoons and familiar

advertising images. This group of artists was greatly influenced

by the 1980 art movement Free Figuration, which combines

everyday cultural reference with spontaneous figures of a raw

nature, elements which are mixed with a sense of humor. Cha-

noir has further evolved this movement in combining it with

trifling childhood matters, he includes universally recognized

characters such as Mickey Mouse and Superman; however, the

most prolific characters of his oeuvre are his cats.


13/46

2524

Kenny SCHARF (born 1958)

Gate, completed November 2010Montana spray paint on metal roll downsecurity gate

73 x 72.5 in. 185.4 x 184.2 cm.

$10,000- $15,000

8

Kenny Scharf, whose prolific work graced many walls in the city during

the graffiti heyday of the 1980s, once lived across the street from Dorian

Grey Gallerys current location at 437 East 9th Street. From 2010-2011, in

conjunction with Mediacy Goups Gatescapes Program, Scharf painted a

series of murals in his signature style on the mundane security gates of

a number of downtown shops. In November, 2010 while working on his

Houston Street mural, Scharf learned the Dorian Grey Gallery had recently

opened in his old neighborhood and paid the new gallery a visit. Unex-

pectedly, he requested that they obtain specific Montana spray paint

colors and he then proceeded to transform the gallery steel security gate

with his signature graffiti art creatures. The spontaneous project was es-

pecially poignant as Kenny has a longstanding connection to the East

Village as one of the pioneering artists associated with the Club 57 project

space on St. Marks Place.


14/46


15/46

2928

SWOON (born 1978)

Girl from the Rangoon Provence, 2008Woodblock printing, acrylic and pencil oncollaged paper and found metal36 x 60 in. 91.4 x 152.4 cm.

Estimate: $15,000- $20,000

10


16/46

3130

RON ENGLISH BORN 1966

Cowgirl Guernica Black and WhiteSilkscreen ink on synthetic polymer paint oncanvas36 x 92 x 7 in. 91.5 x 233.7 x 17.8 cm.

Estimate: $40,000- $50,000

11


17/46

3332

RETNA (born 1979)

Sacred Heart,2009Mixed media48 x 69 in. 121.92 x 175.26 cm.

Estimate: $25,000- $30,000

12

Growing up in LA and influenced by gang graffiti,

Marquis Lewis aka RETNA combines this contem-

porary art form of public communication with

the most ancient forms of writing, hieroglyphics.

His lettering forms its own vocabulary that like a

foreign language while not always understood

has become recognizable. In Sacred Heart he

deconstructs this vocabulary to create strokes

that caress the female sitter, these strokes cause

a powerful force of sensuality which draws the

viewer in. His work has been featured in Japan,

Spain, U.S., Mexico, and Austria.


18/46

3534

GULLY

Dohanos Meets Kaws , 2013Mixed media on canvas; signed and datedon the reverse.47.2 x 47.2 in. 120 x 120 cm.

Estimate: $16,000- $18,000

This work is accompanied by a certificateof authenticity from the artist

13


19/46

3736

ZEVS (born 1977)

Goldman Sachs Liquidated, 2010Liquitex on canvas57 x 45 in. 144.78 x 114 cm.

Estimate: $15,000 - $20,000

14

Best known for his trademark liquidation technique, street

artist Zevs transforms seemingly solid images into evo-

catively dripping ones in making a bold statement about

our contemporary, Hollywood driven culture. Through the

liquidation process, the artist uses paint as his weapon

against the commercial world and the ubiquitous logos of

super brands that overpower modern society. His actions

are precise and effective, by reworking these logos that

consume contemporary culture, he is able to alter their ori-

ginal meaning in an attempt to overthrow corporate rule.

By pouring paint over them, the logo dissolves in front of the

viewers eyes, drawing attention to, and visually disturbing

the recognizable and omnipresent trademark. By doing so, I

try to investigate the logos visual power. Its a simple ges-

ture, just as in Aikido when you reverse the power and change

the flow of energy."

-Interview with PingMag, 11 August 2008

His works illustrate the fragility of corporate giants

through the destruction of their logos. Zevs art makes a

bold statement against these corporations that, despite

their strength in our culture, resulting in our compulsory

consumption and spending, these icons are not invincible

and ultimately, nothing lasts forever.


20/46

3938

FAILE

Stories of Love, 2008

Oil, acrylic and silkscreen on canvasUnique piece81 x 99 in. 205.75 x 251.46 cm.

Estimate: $60,000- $70,000

15

Churning out energetic pieces like Stories of

Love t he two parts that make the dynamic

duo known as FAILE, Patrick McNeil and Pa-

trick Miller create this charged collage where

a narrative exploring love, violence, obses-

sion and crimes of passion burst from the

canvas. Bright pinks juxtaposed with browns

and blacks denote the often rollercoaster

feelings of an erratic love.


21/46

4140

Herr NILSSON

Ariel ,2013Acrylic and spray paint on canvas; signedon the lower right and the reverse75 x 53 in. 190.5 x 134.6 cm

Estimate: $10,000- $12,000


16


22/46

4342

Hebru BRANTLEY (born 1981)

But I Still Love,2013Mixed Media on Canvas54 x 54 in. 137.2 x 137.2 cm.Estimate: $12,000- $15,000

17 18

Hebru Brantley, a Bronzeville native living and working in

Chicago, explores personal and cultural memory in his art.

Using tropes from his 1980s upbringing and characters of his

own creation, Hebru uses a process akin to free-form jour-

naling with paint, working on a variety of surfaces including

walls, canvas and found objects. His work draws from an array

of influences, including pop culture icons, comic book heroes,

Japanese anime and the bold aesthetics of street art pioneers

Jean Michel Basquiat, Kaws and Keith Haring. Often Highli-

ghting injustices and social issues in his narratives, Hebrus

playful aesthetic also explores the optimism and possibilities

of youth.

Recognized internationally, Hebru has exhibited widely and re-

ceived commissions for large-scale work around the world. He

has collaborated with Adidas, Nikie, Redbull and Skyy Vodka,

among others, and has a roster of clients including Jay-Z, Le-

Bron James, Lupe Fiasco, Tyra Banks and Swizz Beats. His work

has been featured in Ebony, Jet, New York Post, The Seattle

Times, Chicago Tribune, Chicago Sun-Times, Chicago Reader

and more, and in 2013, he was chosen a Breakout Artist by

New City and a featured artist for Chicago Artist Month. This

October, Hebru will debut a large-scale public work in down-

town Chicago as the 2013 Chicago Ideas Week Artist in Resi-

dence.

