Art in New York Concrete-Neo Concrete. Thomas Maldonado, Cover of Arturo Magazine, Buenos Aires, 1944.

Art in New York

Concrete-Neo Concrete

Thomas Maldonado, Cover of Arturo Magazine, Buenos Aires, 1944.

Thomás Maldonado, Desarrollo del triángulo, (Development of the Triangle), Oil on canvas, 31 ¾” X 23 ¾” , 1951.

Juan Melé, Coplanar, 1950, Oil on wood, 28” X 24.5” X 3”.

Juan N. Mele, Cut out Frame 11, Oil on wood, 1946.

Juan Bay, Shaped Painting Madi, Enamel on hardboard, 1947.

Gyula Kosice, Madi Neon- Madí A-2, 1946, neon gas, Plexiglass and wood box.55 x 40 x 17 cm (21 5/8 x 15 3/4 x 6 11/16 inches)

Lucio Fontana, Spatial Concept, Iron, 1950.

Lucio Fontana, Spatial Concept, 1960.

Alejandro Otero, Colourhythm 28/39/40, Enamel on wood, 1957.

Carlos Cruz-Diez, Physichromy, no. 42, Wood, cardboard, and acrylic, 1961.

Carlos Cruz-Diez, Fisiocromia #23 (Physiochromy 23) ,Cardboard and Synthetic polymer paint on wood, 1961.

Jesus Rafael Soto, Spiral with Red, Plexiglass, wood, and enamel, 1955.

Jesus Rafael Soto, Five Large Rods, Wood and metal, 1964.

Jesus Rafael Soto, Global Writing, 1970, painted wood, stainless steel wires and nylon cord.

Jesus Rafael Soto, Log, 1961, wood, metal, and wires.

Antonio Maluf, First Sao Paulo Biennial Poster, 1951.

Max Bill, Continuity, Plaster, 1947.

Haroldo de Campos, Ideogram, 1958.

Waldemar Cordeiro, Visible Idea, Acrylic on wood, 1956.

Sergio Camargo, Large Relief #104, Wood, 1966.

Helio Oiticica, Red and White Metascheme, Oil on canvas, 1958.

Hélio Oiticica, Pintura 9, 1959, Oil on canvas, 45 ¾” X 35 1/8”.

Helio Oiticica, Metaschemes, Gouache on Paper, 1958.

Helio Oiticica, Metascheme, Gouache on Paper, 1958.

Helio Oiticica, Metaschemes, Gouache on Paper, 1958.

Helio Oiticica, Metaschemes, Gouache on Paper, 1958.

Helio Oiticica, Metaschemes, Gouache on Paper, 1958.

Helio Oiticica, Metaschemes, Gouache on Paper, 1958.

Helio Oiticica, Metaschemes, Gouache on Paper, 1958.

Helio Oiticica, Spatial Reliefs, 1959, Oil on wood.

Helio Oiticica, Spatial Relief, Red, Painted wood, 1958.

Helio Oiticica, Spatial Relief, Painted Wood, 1960.

Hélio Oiticica, Relevo espacial (Spatial Relief) 1959-91, Industrial paint on wood.

104 x 114.5 x 13.5 cm (40 15/16 x 45 1/16 x 5 5/16 inches)

Hélio Oiticica, Box bolide 12, 1964-65, acrylic, earth, wood, nylon, cardboard, glass, pebbles, fluorescent bulb.

Helio Oiticica, Glass Bolide 4, Soil, 1964.

Helio Oiticica, Box Bolide 18, Poem Box 2, Homage to Cara de Cavalo, 1966.

Helio Oiticica, Be a Marginal, Be a Hero, 1968.

Helio Oiticica, Parangole P4, Cape 1, 1964.

Helio Oiticica, Parangole, Cape, 1960’s.

Helio Oiticica, Parangole, Exhibition Opiniao 65, MAM, 1965.

Helio Oiticica, Penetrable Tropicalia, 1967.

Helio Oiticica, Penetrable Tropicalia, 1967, MAM.

Helio Oiticica, Penetrables Tropicalia and Eden, Tropicalia Exh., Bronx Museum, 2007.

Lygia Clark and Helio Oiticica, Dialogue of Hands, 1966, MAM, Mobius Strip Rubber Band.

Rubber Band

Lygia Clark, Animals, Aluminum, 1960’s.

Lygia Clark, Caminhando (Walking), 1963.

Lygia Clark, Caminhando (Walking), 1963.

Lygia Clark, Caminhando (Walking) , 1963.

Lygia Clark, The I and the You Cloth-Body series, 1967.

Lygia Clark, Mandala, elastic bands,1969.

Lygia Clark, Baba Anthropophagic (Thread), 1973.

Lygia Clark, Cannibalism, 1973.

Lygia Clark, Sensorial Masks, 1967.

Lygia Clark, The Structuring of the Self, 1965-80.

Lygia Clark, Abysmal Mask, 1968.