Hebru BRANTLEY (born 1981)

Foreign Exchange,2013Mixed Media on Canvas51 x 54 in. 129.5 x 137.2 cm.Estimate: $12,000- $15,000

17 18


23/46

4544


24/46

4746

Lady AIKO & Terror 161

Wynwood, Miami, 2010Spray paint on metal gate120 x 144 in. 304.8 x 365.75 cm.

Estimate: $60,000- $80,000

19


25/46

4948

Speedy GRAPHITO (born 1961)

LoadingMixed media on wood triptych with videoinstallation79 x 118 in. 200.5 x 299.72 cm.

Estimate: $40,000- $50,000

20

Born in Paris in 1961, Speedy Graphito is one of

the pioneers of the French Street Art movement.

By imposing a powerful, innovative style in the

early 1980s, Speedy left his mark on the memo-

ry of a generation. He hasnt stopped evolving,always in step with the times, by inventing pic-

torial languages and codes that are iconoclastic

and satirical of society. For the past three years,

Speedy has developed a strong presence in the

U.S., beginning with his first U.S. solo exhibition,

Freeway, in Fall 2011 at the Fabien Castanier Gal-

lery. Speedy Graphito lives and works in Paris.

Speedy Graphito's "Loading" explores the digitiza-

tion of art and the confrontation between culture

and technology. Drawing parallels to the way in

which we view images loading on a computer

screen, the mural is displayed with an accompa-

nying video installation that reveals the painting

in its entirety.


26/46

5150

Michael TRACY (born 1958)

UntitledMixed media on canvas

70.5 x 98 in. 179.07 x 248.92 cm.

Estimate: $12,000-$15,000

21

Michael Tracy AKA Tracy 168 or Wildstyle, has been cre-

dited as one of the major pioneers of street art in the

New York scene. In 1972 following artist TAKI 183 who

was the first known graffiti artist, Tracy introduced wild-

ly artistic lettering and cartoons to the streets of New

York. This young and vibrant artist became a trail blazer

for graffiti artist worldwide, he opened the doors for this

genre to become a legitimate form of art and for the

public to break down the stigma of delinquency. Tracy

had a vision that low brow art could be accepted as the

purest form of communication, available for all to see,

unrestricted by gallery walls for all to explore.

Michael Tracy has been represented by Sidney Janis Gal-

lery while they were in existence and later by Martinez

Gallery up to 2002. His work is featured in The Brooklyn

Museum and The Museum of the City of New York, as

well as illustrated in many books , most importantly Hip

Hop, the illustrated History of Break Dancing, Rap Music

and Graffiti by Steven Hagar, 1984. His important role

as one of the forefathers of the street art movement can

be credited to his explosive style and untraditional can-

vas, the city walls of New York.


27/46

5352

Jean-Michel BASQUIAT (1960-1988)

Swinging Diamonds, 1987Crayon, pencil, oil stick on paper; initialed and datedJMB 87 on the reverse30 x 22.2 in. 76.2 x 56.5 cm.

Estimate: $250,000- $300,000

This work is registered in the archives of the Authen-tication Committee of the Estate of Jean-MichelBasquiat

ProvenanceAnnina Nosei G allery, New YorkVrej Baghoomian, Inc., New YorkTwiga Collection, New YorkMarcel Sitcoske Gallery, San FranciscoPrivate Collection

22


28/46

5554

LA2 (born 1967)

Love NYC,2011Neoprene on wood stretcher, mixed mediawith enamel spray paint50 x 80 in. 127 X 203.2 cm.

Estimate: $8,000- $12,000

23


29/46

5756

Keith HARING (1958-1990)

Roger in the Flowers,1987Gouache, watercolor and ink on paper,signed titled and dated June 1987 onthe reverse

14 x 19.75 in. 35.6 x 50.2 cm.

Estimate: $20,000- $25,000

ProvenanceSothebys, New York, Sale of Contem-porary Art, S eptemb er 22, 2011

24


30/46

5958

Michael TRACY (born 1958)

UntitledMixed media on canvas; signed lower left23.5 x 35.5 in. 59.7 x 90 cm.

Estimate: $5,000-$7,000

DEAN ZEUS COLMAN born 1968)

Love 3D,Handcut card, wood and paint; series 3 of 339.37 x 39.37 in. 100 x 100 cm.

Estimate: $8,000-$10,000

2526


31/46

6160

PHASE 2

UntitledSpray paint on canvas

72 x 90 in. 182.88 x 228.6 cm.

Estimate: $12,000- $15,000

27


32/46

6362

CRASH born 1961)

Blue Eye,2012Spray paint on canvas; signed anddated 2012 in graphite on verso24 x 18 in. 60.96 x 45.72 cm.

Estimate: $3,000 - $5,000

BAMBI ARTIST

MadonnaStencil print on paper with diamonddust.Unique. Signed Trial Proof30 x 43 in. 76.2 x 109.22 cm.

Estimate: $10,000- $15,000

28 29

27

28


33/46

6564

PHASE 2

Untitled

Spray paint on canvas90 x 64 in. 228.6 x 162.56 cm.

Estimate: $12,000- $15,000

30


34/46

6766

SEEN (born 1961)

Felix the Cat,2012Stencils and spray paint on canvas63.2 x 63.2 in. 160.5 x 160.5 cm

Estimate: $40,000- $50,000

31


35/46

6968

C215

Nina, 2012Stencil on wood

This work is painted by the artist on bothsides of the wood surface.100 x 150 cm 39.4 x 59.1 in.Estimate: $9,000- $11,000

ProvenanceArtist' s studio

32

Verso of lot 32


36/46

7170

C215

Mike,2013Stencil on canvas109 x 76 cm. 42.9 x 29.9 in.Estimate: $12,000- $15,000

ProvenanceArtist 's studio

33


37/46

7372

FAILE

Nurse,Berlin, 2004Spray paint and stencil on metalOriginal Street Work40 x 31 in. 101.5 x 78 cm.

Estimate: $12,000- $15,000

34 FAILE

Cosmonaut, Berlin, 2004Spray paint and stencil on metalOriginal Street Work40 x 32 inches 101.5 x 81 cm.

Estimate: $12,000- $15,000

35


38/46

7574

Adam NEATE (born 1977)

In Two Minds, 2008Mixed Media on canvasUnique Piece38.9 x 38.9 99 x 99 cm.

Estimate: $40,000- $50,000

36


39/46

7776

FAILE

Lufthans,Berlin 2004Spray paint and stencil on metalOriginal Street Work40 x 27 in. 101.5 x 68.5 cm.

Estimate: $12,000- $15,000

37 FAILE

Ray,Berlin, 2004Spray paint and stencil on metalOriginal street work30 x 26 in. 76.2 x 66.04 cm.

Estimate: $12,000- $15,000

38


40/46

7978

Joseph RUBIN (born in 1948)

View of the Hudson RiverDigital print33 x 51 in. 83.82 x 129.54 cm.

Estimate: $3,000- $5,000

39 STIK

Light Grey

Printed in London, 2013Signed and numbered in graphiteEdition of 3 impressions on archival paper44 x 16 in. 111.76 x 40.64 cm.

Estimate: $2,500-$3,500

40


41/46

8180

Burhan DOGANCAY (1929-2013)

MaoDigital Print; signed lower rightEdition of 5110 x 80 in. 279.4 x 203.2 cm.

Estimate: $6,000- $8,000

41


42/46

8584

STIKYellow

Printed in London, 2013

Edition of 10, signed & numbered twice on

each sheet

44 x 16 in. 111.76 x 40.64 cm.

Estimate: $2,000- $3,000

48


43/46

8786

Futura 2000 (Lenny McGurr)

Untitled #8 (Gears), 1988-89Mixed meda & spray enamel on canvas12 x 16 in. - 30.48 x 40.6 cm.20 x 24 in. - 50.8 x 60.96 cm. in acrylic box

Estimate: 10,000- $12,000

49


44/46

8988

Terms and Conditions of Auction

Auctioneer and Auction1. This Auction is presented by Fine Art Auctions Miami, LLC. (FAAM) as identified with the

applicable licensing information on the title page of the catalogue. The Auction is conducted underthese Terms and Conditions of Auction and applicable state and local law. Announcements andcorrections from the podium and those made through the Terms and Conditions of Auctions appearingon the Internet at FAAMiami.com supersede those in the printed catalogue.

Buyers Premium2. On bids placed through Auctioneer, a Buyers Premium of 25 percent (25%) will be added to

the successful hammer price bid on each lot up to and including $50,000, 20% from %50,001 to$1,000,000 and 15% from $1,000,001 in all Auctions. There is a minimum Buyers Premium of $25per lot.

Auction Venues3. FAAM, LLC accepts bids from the Internet, telephone, fax, or mail first, followed by a floor bidding

session; and real-time telephone bidding are available to registered clients during these auctions.

Bidders4. Any person participating or registering for the Auction agrees to be bound by and accepts these

Terms and Conditions of Auction (Bidders(s)).5. All Bidders must meet Auctioneers qualifications to bid. Any B idder who is not a client in good

standing of the Auctioneer may be disqualified at Auctioneers sole option and will not be awardedlots. Such determination may be made by Auctioneer in its sole and unlimited discretion, at any timeprior to, during, or even after the close of the Auction. Auctioneer reserves the right to exclude any

person from the auction.6. If an entity places a bid, then the person executing the bid on behalf of the entity agrees to

personally guarantee payment for any successful bid.

Credit7. Bidders who have not established credit with the Auctioneer must either furnish satisfactory

credit information (including two collectibles-related business references) well in advance of theAuction or supply valid credit card information. Bids placed through our Interactive Internet programwill only be accepted from pre-registered Bidders; Bidders who are not members of FAAM, LLC oraffiliates should pre-register at least 48 hours before the start of the first session granted at thediscretion of the Auctioneer. Additionally Bidders who have no previously established credit or whowish to bid in excess of their established credit history may be required to provide their social securitynumber or the last four digits thereof to us so as credit check may be performed prior to Auctioneersacceptance of a bid.

Bidding Options8. Bids in Auction may be placed as set forth in the printed catalog section entitled Choose your

Bidding Method.9. Presentment of Bids: Non-Internet bids (including but not limited to podium, fax, phone and mail

bids) are treated similar to floor bids in that they must be on-increment or at a half increment (calleda cut bid). Any podium, fax, phone, or mail bids that do not conform to a full or half increment will berounded up or down to the nearest fill or half increment and this revised amount will be consideredyour high bid.

10. Auctioneers execution of certain high bids. Auctioneer cannot be responsible for your errorsin bidding, so carefully check that every bid is entered correctly. When identical mail or FAX bids aresubmitted, preference is given to the first received. To ensure the greatest accuracy, your written bidsshould be entered on the standard printed bid sheet and be received at Auctioneers place of businessat least two business days before the Auction start. Auctioneer is not responsible for executing mailbids or FAX bids received on or after the day the first lot is sold, nor Internet bids submitted bytelephone, mail, FAX, e-mail, Internet, or in person once the Auction begins. Bids placed electronicallyvia the Internet may not be withdrawn until your written request is received and acknowledged bythe Auctioneer (FAX: 305-573-4245); such requests must state the reason, and may constitute groundsfor withdrawal of bidding privileges. Lots won by mail Bidders will not be delivered at the Auctionunless prearranged.

11. Caveat as to Bid Increments. Bid increments (over the current bid level) determine the lowestamount you may bid on a particular lot. Bids greater than one increment over the current bid can beany whole dollar amount. It is possible under several circumstances for winning bids to be betweenincrements, sometimes only $1 above the previous increment. Bids will be accepted in whole dollaramounts only. No buy or unlimited bids will be accepted.

The following Chart governs current bidding increments.Current Bid. Bid Increment Current Bid. Bid Increment

12. If Auctioneer calls for a full increment, a bidder may request Auctioneer to accept a bid athalf of the increment (Cut Bid) only once per lot. After offering a Cut Bid, bidders may continueto participate only at full increments. Off-increment bids may be accepted by the Auctioneer atAuctions. If the Auctioneer solicits bids other than the expected increment, these bids will not beconsidered Cut Bids.

Conduction the Auction13. A Minimum Bid is an amount below which the lot will not sell. THE CONSIGNOR OF

PROPERTY MAY PLACE WRITTEN Minimum Bids ON HIS LOTS IN ADVANCE OF THE AUCTION;ON SUCH LOTS, IF THE HAMMER PRICE DOES NOT MEET THE Minimum Bid, THE CONSIGNORMAY PAY A REDUCED COMMISSION ON THOSE LOTS. Minimum Bids are generally posted onlineseveral days prior to the Auction closing. For any successful bid placed by a consignor on hisProperty on the Auction floor, or by any means during the live session, or after the Minimum Bidfor an Auction have been posted, we will require the consignor to pay full Buyers Premium andSellers Commissions on such lot.

14. The highest qualified Bidder recognized by the Auctioneer shall be by the Buyer. In the event ofa tie bid, the earliest received or recognized wins. In the event of any dispute between any Bidders atan Auction, Auctioneer may at his sole discretion reoffer the lot. Auctioneers decision and declarationof the winning Bidder shall be final and binding upon all Bidders. Bids properly offered, whether byfloor Bidder or other means of bidding, may on occasion be missed or go unrecognized; in such cases,the Auctioneer may declare the recognized bid accepted as the winning bid, regardless of whether acompeting bid may have been higher.

15. Auctioneer reserves the right to refuse to honor any bid or to limit the amount of any bid,in its sole discretion. A bid is considered not made in Good Faith when made by an insolvent orirresponsible person, a person under the age of eighteen, or is not supported by satisfactory credit,collectibles reference, or otherwise. Regardless of the disclosure of his identity, any bid by a consignoror his agent on a lot consigned by him is deemed to be made in Good Faith. Any personal apparentlyappearing on the OFAC list is not eligible to bid.

16. Nominal Bids. The Auctioneer in its sole discretion may reject nominal bids, small opening bids,or very nominal advances. If a lot bearing estimates fails to open for 40-60% of the low estimate, the

Auctioneer may pass the item or may place a protective bid on behalf of the consignor.17. Lots bearing bidding estimates shall open at Auctioneers discretion (approximately 50%-60%

of the low estimate). In the event that no bid meets or exceeds that opening amount, the lot shallpass as unsold.

18. All items are to be purchased per lot as numerically indicated and no lots will be broken.Auctioneer reserves the right to withdraw, prior to the close, any lots from the Auction.

19. Auctioneer reserves the right to rescind the sale in the event of nonpayment, breach of awarranty, disputed ownership, auctioneers clerical error or omission in exercising bids and reserves,or for any other reason in Auctioneers sole discretion. In cases of nonpayment, Auctioneers electionto void a sale does not relieve the Bidder from their obligation to pay Auctioneer its fees (sellers andbuyers premium) and any other damages or expenses pertaining to the lot.

20. Auctioneer occasionally experiences Internet and/or server service outages, and Auctioneerperiodically schedules system downtime for maintenance and other purposes, during which Bidderscannot participate or place bids. If such outages occur, we may at our discretion extend bidding for theAuction. Bidders unable to place their Bids through the Internet are directed to contact C lient Services.

21. The Auctioneer, its affiliates, or their employees consign items to be sold in the Auction, and anybid on those lots or any other lots. Auctioneer or affiliates expressly reserve the right to modify anysuch bids at any time prior to the hammer based on upon data made known to the Auctioneer or itsaffiliates. The Auctioneer may extend advances, guarantees, or loans to certain consignors.

22. The Auctioneer has the right to sell certain unsold items after the close of the Auction. Suchlots shall be considered sold during the Auction and all these Terms and Conditions shall apply to suchsales including but not limited to the Buyers Premium, return rights, and disclaimers.

Payment23. All sales are strictly for cash in United States dollars (including U.S> currency, bank wire,

cashier checks, travelers checks, and bank money orders, all subject to reporting requirements). All aresubject to clearing and funds being received in Auctioneers account before delivery of the purchases.Auctioneer reserves the right to determine if a check constitutes good funds when drawn on aU.S. bank for ten days, and thirty days when drawn on an international bank. Credit Card (Visa orMaster Card only) and PayPal payments may be accepted up to $10,000 from non-dealers at the solediscretion of the Auctioneer, subject to the following limitations: a/ sales are only to the cardholder,b) purchases are shipped to the cardholders registered and verified address, c) Auctioneer may pre-approve the cardholders credit line, d) a credit card transaction may not be used in conjunction withany other financing or extended terms offered by the Auctioneer, and must transact immediately uponinvoice presentation, e) rights of return are governed by these Terns and Conditions, which supersedethose conditions promulgated by the card issuer, f) floor Bidders must present their card.

24. Payment is due upon closing of the Auction session, or upon presentment of an invoice.Auctioneer reserves the right to void an invoice if payment in full is not received within 7 days afterthe close of the Auction. In cases of nonpayment, Auctioneers election to void a sale does not relievethe Bidder from their obligation to pay Auctioneer its fees (sellers and buyers premium) on the lot andany other damages pertaining to the lot.

25. Lots delivered to you, or your representative in the State of Florida, New York or other stateswhere the Auction may be held, are subject to all applicable state and local taxes, unless appropriatepermits are on file with Auctioneer. Bidder agrees to pay Auctioneer the actual amount of tax duein the event that sales tax is not properly collected due to: 1) an expired, inaccurate, inappropriatetax certificate or declaration, 2) an incorrect interpretation of the applicable statute, 3) or any otherreason. The appropriate form or certificate must be on file at an verified by Auctioneer five days priorto Auction or tax must be paid; only if such form or certificate is received by Auctioneer within 4 daysafter the Auction can a refund of tax paid e made. Lots from different Auctions may not be aggregatedfor sales tax purposes.

26. In the event that a Bidders payment is dishonored upon presentment(s), Bidder shall pay themaximum statutory processing fee set by applicable state law. If you attempt to pay via eCheckand your financial institution denies this transfer from your bank account, or the payment cannotbe completed using the selected funding source, you agree to complete payment using your creditcard on file.

27. If any Auction invoice submitted by Auctioneer is not paid in full when due, the unpaid balancewill bear interest at the highest rate permitted by law from the date of invoice until paid. Any invoicenot paid when due will bear a three percent (3%) late fee on the invoice amount or three percent (3%)of any installment that is past due. IF the Auctioneer refers any invoice to an attorney for collection,the buyer agrees to pay attorneys fees, court costs, and other collection costs incurred by Auctioneer.If Auctioneer assigns collection to its in-house legal staff, such attorneys time expended on thematter shall be compensated at a rate comparable to the hourly rate of independent attorneys.

$10 $1$10 - $29 $2$30 - $49 $3$50-$99 $5$100 - $199 $10$200 - $299 $20$300 - $499 $25$500 - $999 $50$1,000 - $1,999 $100$2,000 - $2,999 $200$3,000 - $4,999 $250$5,000 - $9,999 $500

$10,000 - $19,999 $1,000$20,000 - $29,999 $2,000$30,000 - $49,999 $2,500$50,000 - $99,999 $5,000$100,000 - $199,999 $10,000$200,000 - $299,999 $20,000$300,000 - $499,999 $25,000$500,000 - $999,999 $50,000$1,000,000 - $1,999,999 $100,000$2,000,000 - $2,999,999 $200,000$3,000,000 - $4,999,999 $250,000$5,000,000 - $9,999,999 $500,000> $10,000,000 $1,000,000

28. In the event a successful Bidder fails to pay any amount due, Auctioneer reserves the right tosell the lot(s) securing the invoice to any under bidders in the Auction that the lot(s) appeared, or atsubsequent private or public sale, or relist the lot(s) in a future auction conducted by Auctioneer.A defaulting Bidder agrees to pay for the reasonable costs of resale (including a 10% sellerscommission, if consigned to an auction conducted by Auctioneer). The defaulting Bidder is liable topay any difference between his total original invoice for the lot(s), plus any applicable interest, andthe net proceeds for the lot(s) if sold at private sale or the subsequent hammer price of the lot(s) lessthe 10% sellers commission, if sold at an Auctioneers auction.

29. Auctioneer reserves the right to require payment in full in good funds before delivery of themerchandise.

30. Auctioneer shall have a lien against the merchandise purchased by the buyer to securepayment of the Auction invoice. Auctioneer is further granted a lien and the right to retainpossession of any other property of the buyer then held by the Auctioneer or its affiliates tosecure payment of any Auction invoice or any other amounts due the Auctioneer or affiliates fromthe buyer. With respect to payment of the Auction invoice(s), the buyer waives any and all rightsof offset he might otherwise have against the Auctioneer and the consignor of the merchandiseincluded on the invoice. If a Bidder owes Auctioneer or its affiliates on any account, Auctioneerand its affiliates shall have the right to offset such unpaid account by any credit balance dueBidder, and it may secure possession lien any unpaid amount by any of the Bidders property intheir possession.

31. Title shall not pass to the successful Bidder until all invoices are paid in full. It is the responsibilityof the buyer to provide adequate insurance coverage for the items once they have been delivered to a

common carrier or third-party shipper.

Delivery, Shipping and Handling Charges32. Buyer is liable for shipping and handling. Auctioneer is unable to combine purchases fromother auctions or affiliates into one package for shipping purposes. Lots won will be shipped in acommercially reasonable time after payment in good funds for the merchandise and the shipping feesis received or credit extended, except when third-party shipment occurs.

33. Successful international Bidders shall provide written shipping instructions, includingspecified customs declarations, to the Auctioneer for any lots to be delivered outside of theUnited States. NOTE: Declaration value shall be the item(s) hammer price together with its buyerspremium and Auctioneer shall use the correct harmonized code for the lot. Domestic Buyers on lotsdesignated for third-party shipment must designate the common carrier, accept risk of loss, andprepay shipping costs.

34. All shipping charges will be borne by the successful Bidder. On all domestic shipments, any riskof loss during shipment will be borne by FAAM, LLC until the shipping carriers confirmation of deliveryto the address of record in Auctioneers file (carriers information is conclusive to prove delivery toBidder; if client has a Signature release on file with the carrier, the package is considered deliveredwithout Signature) or delivery by FAAM, LLC to Bidders selected third-party shipper. On all foreignshipments, any risk of loss during shipment will be borne by the Bidder following Auctioneers deliveryto the Bidders designated common carrier or third-party shipper.

35. Due to the nature of some items sold, it shall be the responsibility for the successful Bidder toarrange pick-up and shipping through third-parties; as to such items Auctioneer shall have no liability.Failure to pick-up or arrange shipping in a timely fashion (within thirty days) shall subject Lots tostorage and moving charges, including $100 administration fee plus $10 daily storage for larger itemsand $5 daily for smaller items (storage fee per item) after 35 days. In the event the Lot is not removedwithin ninety days, the Lot may be offered for sale to recover any past due storage or moving fees,including a 10% Sellers Commission.

36. The laws of various countries regulate the import or export of certain plant and animalproperties, including (but not limited to) items made of (or including) ivory, whalebone, turtle shell,coral, crocodile, or other wildlife. Transport of suck lots may require special licenses for export, import,or both. Bidder is responsible for: 1) obtaining all information on such restricted items for both exportand import; 2) obtaining all such licenses and/or permits. Delay or failure to obtain any such license orpermit does not relieve the buyer of timely compliance with standard payment terms.

37. Any request for shipping verification for undelivered packages must be made within 30 days ofshipment by Auctioneer.

Cataloging, Warranties, and Disclaimers38. NO WARRANTY, WHETHER EXPRESSED OR IMPLIED, IS MADE WITH RESPECT TO ANY

DESCRIPTION CONTAINED IN THIS AUCTION OR ANY SECOND OPINE. Any description of the itemsor second opine contained in this Auction is for the sole purpose of identifying the items for thoseBidders who do not have the opportunity to view the lots prior to bidding, and no description ofitems ahs been made part of the basis of the bargain or has created any express warranty that the

goods would conform to any description made by Auctioneer. Color variations can be expected inany electronic or printed images, and are not grounds for the return of any lot. NOTE: Auctioneer, inspecified auction venues, for example, Fine Art, may have express written warranties and you arereferred to those specific terms and conditions.

39. Auctioneer is selling only such right or title to the items being sold as Auctioneer may haveby virtue of consignment agreements on the date of auction and disclaims any warranty of titleto the Property. Auctioneer disclaims any warranty of merchantability or fitness for any particularpurposes. All images, descriptions, sales data, and archival records are the exclusive property ofAuctioneer, and may be used by Auctioneer for advertising, promotion, archival records, and anyother uses deemed appropriate.

40. Translations of foreign language documents may be provided as a convenience to interestedparties. Auctioneer makes no representation as to the accuracy of those translations and will not beheld responsible for errors in bidding arising from inaccuracies in translation.

41. Auctioneer disclaims all liability for damages, consequential or otherwise, arising out ofor in connection with the sale of any Property by Auctioneer to Bidder. No third party may relyon any benefit of these Terms and Conditions and any rights, if any, established hereunder arepersonal to the Bidder and may not be assigned. Any statement made by the Auctioneer is anopinion and does not constitute a warranty or representation. No employee of Auctioneer mayalter these Terms and Conditions, and, unless signed by a principal of Auctioneer, any suchalteration is null and void.

42. Auctioneer shall not be liable for breakage of glass or damage to frames (patent or latent);such defects, in any event, shall not be a basic for any claim for return or reduction in purchase price.

Release43. In consideration of participation in the Auction and the placing of a bid, Bidder expressly

released Auctioneer, its officers, directors, and employees, its affiliates, and its outside experts thatprovide second opines, from any and all claims, cause of action, chose of action, whether at law orequity or any arbitration or mediation rights existing under the rules of any professional society oraffiliation based upon the assigned description, or a derivative theory, breach of warranty expressor implied, representation or other matter set forth within these Terms and Conditions of Auction orotherwise. In the event of a claim, Bidder agrees that such rights and privileges conferred therein arestrictly construed as specifically declared herein; e.g., authenticity, typographical error, etc. and arethe exclusive remedy. Bidder, by non-compliance to these express terms of a granted remedy, shallwaive any claim against Auctioneer.

44. Notice: Some Property sold by Auctioneer are inherently dangerous e.g. firearms, cannons, andsmall items that may be swallowed or ingested or may have latent defects all of which may causeharm to a person. Purchaser accepts all risk of loss or damage from its purchase of these items andAuctioneer disclaims any liability whether under contract or tort for damages and losses, direct orinconsequential, and expressly disclaims any warranty as to safety or usage of any lot sold.

Dispute Resolution and Arbitration Provision45. By placing a bid or otherwise participating in the auction, Bidder accepts these Terms and

Conditions of Auction, and specifically agrees to the dispute resolution provided herein. Consumerdisputes shall be resolved through court litigation which has an exclusive Miami, Florida venue clauseand jury waiver. Non-consumer disputes shall be determined in binding arbitration which arbitrationreplaces the right to go to court, including the right to a jury trial.

46. Auctioneer in no event shall be responsible for consequential damages, incidental damages,

compensatory damages, or any other damages arising or claimed to be arising from the auction ofany lot. In the event that Auctioneer cannot deliver the lot or subsequently it is established that thelot lacks title, or other transfer of condition issue is claimed, in such cases the sole remedy shall belimited to rescission of sale and refund of the amount paid by Bidder; in no case shall Auctioneersmaximum liability exceed the high bid on that lot, which bid shall be deemed for all purposes thevalue of the lot. After one year has elapses, Auctioneers maximum liability shall be limited to anycommissions and fees Auctioneer earned on that lot.

47. In the event of an attribution error, Auctioneer may at its sole discretion, correct the error on theInternet, or, if discovered at a later date, to refund the buyers purchase price without further obligation.

48. Dispute Resolution for Consumers and Non-Consumers: Any claim, dispute, or controversy inconnection with, relating to and/or arising out of the Auction, participation in the Auction, award oflots, damages of claims to lots, descriptions, condition reports, provenance, estimates, return andwarranty rights, any interpretation of these Terms and Conditions, any alleged verbal modificationof these Terms and Conditions and/or any purported settlement whether asserted in contract, tort,under Federal or State statute or regulation shall or any other matter: a) if presented by a consumerbe exclusively heard by, and the parties consent to, exclusive in personam jurisdiction in the StateDistrict Courts of Miami-Dade County, Florida. THE PARTIES EXPRESSLY WAIVE ANY RIGHT TO TRIALBY JURY. Any appeals shall be solely pursued in the appellate courts of the State of Florida or b) forany claimant other than a consumer, the claim shall be presented in confidential binding arbitrationbefore a single arbitrator, that the parties may agree upon, selected from the mediator list of Florida.The case is not to be administrated by mediators; however, if the parties cannot agree on an arbitrator,then mediators shall appoint the arbitrator and it shall be conducted under mediators rules. The localeshall be Miami, Florida. The arbitrators award may be enforced in any court of competent jurisdiction.Any claim must be brought within one (1) year of the alleged breach, default or misrepresentation orthe claim is waived. This agreement and any claims shall be determined and construed under Floridalaw. The prevailing party (party that is awarded substantial) and material relief on its claim or defense)may be awarded its reasonable attorneys fees and costs.

49. No claims of any kind can be considered after the settlements have been made with theconsignors. Any dispute after the settlement date is strictly between the Bidder and consignor withoutinvolvement or responsibility of the Auctioneer.

50. In consideration of their participation in or application for the Auction, a person or entity(whether the successful Bidder, a Bidder, a purchaser and/or other Auction participant or registrant)agrees that all disputes in any way relating to, arising under, connected with, or incidental to theseTerms and Conditions and purchases, or default in payment hereof, shall be arbitrated pursuant to thearbitration provision. In the event that any matter including actions to compel arbitration, construethe agreement, actions in aid or arbitration or otherwise needs to be litigated, such litigation shallbe exclusively in the Courts of the State of Florida, in Miami-Dade County, Florida, and if necessarythe corresponding appellate courts. For such actions, the successful Bidder, purchaser, or Auctionparticipant also expressly submits himself to the personal jurisdiction of the State of Florida.

51. These Terms & Conditions provide specific remedies for occurrences in the auction and deliveryprocess. Where such remedies are afforded, they shall be interpreted strictly. Bidder agrees that anyclaim shall utilize such remedies; Bidder making a claim in excess of those remedies provided in theseTerms and Conditions agrees that in no case whatsoever shall Auctioneers maximum liability exceedthe high bid on that lot, which bid shall be deemed for all purposes the value of the lot.

Miscellaneous52. Agreements between Bidders and consignors to effectuate a non-sale of an item at Auction,

inhibit bidding on a consigned item to enter into a private sale agreement for said item, or to utilizethe Auctioneers Auction to obtain sales for non-selling consigned items subsequent to the Auction,are strictly prohibited. If a subsequent sale of a previously consigned item occurs in violation of thisprovision, Auctioneer reserves the right to charge the Bidder the applicable Buyers Premium andconsignor a Sellers Commission as determined for each auction venue and by the terms of the Sellersagreement.

53. Acceptance of these Terms and Conditions qualifies Bidders as a client who has consented tobe contacted by FAAM, LLC in the future. In conformity with do-not-call regulations promulgated bythe Federal or State regulatory agencies, participation by the Bidder is affirmative consent to beingcontact at the phone number shown in his application shall remain in effect until it is revoked inwriting. FAAM, LLC may from time to time contact Bidder concerning sale, purchase, and auctionopportunities available through FAAM, LLC and its affiliates and subsidiaries.

54. Rules of Construction: Auctioneer presents properties in a number of collectible fields, andas such, specific venues have promulgated supplemental Terms and Conditions of Auction by theseadditional rules and shall be construed to give force and effect to the rules in their entirety.


45/46

9190

Additional Terms & ConditionsFINE & DECORATIVE ARTS AUCTIONS

Fine and Decorative Arts Term A: Limited WarrantyAuctioneer warrants authorship period or culture of each lot sold in this catalog as set out in the

BOLD face type heading in the catalog description of the lot, with the following exclusions.This warranty does not apply to:

I. authorship of any paintings, drawings, or sculpture created prior to 1870, unless the lot isdetermined to be a counterfeit which has a value at the date of the claim for rescission which ismaterially less than

the purchase price paid for the lot; orII. any catalog description where it was specifically mentioned that there is a conflict of specialist

opinion on the authorship of a lot; orIII. authorship which on the date of sale was in accordance with the then generally accepted

opinion of scholars and specialists, despite the subsequent discovery of new information, whetherhistorical or physical, concerning the artist or craftsman, his students, school, workshop orfollowers; or

IV. the identification of periods or dates of execution which may be proven inaccurate bymeans of scientific processes not generally accepted for use until after publication of thecatalog, or which were unreasonably expensive or impractical to use at the time of publicationof the catalog. The term counterfeit is defined as a modern fake or forgery, made less than fiftyyears ago with the intent to deceive. The authenticity of signatures, monograms, initials or othersimilar indications of authorship is expressly excluded as a controlling factor in determiningwhether a work is a counterfeit under the meaning of these Terms and Conditions of Auction.

Fine and Decorative Arts Term: Glossary of TermsTerms used in this catalog have the following meanings. Please note that all statements in this

catalog, excluding those in BOLD-face type, regarding authorship, attribution, origin, date, age,provenance, and condition are statements of opinion and are not treated as a statement of fact.

1. AUGUSTE RENOIRIn our opinion, the work is by the artist.

2. ATTRIBUTED TO AUGUSTE RENOIRIn our opinion, the work is of the period of the artist which may be whole or in part the work of theartist.

3. STUDIO, (CIRCLE OR WORKSHOP) OF AUGUSTE RENOIRIn our opinion, the work is of the period and closely relates to his style.

4. SCHOOL OF AUGUSTE RENOIRIn our opinion, the work is by a pupil or a follower of the artist.

5. MANNER OF AUGUSTE RENOIRIn our opinion, the work is in the style of the artist is of a later period.

6. AFTER TO AUGUSTE RENOIRIn our opinion, this work is a copy of the artist.

7. ASCRIBED TO AUGUSTE RENOIRIn our opinion, this work is not by the artist, however, previous scholarship has noted this to be awork by the artist.

8. SIGNED (OR DATED)The work has a signature (or date) which is in our opinion genuine.

9. BEARS SIGNATURE (OR DATE)The work has a signature (or date) which in our opinion is not authentic.

Fine and Decorative Arts Term C: PresentmentThe warranty as to authorship is provided for a period of one (1) year from the date of the auction

and is only for the benefit of the original purchaser or record and is not transferable.

Fine and Decorative Arts Term DThe Auction is not on approval. Under extremely limited circumstances (e.g. gross cataloging

error), not including attributions in BOLD-face type, which are addressed in Term F below, apurchaser who did not bid from the floor may request Auctioneer to evaluate voiding a sale; suchrequest must be made in writing detailing the alleged gross error, and submission of the lot toAuctioneer must be pre-approved by Auctioneer. A bidder must notify the appropriate departmenthead (check the inside front cover of the catalog or our website for a listing of department heads)in writing of the purchasers request within three (3) days of the non-floor bidders receipt ofthe lot. Any lot that is to be evaluated for return must be received in our offices within 35 daysafter Auction. AFTER THAT 35-DAY PERIOD, NO LOT MAY BE RETURNED FOR ANY REASON.Lots returned must be in the same condition as when sold and must include any Certificate ofAuthenticity. No lots purchased by floor bidders (including those bidders acting as agents forothers) may be returned. Late remittance for purchases may be considered just cause to revokeall return privileges.

Fine and Decorative Arts Term EThe catalog descriptions are provided for identification purposes only. Bidders who intend

to challenge a BOLD-face provision in the description of a lot must notify Auctioneer in writingwithin thirty-five (35) days of the Auctions conclusion. IN the event Auctioneer cannot deliver thelot or subsequently it is established that the lot lacks title or the BOLD-face section of descriptionis incorrect, or other transfer or condition issue is claimed, Auctioneers liability shall be limitedto rescission of sale and refund of purchase price. In no case shall Auctioneers maximum liabilityexceed the successful bid on that lot, which bid shall be deemed for all purposes the value ofthe lot. After one year has elapsed from the close of the Auction, Auctioneers maximum liabilityshall be limited to any commissions and fees Auctioneer earned on that lot.

Fine and Decorative Arts Term FAny claim as to authorship, provenance, authenticity, or other matter under the remedies

provided in the Fine Arts Terms and Conditions or otherwise must be first transmitted toAuctioneer by credible and definitive evidence within the applicable claim period. Auctioneer,in processing the written claim, may require the Purchaser to obtain the written opinion of tworecognized experts in the field who are mutually accepted by the Auctioneer and Purchaser.Upon receipt of the two opinions, Auctioneer shall determine whether to rescind the sale. ThePurchasers claim must be presented in accord with the remedies provided herein and is subjectto the limitations and restrictions provided (including within the described time limitations).

Regardless of Purchasers submissions there is no assurance after such presentment thatAuctioneer ill validate the claim. Authentication is not an exact science and contrary opinionsmay not be recognized by Auctioneer. Even if Auctioneer agrees with the contrary opinion ofsuch authentication and provides a remedy within these Terms and Conditions or otherwise,our liability for reimbursement for bidders third party opines shall not exceed $500. The rightof rescission, return, or any other remedy provided in these Terms and Conditions, or any otherapplicable law, does not extend to authorship of any lot which at the date of Auction was inaccordance with the then generally accepted opinion of scholars and specialists, despite thesubsequent discovery of new information, whether historical or physical, concerning the artist,his students, school, workshop or followers. Purchaser by placing a bid expressly waives anyclaim or damage based on such subsequent information as described herein. It is specificallyunderstood that any refund agreed to by the Auctioneer would be limited to the purchase price.

Fine and Decorative Arts Term GProvenance and authenticity, excluding attributions in BOLD-face type, are guaranteed by

neither the consignor nor Auctioneer. While every effort is made to determined provenance andauthenticity, it is the responsibility of the Bidder to arrive at their own conclusion prior to bidding.

Fine and Decorative Arts Term HOn the fall of the Auctioneers hammer, Buyers of Fine Arts and Decorative Arts lots assume full

risk and responsibility for lot, including shipment by common carrier or third-party shipper, and mustprovide their own insurance coverage for shipments.

Fine and Decorative Arts Term I

Auctioneer complies with all Federal and State rules and regulations relating to the purchasing,registration and shipping of firearms. A purchaser is required to provide appropriate documentsand the payment of associated fees, if any. Purchaser is responsible for providing a shippingaddress that is suitable for the receipt of a firearm.

FAAM, LLC strongly encourages in-person inspections of lots by the Bidder. While FAAM, LLCis not obligated to provide a condition report of each lot, Bidders may feel free to contact thedepartment for a Condition Report and FAAM, LLC will attempt to furnish one, but shall not beliable for failing to do so. Condition is often detailed online, but is not included in our catalogues.The Bidder should review online descriptions as the descriptions supersede catalog descriptionsand those condition reports otherwise provided. Statements by FAAM, LLC regarding thecondition of objects are for guidance only and should not be relied upon as statements of fact,and do not constitute a representation, warranty, or assumption of liability by FAAM LLC. All lotsoffered regardless of condition report are sold AS IS.

The Auctioneers for this sale will be :

Frederic Thut AU 4372National Auctioneers Association

FAAM, LLC Auction Business License: AB3131

Bank Reference

Citibank2001 Biscayne Blvd, Miami, FL 33137

Estrow Account 009119790578, ABA 266086554

BIDS FORMFine Art Auctions Miami (FAAM, LLC)

STREET ART

Tuesday, February 18th, 2014 at 6pm

at LMNT Studios - 59 NW 36th Street, Miami, FL 33127

For credit limits above $ 20,000, first time bidders are required to submit the credit reference information in relation with the amount they bid for. While we take care to executeall written bids as submitted by our clients, we regret that we cannot accept responsibility for errors,omissions or late arriving bids.

THIS DOCUMENT CAN BE FAXED to (1)305-573-4245

For online interactive bidding or online absentee bids please register online at www.faamiami.com.

350 NW 29thstreet Miami, FL 33127 - Tel (1) 305-573-4228 fax (1) 305-573 4245

www.faamiami.com - email: info @faamiami.com

LAST NAME (in capital letters):

FIRST NAME:

ADDRESS:

ZIP / POSTAL CODE:

CITY:

COUNTRY:

TELEPHONE (Required):

EMAIL (Required):

FAX:

Please provide credit card information. For reference purpose only. Please attach a photocopy of your passport or identity card.

AMEX DINERS VISA MASTERCARD Exp. Date: /

Buyers premium 25 % of the hammer price on each lot up to and including $ 50,000, 20 % from $ 50,001 to $ 1,000,000 and 15 % of the excess of the hammer price above

$ 1,000,000.

Please check one :

ABSENTEE (Written) BID TELEPHONE BID

Please bid on my behalf for the following lot(s) up to the net price(s) (excluding Buyers premium, taxes and other costs) mentioned below,purchasing as much below my

indicated limit(s) as possible. I hereby agree and acknowledge that Faam,llc is not responsible for fail ing to execute such bids or for any errors or omissions in connectiontherewith. I have read, understand and agree to be bound by the Conditions of Sale and Important Notices contained in the catalogue for this sale are incorporated by

reference herein. I hereby agree and acknowledge that I am obligated to purchase and shall have no right to revoke acceptance of any a nd all lots for which I am the

highest bidder. I hereby authorize Faam, llc to charge my credit card for this invoice in the event it remains unpaid for twenty five (25) days following the sale.

Please refer to the Shipping & Insurance section at the end of the catalogue for details. Please note Faam,llc is not responsible for shipping. Our shipping department

will assist you in choosing a third party crating service.

LOT N LOT DESCRIPTION LOT BID LIMIT IN $

Date: Signature (Required):


46/46

FINE ART AUCTIONS MIAMI350 NW 29 th st . Miami, FL 33127 - www.faamiami.com

IMPORTANT PAINTINGS AND SCULPTURES

APRIL 2014 - IN MIAMI

PLEASE CONTACT OUR SPECIALISTS FOR FREE ESTIMATES: [email protected]

NOW ACCEPTING CONSIGNMENTS

Zao WOU-KI, Oil on canvas, 1963, 19.7 x 21.65 in. 50 x 55 cm. Estimate: $400,000-$600,000

Fine Art Auctions, Miami, 18.02.2014

Documents